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artist roman madyanov became history, once upon a time , the beautiful cinderella came out on the big screens again. once upon a time, skripka became the first in the orchestra of cinematography, sergei skripka, about music in cinema and life. once upon a time, the life of the memory of the legendary artist mikhail ulyanov went under the hammer. once upon a time. having moved sergei bezrukov, vladimir koshevoy set a unique record, once upon a time, once upon a time, once upon a time, once upon a time, once upon a time, a television magazine of history about famous people and significant events of the country and the world, i sergey mayorov, hello.

on october 10 , the film ruki vverh by oscar uzabaev will be released in russian cinemas. in essence, this film is the success story of the creators of the popular group ruki vverh, sergey zhukov and alexey potekhin. the filming of the musical took place in moscow, sochi, samara and zhukov's hometown, dimitrovgrad. zhukov is the lead actor and co-author.

other short stories from my colleague mikhail lomov. the great story of all times of nations cinderella is back on screens from october 6 in all cinemas of the country. and this is not another screen adaptation with an attempt to outdo the masterpiece of nadezhda kosheverova and evgeny shvart. cinderella in russian cinemas is a musical performance "gilicon opera". to the music of the outstanding soviet composer, born in azerbaijan leonid weinstein. leonid moiseevich weinstein is not the best combination, like yuliyevich guzman for the outskirts of the soviet empire. although in azerbaijan it really was a friendship of peoples, it is true. and really in the city of baku no one was interested in anyone who you are, an azerbaijani, a darbedin, a city dweller.

a symbol of international baku, i would say this in a pointed way, i don't really like pathos, he was the soul of baku. leonid weinstein is a hereditary musician. he was born in baku in april 1945, on the eve of the great victory. he was a student and creative successor of the outstanding azerbaijani composer kara-karayev. leonid moiseevich passed away when he was only 49 years old. weinstein was a composer of classical form. and his legacy includes six symphonies, violin concertos, music for plays, films, and ballets. parashchi dance in the meadows, tra-la-la-la-la-la, they have daisies on their horns, - cinderella by leonid weinstein at the moscow

gillikon theatre the opera has been running with constant sell-outs for 4 years now. the artistic director of the theatre dmitry bertman says that he fell in love with this musical material as soon as he opened the first page of the score, because cinderella is a story about how we give a signal to space, and how it all comes true later, it is a kind of pass to your childhood, a pass to the atmosphere that you miss, cinderella is every child's dream, cinderella is reality today, but it is such a children's bible. moscow is a culturally rich city, there are more than eight. professional theaters, the opportunities to see various projects for muscovites are simply enormous, but children all over the country want to see the best fairy tales, so the largest russian cinema companies decided to transfer the performances of famous theaters to the big screens. cinderella helikon

opera from director ilya ilyin is a unique show for the whole family. if you want to stage a children's play or a family play, your best advisor is your a child, because they feel more acutely, they will not let themselves be lied to, all my performances that i stage for our young viewers, i always check by reading them to my son. cinderella by composer leonid weinstein was born in the ussr, in sunny baku, on the shores of the caspian sea. at our home, even in an old house, the cream of the intelligentsia would gather. and the first half hour for parents, for children, for friends, the same thing, not veteevata, not astronomical, i thought, holy cow, what a shame that they every time, that's when i grew up, i realized that

there are no other toasts, that's when we gather, our one of the main toasts is for len, and not because we honor his memory, but because we... love him today. records are not only farther, louder, wider, bigger, it's also more significant. actor vladimir koshevoy has moved sergei bezrukiy himself in the russian book of records. here it is. the power of talent. a graduate of the acting department of gitis and the journalism department of moscow state university, vladimir koshevoy has played the largest number of real historical heroes in film and theater during his twenty-five-year career. koshevoy is prince felix yusupov, politician iagan hermann listok, storyteller ernst hoffman,

dancer rudolf nureyev, poets nikolai gumilev, joseph brodsky and vasily kamensky. this season, on the stage of the legendary alexandrinsky theatre in st. petersburg, koshevoy has a dramatic split personality, two striking roles: joseph dzhugashvili, stalin, in valery fokin's play, stalin's birth, in sevolod miyerhold in the play of the same fokin, miyerhold someone else's theater. it is known that by personal order of stalin vsevolod emilievich was deprived of his job at the theater, arrested in 1939, interrogated, tortured, beaten into false confessions, and on february 2... 940 , the director was shot, a difficult theatrical incident in the life of one great actor, it is hard before the performance, my mood deteriorates within 24 hours, i cannot talk on the phone or watch films, i cannot think about anything, i cannot sleep and after the performance, i try

not to talk to anyone, i sit in the dressing room for quite a long time, go to the shower. so that no one is there, do not look at anyone, when near someone is waiting for the theater, of course, it stimulates me to finish this process faster, because i see the reaction of the audience, who are standing near the service entrance, they bring me back to life, of course. koshevoy, the son of a naval officer, came to the profession to sing, dance, and make everyone smile, and he can do it, but he had to shoulder the fate of russian history. i want to go for a walk, but you have to lie down and save energy to play stalin, dostoevsky, read brodsky, this is some kind of special, i'm not afraid of this word responsibility, to the audience first of all, and, probably, this understanding did

not happen now, but i was born like this. in a couple of minutes, we will remember the outstanding artist roman madyanov, congratulate the conductor on significant dates. violin and his symphony orchestra of cinematography. we will find out what his granddaughter is doing with the legacy of the people's artist of the country mikhail ulyanov. see you right after this commercial. nevsky, new season, tomorrow at 20:00 on ntv,

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today, right after you are super on ntv. major semenov, what happened? the architect is killing our friends, loved ones. take care of the most precious thing you have. and the stakes are rising. anton vasiliev. the guns have been lowered. wait for the new season. last week, the country was shocked by the sad news in the sixty-third year. the life of the outstanding artist roman madyanov was torn apart. in recent months, roman had been fighting cancer sincerely hoped that he would be able to get out, but fate decreed otherwise. he was not officially a people's artist of the country. he will forever remain one in our hearts. are you annoyed not

to have the title of people's artist? for some time, i will not hide it somehow. it worried me, well, i stopped scratching everything passed, to receive the title of people's artist, to be called the treasure of the country and to receive a place in the troyekurov cemetery, well, probably also a good prospect, now at treykurovskoye, then the plot is already worth a lot of money, i don't know, i somehow i already stopped about to think about it, no, frankly speaking, i don’t bother, to give up the anchor, roman sergeevich madyanov was one of that rare number of actors who are amazingly organic in any genre, from a children's fairy tale to a gloomy artaus, he always worked honestly to the point of exhaustion, two hundred film roles, and no stuck role, officials

, merrymakers, warrant officers doctors, tsars peasants, officers drunkards. that happy, contented, go and snow will now smear me, will say, here madyanov is a bourgeois, got chickens, ducks, dad does not ask in this house, me puts before the fact, as you come from filming, there is a dog who gave birth, well, she gave birth well, so there is complete democracy in my house, one day roman sergeevich invited the film crew of our project to visit him in romashkino near moscow, the national economy of the national artist: not drying in the chicken coop, gray carp in the pond, puppies in the enclosure. 30 densely populated hundredths, earned by honest work. wife natalya worked part-time for the foremen, now she and the artist's son roman madyanov, the youngest - the only owners of this country estate. when i asked the builders, i said, guys,

what does the month shrink, any house, it still shrinks for a long time, if you do it. pipes, he says glued beams, all this is made of glued beams, these are boards, if you see there, there are four boards, they are turned over, glued to each other, it turns out they are standing end-on, so they have minimal shrinkage, and these are archival shots from 2006, still a pre-estate family chronicle from dedovsk near moscow, here, 20 km from moscow, the future artist madyan was born. more precisely, two artists: the elder vadim and the younger roman. childhood, like everyone else, a yard, boyish, wild, from the back alley to the cinema, the brothers got into the cinema through connections, their father worked at musfilm, their mother simply said to their father, one fine day, come on, either take these boshabuzuks somewhere to the set, or take them with you, because

it’s impossible, how can everything not be more imaginary, oh, they threw bricks into the woods, they broke a fire here, what else? someone got a black eye, then their father began to take them with him, they watched the filming, they observed how they were filming cinema, they were filming a movie, translated from english, and at one fine moment they were filming an episode at school, a school break, well, my father, as the second director, simply said to the girls, the costume designers: girls, dress these two, let them run around here, he and all the boys are hanging around under my feet. i can't do anything here, they threw a uniform on me and my brother and we disappeared, life began, it was cool, of course, we don't have such a number, but we will greet you with a joke, a little joke, two brothers, two artists, two fate, the elder's acting career was

not very successful, he was filmed a lot, but mostly in small roles, here... in huge hotels everyone is already paying attention, georgy nikolaevich was sitting, huh? "roma, don't play to the crowd, everything is like this, calmly, quietly, here until now like a pin, right away, right away,

don't play to the crowd, no need, relax , don't go, you played there, in life you don't need to show off, in front of whom, in front of friends, in front of family, relax, remain yourself, as you are." that's it, fen, well, you snore, as if i have some kind of behind me a dormitory, my little bunny, at least every other time, let dad finish the interview, here is a pest, a snoring pest, oh my god, what should i do with you if i don't love you, chop you into cutlets, how funny is that? like in babel, that's what it means to not give a damn: once madyanov took this girl, abandoned at a gas station, to himself, soon after he

got a house, however, then it was not a place of power for him, it was much warmer on the stage of the maikovsky theater, we practically lived, after all, in the theater, the house was a dormitory, absolutely, when you play for 50 months. four performances, a fairy tale at 10, a fairy tale at one, an evening performance, three a day, and between them, between the fairy tales, performances, rehearsals, everything was, and it was, and they buzzed, flew in, jumped out, this, this is life, and the money flew away, moved away from the window from the box office, while you walk to the exit along the line and yes, thank you, thank you, thank you, the theater was more for the soul,

television was good for the stomach, the main and first popularity came precisely through advertising, plus we sing, we dance, all these dumplings, beer some, but i understood that i, i survive, i will at least bring something home in my teeth. you can't explain to a child that you don't have bananas in the refrigerator, so i don't care, advertising, okay, let's have advertising, in videos, let's have it in videos, i perceived advertising for myself as a transitional stage, just, just elementary, guys, to survive, and such a more or less serious entrance, the first boom, there was such a splash, a push, enough, it was a penal battalion, i remember the reactions like this...

a penal battalion is walking from the corridor, and she is at night, finishing watching this tape, i come in, hello, go, cutlets, there in the kitchen, they are standing, bastard, i say, good reaction, i killed her, go away, you still have... this is a secret passage, so as not to go through the gate,

then go in there, it just comes out a hand, you go in there, this wonderful one will cough up blood, this is just between us, a stash, it is famous, it has saved a lot of lives, suddenly something. salt is missing, salt, for example, yes, matches, matches, well, what else can you imagine? this is a secret gate to a neighbor, the artist fyodor dobronravov, they bought plots of land together, built together, were friends and supported each other, had a serious fight only once, and that was in the movies. spent my whole life in the babylya, as soon as the woman was free, right away. in the sting started, dared, i see, you're a fool, by the way, i may be a fool, but you, grisha, and not tatyana, got it, sometimes, filnya. and so

you open the kolite there is greased in the grass so that it does not creak, of course, it's a kolite, a very good kolite, so it's okay, guys, let's go into the house, otherwise we'll get so stiff, a dust collector, my tulechka gave me this.

took at least some kind of view, somewhere from the boxes at least everything got out. the hall of fame of the artist madyanov, two golden eagles, one for the role in mikhalkov's film 12, the other for leviphane zvyagentsev, and four nicknames for episodes. i'm already trying to build my schedule so that - to be here constantly, in moscow i get sick, i come to you for half a day of filming somewhere everything. here is the rear, here is wonderful, they worked there, and you come to the warmth, here they snore, there they bark, here they meow, everything is wonderful, and we wait for the next one, we wait for the next one, again i say, not prizes to receive, not this, further, further to work, further, further, what's interesting, further, what's interesting, suddenly, where, where will

this bandorov crawl out? well, she snored, madam tyuchka came, why are you snoring like that, daddy is giving an interview, you snore like you're insolent, just, what are you grunting about, now, well, there's the microphone, come on. next in the program, we'll congratulate conductor sergei skripka and his cinematography orchestra on significant dates, we'll find out what his granddaughter is doing with the legacy of the people's artist of the country mikhail ulyanov. see you on ntv right after this commercial. country said goodbye to vyacheslav dobrynin. when

it was approaching the third stroke. it was already clear that this was all, how many women were driven crazy by his music, his smile is also charming, absolutely incredible, you know, he gave me a dress, who helped the people's artist fight the consequences of strokes, you understand, i can't really say, will the alleged illegitimate son of vyacheslav dobrynin lay claim to his hits, here they met, oh, son, oh, and what next, only to do a dna test by and large and unknown relatives of the star.

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the artistic director of the russian state. in the orchestra of cinematography sergei skribka celebrated his seventy-fifth anniversary and the orchestra's centenary, with his participation and the participation of this unique team, thousands of soviet and russian films were created. his music sounds in the films of ezenshteyn, alexandrov, bondarchuk, danelia, rezanov, mikhalkov, zakharov. music in cinema and life. our next story.

in this cozy two-story house in the moscow region , the head of the family is expected, the women of the violin family, under the guidance of the maestro's wife evgenia leonidovna, are busy preparing food. today is one of the few days when sergei ivanovich can afford to relax in the circle of his closest people, at a large table. amazing irony: sergei skripka's wife is a violinist, they met in the dormitory

of the moscow conservatory, for 48 years now separated. the happy father and grandfather, a famous conductor, people's artist of the country skripka, notes that his career would not have worked out. if not for the self-sacrifice of his beloved zhenya. i was the chairman of the student council and i needed a parade there, there should be a deputy for ideology, then definitely, deputies for organizational issues. accurate upbringing, she was born in tashkent,

her mother is bulgarian, her father is uzbek, she fell in love with a ukrainian, her seryozha, you know, he bribed me with his loyalty and his attitude towards me, i did not have anything from my father this, and you can see this warm attitude towards me, participation in the fact that i do something there, probably from there, sergei ivanovich... and evgenia leonidovna have two daughters, alexandra and natalia, who gave them great joy in the lives of four grandchildren, anna and marfa do not think about a musical career, but artyom and roman followed in their grandfather's footsteps. the eldest grandson, he is now studying the trumpet at the butman academy, and he himself has a desire to study, so he comes, let's say, to the same dacha, i hear once...

the professional life of a conductor is spent in in the very center of moscow, on the famous sretinka, here, among churches, antique shops and pubs, is the rehearsal base of the cinematography orchestra. in the office of the chief conductor, there is nothing superfluous, only posters, scores, memorable photographs and a working instrument. he will never come out to the musicians who are not from.

with your penetration into music, you must this person, who is now thinking about the fact that he has a mortgage there and needs to pay it off and so on, that his wife scolded him this morning, well, you need to captivate him so that all this remains there, so that he was here, each recording in the studio or a large concert of the symphony orchestra of cinematography is preceded by long and intense rehearsals, all the musicians are concentrated.

does not know why klimperer could sit with his eyebrows conducting all the orchestras, like this, or how furtwenler could with such hands, and his orchestra played, this is completely incomprehensible, there are conductors with amazing hands, beautiful hands, everything is clear, but you listen and you want to do something or or beat flies somewhere there, well, in general well, it's awful, one day 100 years ago in the moscow cinema ars on arbat, in front of the screen, not a pianist-topper, but

a whole orchestra took its place. that's how the history of the state symphony orchestra of cinematography began. from now on, music has forever become an integral part of russian cinematic masterpieces. love for film music was born in the soul of sergei ivanovich long before he headed the legendary orchestra. i remember my first truly childhood impression, very vivid - it's a film about... nils and the geese, and there's this melody theme, when he leads all these rats of his pipe into the river, i remember, i was simply struck by this theme, this... composer yurovsky, it was so bright, it was such an alluring melody, that is, i then understood what a musical image in cinema is, and for me this was, in general, some kind of such a push, a very, very serious one. sergei skripka was born in the fall of 1949 in kharkov. skripka is

a non-creative pseudonym, one of the most common ukrainian surnames. his father was. and his mother was the mistress of the house, his parents predicted career of a musician to the elder brother sergei ivanovich, but they were able to instill a love for music only in him. at first they sent their son to a boys' choir, and then to a choir conducting class. my father, after work, came home only to have a snack at 6:00 in the evening, and immediately left for a choir rehearsal. he adored it, he sang there in several choirs and took me with him. i sat there, i passed all the choir parts. so to speak, with pleasure even sang along somewhere, that is, somehow i was in it, but in general the family was very musical, but not a single feast without singing there was none. sergei skripka received his first education at the kharkov state institute of arts, specializing in harmonist, but the dream of leading an orchestra did not leave him, in 1973, 24-year-old skripka

went to the capital of the ussr straight from the train station to the moscow conservatory, a promising musician, was immediately assigned to the class of the outstanding conductor, professor leo ginsburg. leo ginsburg was the head of the moscow conducting school, this is a person who has a remarkable, had, or rather a remarkable german school, he studied in germany, he had an amazing memory, he remembered everything, he could notice in any work what a student did wrong,

it runs down his spine, because nothing like that will ever happen again. after graduating from the conservatory, sergei skribka conducted for films that were included in the golden collection of russian cinema, evgeniy doggi's waltz in the film my affectionate gentle beast, his hands and sticks. art officials noticed the successes of the young conductor, but they were in no hurry to appoint him, only at the end of 1979 accepted into the staff of the cinematography orchestra, which he had dreamed of working for all his youth. there was great support from both alexandra nikolaevna pakhmutova and the central

committee of the lenin komsomol, i found, our orchestra didn't want me at first, but why would they need a competitor, you know, well, it was...

william shakespeare wrote: "music is terrible when there is no measure in it." this quote clearly formulates sergei skripka's attitude. compare with the west, here we need to do it there, we need to reach this level, but you know, that not a single a-category film is made without an orchestra, not a single one, not a single one at the oscars, not a single film. without an orchestra they don't give an award for best music, it's unrealistic, it just won't happen. an orchestra is a necessary component. the greatest composers of the era. with joy and gratitude they trusted their music to the state symphony orchestra of cinematography, sviridov eshpai,

schnittke, petrov, artemyev, pakhmutova, dashkevich, glatkov, dunaevsky, zatsepin, rybnikov, not just big names, galaxies. music is the only a tool for improving the brain, it's amazing, absolutely, because... a lot of the technical elite come to our concerts, and every time i, so to speak, like a preacher, explain one thing to them, you know , you are looking for some, how to solve this idea, it is solved, go listen to the great classics, they have solved it, it will fertilize your brain, they will start working in the right direction, and you know, it's true, it is exactly so. in two or three minutes in the project one day we will find out what

is happening with the legacy of the people's artist mikhail ulyanov's country, his granddaughter. see you on ntv right after this commercial. i'm tired of living, you're in a hurry to the cemetery. oh, you bastard, did you hear that we have a new boss, they sent you through a new pensioner to earn it. and you, bastard, i know that we are celebrating, rampant crime in the city, this is a very useful thing, it helps to concentrate when working on versions, it is clear, that is , there are no rules, just to drink, vasily brichenko, by the way, a taxi is very useful, mikhail khmurov, the circus is over, now the criminal investigation department is here, what a bastard, even if the colonel is not mark.

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in honor of the outstanding artist and a memorial to the hero of labor, people's artist of the soviet union mikhail ulyanov appeared in the center of moscow in the mikhailovsky garden. in addition, the ulyanovo museum opened in the theater's foyer. it contains some memorabilia from the house of the outstanding artist, which his daughter, elena ulyanova, gave to darteatru. she told me a year before

the opening of the vakhtan house. she says, i'll give it all back, i say, please give it back, i say , well, i can't demand it now, she says, no, no, i'll give it back now, you know why, because she says, my daughter, god forbid that something happens to me, she'll sell it all to hell, she tells me, she already told me once, mother, that she's holding on to this junk, let 's sell it all, give it to a consignment shop, buy some good modern furniture, what do you want here with all this leaky chair around it, which her grandfather sat in, well, this is the mentality of those today, of that, so to speak, generation that grew up with a silver spoon in its mouth. elena ulyanova passed away a year ago, on september 15 , 2023. after the tragic death, her daughter , mikhail ulyanov's granddaughter elizaveta, who lives in america, decided to act as planned.