back here where there is a reminder of the top stories if you want to set a massive observer mission to syria last ditch attempt to prevent an all out civil war. decision time in france after a final appeal to voters are made by presidential hopefuls the top job of the country riven by social divisions and record unemployment. plots the chinese economic powerhouse that sets its sights on the our region weighs in for a slice of the young town richards. as they have been here in our tea news continues at the top of the hour our next maxes days guys are expose the dark secrets of the global financial industry.

the. max kaiser this is the kaiser report so how about it punk do you feel lucky states there were. are you seeing we aren't seeing a hologram i see i see little i see tell me more well max i want to turn to this little clip of a performance given only in the last week. yes who you see there that's too posh occur i thought tupac was dead i believe he was

gunned down but thanks to james cameron's modern technology there is tupac shakur performing again oh this is fantastic we've got zombie banks now we've got zombie performers. you know apparently the decision to do this was dr dre and dr dre has created this hologram as an artist previously known as to proxy care and i thought well you know this is a good metaphor for dr ben bernanke ece hologram of the global economy and the global reserve currency of the dollar oh it absolutely is you've got dr ben bernanke he creating a whole the ground of liquidity to insolvency there's two packs a core with a whole a gram of animation to mask is death both are milking the system unconscionably two pac is milking the outdated copyright system creating

a digital rights ghetto and then you've got ben bernanke who's creating the out money ghetto is swirling about with trillions of whole a graphic digital imprisoning. like currency whip and it is of course ben bernanke he's money printing they are allows for a can of hologram of our economy there is no economy there but the problem with holograms of course is they can finally be turned off they could be hacked they could be just disintegrate into static well this is what happens over at the earth in central iraq every couple of weeks they realise that the whole of ground is about to be turned off so they jack in another trillion euro same thing in the fed same thing at the bank of england same thing with central banks all over the world they're trying to can join their holograms to create a global holographic central bank system to create the illusion of liquidity to mask insolvency but it's a wearing thin at the margins the the digits are are are not holding together the

little photons of of of illusion that we are supposed to believe represents economic activity meanwhile wages are crashing john. disappearing austerity is kicking in people are dying but that's not in the whole graphic recipe book of the central banker such as the borat of course not it's like the matrix where the hologram of your life you think you're eating fantastic steak and well you know what ben bernanke the statistical numbers they show that you're eating protesting gorm a state can stand your eating pink slime exactly right joey council the owner of the matrix memories holding up that big fork full of states and he goes i know this steak is not real but it tastes so good and he sold out his friends in the matrix and they were consigned to live for ever in the ghetto of losing their bodies or batteries same thing with the illusion of money we know it's not real but it pays

the bills for now in the prison warden shows up and puts a sol into the good exactly well you know there's a similar thing going on here in the us you're seeing people starting to see their little deja vu moments the little static in the matrix in the hologram is falling apart the cat walking backwards exactly us at it are of the economist paper dollar and paper euro will debase in a big way so this is matthew bishop the u.s. editor of the economist and he was interviewed by the wall street journal about gold and why people have lost faith in the twentieth century religion of government backed money so we're going to turn to a clip here by the way the wall street journal introduced the concept of gold as being somehow antiquated or old fashioned gold goes through. and we harken back to another there's no. reason it's come back in the fashion of the last ten years if

you're right i mean gold we trust is that you know people i think have lost value in the twentieth century religion of government money and this new moment we're going to trust. you don't want something with the euro you look at the dollar and how it's being so much mean printed on the thing she wouldn't trust anymore that well it is a religion is it it's a religion of paper money of financial times ascribed to this religion the economist the wall street journal they all balbi for their religion ben bernanke paul krugman of the new york times they all bow before the religion that the theocracy this analysis on of paper money hola graphic economic reality meanwhile the smart money the people with actual wealth the people who are self-made like myself are accumulating gold and silver have been for ten years we can't wait for this thing a blow up just turn or call

a graphic paradigm now it's because my gold will need to be repriced at five thousand dollars an ounce i'm going to buy stacey a brick and new shirt. parity you have here you know it's you know he says that he's become an agnostic or an atheist with regard to his belief in government backed money as he fears that governments are in a position where they are going to do based currencies in a big way now the economist magazine has been saying for years basically ridiculing gold bugs so you're starting to see though that there are just too many cats walking backwards in this whole the ground for them to act you know we have this faith that the governments and central banks can somehow maintain this holy ground it's all going to be ok but the insiders behind the whole gram machine they're starting to worry him and buying gold he's still a theist he's lying this is a disease or he's

a closet gold buyer who for the purposes of maintaining his position as a propaganda meister must now claim to be oh i'm an atheist i don't believe in the religion of paper bodum anymore. it is a paper go grocery which is destroying the global economy but we know on the sly he's buying gold and he's buying it in the. end just to look at this paper death but he talks about the whole gram always falls apart headline c. or be indexed back to seven hundred forty nine to present and this was when barry ritholtz the site and it said jeffreys commodity index you see quite clearly there that inflation bottomed out in one nine hundred sixty eight and then look at the inflation the collapse of the dollar essentially since one thousand nine hundred sixty eight when charles de gaulle asked for the gold back right well look the dollar creation science in sixty eight society in seventy one cents us close to gold went down there was always this quid pro quo will increase the currency will

increase the and dead of this other country will be some g.d.p. growth as a result of it and the net result will be a higher g.d.p. growth then debt creation and this has gone back and forth for decades but as you thousand and eight we have the wall there is no more growth from debt creation there now trying to desperately pump up the debt the wall of death to create any kind of g.d.p. growth but it's not working as a worker for five years now and now people are starting to realize or sigh and say well maybe it's not a religion are becoming agnostic i've become an atheist that's one step too i hate paper i'm buying goal because i realize that they can't get any g.d.p. how many transfusions they put in this corpse there's a zombie there's two parts a cure a poll a graphic digital non existant economy it's not creating jobs or for cycling real savings it's not creating real capital you can't have capitalism without capital and this isn't capital it's just digital losers all those electrons dancing on the

head of a pin well let's look at who else in the world importantly those who have the resources are also looking at these people living inside the holy gram and they're pretty concerned about asshole and graham liveris roussel. war is a tsunami of money brazilian president dilma rousseff used her opening speech at the six summit of americas to reiterate her criticism of western monetary policy which she said was damaging latin american industry the summit which was held last weekend in carter haina colombia brought together thirty three heads of state from across the americas including the u.s. president barack obama dilma rousseff reiterated her criticism of european and american monetary policy she said of course we must take action to defend ourselves to defend is different from to protect it means not letting our manufacturing sector cannibalize broaching is defend their exports. allowing the federal reserve in washington to screw up with global money supply supply and

dilma rousseff when she was in the white house that barack obama looked as though she was about to go again the big old snap and say look stop it stop it like she was lecturing him and barack was like a little boy no no no chooses to nest he's holding up a piece over you didn't hear he didn't see it mostly well that would have really been garlic to the vampire. so again this whole ground we return to the whole of graham max lottery sectors beating triple a provide winning bet muni credit want to win the oregon or florida lottery don't purchase tickets buy their bonds instead so here you have this gulag casino a state where most people are inside the whole of the ground where we're all having fun and mega millions are there for everybody but the only ones getting rich are the ones holding the bonds one home holding the the gold the silver the real things well if the subprime market was a lottery banks were dishing out mortgages like lottery tickets with one in

a million and one in ten million actually making any kind of economic sense they sold those subprime backed bonds in a global markets and made a killing now they're removing all guys of their being any. economic justification whatsoever they're just commodifying and selling lottery backed bonds well again there is the other crucial ingredient to this one cannot live in a hologram one unless one chooses to live in a hologram with two posh occur over fifty percent of those questions on huffington post said they would totally pay to go see him why not it's just as real as the real two parks occur to them so these people who live in this holy ground society lots of people line up around the block to go buy a mega millions even though they know they're there they would be better off buying bonds back by those mega million lottery tickets but people choose to live the whole ground yes they would pay to go see

a virtual two pack with their virtual money nobody would give a gold or silver a good to go see a virtual two pack no they're too smart for that so finally max we live in this whole gram here america's prescription drug addiction suggests the sick nation the growing taste for prescription opioids in the us is a concern would isn't about our way of life that necessitate such relief and i'm not even going to go into the numbers we all know it's like quadrupled in terms of like value and various that opiates so but what about our lives is so painful let's pray consciousness to go along with the fake money and the cure so you have a three hundred sixty three full spectrum nonsense there's nothing real anywhere amongst in that garden of deception that is the u.s. global economy led by ringmaster and cheap ben bernanke you know the central bankers who supply you. digital gods and you know after

dr ben bernanke you believe the federal reserve i think dr dre would make a next nice federal reserve chairman that is asked to say see ever thanks so much for being on the record thank you max doug away much more coming away stay right there. sigrid laboratory. was able to build the world's most sophisticated robot which. those interviews with jordan found anything. to teach creation or why it should care about humans. this is why you should want your only on apology dot

com. hi i'm max kaiser welcome back to the kaiser report special guest alec empire from atari age riot out while the kaiser report hi thanks for having me you've been very vocal on the issue of copyright and on the issue of anonymous let's start with copyright do you think the act so people like cetera are the fight against fascism of our time. yeah you know i think this is always a very complex discussion you know where does creativity stock where does it stop and you know what my fear is that all those laws are being used you know the day against political blogs you know and against freedom of speech you know to me that's like the direction setting you know so i never got them and tried to protect my music or something with men with guns. i don't have you know doubts at all does

it wasn't my next question when they are i a the recording industry association of america would justify sending good to shakedown single mothers kneecaps grannies they say they're doing so in order to protect artists like yourself your thoughts i often never receive that type of money you know from that time i think they protect the powerful and that industry that's the only thing the system is set up to protect those you know and i think the majority of artists never really gets that hashed out so i don't really trust that they're dead. of strategy you know i head off you know and also i've thinking so many big corporations who steal from me out of this rather then you know some kid in a back room i mean. it is kind of absurd to me to use that kind of force on an issue it seems like the dynamic is changing somewhat in the argument that

they're protecting the artists is what is wearing thin now you're a quote i came to the conclusion that men with guns employed by the government kids and want to protect me from situations like this in the future you're writing about your experience with sony stealing your own music tell us about this big corporation yeah you know it was crazy like over ten years ago i got this v.h.s. tape from a team that was doing a documentary on nine inch nails a tour they'd done and we toured together at that time so they feel they recorded an ad. in asia dead where our music suddenly appeared before a camcorder you know and i was furious i was like they never had the permission to do that and then it was crazy to you know to fight this and card because we're like a small team of people and you can basically end the band so you know how do you go about this in asia you know and it was you know we got kind of sad about it but you

know we speak about all these topics in our song so. politics and stuff so suddenly when you see a song on a piano an ad. you know the whole thing is compromised and corrupt you know and it uses its meanings so it's about much more than you know getting whatever thousand dollars or something you know i mean so tired of it. when you guys started out twenty years ago yeah like the first record we released about twenty years ago was i go why the labor was so interesting like you know it was hard to get music back in the day so you you did press finally you know and it was almost like a very independent network starting with the techno scene the underground scene and you know nobody i heard of a copyright and things like that it was like get the music out get the message sell the stuff if you can and your network with other people you know while

a major record label is we almost stop that innovation from happening and if we look at music now. you know this was like the most important innovation that us twenty years was like a pop and techno music you know so and this stuff you know deejays were using records creating new music from that so you know it is that dead feeds right into that debate is you know like where do you draw that line you know because i think you can be so strict about everything that music just doesn't move forward you know we see it i think we see on one side the major record labels who are like so backwards and so you know putting out very boring music you know and to me that is the problem of the music industry crisis you know that they are stuck not only of the way this selling music but also just the music they are pushing you know it feels like in the sixty's or fifty's even sometimes to me you know you see some

woman some blonde woman like singing about it while. you know there's so much going on with like the dumps step scene in the underground like people using noise you know like hip hop stuff it's. it's so much more exciting you know but it is not being recognized enough you know by the industry now it's it's our teenage riot when it got started there was a political edge to it it was all of the songs or neo nazi at that time that i fascism you could say. during this period of time is twenty years of law facing toward the enemy from the previous generation there's a new enemy kind of crept up behind us behind you guys behind musicians it's a new fascist regime with these hardcore technocrats and now discipline is the circle coming around that does the audience your audience see it this way that there's a there's a connection politically what you're talking about twenty years ago and this this techno technocratic regime if you will i think you know what was interesting that

we you know we started shortly after the burden was you know and i think i've seen so much like in eastern you know socialist germany you know in terms of like civilians the way technology was used to spy on people and i think this is so relevant now to many people because they did the way technology is used to be used by those in power is you know i did kind of goes into that direction you know i you know if you look at apple or facebook or you know those types of companies it's almost like the they want to build their own zoo. which is integrated you know in the internet or whatever they call a walled garden as it were that's that's a. digital rights management it's in their walled garden and the access to these places is becoming expensive yeah and to me that's the death of me on that

idea because it's you know we should be able to connect with each other and and exchange information you know and if that is not happening anymore you know what's the internet is becoming another form of television on. you know that's how it feels sometimes right cable t.v. or it's paper if you know you've donated your fee from sony using your song black slacks to the not amisse defense fund yeah so talk a little bit about this this is part of a strategy of fighting back and how can musicians like yourself now fight back you know to me it was like anonymous like there was so many activists who helped us you know spread the music and because we rode about you know basically the bradley manning case and we can lease we wrote the song called play and we had so much support so when this thing came up like i was able to place there be like sneak it into an ad like a few months ago or. so and he was trying to sell to promote so i was i

go ok for me personally it was a little bit like a revenge thing that i was able to put that exactly that track and do that ad and you know i thought ok this this money would be you know could be used very well you know in court too because i think everybody should have the right to defend themselves you know and to afford the right type of lawyer so i was like ok you know the moment it arrived on my account i was like ok i'm transferred so you know i was kind of getting a lot of angry phone calls. and then from those guys but you know whatever we mention the redirecting the funds that of course redirecting funds is big with let's say during the size of the wiki leaks. site of course the banks around the world shut him out the credit card companies that pay pal shut him out so just moving money around becomes

a political ax yes now going back even before the berlin wall is go back to the one nine hundred sixty s. ok music at that time of course was instrumental in stopping the. you know more and it was really politicized because in the fifty's it was very lawrence welk and not very political it on the sixty's came around as highly politicized that it was fed right into that anti-war movement and so here we are in two thousand and twelve there is a digital war going on. sorry but teenage riot is really digital hardcore you more listen then to digital hardcore so is that is this is a war on i mean if you've been called into the war is this really is your music ever been more relevant or more essential yeah you know i think this is really about the artists taking the power back you know and i think. yeah we're facing an

industry which is really hostile towards us and also the freedom of speech thing you know like i mean we've seen it with when the iraq war started you know we wait dixie chicks were bullied you know by radio stations like the the record industry and i'm like you if you not allowed anymore to to write a song about you know how you feel about certain things like music is also becoming so boring to me the most exciting music was created for example in the time you mention you know and of the sixteen so you know i think the music industry's stood draws from that a lot you know i guess specially in the u.k. it's almost like they're constantly looking back to that time right now so and that i think the same with punk rock you know and now the seventy's which we flecked to the crisis and society break then i think hoopla you know we would have never thought about many of the racist racism and stuff like that in america if it wasn't

for the music you mentioned if. you were just that the cello performed and two packs a core whole a gram the holy grail a two pack performs so this is a this is a new. chapter in the digital copyright phenomenon they resurrected from the dead and subtly hip hop artist is performing. this is perpetual copyright two pac is it is never apparently eternal and but his his royalties will continue and because presumably they can create new to pack music at some point what how do you see this development to me it's almost like. it's like a metaphor and you know. the industry is a team like walking zombies you know it's like either you have like puppets you have to do stuff like that of cause it's there's the fascination for the technology maybe if you go oh this is even possible but then i'm going to ok you could have

caught it or something with the magic whatever but to me i was in that blown away by the fact that if i have to say it was a. good you know that you know it was that musically exciting to to have somebody from the past like in your contract going forward would you have a clause in there that know a whole a graphic alec empire is to be performing after your death yeah yeah some. election campaign something yeah you know if we need that i guess i have to do better but. all right well right of time alec empire of atari teenage riot thanks for being on the kaiser report yeah thank you so much all right that's the idea for this edition of the kaiser and for with me max kaiser and stacy herbert all right thank my guests alec empire of atari teenage riot going to save an email please just kaiser reported r.t.t. are you guys are saying.

well. technology innovation all these developments from around russia we've got the future covered.