with the palm of your. watching out. at the u.n. observer mission in syria prepares for massive reinforcement reports of troops violations by both the rebels and government troops the security council is to vote on a resolution later on saturday and a last ditch attempt to prevent an all out civil war. as a media blackout in france so just ahead of sunday's presidential polls ten candidates including being. a. country plagued by social divisions and record unemployment. and energy hungry china works

secure a slice of the arctic which is the chinese premier of the nordic states are hoping to win support for beijing to tap into the mineral resources hidden beyond the arctic so. to expose the always dark secrets of the global financial industry the kaiser report. max kaiser this is the kaiser report so how about a punk do you feel lucky stacey or. are you seeing

we are seeing a hologram i see i see a little boy see tell me laura well max i want to turn to this little clip of a performance here and only in the last week. yes who you see there that's to prop shook her i thought tupac was dead i believe you was gunned down but thanks to james cameron's modern technology there's two parts of her performing again oh this is fantastic we've got zombie banks now we've got zombie performers. you know apparently the decision to do this with dr dre and dr dre has created this hologram as an artist previously known as compaction care and i thought well you know this is a good metaphor for dr ben bernanke he's hologram of the global economy and the global reserve currency of the dollar oh it absolutely is you've

got dr ben bernanke the creating a whole the ground of liquidity to mask insolvency here is to patch that core with a whole a gram of animation to mask is death both are milking the system unconscionably to packer's milking the outdated copyright system creating a digital rights ghetto and then you've got ben bernanke eat who is creating a fee out money a ghetto is swirling about with trillions of whole of graphic do digital imprisoning. feel like currency whip and it is of course ben bernanke is the money printing make allows for a kind of hologram of our economy there is no economy there but the problem with holograms of course is they could suddenly be turned off they could be hacked they could be just disintegrate into static but this is what happens over at the central

bank every couple of weeks they realise that the whole of graham is about to be turned off so they jack in another trillion euro same thing the fed same thing in the bank of england same thing with central banks all over the world they're trying to can join their holograms to create a global holographic central bank system to create the illusion of liquidity that mask insolvency but it's a wearing thin at the margins the the digits are are are not holding together the little photons of of the illusion that we are supposed to believe represents economic activity meanwhile wages are crashing job. disappearing austerity is kicking in people are dying but that's not in the whole graphic recipe book of the central banker something choose to ignore it of course not it's like that matrix where the hologram of your life you think you're eating fantastic steak and well you know what ben bernanke the statistical numbers they show that you're eating contest and gore may stay can stay in your eating pink slime exactly right joey

patio of the matrix memories holding up that big forkful of states and he goes i know the state is not real but it tastes so good and he sold out his friends in the matrix and they were consigned to live for ever in the ghetto of losing their bodies or batteries same thing with the illusion of money we know it's not real but it pays the bills for now in so all the prison warden shows up and puts a solid answer to exactly well you know there's a similar thing going on here in the us you're seeing people starting to see their little deja vu moments the little static in the matrix in the hologram is falling apart the cat walking backwards exactly us editor of the economist paper dollar and paper you're a world based in a big way so this is matthew bishop the u.s. editor of the economist and he was interviewed by the wall street journal about

gold and why people have lost faith in the twentieth century religion of government backed up money so we're going to turn to a clip here by the way the wall street journal introduced the concept of gold as being somehow antiquated or old fashioned don't go through and we hope to another age doesn't it but i do you know who can reason has come back into fashion in the last ten years as you write and go we trust is that you know people i think have lost value in the twentieth century religion of government money and the saying the moment we're going to trust god. oh you know what's happening with the euro you look at the dollar and how it's being so much printed on. listening i shouldn't trust this anymore that well it is a religion is it it's a religion the paper money of financial times ascribed to this religion the economist the wall street journal they all before the religion ben bernanke the paul krugman of the new york times they all bow before the religion that the

theocracy this analysis on of paper money hola graphic economic reality meanwhile the smart money people with actual wealth of people who are self-made like myself are accumulating gold and silver had been for ten years we can't wait for this thing to blow up just heard also holographic paradigm now it's because my gold will need to be repriced at five thousand dollars an ounce i'm going to buy stacy a bridge new shirt. hair do you have here no credits you know he says he's become an agnostic or an atheist with regard to his belief in government back money as he fears that governments are in a position where they are going to do peace currencies in a big way now the economist magazine has been saying for years basically ridiculing gold bugs so you're starting to see though that there are just too many cats walking backwards in this whole the ground for them to you. you know we have

this fee that the governments and central banks can somehow maintain this whole gram and it's all going to be ok but the insiders behind the whole gram machine they're starting to worry him and buying gold he's still a theist he's lying this is a disease or he's a closet gold buyer who for the purposes of maintaining his position as a propaganda meister must now claim to be oh i'm an atheist i don't believe in the religion of paper bodum anymore. this is a paper buggery which is destroying the global economy but we know on the sly he's buying gold and he's buying it in the. end just to look at this paper death that he talks about the whole grandma always falls apart headline c.r.b. index back to seven hundred forty nine to present and this was from barry ritholtz the site and it's the jeffries commodity index you see quite clearly there that

inflation bottomed out in one thousand nine hundred sixty eight and then look at the inflation collapse of the dollar essentially since one thousand nine hundred sixty eight when charles de gaulle asked for the gold back right well look the dollar creation science in sixty eight says one hundred seventy one serves us close the gold window there was always this quid pro quo will increase the currency will increase the and debt of this other country there'll be some g.d.p. growth as a result of it and the net result will be higher g.d.p. growth then debt creation and this is gone back and forth for decades but as you thousand and eight we had the wall there is no more growth from debt creation there now trying to desperately pump up the debt the wall of debt to create any kind of g.d.p. growth but it's not working as work for four or five years now and now people are starting to realize or so i'd say well maybe it's not a religion of becoming agnostic i've become an atheist that's one step two i hate paper i'm buying gold because i realize that they can't get any g.d.p.

number at or how many transfusions they put in this corpse this is zombie this two particular hole the graphic digital non existant economy it's not creating jobs or force not bring real savings it's not creating real capital you can't have capitalism without capital and this isn't capital it's just digital losers all the electrons dancing on the head of a pin well let's look at who else in the world importantly those who have the resources are also looking at these people living inside the holy ground and they're pretty concerned about asshole the ground liver is reset. war is a tsunami of money brazilian president dilma rousseff used her opening speech at the six summit of americas to reiterate her criticism of western monetary policy which she said was damaging latin american industry the summit which was held last weekend in part to hannah colombia brought together thirty three heads of state from across the americas including the u.s. president barack obama dilma rousseff reiterated her criticism of european and

american monetary policy she said of course we must take action to defend ourselves to defend is different from to protect it means not letting our manufacturing sector cannibalize rights genies defend their exports. allowing the federal reserve in washington to screw up the global money supply supply and dilma rousseff when she was in the white house to varick obama it looked as though she was about to go give a big old snap and say look stop it stop it like she was lecturing him and barack was like a little boy no no no chooses to notice he's holding up a piece over you didn't hear you didn't see it mostly well that would have really been garlic to the vampire. so again this whole ground we return to the whole of gram max lottery sectors beating aaa provide winning best muni credit want to win the oregon or florida lottery don't purchase tickets buy their bonds instead

so here you have this gulag casino a state where most people are inside the hole the ground where we're all having fun and mega millions are there for everybody but the only ones getting rich are the ones holding the bonds and one home holding the gold the silver the real things market was a lottery banks were dishing out mortgages like lottery tickets with one in a million and one in ten million actually making any kind of economic sense they sold those subprime backed bonds in a global markets and made a killing now there and removing all guys of there being any. economic justification whatsoever they're just commodifying and selling lottery backed bonds well again there is the other crucial ingredient to this one cannot live in a hologram in one unless one chooses to live in a hologram with two posh occur over fifty percent of those questioned on huffington post said they would totally pay to go see him why not it's just as real as the real two pox occur to them so if these people who live in this holy ground society

lots of people line up around the block to go buy a mega millions even though they know they're there they would be better off buying bonds backed by those mega million lottery tickets but the people choose to live the whole gram yes if they would pay to go see a virtual two pack with their virtual money nobody would give a gold or silver and get to go see a virtual to practice no they're too smart for that so finally max we live in this whole the ground here america's prescription drug addiction suggests the sick nation the growing taste for prescription opioids in the us is a concern when is it about our way of life that necessitate such relief i'm not even going to go into the numbers we all know it's like quadrupled in terms of like value in and various that opiates so but what about our lives is so painful let's take consciousness to go low to fake money in the states or cure so you have

a three hundred sixty three full spectrum nonsense there's nothing real anywhere amongst in that garden of deception that is the u.s. global economy led by ringmaster in chief ben bernanke you know the central bankers do you. digital garbage and you know after dr ben bernanke leaves the federal reserve i think dr dre would make a next nice federal reserve chairman that is hot stick say sarah thanks so much for being on the kaiser report thank you max don't go away much more coming away stay right there.

sigrid laboratory to mccurry was to build the world's most sophisticated robot which on doesn't use the door down anything to teach creation why you should care about humans. this is why you should want your only on the orgy dot com. i am max keiser welcome back to the kaiser report special guest alec empire from atari. riot alice walker the kaiser report thanks for having me you've been very vocal on the issue of copyright and on the issue of anonymous let's start with copyright do you think the act so people like cetera are the fight against fascism of our time. yeah you know i think this was always a very complex discussion you know where does creativity like start where does it

stop and you know what my fear is that all those laws are being used you know today against political blogs you know it against freedom of speech you know to me that's like the direction it's heading you know so the government tries to protect my music or something with men with guns it's. you know doubts and well guns was in my next question when the r i a the recording industry association of america would justify sending goods to shakedown single mothers and ni-cad grannies they say they're doing so in order to protect artists like yourself your thoughts i often never received that type of money you know on that stuff i think they protect the powerful in that industry that's the only thing the system is set up to protect those you know i think the majority of artists never really gets their fair share so i don't really trust that that that. of strategy you know at all you know and

also i was thinking so many big corporations who steal from the artists rather than you know some kid in a bedroom you know it's kind of absurd to me to use that kind of force. on an issue like that it seems like the dynamic is changing somewhat and the argument that they are protecting the artists is what is wearing thin now you re quote i came to the conclusion that men with guns employed by the government and want to protect me from situations like this in the future but you're writing about your experience with sony stealing your own music tell us about this big corporation yeah you know it was crazy like over ten years ago i got this v.h.s. tape from a team there it was doing a documentary on nine inch nails a tour they'd done and we toured together at that time so they feel they recorded an ad but. in asia that where our music suddenly appeared for

a camcorder you know and i was furious i was like ok now i have the permission to do that and then it was crazy to you know to fight this in court because we had like a small team of people and you can basically end a band so you know how do you go about this in asia you know and it was you know kind of sad but you know we speak about all these topics in our song so. politics and stuff so suddenly when you see a song on appear in an ad. either the whole thing is compromised and corrupted you know and it is it's meanings it's it's about much more than you know getting whatever few thousand dollars or something you know i mean so. when you guys started out twenty years ago yeah like the first record we released about twenty years ago it was like a wide labor also interesting like you know it was hard to get the music out back

in the day so you you did press. and it was almost like a very independent network starting with the techno scene the underground scene and you know nobody i get a copyright and things like that it was like get the music out get the message sell the stuff if you can and you know network with other people you know while the major record labels we almost stop that innovation from happening and if we look at music now. you know this was like the most important innovation probably the last twenty years was like the plop and techno music you know so and the stuff you know deejays were using records creating new music from that so you know it is that their piece right into that is you know like where you draw that line you know because i think you can be so strict about everything that music just doesn't move forward you know we see it i think we see on one side the major record labels who are like so backwards and so i can you know putting out very boring music you know

and to me that is the problem of the music industry crisis you know that they are stark not only the way this selling music but also just the music they are pushing you know it feels like the sixty's fifty's even sometimes to me you see some woman some blonde woman like singing about it while. you know there's so much going on with like the dumps step on the scene like in the underground like people using noise you know like hip hop stuff it's. it's so much more exciting you know but it is not being recognised enough you know industry now it's it's our teenage riot when it got started there was a political edge to it and it was run out of the songs were neo nazi at that time i fascism you could say. during this period of time is twenty years while facing toward the enemy from the previous generation there's a new enemy kind of crept up behind us behind you guys behind musicians it's

a new fascist regime. hardcore technocrats and now discipline is the circle coming around it does the audience your audience see it this way that there's a there's a connection politically what you're talking about twenty years ago and this this technique technocratic regime if you will i think you know what was interesting that we you know we started shortly after the burden was you know and i think i've seen so much like in eastern you know socialist germany you know in terms of like civilians the way technology was used to spy on people and i think this is so relevant now to many people because they did the way technology is used abused by those in power is you know i did kind of goes into that direction you know. if you look at apple or facebook or you know those types of companies it's almost like they want to build their own zoo. which is integrated you know indie

internet or whatever they called a walled garden ok so that's that's a. digital rights management it's in their walled garden and the access to these places is becoming expensive yeah and to me that's the death of you know that idea because it's you know we should be able to connect with each other and exchange information you know and if that is not happening anymore you know what's the internet is becoming another form of television on. you know that's how it feels sometimes right cable t.v. or it's fake paper if you know you've donated your fee from sony using your song. black flags to the not amisse defense fund yeah so talk a little bit about this is just part of a strategy fighting back and how ten musicians like yourself now fight back do you know to me it was like anonymous like there was so many activists who helped us you

know spread the music and because we rode about you know basically the bradley manning case and we can lease we wrote the song called blacklegs and we had so much support so when this thing came up like i was able to place there be like sneak it into an ad like a few months ago. that. was starting to sell and promote so i was ok for me because it was a little like a revenge thing that i was able to put that exactly that track and into that ad and you know i thought ok this this money would be you know could be used very well you know unquote right to because i think everybody should have the right to defend themselves you know and to afford the right type of lawyer so i was like ok you know a moment arrived on my account i was transferred on so you know i was kind of

getting a lot of angry phone calls and then from those guys but you know whatever we imagine the redirecting the funds that of course redirecting funds as big with let's say the joint assigned to the wiki leaks and. site of course the banks around the world shut him out the credit card companies that pay pal shut him out so just moving money around becomes a political ax yes now going back even before the berlin wall let's go back to the one nine hundred sixty s. ok music at that time of course was instrumental in stopping the. vietnam war yes and it was really politicized because in the fifty's it was very lawrence well thing not very political at all and in the sixty's came around was highly politicized that it was fed right into that and i war movement and so here we are in two thousand and twelve there is a digital war going on. a teenage riot is really a digital hardcore you more or less invented digital hardcore so is that is this

is a war on i mean it's been called into the war is this really it has your music ever been more relevant or more essential yeah you know i think this is really about the artists taking the power back you know and i think. yeah we're facing an industry which is really hostile to our us and the also the the freedom of speech thing you know like i mean we've seen it with when the iraq war started you know with the way dixie chicks were bullied you know by radio stations like the the record industry and. if you not allowed anymore to write a song about you know how you feel about certain things like music is also becoming so boring to me the most exciting music was created for example in the time you mentioned you know end of the sixty's you know i think the music industry is still draws from that a lot you know i guess specially in the u.k.

it's almost like they're constantly looking back to that time right now so and that's i think the same with country and of the seventy's which we elected the crisis in society then i think hoopla you know we would have never heard about many of the racist racism and stuff like that in america it was in for hip hop music you mentioned hip hop you were just at the cello you performed and two packs a coup or whole ogram the holy grail of two pac performs so this is a this is a new. chapter in the digital copyright phenomenon they resurrected from the dead so subtly it pop artist who's performing. this is perpetual copyright two pac is is never apparently eternal and but his his royalties will continue and presumably they can create a new two pack music at some point what how do you see this developing to me it's almost like. it's like

a metaphor you know. the industry like he said walking zombies you know it's like either you have like puppets all of you have to do stuff right bad of cause it's there is the fascination for the technology maybe if you were told this is even possible but then i'm going ok you have previously caught it or something with the message or whatever i had to meet i was in depth blown away by that thing and i have to say it was a. good deal and you know it was that musically exciting to to have somebody from the past like in your contract going forward would you have a clause in there that know a whole graphic alec empires to be performing after your death bed be some sort of election campaign do you something yeah you know if we need that i guess i have to do that. all right well right of time alex empire of atari teenage riot thanks for being on the kaiser report yeah thank you so much all right and that's going to do

it for this edition of the kaiser report with me max kaiser and stacey herbert all right thank my guest alec empire of atari teenage riot going to send an email please just kaiser reported r t t v are you select imax guys are saying.