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tv   Dennis Miller One  RT  May 13, 2020 2:30pm-3:01pm EDT

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hey folks dennis miller here up next nev campbell what do you know know from like everything party 5 the scream franchise which swept the world and now she's got a new flick out it's going to be on demand it is called castle in the ground by the opioid epidemic in the north america will talk to never bought it never campbell right after this sunday on a similar plus one. hey folks welcome to dennis miller plus one today we're going to chat with jay jay's old lady never gamble and she's got a new flick out it's called castle in the ground it will be released on may 15th you know never of course from party of 5 she's a baby as young as her baby probably and she's best known for starring sidney
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prescott in the extremely popular slasher film franchise by wes craven 'd and scream so never you know one i'm well thank you honey. good i was reading up on today because i saw that name i said wow what a great name of a place to be from in canada and i saw that the captain of the san jose sharks i'm a big hockey fan logan cut your is from there to say you and he were the 2 that i recognized i was well to grow up in that it ground it. was a lovely little town it really is it sounds just close enough to toronto to a big city region feel if you're completely out of the mix. but you know very granola veterinary university there that's that's wonderful affirming university and good people a lot of artists a lot of musicians and one's great it's nice both in toronto a lot of butter tarts love love for my butler leonard right there. the phrase i'm
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glad i don't have any on this current scene but i would be overdoing those yet devoured i mean. this is so you know i've been talking to people lately about the corn gene and i think you know what everybody knows the travails we're facing now and god god knows my travails are not anything compared to the poor people who are truly afflicted by this wish them well i say my prayers some of them you know for not predisposed to prayers but i do think about the human suffering but i also think at some point i need to talk to people once a month something else because it is it is an onerous cloud over him and he said right now you will get 0. you know doing ok obviously it was 6 weeks ago it was terrifying you know and for many people even today it's terrifying and i think we're starting to if you can get used to it get used to the concept of
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wearing a mask and wearing gloves and being diligent keep yourself safe and keeping those around us safe as possible and adjusting to my son being in school virtually which is a very strange experience and not working at the moment but having a lot of family time and feeling grateful for at least. you know i feel for those who are alone in their homes and aren't around others. or those who are really struggling which many many are so it's tough it's tough to read the news is tough to think about all of that sometimes i need a break from the news. so we were like kadhimiya in that obviously your heart is with. i just don't know if you know like i said i'm starting to get white out it by yet blank out of bought it because i ever commercials about everything and that occasion i think i better go just read a book today and immerse myself from not going to have any perspective on this anyway here i am talking about taking a break off from talking about a lot tell me well listen we've got to another aspect of human life that i'm more
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of a centralized tablo but the opioid crisis and the pill castle in the ground tell me about i think it takes place in northern canada right it's about the opioid crisis it does it does yes it takes place in a small town in ontario and. you know it takes a look at the crisis at how small towns are affected how big cities are affected how easily one can be affected by. addiction and can slip into that world i think so many people make the mistake of calling addicks junkies or make the mistake of feeling that it's over there somehow but truthfully it can happen to anybody you know and it's affected over half a 1000000 people have passed away. from opiate addiction and it's very very sad and
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something it's a very important conversation i know it's not a great conversation it's not something that's it's fairly people instead of right now but i think it's important too because if you think about these people who are really not well and have unfortunately succumbed to vulnerabilities and to addiction. it must be a very very scary time for them at the moment where normally would be scary and right at the moment it would be awful. yes the isolation doubled the isolation redux quite frankly lived across the pond for 8 years and i've just met j.j. your hubby who nobody frames a shot like j.j. can i write that isn't the mills and. so i don't i don't know what you were doing over there were you pursuing acting as hard as you did when you're young when you're a young kid trying to make it in l.a. that's pretty much your day did you go over there a little life or did you go over there to find another chapter of a career you know i.e.
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i needed a different experience i wasn't necessarily saying goodbye to the business i'm an artist and wanted to be creative in other ways that i want to experience a culture and a different life and get away from hollywood for a minute and go do theater and experience what that world is over there in london. and just find my independence to be honest you know my twenty's were wonderful i worked nonstop but they were also grew hanging and i also i think i got to a place where i was tired of. being dependent on other people's decisions for me and concerning myself with what other people felt i should do as a next career step i didn't want to constantly thinking about that and wanted to bring something new to learn grow as an actor and as an artist and witness other people's work and you know just tap just honestly have a different term. and be inspired i don't know if that's your bambino over your
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shoulder but i do know you have a son and i do know nothing helps one's perspective on life as i have to not think does away with self-absorbed shit. i just love the look of my child i love playing with him i also love the fact that it got me off the catholics in what he hears of it in the pit the trash women from the heels of got me out of the great absolutely that is that is not me i am i had to have 2 sons though i have a 7 year old boring me and we adopted a young boy 2 years ago he's 2 now and it's been our love being a mother there's not any well as you know there's nothing like being a parent isn't the answer you do hand yourself over to something greater than yourself there's nothing better and more humbling than the. how does the big one with the little wanted to ensure really bring a tear to your eye when you see around of act of kindness from what your big kiss with you look at look at it since we especially when a little answering
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a wall of movement ahead of him he still has to. he's amazing and has been you know last year when caspian was 2 he started asking for a sibling he started asking for a baby brother so cast in his honest response well though i always wanted to adopt a child he's almost responsible for us bringing rayner into our lives and there have been together their honestly each other's favorite people they really adore each other and i think it's a nice age that they're a 5 year age gap so fast you really need the big brother and show him the ropes and rainer is awesome and whole areas and tough and. they go little monsters sometimes and he's fantastic and and yet they're hilarious to watch together it's wonderful. that's such a groovy name for a kid and i do like the 5 year difference because even the best intentioned young kid when all of a sudden there's a new tiny human in a house within or the year of the 2 years starts to think hey oh he wondered why
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did i do wrong how did i get out of the yep it's yes. absolutely i was the room really and all of those stages are becoming so you just you know you magic as well and so many amazing you know and i'm very very grateful to have that certainly at this time as well they make us laugh every day. don't you think when i think about your kids i think about caspian were you one of those kids again in the commercials younger what will happen to party 5 now when i was a dancer actually i was i started dancing at 6 i was that the national school of canada time i was 9 and i you know mr not hard about lay with the national can do young age and then my 1st job i got when i was 15 and the opera. in it was the original canadian cast in toronto so that was i mean how will cooper being it was an amazing experience that did 800 shows in 2 years and decimal off who loved
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it. that was really my beginning and from that you know i started doing commercials while i was doing phantom but i didn't really wasn't something i necessarily was working toward my my father was a drama teacher my mother had dinner theater my grandparents in holland had a theater company my to remember those are actors but i really was going to be the dancer. but i you know i had a lot of injuries so it was a natural transition for me and i was very grateful to find something else creative that i could the passion. i started as a to enter 100 shows yeah 800 shows in 2 years makes natalie portman in black swan look like a lay up all that i can that and then i had to tell you harvey and you musta been on point or in plea a for like 60. minutes and regular. they had me if they had a nickname for me because i had sort of long gangly legs and these long pretty iffy and they called me bambi on my because i was like sort of an awkward dear on point
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. but that's what they called me up but i loved it i love i'm gets i was minimal i was at least 10 years younger than the rest of the cast their rooms like big sisters and brothers to me in theirs and welcome some of their fans and he was such a phenomenon. so i was very lucky it was sort of the beginning of music with the. during camp as it was a really big deal at the time so yeah there are 3 i don't want to jump in here and recommend something to you but i recently maybe you've seen it as a former dancer there is a brilliant document documentary about a woman named 10 a kill look clear and she in the flick mid for middle late fifty's you have to see or know if it will blow your mind she was perfect she served as balanchine and jerome robbins as muse and in a 10 to 15 year period she was the most gorgeous live but at bloody young dancer and then something something happens i don't want to tell you but you have to watch this documentary called the afternoon of the flom you know absolutely break your
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heart and i think i'd watch it tonight if i were you because i think we are even know each other i think you probably say thank you for recommending that because honestly it's dad's fat and it absolutely stole my heart oh no james incidents thank you yeah you know it really i mean dance was was i was an athlete and you know against us are incredible athletes and artists of i made a movie years ago that robert altman directed called the company and i got to go back and dance. and and it was so it was such an amazing experience to to retrain and get back into the end and it's been really nice since that film to see an awareness that people have started to have about the dance world there really is so much you know if you're out with a lot of reality t.v. shows and dance and i think that's helped a lot but there's much more respect for dancer is i'm i'm i'm happy to see that because they deserve so much access so many don't listen and overleaf it in an
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overly frenetic world to watch a ballet and i'm hardly an educated person on ballet but to note the stillness. you know to me it's it's a beautiful escape for somebody who doesn't even know all the techniques and all that i can just lodges and think what a rest of what a rest of endeavor that. so analytic on that in the same moment we're talking to nev campbell i'm probably gushing a little but she seems like day and we're talking about her new movie new film castle in the ground which will be released on may 15th when we come back we'll talk about boy you know you talk to young people who get the explosion of fame i'm sure it's it's the movie is thing in another way i can't even imagine to get that famous that young also talk about screen wes craven's all that right after this would never gamble on dennis miller plus one.
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to recruit them and you have a lot of people. are going to a member of. the police. who could probably. even be
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in the earth i was really. mean you. ask yourself how are you going to how are you going to protect yourself. if you want to. see. where they've been able to move x. people's private information on a cell phone and see if you have crossed off somebody who is positive. and if you are if you have a need. to somebody doesn't. aren't. there
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more interesting. or are in the same situation. in the 1970 s. . illegal. soft drink companies would run an image so fast on the commercial of somebody you know in a desert. and this was. it in your unconscious mind and this was deemed. the legal. ads were taboo but you know we live in an age where all all communication that is supplemental internet attacks the subconscious and the unconscious in the form of me.
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hey folks welcome back to dunn has miller plus one all right. now you're in wealth i think it's called welfare is a golf well you got it. it is a long way from tipperary and it's a long way from wealth. away tell me how that happens how does that longbows the. so i as i said i done found some and then i done some television in canada i've done a series there and i've done the odd job here and there are. and when i was 18 a girl friend of mine who had been in high school with it got out to los angeles
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and she called me and said he should come out and the producers of a movie the week i had done in toronto said why don't you come out room find an agent and a manager i was so convinced i was going to be a dancer at that time i really didn't was not convinced that acting was going to be the thing for me i was really so dedicated my heart really was in the dance world but i flew out and i have to know and 2 weeks after that they were quick. so i couldn't get in the door i couldn't meet any managers i couldn't meet any agents but i say to my girlfriends and a woman who was staying with the producers who told me come out said i was just an agency i decided to be a manager we understand you're looking to find representation while you look would you let me send you on some things her name was arlene forest areas and certainly she sent me on 2 things and one was party of 5. what one of the regarding my now i feel like it's either that for people or they spent 10 years really you know waiter going and really working hard to get there and then they finally get
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there but it's an either or it seems like and i was i was one of the oars i was very lucky very very lucky and grateful that happen that quickly for me. you could have come out 2 weeks prior to that been on point on standing in northridge when the big clade hit and they were under wobble but as it was just perfect. yes exactly exactly huge fame even for ground that person to speak in mind boggling in a way because not only are you enjoying it like all humans do there is also think you might enjoy those 2 boats or what the hell you know tell me that tell me but when it happens. well you know obviously it was wonderful and exciting. and i was happy to be working and i was grateful to be on a show that was great writer is and great are you know i was very very lucky to be a part of part of a party of 5. it's funny i was naive i kind of you know you go to pilot season and
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you get a pilot and it gets picked up and it goes 6 years that's just what happens. i really didn't know differently but i was working i was you know i think honestly it was my my dedication to dance and sort of a workhorse mentality that you have to have as a dancer that kept me grounded and kept me understanding that you know this is my job i get up at 5 am i go to work i work 1517 hours a day which is what we did at that time especially when you should have no home at that time which took a lot longer than digital does now. they also had a concept that every character of party of 5 there are we every scene had to have at least one or 2 of the lead characters so it wasn't like your typical ensemble where you'd have a lot of time off we really didn't so that was 10 months a year those hours and i was doing films on my hiatus and very very lucky to get the jobs i wanted to make sure that i was in get something i would be known for something other than just the show i didn't want to see serious 6 years go by and
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not be seen as anything else but it meant that i were to nonstop and maybe that was my saving grace was the fact that i didn't party i didn't and you know i just was not a part of the hollywood scene that i had never really looked to that and not thought about being a famous actor i thought i was going to be a chorus dancer who got up at some of them morning or is that on the floor lying on the floor warming up to piano and dancing all day and play feet mat you know making no money and never being famous that was what i was going to do so. it was quite overwhelming i had not prepared myself not that you can prepare yourself for it but i am not prepared myself in any way and maybe that's a good thing yeah you sounds like him if you have staged it correctly did you feel a bit of guilt as you moved further away from the dance because i know when that's in your hard drive geez i don't know success in another field you have to follow it but did you feel a bit of guilt. i it was honestly it was about 10 years
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before i even listen to classical music. it would make me so sad i couldn't go see dan and missed it so much. it was really a conscious choice it was like a natural progression because i had suffered so many injuries i could've i could keep slogging but it was really challenging for me it's really hard on my body. and it would have been it would have been a very difficult career. so it made it it made sense but it was hard you know getting to make the company with problem and creating that project was my way of saying goodbye to it as you know great sense that i can see dance i can celebrate dance like and listen to classical music and as they don't but it is funny when you choose something at such a young age as you know and you're so hardwired for that which you have to be as a dancer to be a good quality to answer. yeah it was it was a difficult difficult to let go of boy what a beautiful closure altman maybe unknowingly gifted us that you could circle back
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around punctuate and and find on the other side of that that you could cozy up to it again and not be so heartbroken in a way absolutely absolutely you know it took me i created some it took me 8 years to get it off the ground and convince him to do it and you know the reason that i wanted him was he's sorry it was so great at creating worlds you know. that was what was best that was not making a star not hearing any one person and be the story be the heroine but have it be a world that you are immersed in and i really wanted it to be an acknowledgement to a dance company and soften the dance world and not have it be some star platform for myself or he leaves it in the film. so it was i was so lucky to have that experience with him and it was a magical experience you know the crew had never seen dance before the dancers had never been in a movie before bob was like a kid in a candy store he just loved it he loved what amazing artists were you know because
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he never sold out so for him yet such respect for dancers it was really one of those magical experiences certainly one of the best songs and says that my life. we're talking enough campbell and coming out on demand on may 15th is castle ground it'll be released on may 15th so look for that we've been going back and we're talking about party of 5 obviously that was the 1st thing where a station for her and then all i had this talk with jamie lee who's a friend of mine about this is the scream queen thing and she always says she had so much fun doing that i you know i mean i don't think it's for the long run you've got to move on from it but what are your memories of doing scream what are your memories of craven. so listen i was so you know people will say to me to teachers why why did you choose to be a screen you know go searching for the internet i honestly had no i don't we ever see one horror movie in my life it happened to be the 2nd movie i ever got happened
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to be my 1st lead in a in a movie and it happened to be a massive and happy heart film so it wasn't a conscious choice it was again one of those sort of. meant to be things i guess and i mean respray then was a gem he really was an incredible man he knew how to make those films really well he knew how to entertain people. he knew how to have fun he knew how to direct and tell a story in a way that people come back to him back to back to are and they're such they're such cult films. you know i there was a moment in my career where i was worried that they were so big that that would be all i was known for and there certainly was a longer time where all i was getting was offering horrify arms and that was frustrating and that was also part of my going to london was just needing to exit for a minute so i could sort of change things up for myself
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a bit. but i am so grateful for those films i really am and i know the audiences love them now. and i love them it's fun we're having a conversation about the fest right now they just came to me a month ago so i mean who knows in the end. but i you know it could be fun to do again if we can all come to an understanding with each other about how it should be i have been nervous about wes not being a part of it you know because the past i've been nervous. the people involved seem so respectful of his work and and really want to honor that so it's possible we could make another good one we'll see. so there you go i know there's a lot of fans out there are thinking about that screen maybe down the road and now listen i am i'm not a practicing buddhist but i always feel like when people put something nice out into the universe when you talk about these prominent times when you arrive 2 weeks after northridge and get that part and you know i always think well there's
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something something welcome that about a person and i think you welcome those things and you probably can't say that because it sounds but you have such a sweet presence i always think the universe looks around for people they want to work with and some regard and i certainly think you have a nice fiber a shit about your kid no own such a current things you feel very very sorry j.j. hang on not tell j.j. i'm not flirting i'm being nice you can see you are all downstairs as. i write i wish you good luck with this film once again it's video on demand it's a castle in the ground and it'll be really start in may 15th go forth and prosper young never campbell good to beach. thank you so much. later gator alright that's not camel in a spin dennis miller plus why thank you folks. we
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go to work so you can stay home. descriptions sound up at the. raising even for the owners so how to choose the head food industry is telling us what to feed our pets really more based on what they want to sell us then was necessarily good for the patent turns out that food may not be a so for the people believed we had animals that have you know diabetes in arthritis and they have auto immune disorders they catch allergies we are actually creating
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these problems is a huge epidemic of problems in all of them i believe can be linked to very simple problem of diet and some dog owners so heartbreaking stories about their pets streets the larger corporations are not very interested in proving or disproving the value of their food because they're already making a $1000000000.00 on it and there's no reason to do that research. shows seemed wrong when all we're all just all. the world yet to shake out disdain because etiquette and engagement equals betrayal. when flamini find themselves worlds apart a chance to look for common ground.
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live from the world headquarters of the r.t. america in our nation's capital this is the news with rick sanchez. and hello again everybody i'm rick sanchez it's time to look now at something that's very important to all of us recovery numbers how were adjusting how we're getting out of the situation both by the way at the macro level and at the micro level in other words what is wall street getting and what is the average worker getting look whether you're a carpenter in berlin a plumber in new delhi or a house painter in detroit this is going to affect you so let's go over to the wall and.

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