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tv   Interview  RT  October 28, 2021 5:30pm-6:00pm EDT

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disappointing a disproportionate and not what we'd expect from a close ally and partner. i've heard the british see that we acted disproportionately to them. now. we are defending our rights. we are defending our fishermen. we are defending the french coast in its economy. me when you sign an agreement, you must respect it under the plans, but his vessels and goods will be effected from november, the 2nd, unless france fishermen receive more licenses, sufficient waters. the measures include borrowing a fishing vessels from bison, balking at french ports, and beefed up board of checks on u. k. goods and congo. well, the dispute dates back in 2016 when britain voted to leave the e u. in the years that followed the block and u. k. struck a deal with bush off as the french fishes who can prove they previously fish. there are says any harmful french vessels eligible for a british fishing license, having, given what london in town is warding france, is ultimate. him. von of e u. u k. trade agreements on why the international law. we heard earlier from you
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could form a spokesperson for fisheries. mike cook him and mark the a. who's the head of norman these committee on fisheries. they offered their opposing views on the matter. i think it's a president that says that's got an election coming up on the horizon and he's, he's trying to be yeah, the bit of the statesman narrow and bit of a bully. boy. i can say that marin lot plan is doing very well and i'm not no french cost, and he's not going, he's desperate to get those brought back again. we have to be very, very strong would never ever while down to a bullying and we shouldn't, don't. now, we shouldn't allow this man to police or to that the french to bowler this country . we need to get control of all war to which we would promise in the brakes that were promised control my waters. i don't believe we've got that yet on at all. so we've been waiting to get access to those waters for more than 11 months. now it's time to do something about it now through were aware of what the other party is
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trying to project. everyone is trying to flex their muscles, but i don't think it will end in a naval battle between the french and british. this is not so much of an economic issue as a symbolic one. the way we resolve this problem will determine how brakes it is settled in other sectors of the economy. you see up next to movie director, claim ship and go talks about his experience of making the 1st ever film shot in spice of wood. i assess, wanted to get in half an hour for the latest. ah ah. so i have to ask you the 1st thing, is it better up there or down here? was very different. i is sir, very different atmosphere and circumstances and everything totally different. first
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of all. busy i mean people are flying up, they're not here here, and they're just walking in. there's gravity. so this is a completely different feeling which i miss already, which i already miss because the fact that you don't feel any weight. and then you can push yourself a little bit and fly until you stop yourself. is something you cannot experience here on earth. do you think maybe that you loved it so much because it was something new for you, but if you've been there for 6 months, you'd just be at the and please i'd have to feel carrabas. well, yeah, sure, that's a part of it. and if i spend there 6 months, i would miss earth and i would one to come back as soon as possible. but when i talk to the customer, us up, they're usually their intention is to fly in to spend as much time up there as possible. when nice, it's a little different, there are certain certain aspects of life up there that i have to get used to. and
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i never quite did as you know, watching yourself eating and going to the toilet is very uncomfortable there. you know, a person getting used to getting can, can get used to anything pretty much, but those are the aspects that us, that are the hardest to get used to. other than that. i mean it's, it's a state of flight and you know, we have a perspective on the view of earth and nothing and down here can beat that. it must be pretty amazing for you having not trained your life and dreamt of becoming honest, i'm wrong. cause mental to suddenly have that opportunity and become sort of an average person to speak thought, unimaginable. well, i'm technically, i am technically a cosmo, but i don't feel like i'm on the same level of training and the same level of competence about space and international space station as the guys who trained for 10 years to to be up there. i did dream about that by the
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way, i dreamt about it when i was a child in russia, it was common, it was eighty's. and when i was about 567, i was very common among russian kids to dream was phase because face me cause when i was world were big heroes back then people knew their names. unfortunately, they like now did dream one and a huge book in space was this thick. so i was looking at it and reading, trying to read it and trying to understand that i had them. i was asking other people to read passages out of it. i didn't dream about this for many years, but i, i remember as a kid dreaming about that after that space came back to me with my future film was call. so you 7 space. so the space came back to my life. and me actually took a lot of it because i was also co author of the script i was was rewriting the script. and before i started rewrites, i had to do
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a lot of research. you can just start writing anything you had to kind of understand, get a deep understanding of what of the industry and of the history. and i had lived with the, with the space inside of me. and after that i was shooting the film and i was always thinking, oh, how is that up there? and i was trying to imitate it on earth to really i did have, i did have a lot of thoughts of ob space and especially flying up there. when i went to ask you actually when you 1st came home and you said to your wife to your mother, 2 children guys daddy's getting to to space. what was the initial reaction? you know that because they know me, they kind of expected to happen so that it wasn't that how that happened? no, no, no, no, they were very much like oh okay. have another mad idea? no, no, it's certainly it wasn't that they knew i was serious. they,
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they kinda knew because for the new b moon, they knew me pretty well. and so i say it is going to have and unusually happened. you thank your mother and she said that she expected this totally from you. so you've always been the type of person who always wants to go forward and do something new just not comes from. huh. your sense of unwilling, of course, of course, from her as well. she said that she'd also like to go to space. if she can you venture to think she'd be a good space tourist? yes, she likes to travel tonight. good job. was there a moment when you were on the i assess or maybe he did peek into the room and a moment that struck you and stayed with you when you realized forgive the pump, the gravity of what you were doing here. it was right in the beginning, it was like a 1st day when i because the 1st day when we arrived, it was very overwhelming. and we were kind of shocked. and we were through the take
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off on the and the docking. and we were very and we were exhausted and you know and shocks and it was like a mix of those feelings to yeah we, i remember when and i, we kind of flew around the station and we had a tour. the tomato ski was around the i assess the whole i assess american section and including the american folks at the end of this tour week we flew into the don't the cooper and i remember unit i was just like frozen out there and then we stopped flying because it was and we were just looking we just, we were just mesmerized by. and so i guess that was the 1st moment that we realized, oh my god, we are up in the space. and here we are here we're here. finally, i mean something. i mean, of course people will train for years, but for us the training was long to say every day after that the realization was getting deeper. and i guess in the middle of this, of our stay there,
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we kind of were used to already in being there. but yeah, the 1st moment was the that, that huge perspective of the world of if you, when you down here filming on earth, which must be really boring to you. now you have stuff like light engine is found. you that you have a whole team that you are pretty much one my mind, it was you and you and then over fuel because you know, it's an off and i was helping you thought did not make your life even more difficult. or did i actually make it over more thought to find knowing that you had done it from start to finish all by yourself, of course, and did what she were doing this interview right now. and therefore guys here, shout out. yeah, for i was just, you know, when i'm flying and we're not moving. if we were moving, the lights would be somewhere there and there would be sitting up and there will checking the sound and how the here and if we were doing the walk around this
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office, they would we even more people, it would be more complicated. so yeah, of course, even the simple interview and there we were shooting like a movie live action film with the, with artistic white. and i was, i was aiming for that. we weren't just, you know, just turning on the light and let's go, no, no we, i was trying to create an atmosphere, a cinematic atmosphere there and not to have my shadows over the actors. basically i was trying to make you look pretty because she's a beautiful woman. so i wanted to emphasize that as well. it was difficult. i was also doing a found engineering and camera mechanics and i was begging up material and i was sending it to earth for my editor to check in for the color guy. color is to make sure that i'm doing all the technical aspects of it, right. and it's not too dark and it's not too right. and it's not
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a whole one pass that guys are not doing focus here. if we move around, that would be a problem with focus as well as i was trying to do is we're shooting on the film camera without out of focus. and so i was also flying and doing the focus racking focus. yeah, it was, i mean, but i'm not saying is it because i'm not that big of a hero that i was. i knew that there's going to be like if the technical progress would in some future allow 10 people to go up there. it would be easier for them for a film. so get made up there. that was preparing for that. i was training for that and you will see in the movie theaters how i what can i do, why cells and say with you to help you a lot. well she, she did her own makeup, obviously i wasn't doing her makeup and she was she to cook prompts because the prompts were medical. we're doing a medical opperation surgery. and so she really understood what each
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brought is and she kind of was new. she was like a proc master, so she took that responsibility on to herself. she held that cosmos held to what they were out while the customers were actors. script was written with the understanding that i couldn't bring other actors there. so i knew that there was would be one actress and the other customers would be also in the see in the playing on themselves be so how did they do? what should they stick to the cosmo? they were good. i mean, they, they are used to being in front of the cameras. they do a lot of tv introductions, solely congratulating people all the time and you know, reading people in there so, so they're used to being in front of the camera. also, when they are not in the scene, and i was flying around with the camera, one of them would protect me from hitting my head over
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lamp or something. that's a problem there as well. because when you, when i look in the, in the viewfinder, i just see view finder. i don't see where i'm flying is where i'm walking. i can sort of when you're walking with your, you have an awareness of facial what i'll do there because of 4 dimensions. you didn't realize where the ceiling where the, where the wall, because everything can be a ceiling and the wall and the floor. it filming a space also have advantages to be able to give you something. it's a direct to the can't do. well, of course, that's why we went up there because i, i spend a lot of time imitating the 0 gravity and space station. so i know the limitations of what you can do, even with a huge budget, even with $200000000.00 budget, there are limitations and up there, which are trying to imitate from once there is just given, you know, everyone's is, is natural for them. when you are directing ah, a space film on earth,
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it's really, really, i mean, it's hard to twist your brain and assert in this, in the 4th dimension and, and to create and invent a scene in a 0 gravity way. if you a seen were 2 people are communicating in a way on earth. i mean, they're pretty much standing in front of each other. they're on the floor. it's really uncommon if like a person would be standing on the, on the wall here or on the ceiling. but there, it's very natural, some scenes i shot the way i, i realized that i wouldn't be able to invent on earth because i is just, your mind doesn't twist that way. it's hard. is this technically hard to shoot? it's hard to move there. you have to get used to like, and on the earth you say, well, you get in the door and stand up here. and usually there is no problem with there . and you know, some person get, get in the door and up there. and this is loops that happens. mm hm. there's no one
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more take. so that's that space. oh, ah, ah, in russia, this class of car was discontinued more than 20 years ago. even though say more than a model with just important factors. it took 5 years to close the gap on the world car industry from the drawing board to the 1st finished model. kepsa, well, the certified excellent little steel deal with my food always from from a small school for shift almost with are so
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welcome to max kaiser's financial survival guide looking forward to year ago. yeah, this is what happens dimensions in britain del, at this app. if you watch kaiser report with entertainment industry expanding itself into many other aspects of human life, it's a cross promotion. i mean, because of that, people will realize that our spaces and i assess and space is be closer to people. can. it would be easier for them to reach it and
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they would get more interested in that and space usually whom people succeed and think about faith. they think that all well as something they going somewhere up there and i'm not even close to it. maybe this film and us flying up there when getting prepared in 4 months can change the mindset a little bit about space and people would say, well, maybe i can shoot a film there. maybe i can fly to space and it doesn't take 10 years for, for person to fly up there. one aspect also the people that talked a little bit is that there is now a movie space race, because of course tom cruise was also due to go up in the autumn. admit is quite nice that you got that fast, nor is our feeling. i'm very competitive, i police force and i used to lou. it's always nice to be 1st. do you think this is going to kick off and not that. so i didn't feel like i don't feel like i closed
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that. i assess as a filming office and there's nothing more that anyone can do there. no, no, i think it's just the beginning and i, people will look at what i shot there and see, well, okay, now i understand what we can do there. and of course, we'll tell it we'll talk about my experience to i guess filmmakers who would be interested in also shooting the i assess and i will kind of share my experience and do's and don'ts and get i guess they would. the 2nd one second since filmmaker, when it would be much easier for them than you've laid the past. well, because i kind of, i didn't know what to expect cause in many ways. and now i can talk to filmmakers in the filmmaking what it is and what he would, what do you expect and what, what it was you shouldn't even try to do. and many things like that space gives you
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perspective onto itself. that is hard to even come up with a being on earth like the white also i thought chris hatfield are canadian asked no, he said, i think the hardest thing for them is going to be lighting wells in real time. it wasn't really the hardest. it was just the fact that we had to wait for it. sometimes it's just once every 40 minutes, it changes into being the organ, then it changes back to be light again. but. but those transitions are really magical one because it doesn't. it's not just like the sunset and some is also something. it's hard to come up with. the sun starts to changing into like a rainbow lights and some seen what like we had a scene with you is sitting in front of the illuminate or would just talking with earth. san starts to change in so many ways and that created
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a special space. magical light, which i mean you can imitate here, but i wouldn't just, i would have it would, it would not have been able to create that. come up with that. the idea of all of the challenge and how it was born and whether it was something that you knew kind of, that you always want to do and you seize the opportunity. what that you adapted for this opportunity? no, actually when i go to proposition of making directing a film in space and i knew the limitations that we would have only 2 chairs to go up there and and i didn't want to have too much c, g i in the film and i wanted to shoot everything real. so i came up with the idea of the story with the those kind of circumstances in mind. but the story was invented originally and producers likes it in the old. all the 3
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companies, the, the accepted and right away. so i don't know how to answer, maybe i and in some way i adapted to the circumstances, circumstances. and in many ways i seized the opportunity from the time that sort of the idea was poor. and until you the launch from by can or how much time passed to little more than a year, year in one month, i think for a long time did you find that you got the help of ross cosmos as well? well that was one of the producers. exactly. did you find that they really helped and invested well in time america and with all their help and investment would be impossible. of course. yeah, they did. did they did only could to help me with it. of course they, they couldn't do more than they could with that in mind that i, s s o is not a shooting stage. is the science object object of science and you know,
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cause what else are they're doing? the working they're really busy. now with filming with others, so they did everything i guess they possibly could. they will. so we, i mean we focused a lot of course on you and you look, you were making the fast feature length film and space. this is obviously you apply . and this of that, but obviously people watching you back home probably a bit worried as well where your children really excited when they heard that you were going to go to the world. well, my daughter was kind of nervous a little bit and she was crying at the launch. my smile, the son was very confident he at least he looked like that. he never expressed any fear for me. and my youngest son is too young to, to kind of realize what's going on. do you have any connection when you are way i call them? i call them when we had a cello video connection. one time i really had no time for many phone calls. there really is you probably have noticed i was kind of like a beard when i,
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when they, when i didn't have one before, like i really didn't have time there to shave me. it just takes a lot of like 5 times longer and i was like, well, do i really need to shave? maybe i can shoot and start shooting out a lot of days. yeah. yeah. so the process is take there longer than on earth. if i was there for a couple of months, then i would start missing them and everything, but in that short period of time, when so much work to do, i really didn't have time to miss was take off all the launch order was more light, you know, it was more like a, like a, a ride like a roller coaster ride. and these roller coaster ride, the descent, the, the launch was, was not as bad as people think. you know, we experienced only 2 and a half. geez, i think the g for did you for the g force only that it was, i think it was 2 and
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a half only. so it wasn't that at all. the landing was thinking for lay before the half when we were trained for aid. so. so it wasn't that at all. no, the landing was when the parachute opened, it was like the capsule was going like this, but again i thought it would be going like $360.00 before we before the winning american astronaut shane shane said that he did it twice and it was like a wild ride, it was a while right. but i thought it would be like 10 times wilder. so yeah, it's quite right and. and then when you came to she said obviously it's not just about preparing for being that. so when you come back, you would then take, i think, star city want you to acclimatize re adapt to noise. there were of 3 or 4 days of that was a difficult when you take out of that, were they were because your head had to adjust to the gear scope in your head.
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didn't realize were getting where the floor was the ceiling and so it took me through 2 to 3 days for that to kind of start walking confidently. you look pretty relaxed though. when you learn to leave from the photos, it was something quite cinematic about it. in fact, the unit was sitting with her sunglasses on you were sitting, i think with your legs crossed you both just looked like, oh yeah, we just come back from a ride. was are a huge sense of relief when you got down, but everything have been done safely, but you've gone off and you've done what you set out to do. oh yeah. oh yeah. there was a well like after you do some something being hard and you feel satisfaction that you've done that you went through it and then that you, you feel i feel good about myself, that shooting plan that we set out to for, for their, for i assess was,
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was completely finished and that i shot everything i was i planned and, and, and it looks pretty good i think, and producers were happy with it. and i had the feeling of satisfaction of the fact that you completed the huge task. so for you, as the director, obviously off is really boring, you've already be in office space. so i mean being that dumb not. so what's next? i mean, there's nothing left, but what malls the moon will know, it doesn't mean that you know, i would just expand into the universe and then and then fly into another galactic. no, i don't think like that. i have other projects and it's not boring for me. to shoot us a film on earth at all i, i have many projects that are waiting for me to be to get to know after i complete, of course, the principal shooting of the challenge. no, i, i'm very interested in just
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a simple human stories. maybe they will be somehow in reached by my experience of flying, and maybe i will open them up a little different than i that i thought. but no, it's not. i'm going to be no flying guinea. ready to go to film on the moon or mars? no, there's no plan like that. you talked about the films being released internationally . talk about release. what kind of timeline do you think? well, it definitely is going to be the earlier than the end of the next year because of the got a while to, well, you know what you really doing up for 12? well, do you feel that it's a test of the greatest how we would write him and as a person, as a filmmaker totally as a person to it of course it. so there is going to be life before that in life after them. then finally i'm going to ask you as if they said you want to go again, would you go again? yeah, the mit, not this week,
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but maybe next thursday. i can do that. well my week i'll, i'll just reapply my is to gravity. i have some other, some things i have to finish before i go back again. okay. well thank you so much. see you tomorrow you cannot wait to see this home us today. i so much. ah, ah, ah ah,
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for is your media a reflection of reality? ah, in the world transformed what will make you feel safer? isolation community, are you going the right way or are you being led to somewhere? direct? what is true? what is great? in the world corrupted, you need to descend ah, join us in the depth ah, or remain in the shallows? ah, ah
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ah, supporters of soonest songs claim, there's no reason to believe washington promised that he will be allowed to serve any us sentence in his home land. australia counts as the u. k. high court deliberates on whether to hand him over to the americans throughout the day, high profile figures of spoken out in support of the whistleblower. he would spend the rest of his life in a super max prison in the united states. what kind of life intact with no crime? i've been telling a world the truth solution to the energy crisis for this and other big issues are being discussed that in economic forum amazed unanswered to have a loaner today prominent to, to shaping voices from europe and asia. are getting together to brainstorm.

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