wrangles, american politics. i'm still in, there's a white question more. hey folks, next up. young cat, brayland, who's mixed in hip hop and country moved to nashville. turn it up. sort of like the next nelly. i think this kid is going to be hard just did something with keith urban, he's going out in tor this year. all years, all night tour with russell dickerson torn right now. but my man is gonna cut through all that because well, he's it right now. we will talk to breeland right after this, dennis miller plus one. the folks welcome to dennis miller plus one. we're happy to welcome our friend breeland. the show is a platinum selling artist to his debut track, my truck, the country hip hop hybrid hit, number one on spotify global viral. it be list in 2019 he's going out on the road

this year, which is, it's a challenge. he's going out of the country club singer russell dickerson and you can look for them out there this year. please welcome breeland. how are you, my friend? that was a great introduction. you're going to be here. know braylan. i don't know you're too young to remember. i think it was 26, but in 1984. you got to go back and you to the cat who boxed for the united states in the olympics. and they mark brayland. mar. yeah, he was a bad the tall as well. wait, i ever saw. my man was quick like sugar re quick, so go back and watch mark free lead and you'll be proud of the names. i think we're actually like this because in yeah. oh, that's cool. well, he was one of my faves when i joined the hard to believe 98437 years ago. we must

be near 60 now, but he could box up. all right, you're going out on the all yours all night tour with russell dickerson. i'm tell you brother, i just did a road gig in washington, d. c. a while back. it is different out there. now that i hope you're ready because this is covered in the arm, a crowded is made the road a trip. the place right now did i already know i actually came up the road there. bentley, did my own leg of the cross country tour this past the ball is kind of right before on the crime. here we are dealing with delta very and i was really fortunate to not get thick and nobody on my team, but i know how crazy it is out there. so we're going to try to take all the precautions that we can. i know during used to have a road manager name eric mill be who did me when i was on the road? is eric still with him? do you know or you didn't run across town? i didn't come across eric, but it is quite possible that he was on there and

a big crew about 40 guys though, is that he could have been one of the guys for sure. he told me the dirt was great people. man, how did you find them? was it, was it a groove been out with them? jeff fun is so cool. he's really big man like he goes out and buy like 40 to 50 mile a day and like before the day of the show. and then he'll come back in and i back and i'm i yeah, i don't want any part that i'm going to watch on real . and if you're going to be, if you're going to head literally have the names during bentley, you better be because you that is not a soft name. when you say, during that late you're thinking that sounds like somebody can take care of themselves. so good to hear that he good. when you go out with russell, are you guys going to go just nationally or is it an international tour? what's the venues where you had now to with the all years, all night tor. yeah,

and it's mostly, it's mostly the northeast and kind of midwest for the length of the tour that i'm on. we're doing about a dozen date, but it's all domestic all here here in the state. and it's cool cuz i actually get to play in new jersey. it'll be my 1st time ever playing in new jersey on my for i stopped in billy, which was kind of my home town. i'm from southern new jersey, about 30 minutes outside of the city. but this would be my 1st time playing a show in jersey, which is my home day. and my family and friends are definitely going to pull up. it's funny. it's like a locus. philly for interaction between music. i remember when they're all came out with blue eyed soul and he was a big get a tender expand and they all messed up. and now you're messed up with the world of country. and it's just good to see all these 10 rolls weaving together, man, right, hands across the water stuff. definitely. you know, this cool thing is, i mean

a lot fusion i realize going back historically, glen campbell with make thing a lot of motown and aren't being goal it version of country music back in the sixties and seventies and eighties and you know, i feel like what i'm doing right now definitely would it be possible for people like that who are constantly adding news down to the country algorithm? there's a beautiful song, but i'm just such a campbell fan. he was a genius who was the best session acts player in al a for the wrecking crew. the man had beautiful pipes and he's saying a song that you've got to check out breeland towards the end of his life. when he knew a dimension called audios, it is a white man give that give that a tumble. it is a beautiful, it's like that johnny cash song written by trent reznor and 9 inch nails. it's a beautiful sojourn a science thing from glen campbell. give it a listen. it's a, it's a beautiful song called audios. so i guess your big hit my truck. but when my truck comes odd, it's more of a like an internet sensation, right?

you go back re mix and re release and it becomes a huge cultural event, right? yeah, so i put it out towards the end of the 2019, i totally independently. just, you know, click the link online to be able to, to distribute across the internet. and i didn't have a marketing plan or theme or really any thing for that song other than the song itself. and it kind of organically started to move on on tick tock, which was just becoming popular at the time and in some names throughout social media. and by the time 2020 rolled around, i was in a signed a record deal in the song really started pop off kind of right before the pandemic . so oddly enough, i didn't really get a chance to perform it until a good year and a half after i had been out, you know, because there were any shows going on for so long. i people ask me now they're like, are you, are you tired of singing that song and like not at all because there was,

i didn't know if i was ever going to get to perform it in on. and i take every time going out on stage and getting the energy from people. it's good to be able to be a new artist, new to performing, but have a couple songs that people know takes a lot of the pressure. i'll say that song as our friend refers to it to new york times, best songs of 2020, las rolling stones, 10 best country collaborations of 2020 the collaborator, of course, sam hunt and nprs 100 best songs of 20. 20. it's so funny. out happens another to think that you roll it out and then all of a sudden it gets a hook on tick tock, no less. and then you start playing it, let it run out. it's like fish and then a year and a half later. boom. you get the big strike mad at all. it all goes like that. your life changes. definitely, man, it's a game of momentum. i think in putting that song out, definitely kind of gap people hip to what i was doing and help me move to nashville

with some, with some connections already in place. and since then, things have been rollin beers on me with dirt, bentley, and, and hardy, just hit the ha 100 on billboard. and that's my 2nd entry on the chart. you know, the 1st since my truck. so i'm, i have a lot of a lot of exciting things coming this year and, and just showing people how much i've grown with since that 1st output. you know, since my truck i've, i've learned a lot as a songwriter as a vocalist to kind of refine that sound, but give people a lot of the pop and country flavor that they know me for. listen, i, you know, keep the urban burks, brinley, lisa bonafide, catch your young, 26 year old man newly to nashville in the last year or so. i banker last couple years and they must send out that you've got the bona fides man, because these cats are not collaborate with just anybody. when you 1st go in, is it just easy for you are right when you go in, are you little? remember the 1st time i met some great comics? i got a little weird right at 1st, but are you able to smooth and just hit the ground running common lingo,

be in the music vienna. i think any one that loves music, whether they create music or not, i'm going to vibe with them because it's such a big part of what i do and who i am and, and i can tell that you're somewhat of a music archivist yourself. i definitely love digging in and understanding the history behind a lot of what's happening right now. so i think you know, for keith, urban and dirt is the owner guard. and even sam han, a lot of them have done so much research in our, our listen to so much music that when i get with them, we find ourselves just having a lot in common. even if you wouldn't expect us to have a lot in common musically and from there we kind of both bring our influences to the table and see if we can make something totally new that that still feels authentic to both of us and the things that we like to do so i think each of those songs kind of just came from a mutual appreciation for music 1st and foremost. and then, you know,

they're kind of set the stage for us to be able to be free creatively. yeah. and it's kind of cool to have keith know young brother in nashville, you got an aussie guy hit nashville, he's a bit of an outlier. so he could probably show you the ropes and say, man, i know what it's like to come in from nashville is a welcoming place. i'm not in cast in any aspersions, it's a groovy place and all st tonight at the music. but when she gets somewhere, it's nice to have somebody who's done that before. you can lay a few moves on, you know, so far as how to how to weave into the tab. definitely. and i think a lot more and more you being that art from here are from the south that are finding that, you know, obviously keith is one of the think, you know, you got denial from canada, a guy, you know, dirt is from arizona. you know, originally and spent a lot of his time in colorado. them obviously it's from the south. he's from atlanta and then spend some time in alabama. but even he came in with,

with the different type of flavor he was doing, you know, adding them hip hop elements and, and some of that man, a labor to country music. i think everybody who makes it is doing something a little bit differently than everybody else. and though regardless of where you're brown and if anything being from somewhere else makes it a little bit easier. i would say to have to have some of your own flavor because you're going to be bringing something different. and i think for me, a lot of the excess that i've had comes from people respecting the differences that i'm bringing to the table. and a lot of these collaborations of kind of been built on that push nashville is just a great place man, if you want to get authenticity and get away from all the shallowness of traditional shelburne, nashville, it's got a really cool old scene. but if you want to get out and i can get your short nashville, if you got a nicely through, it's a good place to hang. so to me it's a perfect melding of old school and the brave new world. i always love it when i'm

in nashville, or you ever played any another, but i played the rhyme and, and that's what we're going to talk about when we get back. cuz when i was on stage of derive and looking up at those windows mad, i almost got tearing up. i thought i am in the i am in the center of it all here. i want to see how it fell when you were, when you were there, were talking to our friend breeland and he's a platinum selling artist, his debut track, of course my truck. you're heard the genesis, so that starts out on tick tock, then goes huge. hit number one on spot applies global buyer of 50 list and 2019 going out in the road this year with his all yours all night tour with russell dickerson dates throughout the year. when we come back, we'll talk a little rhyme, and we'll talk a little opry. we're talking about music, where it goes from here. this is breeland and dennis miller plus one ah,

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folks welcome back to dennis miller plus one. talk and do a really a platinum showing artists is debuted tra, track my truck, not truck my track, and he's going out on the road this year with his all yours all night tour with the dates throughout the year. so give it a look i hearing, i have to tell people how to track these dates, that i'm the old square. everybody knows where to go for this stuff. and kids are fluids in it. you'll find him breeland. i think you hit the daily double man. i think it did ryman in the opry. let's talk dr. and 1st, when i floyd ryan, it's laurie muslim. i was almost in tears, brother the, the history is weeping out of the walls. there isn't man, you know, it was so cool to to be able to do it. i was opening up for dina carter who had the

really big smash at strawberry wine and i didn't cover of that song earlier here. and she heard it and she really liked it. and so she was like a, it's the 25th anniversary. i'm doing a show at the ryman plan on, on, on the album i would love to have open. i was like that's a no brainer. i would love to have never played the rhyme. and what was interesting about it, you know, if there was a lot of pressure on me, one it was my rhyming debut went to it was a bunch of people who were there to see her. yeah. so, you know, she does 9, he's country of there's a ton of overlap between 9 these country and some of the stuff that i'm doing. so it wasn't really my audience that said the once i got go in. 6 it just fell, really felt really good and i could sell it. i was starting to win those people over and by the in the my people were standing up and cheering them been. i've been felt really, really welcoming to be able to, to staying in such a historic location on a night like that for these people on for dina. and be able to bring my

a game. even though my style is a little different than maybe what they were expecting. so it was a great, i had a lot of fine, came back out and sang strawberry wine with her at the end. you know, it's just one of those nights that i was trying to be as president as possible because you only get to day view at these places one time and i feel like the upgrade was, was a similar vibe. tell me about arriving before we moved to the opry. did you hit the ball hard men? were you just on your game? i'm getting goosebumps here and it because there are those nights and as any entertain when you're in stage of thing for i am seeing the label, the commissioner's name. i am straight from the yeah, i definitely felt like it was a good, a good show and any time that i really have a chance to do a full, we'll say, you know, 4045 minutes of material versus like sometimes i come out only get to do a song or 2 different type of energy i get to tell a different type of story when i'm doing a full set. you know, so i can, i get

a chance to play some of my slower songs. get a chance to show you know, some, some variety and versatility my, my delivery of my performance. and i had a chance to really take them through a, through kind of mind my process creatively. tell them a little bit about why i'm here. what it is that i'm trying to do, and i definitely feel like it helps them have an understanding that it was a great performance. i'm really critical of myself. so it's hard for me to say it was like perfect or anything like that, but it was one that i felt was nice. let me extrapolate, i from the one song to song such to the 45 minutes and say you've done singles. you've done a piece, you got it. i think in the near future you're probably step up to an album, right? keeping the comparison between 12 and an extended set. it will do album still have themes, brother, they just, your group is tracks all cobbled together. what's the, what's the feeling behind an album in 2022. yeah, a lot of people don't really care about the album salad days. lot of listeners and

a lot of artists like, i think it's important, you know, i grew up on albums. i listened to album start to finish. i don't like when i hear an album and the transitions don't make sense. i don't like listening to a body of work and feeling like it's random, right? so i'm trying to be really intention, project and sons of getting all of the transitions down. that's what i've been working on. since the top of the year is literally just, i want people to be able listen from the 1st song to the last song and not really even know where the music is starting and stopping. i want it to be a true top to bottom experience where the transitions are fluid. we've got musical overtures, we've got little kids, braxton, and things that tie everything in nicely because all of my favorite have done that to some degree. and i haven't really seen it from a lot of ours recently, some china being bring that in to my project this year. list the fuel your favorites for my brayland, i'm always intrigued. you can always tell somebody by who they do cody dig. and

stevie wonder is my favorite all time. i just i just love his writing. i love the instrumentation he goes quick is with the music that you don't expect. i don't have as much of that on this project. it is a little bit more straightforward and commercial in that regard, but there are a couple moments on, on the project where i'm bringing kind of, you know, some of that old school musicality that, that people will appreciate. but i'm also bringing fun records to obviously with the song like my truck and, and having the internet success. you want to continue to give people what they want from you. but also, as you can introduce them to different sides of your creativity and different sides of your process, and that's, that's what i'm trying to do here, is bridge that gap. and then also there's a cultural bridge. the project is called cross country. so there's, there's a lot of country element, there's a country element to every song on here,

but i'm bringing in elements of blues on the spot, you know, hip. 6 hop rock at times and, and just try again. school for short, just just try to bridge the gap between our country and all the other genres that i, that i love. did you do good george clinton when you're growing up? because when you soon as you say fun could so funny, it's almost like, as soon as i hear it could tear the roof off like, or in the grid. yeah, i mean, i think in terms of like some of the, some of the funky your stuff and even in that into that disco era, my dad really put me on her when fire. so i've been listening to a lot of their stuff. i don't know how much their stuff is influencing this project, but we've got some really cool, strong salseto parts that i think people will appreciate, kind of that might be reminiscent some of that stuff. well taken back to this go,

we got the freak and i think you did. you not jam would now rogers recently, did you not do a piece with him? i i thought i'd never key advocate was caught now roger ivana and the one that we did and we were just trying to think of what else could be added. and it was such a hodgepodge of a musically like we had this kind of early 90 break fee that we started with them and filled out some of the classic rock type. course there's a grungy element to it and then the openness about it as well. and now roger guitar playing and just a creative mind, it's kind of the sprinkles, is it creates a video. so many different genres that we were touching on. and you really the only person that we felt like with versatile enough to add thought to that record. and

we was kind enough to get on it and that his flavor and for the 3 of us to be honest with the music video, you know, he's just the lead man. they got the 500000000 record gold. i don't even know. well, listen if you need, if you need cohesiveness for a divergent, like you said amount of john or has you need a waiver to bring it all in and put in a volume now from the disco era through boeing up through now keith urban. and i guess breeland, my man is the master, and the great, now rogers, i want to talk to you about the opry for a 2nd grade. when you get a standing over there, when did you do a night? late? 2021. tell me about it. in our tobar and it was, it was just a special moment that they gave me the whole history of the place. and obviously, some of the history i was aware of, you know, i knew the significance, that it, that it had culturally with the in country music. but to look at that wall of names and all the different members of the opry over the years. you know,

is really cool to be able to make my mark on that stage and, and bring a different energy to it. then i think most other performers that i, it was, it was humbling. i feel i felt really honored to be able to come out there and i was nervous and i was like though the pressure is on we had of, i had the opportunity to sing at the opera one time before my actual day view for. busy the loretta lynn benefit concert for flood release and me and keith came out and sang and that was really special, but it was different than my actual opera debut. were there like a 1st time doing this, you know, being a part of the show. and i mean i, i was super nervous at 1st, but as with any performance, once i can get to that 1st course of whatever it is that i'm singing, i nurse kind of go away and i was able to step in to that moment, i think nicely and, and they gave me a standing ovation watching i was,

i was definitely a small about it. these are the moments that i, that, that i was looking forward to when i 1st started making music as an artist. and knowing that i was going to have tons to be a part of that, that equation i knew that the opry in the ryman were the 2 locations in town that i wanted to be able to perform. and i got to do 2 weeks apart. so it was awesome. well, listen to the opry, the 90 years, i guess, somewhere in there, it starts out as the barn dance, i think late twenty's early thirty's. it goes to they operate, they call it the grand old oper infers. and you got to go back and check out my vanity ford bailey. switched on. brother. think about that at that time in history . my man is so groovy, harmonica player, he did something called pen american express. it just kicked, he comes at, and he becomes an opry. favorite that's, that's in the late twenty's. mad and think about that 90 years strides and now we

got breeland receiving the hand off. it's a beautiful thing, isn't it? thank you man. yeah. there's just so much history to be able to say kind of carry them agile as you said, you know, i feel really good about it. yeah. cut to cut the 2120 and they'll be some young cat say. and back from the ford bailey through breeland right up to me now he'll be speaking through some sort of mind playing back by then. but you're part of it now . brianna did part of it. man, thank you. ah breelyn is our guest. he's got on the road. look for all yours all night tor. russell dickerson dates throughout the year. you know, i'm from my my truck and a good young cat. 26 years old. the world your oyster baby. go eat it up. good to meet you. breeland. thank you so much. may i get the beer? right. that's really this is dennis miller plus one.

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