actors mikhail khimichev and anton batyrev are our guests today. uh we also have a favorite all in the well impossible of these. eh, yes, not only these uh three, uh actors of characters to single out someone and, in general, all uh, people, who are all the actors who were filmed by gaidai, they are all. well, great ones. i’m right about this trinity, it’s worth noting that these are the three apriori antiheroes who have become popular favorites from steel antiheroes. it turns out that they are heroes, because the viewer found something of his own in each of them, and so on. moonshine, when there was no alcohol in the store. this is also driven by all moonshiners moonshine, friends. now dedicated to all who are in the country. eh, at this time. now we can meet.

this moonshine still has been created, and it brings income to friends, by the way, all year round, by the way, all year round you i must admit frankly very american to drip moonshine into my mouth at night all year round. you know that what we just heard is the second version of the song no, i don’t know, and the first first version was performed by yuri nikulin on

concerts and georgy vitsin let's look at 1973 , he shows the first version of the song at his concert. i will fulfill and i will, and let them already know the end of us. desperate brave will not sell and will always help and help that

fool. and the singer pugacheva will come and help us always be friends and help. we are always one of them. i am afraid and sister from fear, what kind of moonshine will send us away for a long time, and we will sleep. i will drive out and

let the production boron raise the way and help. we are always shivering sugar, water and help forever. oh, sugar, yeast is not water. well, now how did these songs appear on the screen. with some special expense, this moonshine still was created in an emergency, it brings income to friends, by the way, a year-round usable apparatus, a coward experienced dunce sang in the sixty-second. these lines immediately became the anthem of all drinkers. but the actor himself did not like the song, the

legendary trinity considered it too boring, what is it like in the forest near moscow, nikulin lasts there and morgunov found a huntsman who was also engaged in the production of natural products and in his gatehouse, completely immersed in the topic, the trinity wrote her own version of moonshiners. molists, we are not veladons and not artists on self-dowers oh , we will play to drink, but we will catch up with a liter we will sell unpretentious lines, winding up semyonovna, both gaidar and the artistic council liked it, but the ideological department banned this version of the legendary trinity in the film, could not allow the

words the whole country hummed the whole country chok our first point. ignatia will be about the police, weaves a treat, we will clean up leonid gaidai was forced take the film in a version that was written strictly by the party order of the composer. nikita bogoslovsky made the melody the most uncomfortable for table singing of all my numerous works. that's it was, perhaps, the most time-consuming painstaking and painful author of the text. vladimir persons reminded about the criminal punishment for moonshine jam. here's a smart one. it's time for me to sit. we will be able without worries for the privation all year round. i'm behind bars all year round soviet censorship, i

tried with all my might to make a dunce out of a coward and experienced anti-heroes, but the audience felt something familiar in this trinity and each time, together with morgunov, they rejoiced at the volume of production, they worried about vitsin’s sore head and nikulin’s swollen nose. that is, the first version to semyonovna’s verses, people’s artist of russia lyudmila nikolaeva today we are visiting. let's remember this song on matiz which was written by the first version of moonshiners. the folk one says, but

all the same, it’s best to dance skillfully on rusik, even though the circle look at you, you’re not so strong. come on, let's sleep on the beaches of her us coming.

it is not just asked her grandchildren adults. come on, shaker's grandmother. stop, the knock comes out in the heart. today, like semyon, we were fucking tired. therefore, the dance is

good folk. semyonovna is a sin for us, look, the end. goes

wow that's dajgli so lit. what were your favorite paintings? i am reminded of my childhood. these are his so beloved pictures, everyone was just

waiting for no one to come off the tvs. everyone abandoned the cows, everyone went to the tv to milk, it was not a holiday. it's just a masterpiece. i brought you money for an apartment. thank you well, put on who i'm after olga, i see you immediately shouted that he always has folk songs somewhere between the lines of the motive, they appear in yes, you know, i did n’t even think about it. even at that time, i did not plan to be a folk, as it were, a populist. well, i just liked that this person has so much humor in him, so many people who know how to have such humor, maybe only a person. an extraordinary mind, that's why everyone loved him, the motherland but by the way, returning to the operation and or

shurik's new adventures, remember one more fragment, where the folk song is also heard. listen to

my

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heaven and earth to weaken russia, beijing urges europe not to hold a candle to the devil, information and coercive politics. and what are the secret poland's plans for ukraine have always considered these eastern lands to be armchairs, that is, these are their territories, who has gas in the kitchen, and whose fire went out? why does the european union so break from paying for russian gas in russian rubles and what loopholes are now looking for the wolf's hook, the black sun and the torchlight procession. ukrainian nazism, like an explosive mixture of paganism and satanism, but there were a satanic temple, wolfs hung sculptures of soldiers, and what

are the words on the chevron near azov about death attack on transnistria who and why is pushing ukraine on a campaign to the terrace? and that then the rocket left the russian artillery, covered the whole unit. see what leaves behind half the show works today 20:00 song from the bottom of my heart, friends. hope you are in great company kebabs. today we recall our favorite folk songs from the comedy by leonid gaidai and

vlad stashevsky continues our evening with yellow lights and the kremlin in a dream i am in time in time no, that's more fun. or do you smoke or did it happen again? yes, many

more times. yes and again, yes, many many more times. and i'm on to visit the mountain, and under the mountain there is a cherry. at least i'm inclined towards this one. if only there was something else. everything is not as it should be, yes, once again, yes, many more. once and i then along the river field.

god cornflowers along the road forest dense road then allah with axes, come on, beauty along the road, everything is wrong at the end even more so no guys.

it's not like that guys. it 's not like that guys. well,

of course. here are just the shots of ivan vasilyevich , who, of course, the brilliant guides knew where to put the brilliant vysotsky, then there was the concept of the soundtrack to the film yes, but, nevertheless. uh, here our soviet brilliant soundtracks have become popular. the main thing is that it seems to me that every family had a cassette with vysotsky's songs and so, uh, remember, everything. let's see how it will be. what does quiet mean. how many

emotions in 10 seconds? now i'm thinking how cool it is. take these films. and now there are many cinemas. in our country yes, and to do shows and to make everything yes, actually i want to. i want everyone to know to laugh, then during and after. well, it's true that vysotsky was specially invited to record this song. you heard this story, that he wrote it down especially for this picture, the first time andryusha heard from you . but, by the way, in addition to vysotsky, there is another voice that has always sounded in films. uh, gaida is zolotukhin, uh, valery zolotukhin earth and why zolotukhin never acted with gaidaev, do you know?

suddenly a voice sounds in all the pictures practically, but nothing. i think he auditioned for a lot of roles, but lo and behold, the voice came through. let's see who sang behind the scenes in the films, gaidai's attention. everyone is dancing, it became clear to me. you are so old. i am i argue. the legendary kinohit danced. the whole country , fans admired the performance of leonid kuravlyov. while the song is not his voice. if the director approved the actor's version of the famous lines, they would sound like this. the light was not in vain, the conversation was not in vain. with happiness, kuravlyov did not work out, the performance did not fit the role of a swindler, therefore, in the film, valery zolotukhin sang for him in the

frame, gaidai never starred, but became the voice of another popular favorite. i'm among the pampas running bison, and nadydal women, where is the nonsense of the amazon the musical arrangement of the film 12 chairs, like many other films, was created by gaidai composer alexander zatsepin, a master of sound, he paid great attention to the little things for the film about the great combinator. he wrote a background melody with unpretentious sounds, which was sung by a popular band in the sixties viacord. and together with an athlete, a komsomol member and just a beauty, a song about a bear, millions of viewers sang, who did not even guess what kind of aspiring actress natalya varley was sung by professional singer aida vedischeva

faster than the earth, this gentle lyrical voice was hardly recognizable in the song about the volcano of passions from the diamond hand. however, for the film for the fatal seductress, she sang vedic magic even while remaining behind the scenes. so much so that it was impossible to guess the performer of the gypsy romance from the picture, which was performed by sergei filippov in the frame . don't drive to know the horses the devil was harnessed to you, but that

natalya selezneva herself sings the famous january blizzard, no one had any doubts that it was so organic in the frame, but the singer sang the song in a brodskaya way, guess, she chose voices so skillfully that they literally grew together with the actors and it did n’t matter who was behind the scenes, because the songs went to the people and for many years they are still loved and sung. a friend, of course, no one even thought they pass each other, they lose each other, and then i won’t find each other, the wind will never turn round round round round flies.