tv Privet Andrei RUSSIA1 January 14, 2023 6:00pm-8:01pm MSK
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you no for some reason i want you was to also look at me, and outside the window that snow and sleep more and more yard. all the same laughter and only you are missing a little bit. i 'm going without you and the minds are familiar. i'm in a hurry not with you, not with you, but with natasha to the cinema, and i'm sending you . hello windows of the quiet house. what's the same
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knocking on dominoes and outside the window it rains, then it snows and it's time to sleep and you can't fall asleep. all the same yard and ever thinner laughter and only you are missing a little bit in the yard. yes dark twist the same record. you said that you would come, even if you would come back here for the evening, i don’t need the evening, it’s small, like a cave, and i’ll wait for you. only you come forever, and for me. and
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she moved it from 1963. i know that your aunts loved her very much. did you hear it as a child? yes, i was almost born with these songs. and it’s like maya kristalinskaya was at home with us all the time, but by the way, the authors of this song, lev ashanin and arkady ostrovsky , had a whole cycle of such songs that were called, and in our yard. let's see what songs it included, i don't have anything to pay attention to, and i keep looking, i don't take my eyes off these lines in the sixty-second year. about the first yard love, they found a response in the hearts of thousands of young people, recognizing themselves in the 25-year-old and usie kobzon, komsomol members. they began to unanimously send letters to the editors of the radio, everyone was interested. what turned the love of a timid young man. the answer of the authors was, as if a gift from santa claus on a
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blue light, the long-awaited continuation in the new year sounded. i want to perform a new song that was written by the composer ar. for ostrovsky and the poet lev ashanin, they decided not to leave those tired popular songs. and in our yard they wrote a new song, which is called again tomorrow. forget me to my mother, please, kiss the bottom goodbye at least once and again in in the yard the record sings to us and say goodbye to you. everything does not give initially, unpretentious easy. the love story has become a whole series, and the authors themselves, not expecting the continuation of the cycle of songs by the creators of the union of songs , waited like scholarships and hoped that this time the heroine of the song herself would tell the stories about separation from her favorite song maya kristalinskaya and sleep. continuation of the yard cycle was waiting for 3
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years that's how much the hero of history was not in his native yard. and when he returned, matured, still in love, he did not find there that same a you did not wait until the last listeners believed that the finale of the yard cycle would be happy, alas, but the ending remained open in the sixty-seventh year of the composer. arkady ostrovsky passed away before he could complete the story many years later. the audience will see those same heroes next to the stage and maya kristalinskaya will perform one of the last songs of the cycle. as if allowing the viewer to finish the love story in their own way. everything with us was a wreath of doubt and hope, and
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happiness awaits. and in our yard there is a girl, one true friend without fail, she is among true friends for sure. she i look, if there is nothing, and i keep looking tatyana came to us from the city, velsk, arkhangelsk region, but you spent your childhood in the nizhny novgorod region, right? in such a place, balakhna district, nizhny novgorod region? yes , my childhood passed there. there they told me that your parents sold tractors, bought, uh,
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a radio tape recorder, a cow and bought a tv, belarus 110 the whole village gathered to listen to the music the music sounded. here are some other songs you associate with the sixties sixties, a very good song was in en. this is my auntie, she is older alexander pakhmutova nikolai dobronravov in the sixty- third year of the pandra, the slightly hoarse whistle of the steamer floats into the taiga up to two girls. dance, dance on the floor and the cable calls there towards the morning zone, they presented
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this song was beautifully sung by the oreiro ensemble, the composer blossomed wonderfully. barefoot, it seems to me, and they told me that when you started playing an instrument. you also had songs from the sixties. that's right. i don’t know what led me to master this instrument, but the persistence
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was just wild and i said, mom, come on you will sing a song to me, and i will pick it up by ear. here my mother sang to me, uh, one of the songs. this is an old waltz. i'm on frankel. i picked it myself on the button accordion and asked. mom eats right. it seems to me not, but the photographs of the wind have come for us to part, it's time to spin and spin. christ spinning spinning old layer old forgotten old forgotten salting you making the prescribed path the far edge is all do not forget this river and the same loud sounding
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spring together with me. valera is well done, today actor mikhail khimichev sings with us the hits of the sixties misha good evening. and what are close to you? now it should be noted that the sixtieth is the dawn of an author's song in the soviet union, and as a lover of a great lover of an active way of recreation in the wild nature of russia, i am very close to the song for the foggy, and i'm going for the fog. yes, yuri hawkin, who wrote it
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on june 2, 64, and on the platform of a freight train, where he was traveling, accompanies the tractor from leningrad to the mountain sharia to his second geological trip. let's sing these songs. i will say hello to my father, who lived these 20-30 years of his youth. you see, it's just very simple, well, i'm the same finished, a miracle to us for the fog. people sent by business, people go for money , run away from amilia si, and i'm going to go and do it. you understand
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this, it's just very simple for someone who even once leaves. well, imagine that it's spicy very spicy mountains sun fir songs and rains. let the waves of resentment wave my suitcases on the way. i'm going for the fog of taiga ah-ah-ah-ah, well, with candles and advertising squeezed even more favorite songs of the sixties, stay with us. hold on. it takes time you can no longer
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. i don’t feel sorry for you that we don’t let her see the children, we ourselves are expecting a baby, you don’t feel sorry for her. not a second will work, baby. she will go to the end, it is very difficult for her to stop. it's a disease. what happened? i can't understand . your igor is not needed so whole, understand? at least a word to dad, tell me at all,
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andrei nikolaevich do you know what else is there there is one couplet, and so that he waits for her, nestled against his quivering shoulders. and so that no one guesses what i cry about at night and so that no one ever what i cry about at night, what i cry about great and valera says, i expected everything, but in this performance and in this form andrey valery vlasov krasnodar friends
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met . why is this song important to you? i love this song very much and the composer, the hero fedorovich ponomarenko , lived in krasnodar for the last years, probably 20. his monument is named after the krasnodar philharmonic society with button accordion installed at the entrance to the krasnodar philharmonic. and when i recorded this version, of course. it was a big risk for me and a big experiment, and besides, with all my great respect for the great russian singer olga voronets, who was loved by your parents. parents loved very much and i adore this singer very much. still, taking into account our change in the pace of the rhythm. uh, 60 years after she sang it. i think there was some truth. here in this experiment. well, how will the story of vera's song turn out? appreciated she listened. yes, she said she
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liked it. she said that she believes that grigory fedorovich would be glad that modern performers turn to his work in this way. maybe the song will continue to lengthen its life for some time, and i have allowed you to perform this song. well, let's give you a piece of eight years old, 69 years old light attention. olga voronets answers and where is such a song? i'm talking about love about fate. yes, so that no one would guess that this is a song about you. yes , so that no one ever, that no one to me
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guessed it was a family. i personally knew olga voronets, her favorite. the song was this one, and here it is, dear grove. here she is , dear, the grove, the wind, rustling branches over me, taking sleep by voice, breaking the spring. how many islands are ahead? how much mercy all this since childhood, the familiar heart prays, this is a visiting
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card. choir named after grishin because oktyabr vasilyevich grishin and matryona smirnova wrote this song in the 60s, i don’t remember , it’s very beautiful. here well, what will we sing today from the sixtieth? well, i really like the process. here is this restoration under forgotten songs. i still sometimes call it musical resuscitation at my concerts. now i will sing a piece of a song by a moldovan composer, his name was mikhail dolgan, an amazing melodist, he wrote a song in 1968 for his ensemble, to which he led the ensemble, it was called norok song. in his translation, in moldovan, it meant what guitars are crying for, my version is called taking hand in hand, hand in hand, we sing along the shore.
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i have a warm heart for you. i want to go next. i want my hair to wash away the flowers easily you are with me near and god forbid i will not forget. i'm nothing, but you'll forget, it's all autumn, he came to the beach and roman wine. you disappeared and took away the love and took away the love. thanks thank you very much. well
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playing the piano, and last july. i realized just the end of july is the last number. i understand that this song came back to me by itself. i did not remember her for many years and even surprisingly. i remembered her text, somehow she came to me. i am very happy about it. and here's how the composer himself i frankly performed it in 1986 , a very rare note recording. the rain makes the bushes darker. and i know. now no one composes and composes like that.
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you know everything. that's it. yes, of course, i have already appeared in a completely different reality, but thanks to this reality, i already have childhood there was the internet and there were cds and already at the age of 12 all the cds that i had lyudmil, dahlia, zykina every song. i knew by heart, in fact, it helped me a lot later when i started touring further from the age of 17. i tour the philharmonic. and when they ask me, do you know this song? i believe, i know everything, i love them very much, though the song is from where, and the village of somovo we have before victory is such a beautiful zone
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near the river, uh, ship pines and, of course, it’s impossible not to sing there. in general, voronezh is a very songful earth voronezh choir voronezh girls. you have already said that ponomarenko from the voronezh region, grigory ponomarenko victor bokov, wrote this song. how many yes and in 1961 and in general separately we must today remember, it seems to me, viktor fedorovich bokov, the poet who wrote this song. what other hits came out from under his pen? yula rocks century gentle palm healthy this song warms as if the gentle hands of the mother it has long been considered folk. but these lines have an author viktor bokov. he wrote them in memory of his rural childhood and his mother the poet composed in the best traditions of folklore, and
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in the sixties his songs were performed by the country's most popular singers. they could melt the ice in the heart, even the most spoiled foreign audience in the sixty- third year, foreign guests became spectators of the blue light. they listened in amazement to the songs of the letter performed by olga voronets , trying to understand the mysterious, but cheerful russian soul. this is white silvery snow, pure fluffy, he and the earth wounds, our cities and that's it. ah. he began to write poetry in his youth, but his
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first song god sounded when he was already over 40 in the movie one day. moreover, because of her, a scandal broke out in the film to sing spacey, the actress ekaterina savinova wanted to, but the director was approved by the voice of elena velikanova. your black eyes are pure since then, each of his songs went to the people, aspiring artists dreamed that the poet would write especially for them lucky and ekaterina shavrina in the sixty- sixth god gave her a song about tanechka and she became a ticket in life for a young singer. the poet's favorite composer
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was grigory ponomarenko, it was he who subtly felt the side word and wrote amazingly beautiful music, the song of this duet was almost always sung by women, and only zorenka was written on behalf of a man; the alleric sound gave her the choir of a russian song. back of him, despite success and fame, he was a modest person, rarely appeared in public, and only when he was already under 90 did he go on stage with lyudmila zykina, then the artist called viktor bokov, so the russian soul was not mistaken, because no matter how many years he songs will always live in each of us. earth from
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what we will save will not be your god i thank the lord against your god loaded me. the great country of the greats are watching the program. can you before that hello uh program and generally she is so respectful. they've been talking to me all over. well, when when will you sing our favorite songs there. well
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, welcome to 1968 and continue our program yuri mallistov friends with a song - these are special years. and here is the transmission. thank you very much. i heard for the first time a person who sings better. it was robertine for me. loretti then there was the next shock, the next shock. i heard magomayev, then i heard troshin. then i heard tom jones, then i
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the heart loves, but will not tell about its love let me live and know whether you love or not. it 's better. than confessing, hears no in response. and i'm afraid to hear no, i picked up the song on the guitar. it's a pity that you hear her, because in her sadness i'm not the same. named you. the most gentle poems let them say that he writes every
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when 19 + 50 tell me, we remember that in the eighties the ministry of foreign affairs affairs worked diplomat yuri shmalistov. it 's not you by chance. yes, by chance, for 12 years, frank's sinators' song my way flew around the world, well, this is 69 years old, i remind you the russian version will now be able to say for the last time
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kind heart, it’s to blame, of course, in this style of flax, as if with gentle hands we will be touched by powerless ice. the heart will flare up again, the flame will become quiet, the words will pass inaudibly nearby. so you take revenge on the plates with starfall. we will part with the light with us will know about it and i will rise again the world will fill with us. maybe just joke with us. a million
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burns like green sweets. and if you're in love with me, your eyes shine with a kind light , it's probably the ice of springs that is to blame for this power. the magician of love. just you hate the times. and if you are in love with me, your eyes shine, we are to blame, probably in this style of the road, if you are in love with me. the needle in the morning
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the sky underfoot, the song about simeon of the sixties was sung by the whole country, the author of the hit raymond pauls took a chance and presented the melody of the young singer larisa mondrus, the composer was not mistaken , the song immediately went to the people. the artist has gained all the glory in the frame of larisa mondrus show her somehow this time to walk with me at night late in the park under the moon, not hiding regret. the songs became so popular that the editors of the blue light came thousands of letters with a request to invite larisa
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mondrus the voice of this artist were often heard in the cinema. one of her appearances. in the frame, the picture guaranteed success in the sixty- fifth year. eldar ryazanov invited the monster to sing for the film as well. give me a complaint book. good afternoon evening. and what does it mean, it means that the day was to start kindly, it means that the day was to live kindly, he will multiply happy days. larisa mundrus sang for a dozen pictures in the film gentlemen of fortune. the actress remained behind the scenes, but it is her voice that calls to never let a smile out of this eyes. the law has long been known not interesting world without songs. but even if it rains in the morning and it is necessary, what would i know for sure from the grounds for sadness. tomorrow will be better than yesterday. forgive my gone today in my life at least once
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do not let out a smile and close your eyes. after the premiere of the film, the song was picked up by millions of people, the country literally woke up and sang along with its beloved artist, and even after half a century, the songs of larisa mondrus bring to that distant atmosphere of the romantic sixties come on ass and at this hour everything for all hearts. everything is everything for many planes fly ships sail, all the lands where they are loved. what is close to the stage of the sixties to you? eh, what song? shall we sing here tonight? well, i would like to know what to point out. eh, if you will allow me, i still analyze the sixtieth as a musician. yes, here is the villa of the seventieth, and they do not have such soulfulness and such melodiousness of the wealth of melodies, the richness of texts of verses, i will even say not texts, like e. that's it, the
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sixties still jazz arrangements were all very well known professionally. so thin , so cool and really, well, for ages and here. by the way, i brought records with you, this is a rarity, this is a rarity of my family. this is a record where they listened to the holes, literally. here is may kristallinsky, please, and the songs from the motion picture will be shouted. and i have more. uh, in childhood. so this is it. yes, yes, yes i would like, of course, now to remember with you the song ah, which was performed by maya kristalinskaya and my beloved. you know, what is interesting, and these are the poems of rima kazakova, which youth saw in the magazine, alexandra pakhmutova, and this was the first song of rima and kazakova with this songs. she started as a songwriter
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you snow-covered kurlyk, it's good that i'm not burst into tears to this song, usually i always have tears flowing, but now i restrained myself . especially for you, my dears. thank you very much. thanks for the memories. you've got it connected. these are songs. oh, you know, i was leaving in general, i come from the voronezh region in the vorinsky district, fellow countrymen. so i
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always loved my home very much, my small homeland was very strongly attached and for 10 years. uh. i lived in moscow and had to leave, as if to work. how was it in the 2000s? yes, many hmm happened this in life and all 10 years. when i left at home in moscow, yes, then i was probably like this sad klin who was flying away from his small homeland and i dreamed of all these 10 years to return home so that i could have such an opportunity to work and that's it. and in the end, in the fourteenth year, it worked out and we returned and gave birth to two children with my husband. yes, and this is a very great happiness. well, you play the harmonica and teach? uh, what will we sing today, i think that the factory horn sang everyone knows this song yes, 51 years old
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composer anatolyevna and i am peter gradov. let's sang the beep of the factory end of the working day and again removed one. my dear meets me and meets me again at the entrance, my dear, where we will not go with him. i don't let him marry us. i'm calling my bride. his name is my heavenly bridegroom forget me jesus does not bring you down i do
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every day. we even hear the wedding. every day, when we have a wedding, actress alena pikkolova. today we are visiting. and what is your favorite? song of that time? you know, at one time i gave a lot of solo concerts in different cities of bulgaria concerts. of course, i sang alyosha’s song in every concert, because the monument is right up there, and it’s impossible to convey the reaction to the russian soldier and, of course, to the public, because they always got up and
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the reaction was simply unforgettable. and it's such a thrill. and such an important memory for all of us. in general, today i look at all these shots and understand what purity was in these songs, in these people, in these authors. i so want this purity today, so that it is in all of us, not in the fact that yes now and now it is returning and here is your transmission, of course, this one is absolutely unique. thank you very much from the moscow region, mytishchi village, pirogovsky street, sovetskaya sinitskaya maria vasilyevna i am 84 years old, i was left without parents at the age of 12, my little brother was nine. eh, father. uh, my mother died at the front. i also have a son who died tragically, his name was. alyosha, i would like so much that in your program they performed the song that the hips once sang with kirkorov standing over the mountain. alyosha of bulgaria russian soldier. e, andryushenka fulfilled my request,
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of course, of course we will fulfill this request, because this song will be performed today by a special guest of our program, people's artist of russia hips with kirkorov friends with a song from 1962. alyosha meet age. who remembers the words let him sing to the girls, they give him flowers, does the overgrown field turn white fool
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more familiar like the sun, like the wind, like the sun, like the wind, familiar like the sun, like the wind, like in the sky he always stands over this city over this city he stands over this city like this, he always stood in a poor field of powder and burka downpour. honey stands above the pea. hallelujah to conceal allesha over you, bulgarians, russian dream.
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, in the sixty-fifth year, together with the state variety orchestra of the rsfsr , exactly go time, and for me, oddly enough, this is a cliff and kristalinskaya and herman memorized these songs on purpose. here they are somehow organically somehow entered my life they did not have to be specially taught. here they are already in the head in the soul in the heart, as you like. it can be said that music was being written at that time. so now we have something to sing? i think our children will sing. well, what are we drinking at the table today? what other song? old? because once in childhood, i always felt like an actress. well, it doesn't matter the singer. it gets very close. if you will, i have always
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dreamed of performing this song, what i am now, this one to odessa, i am now in the image i’ll come in to come up or so, i’ll come up myself, i ’ll do everything, i don’t scare ah 608, the diamond arm. glory of love, you told me in the city of kamenka and the lanterns from the eyes of yellow growths woke meladdin.
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tell us lyosha andrey well, for me, of course, it's the beatles first of all, if you take from our stage, it's, of course, vladimir makarov who sang the last train and 90 years, yes, and uh, vladimir makarov was one of my idols childhood. and of course , mikhail nozhkin who wrote poetry to crush tukhmanov well, of course. e muslim magomayev e. valery banditsky has already been called here. uh, these are the performers, uh, from whom i learned to sing and in general, it all started with the stage, then the bolshoi theater, that is, as if studying, the chief director of the bolshoi theater, then the chief director of the operetta theater, and, of course , uh, that's it. well, well, this music of the sixties, it’s been through my whole life, like a leitmotif, because the songs
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were beautiful melodic even alena, because in fact, everything was recorded so sincerely. i sue the artist of russia sergey kolesnikov, we have a corner of kolesnikov, you understood everything today, when we danced together, we walked by our last name like that on a blue light, about which artists? we got the first kvn tv in the entrance, it was in our apartment, yes, with a lens yes, and the whole entrance came to us to watch the television program first, while kvn everyone sat down, everyone knew each other. we went out into the yard. we had a yard kore and all holidays. we celebrated in the yard with all the houses. women cooked, pies, potatoes, herring, men
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bought wine, vodka, and who had what for children , and all this happened on the street. may 1st november 7th and that's it. it's thanks, not even songs name these songs. e people, like who created these songs, but, but, but it was not easy for them to live. many were veterans. eh, it wasn't easy, nonetheless. this love for life is some kind of unthinkable love for life, or this is the generation that won the war, which is hard for me to judge, but it seems to me that there is a lot in it. and when now is some time, when there are no others of ours , this very funny one. they want to cancel us. well, how is it, perhaps, when
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