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Understanding 9/11tv Utro Rossii RUSSIA1 April 11, 2023 9:30am-9:56am MSK
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[000:00:00;00] each program in sirius and the constellation competition is probably e successor to e, those very strong e, teachers and traditions who work e with the guys who created the competition, and now the footage from the vladimir region in the region is the peak of the flood and the local landmark temple of the intercession on the nerley, as if hovering above the water , the church can only be reached by boat, and those who want to make an unusual journey line up tourists in a hurry to swim past the worship crystal. and if i do not capture the panorama of the nerl and klyazma rivers bogolyubova all if you follow the developments in russia abroad, stay with
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shopping, even during discounts and sales , any purchases will become even more pleasant with an installment plan for 10 months and a cashback of up to ten percent. the violinist on the tank so many began to call peter lunström after his performance in front
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of our fighters next to the front line, the immortal music of bach and against its background the sounds of distant explosions. peter himself does not consider himself a hero and always cites his famous a relative of the musicians of the orchestra, oleg lunstrov. the world press called them the kings of jazz. from the far east, performance on the most prestigious stages. they had to be together with their country. this is the life and destiny
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of peter yes very glad to be here to see you again. really. we are on one of the last trips together with the ensemble of soloists in the creative workshop of leonid lunstrov with my parents. uh, with the piano, the quint traveled with the tour. all liberated territories. actually started we are from the kherson region. we played concerts in kodovsk, then in genichesk, then in the world of topol in the zaporozhye region, then we ended up in mariupol. what new areas at the entrance from melitopol the city is on fire. you see, the city is being built. it is very nice. what an
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impression it all makes. listen, and the impression that russia comes and the city lives, firstly, the impression produce roads. so i'll tell you honestly, and for example, the bottom from berdyansk is generally ideal, berdyansk melitopol was built. and melitopol mariupol is also a great road. it's very cool, but then you stop by. look at the night, and the city, with such illumination, is as if you are in moscow. this, of course, uh, we specify what it is, namely . thousand apartments. this really makes a strong impression. me too shocked when you go on the roads. here are traffic jams from two types of equipment, construction and military. and so they go, one technique goes to fight for the land, and the other is already building it up, but on the other hand. you understand that sometimes it is easier to build walls than it is here and here everything, like people, what is with the people over there with the people of mariupol, such a suffered city. you talked,
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that's how they have it here, in general, how they changed for it, you know my previous trip to mariupol i've been to mariupol four times already. and here is my third trip with us took place in november. we were filming a short film. we arrived with the film crew, to the drummer. we gave a small concert there with a really wonderful violinist vasilyeva, and next to it there is a cathedral church, a little bit orthodox, so huge unfinished. if you were you, remember him, and we saw a real miracle, because we met the housekeeper of this cathedral, and she told us an absolutely incredible story and showed it, and right in front of this cathedral there is a nine-story huge house and it burned down completely, except for one apartment. in the very center there is a completely neutral apartment where this very grandmother lived,
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who was bombed all this time. she read birds. if this is not a miracle, then what is it, but then it turned out incredibly, she has saints in her family. her great-grandfather canonized. well, he says, i prayed all the time with grandpa, grandpa, protect me and read. the psalter was the only apartment in her house that did not burn down. everything around the whole house burned down, but her apartment did not burn down. it's incredible. is it true. it shakes the whole mariupol cathedral. he also almost in the middle. and yes, the burned city, which lost so now i understand exactly what prayers whose prayers. so, this is a holy woman, including including a, what can i say? uh addressed. i'm with her, and with other people, of course, she says, we are russian people who spoke russian, who thought in russian , always loved russia and still thank god for everything
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she says. you probably repeated grandfather in this, because oleg lunstrom, he literally asked for war when it started, yes? ah, indeed, as you know, the orchestra was created in the thirty-fourth year in harbin, then they moved to shanghai where they settled. actually gained worldwide fame. uh, but when the war began in the forty-first year, the entire orchestra, in full force, applied to the front and they were not accepted, and in the forty-third year, they again submitted this application. and there was such consul erofeev who said, you are needed here more and said and did not give them permission during the war , almost every one of the orchestra received a different specialty. why because they knew that they would return to the country after the war, and no one doubted the victory, that they would return to the country, it would need to be restored. they didn't think they 'd come and play jazz, they thought they'd come. my grandfather. igor lundstrom.
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he received a diploma in civil engineering, and oleg lundstrom became an architect in the forty-seventh year. they returned to their homeland in 47, as soon as the order was issued to repatriate soviet citizens to their homeland, and they could not live without their homeland, they returned back to the soviet union, moreover, they boarded the ferry yes city discovery of a and his wife. they sobbed, sobbed, because they left behind them this shanghai where they traveled to the bay, and as if they were in their apartment. it was the first big band in the city. and yet shanghai is a-ah. new york, far east yes, it was the center of the far east and despite this, these smiling people that you see on the screens beauties live without a motherland, they could not come to and they offered a choice of three cities, they chose closer to moscow and from the conservatory . it turned out, kazan and the first time. they lived in the city of zelenodolsk near kazan, all behind the screens of a cinema.
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this is for me forever. an example of patriotism and in words it is deed. so, by the way, when in the forty-eighth year, a resolution of the central committee of the all-union communist party of bolsheviks was issued, where, among other things, a the fight against cosmopolitanism was proclaimed and it was said that jazz is the music of the fat and jazz, the people do not need, then none of the orchestra is not something that did not grumble. they went to study at the kazan conservatory. oleg leonich, he graduated both as a violinist and as opera symphony conductor. as a result, both as a composer and they all went to play, who is in the orchestra and so on. and none of them, not one of them was, there were not even anti-soviet scholars. in general, there were questions about what was going on with god, soviet power. what kind of nightmare do you need jazz? no, they wanted to serve their homeland in any capacity. this is what enlightened patriotism means to me. both of them, probably, somehow with her now would see what you are doing, you feel some kind of connection with them, a prayer connection with grandfather
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you also know, here is my grandfather igor lunston, who died in the year 83, i was not born yet. ah, his nickname in the orchestra was a saint. and at his funeral one of the musicians said, igor won us over with his love. that's what they were doing. and he was all about attracting musicians to the orchestra. it was he who invited him there, and for example, igor mikhailovich butman, whom you know well, he singled him out and brought him to the orchestra. a and this is the nickname saint and i am a completely different person in general, but i have constant feeling through my father, who is his father. that is, we loved him somewhere. just so selflessly, his father was everything for him. my father told me that in their family, igor, they did not raise their voice not once in my father's entire life. i just didn't raise my voice. yes, even here, and dad always
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strived for this. my father, as if trying to create here, you understand? this love, to some extent, this love, you understand? and now , through us, his father, i constantly feel that there is nothing to connect with, at least. and there is nothing for the exam. here at it was quite it was the leader. do you know what a leader is? he was an incredible, but worthy man. and noble collected representative he led the orchestra all his life. nevertheless, i lived with him for 13 years of my life from the ninety-third year to 2005, we lived together all this time towards the end of my life. he, of course, softened a lot. and that's why, uh, you know, i have five sisters, and when oleg and they were still sitting in their chair, and children were running around him and journalists asked him to ease up. are your children bothering you? who run around you? uh, and he said, you know, i look at them and i think life goes on, and they continue , including at the festival that you did last year in transbaikalia for some reason there.
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because oleg and igor were born in the city of chita. yes, i am proud that i always said relieved, so it is no coincidence. it is no coincidence that he also took part in this festival. yes , yes, we know how to joke. my father's nepotism cannot be defeated. but we have nepotism only in spirit and professionalism. leave me talking, here he wrote it down. and i know that we will meet with you. he recorded a video, uh, to say a few words. leave 1982 somewhere in the month of december during the performance of the orchestra and galunstrov in st. petersburg then leningrad i came to get a job, of course. he was an outstanding musician in an orchestra that endured all our youth antics.
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sometimes i even allowed myself to get out of dancing, when irina drank rock and roll, which caused a storm of delight among the public, but at first i didn’t know what to say, but then, when we musicians have been performing for a period of time in a concert, he sometimes came up to me, and you could not repeat this dance. of course, here i am, as the artistic director of this festival, the whole concept. well we, of course, our family built around. here is that very personal oleg yaich lundstrom, who was not only jazz. and as i just told you, and as a violinist and pianist, my overnight stay conductor, composer and architect. and most importantly for me, as i just said, an enlightened patriot of my fatherland. that is why, e.g. e. the first festival will now be held for the second festival. completed and nikita sergeevich mikhalkov, who came there with a performance, 12. it would seem. what
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does the theater have to do with e-jazz, yes, a colleague of the lungstrum, but, firstly, it has it precisely through this enlightened patriotism. which certainly is a certain heart. mikhalkov but. secondly, it is also not by chance that mikhalkov came to us, because his father. he played a big role in the formation of the lagoonstrum orchestra itself, how did a at one time, when the question arose of moving the orchestra from kazan, where they were in moscow , it was sergei mikhalkov who came to the then minister of culture mikhailov and told him, there is such an amazing orchestra, uh, it must be transferred to moscow, and this was a directly serious problem. i'm because there were 14 people in the orchestra and all of them were not muscovites, and so on, when the minister asked him, seryozha well, did you hear the orchestra yourself, huh? and mikhalkov said, e, you know no, you
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know, i suggest. that's why, oh, to some extent, she is so, of course, half a legend, but not a legend either. and so actually sergeevich, we also recalled how everything intersected amazingly and gathered there at that point you wrote down his appeal to the mobilization e-fighters who sent piercing words. nikita sergeevich said put it on. we only say that we treat your decision with great respect and gratitude, firstly go to defend the motherland secondly, you should know what you really do not fulfill? and you really
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protect the future of our country. i think that today it is not a war of ukraine, it is not so today there is a war with a huge theomachist the world fulfills the covenants today it is necessary not only to protect each of his god, but to understand that we are defending the right of man. powerful interior this is amazing, first of all. a. secondly, i also wrote them down,
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in fact, at the request of our common with you to several acquaintances once again before this hi, uh, comrade colonel with a japanese call sign. yes, and which, uh , cares very much about the mobilized. uh, at the moment when partial mobilization was announced in our country, and you know perfectly well that in the donetsk and lugansk people's republics was declared a general mobilization. i recently played a concert at the lisichansk oil refinery. and this, in principle, is the most advanced. and i played there for the first time in front of just luhansk mobilized. so they said, it was, in my opinion, in december or january. and so they told me that this year they had a vacation once for two or three days. that is, they are fighting this year without a break. and this is an appeal, of course, it is written to them. i am very grateful to nicki sergeevich what he
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said the words. he is no longer with us your grandfather, but here he is, as if continuing to say that t is very important through you too. something very important about what a homeland is, it only applies to it. you know, i liked this phrase that he defeated everyone with his love, you know, when i am even more confident in our victory, not only when i hear, they are the probable exploits of our fighters. well, when i see chevrons on one hand with the savior not man-made, and on the other there is a word with you such yes-yes-yes, and such chirons have already appeared in someone, but even then, when, well, then when i hear the sound of your violin, rushing from the front line, this too. this is also our battle, this sound also promises the inevitability of victory as
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