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Understanding 9/11tv Utro Rossii RUSSIA1 May 15, 2023 9:30am-9:56am MSK
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in the picture ascension, i set myself the task of dying, but doing everything in a way that no one else will do. a well-known actor confessed. vladimir gadyukhin, the role turned out to be poignant, but after filming he himself was on the verge of nervous exhaustion this year, vladimir kostyukhin’s creative anniversary, 55 years of film career, even if he had only one role of the traitor kolya the fisherman in the movie ascent, he would have gone down in history forever our cinema. 1 minute
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mr. investigator i agree agree to such iconic and beloved by the audience paintings as in search of captain grant's walks. everything is hidden behind these words, and why the director of the film, larisa shipitskaya, decided to take on the role of a little-known actor at that time , while vladimir vysotsky and andrey
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myagkov were on the list of precedents. play and stay alive. it's in general, well, it's something incredible you 're doing in your first role there. i caught myself on the other, because this is a film that today looks completely different and the theme of betrayal is some new force, the theme of fascism is solid force. here he again stood up to his full height, in front of us a little boy. you know , you touched, uh, one of the most ringing strings in me larisa hiss. it was an amazing occurrence. not just artistic phenomena about the phenomena of such a spiritual order, although larisa shipitskaya this year would have been 85 years old, the kingdom of heaven, but she is a danish woman. she editions from donetsk is uh, amazing person and she she was a peasant woman who believed in spirit, and she was
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a very soviet person, very soviet. she did not accept the dissidence of thoughts spoken on the subject. she considered dissidence to be fruitless, that one must work honestly, one must create a cinematography, and you are right for our current times as real. this film it becomes, uh, more significant, she kind of foresaw something that will happen to us. let's see put. mr. one minute, mr. investigator, that's all. speak now agree agree. i'm sick of nothing. that's how he is will confirm. i agree.
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again, i'm sorry this guy is asking the police to leave him to check. are you willing to join the police? so untie. you know, i'm looking a little wider now, that's the content of this picture for me, it becomes e. well, as if that's a manifestation of what happened to us. in the nineties, for
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me, yeltsin was an absolute portnov, that's how surprisingly ingeniously subtly plays. uh, anatoly solonitsyn of the tailor in the scene at the execution. he runs and looks into the eyes of these germans. did he do everything right, did he acted and oddly enough, uh, for me , the execution of the supreme council, which is not fully condemned. who did it? who did it? this is the execution of the centurions. this is the execution of the last defenders. uh, our soviet country is our soviet red empire's last defenders. the fisherman is
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all of us, including me, although i was already at that time , uh, opposed. i was at all anti-tsin rallies and this is a man of compromise, okay, but we were promised we were seduced. perhaps it will be good, and then we will do this later. it might not happen, but it happened over the end. here is our situation today. uh, and what is happening uh, in our history, this is also an event of the highest order. cosmic spiritual order, russia refused to refuse
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this western one. sweet conformism well, such sweetness, such a bliss of buzz around the buzz in art , these buzz were high. kaif kaif. and here, uh, among us among your entourage. now this year there were no such people, such fishermen, who, in general, whom we loved whom we read for friends, whom they read for heroes, some of them played heroes with such muscles, and in the cinema, and which ones you bark, for example, this man, who, with whom they tried harder, of which all are practically soviet russian films, and he said that when the operation began, that he generally
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owes nothing to russia. want to build an empire go uh, build one for yourself, and this is not a fisherman fishing absolutely he liked to bathe in glory. so he dissolved into this in the glory of money. uh in worship. these are very seductive things. but it's not deep. it destroys a person, but does not create a test. glory at times. in general, the most happens. eh, the hard ones are the hardest. i have watched over my history and career a lot of these, for example, nazarov is such an artist. you know, who also started blathering something against russia here, i got into his series. once such a primitive detective. well, there was a team, and he was the main one in this team. he is the owner of this series. i came to the set as new
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artists in his series. you know, i always working? i worked the camera on me. the camera flips over to my partner. i work with the same return for a partner. and behind the scenes, he starts to make faces at me, stick out your tongue. i work with him. yes, he pissed me off here, but he didn’t stop me, i did my job, and i’m not ashamed of it, but chulpan khamatova was there, i just didn’t know her, and but uh, what i saw her perform, but me never made any impression. i didn't think it was great, but they consider themselves great. he also considered himself to be himself. here is nazar great artist of the modern
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film production system. it's built like this, that from uh, let something inflate the bubble, but there's nothing there. there the king is absolutely naked, and then the time of trials comes, and everything is themselves as they are, in fact, the fisherman, here again, the story of the fisherman can turn into a tailor. how are your parents, by the way, veterans who went through the war and mom and dad, how did they react, when your first such a powerful role, but the role of a traitor, as they reacted to mom, was gone. mom died by this time in a car accident already. but, and he was the father of the father, because this film was talked about a lot about this film. e. well, he made this one.
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well, noise in a good way, uh, in the cinematographic environment, i received a lot of prizes and immediately they talk about me, uh, in the newspapers, there my father reads, uh, he uh, uh no, how to say that he he must have been worried that i didn’t play some heroes like that, that's what i finally. began on the path they re- he was very worried that i worked for a long time as a worker, scenes, you are amazing you really got into this movie. it's still in the working scene, right? i told about this in larisa at our first meeting. i told her and this is exactly what interested me very much. back
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in 1914, vladimir vasilyevich felt how everything would end in ukraine, that what happened there then, the maidan, would lead to a big war, as if then they could see this fascism raising its head there. e burg is still deep soviet times. since my, uh, second wife is from mariopol, then he was zhdanov when we we met, and i started visiting her parents, and marina is already my sister. she lived in a house. you know, here in belarus i go to the airport in a trolleybus? and there is such a calm conversation between people. what silence calmness, i'm coming, uh, i'm flying. e. to ukraine, and now a completely different difference
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was felt there. here's a little. eh, such khohlyatskaya pride, i call it pride. some kind of arrogance we are so good with us we are rich, and you are drunkards and beggars there , you still felt the attitude towards the russian person, and then, uh. i already when filmed in kiev in kiev there near kiev in different places in ukraine and i saw television there was, well, some kind. well, what kind of russophobic propaganda have already frankly said that this way and that, that these are invaders, that russia has already been vilified, russia, from different channels. e ukraine and now 14 years old. then
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the maidan began, i immediately understood, i absolutely understood, this is the nineties. uh, in moscow , this is essentially the same thing in terms of content. and that it will end in blood the same as in moscow in the nineties in the ninety-third year. i didn't doubt it. i was worried about my sister. i worried about her family. in general , she was in ukraine and she is there now. well, and now there, unfortunately, how you communicate with him. this is a tragedy. which i am very worried about is the tragedy of many. my compatriots and in russia in belarus who do not accept
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that satanic regime, the regime that stopped there. she accepted, i am with her. in the end, he stopped communicating because it was impossible. there, after all, the russian people were brainwashed. everyone who is there is right. are constantly that it is not only, but there are no such westerners from kharkov from odessa this is it, well, for years of such brainwashing, which i saw the beginning, which i'm telling you. do you think you will return sister? can you communicate with her? do you ever imagine? i'm even afraid of her, now i'm afraid to communicate with her at all. i
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'm there in all the black lists that are and i'm afraid not to harm her and her children. because in ukraine they knew me very well and loved me, like artists vladimir vasilyevich is sure that you remain, in general, popular and loved everywhere and in ukraine . well, it just takes time for those who love you to be able to open their voices and start talking. right here are such wonderful films as the film war was babanova, where your hero says an amazing phrase to his son, put very much about today's time too. it's good that you're at war was a war without a guy doing a guy. and men to be right men?
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