[000:00:00;00] only in this way will they be able to get on the trail of the one who is behind these mysterious crimes, but each answer gives rise to even more questions , those same castor beans of kazakov's painting , from which poison is made, i myself do not believe that i am saying this is a series in which you cannot miss a single one detail, the denouement of an exciting detective is already close dreamcatcher today on tv channel russia 1 ekaterina frolova to conduct. all news can always be found on the media platform, we look in the application or on the website, but the news continues to follow developments with us.

hello there is enough room to inflate nearby. i can't swim. lyusya today, moscow and the whole country say goodbye to the people's artistic russia of the unusually talented, bright and beloved irina miroshnichenko in the morning , our correspondents at the funeral ceremony of farewell in the chekhov museum in the theater, to which irina petrovna devoted 60 years of her life, and gathered in our studio her friends and colleagues. in

my hands are two issues of the soviet screen magazine , issue for 1972, the year of my birth irina petrovna already became famous then and appeared on the cover of the main film magazine of the country. and here is march 1983, another cover. she really was the brightest star of her era, her roles in films. i'm walking around moscow winter cherries you never dreamed the audience loves and knows by heart july 24th. irina petrovna celebrated her birthday. she turned 81 on her birthday. she did not feel very well, but she decided not to go to the doctors, and on august 3 , the tragic news came that she was gone. let's fast forward now to the chekhov moscow art theater nash correspondent kirill popov has been there in the morning at the chekhov theater of chekhov, the native theater of irina miroshnichenko

, it has been her home for almost 60 years. here, on the main stage, the oxygen artist says goodbye, closer to 11:00 in the morning there were noticeably more people, as well as flowers in their hands , including artists lev leshchenko , for example, who hid his eyes under sunglasses refused to communicate with the press. we managed to talk with the actor yevgeny mironov and this is what he said. and you know , here today i caught myself in the morning on the spot that i was going. despite the heavy loss with a smile, because she lived, as it seems to me, in creativity, this is certainly a very happy life, she was young until her 80s, she was always young and did not want to accept anything else. if there is any work, at least a word in age, what is not. no. so, she fought, she fought, but life takes its theaters. they are relatives. well, in general, uh, a solid theater, even if

there are even wonderful relatives , this powerful organization always takes it upon itself. and, of course, uh for her, this is not even the second. maybe be, the first house was a theater, therefore, of course theatricians. nadezhda babkina, people's artist of russia, you were friends with irina petrovna, she even celebrated your birthday at the birthday theater. it was her seventy-fifth birthday and she sang with the orchestra. uh, i read a lot, i told poetry, she, of course, is an amazing actress, no doubt, she is every image. eh, she was so worried inside herself, and she demonstrated the integrity of the image

that, er, in general, was written and described in this or that work. mona worked in our theater, not only did she she gave such a concert that she loved to sing very much and it's not even about the voice. you know, her feelings, inner feelings, how she knew how to present it. eh, here is compassion love, joy satisfaction. in general, all the feelings that a person has, she absolutely clearly expressed it with herself, because she is an actress. she played a wide-ranging depth actress in our performance, which we did right in the theater, where we all participated together, after all, the moscow state academic theater russian song, yes, and she understood where she was going, and she played such a monologue of three sisters, she managed to read everything to unite the three

sisters into one single whole, but she didn’t really want to finish when it was said that i was dying and so on didn’t want to, then she read akhmatova’s poems and remained in this image of that very era of that russia that does not exist today, it is different and i went out, er, in her presence on the stage. personally, i was with us . you know, such an amazing image, i sang . i'm homesick, and she, uh, was reading musical digressions. she read, but how fascinating it was, the audience took it furiously, she is generally an amazing woman, she sang, because indeed in the nineties she suddenly sang unexpectedly for everyone, one of the first starred in an advertisement and thanks to her the country took calcium and let's recall the ninety-second year . eh, goodbye sweet

romance years. farewell dear years that suddenly turned away from me. farewell, beautiful time, adorned with flowers. i feel so sorry for myself. but

i don't dare to hold you back, but i know that many have begun to criticize, irina petrovna, for the fact that she, let's say, so changed her role from a film actress and became a singer, it was like that, and from this begins the saddest thing for me personally, no conspiracy of silence around her, because since the ninety-first year she has practically ceased shoot in pictures. and i remember, even in the early nineties. i spoke with the directors, and they say, let her sing better. that's better, let her sing, but it was wrong, because she was a real actress in childhood, then. she in general, for me it was to some extent, but i have a model of style, uh, somewhere. i always wanted to imitate the vitorgan from men, especially after the wizard. and for me, women were such beautiful goddesses. this is vertinskaya meroshnichenko, but not only for me, because that's when she appeared on the cover of the screen in this image. this is where the fashion for peace begins. and girls and women begin to imitate her, in particular. my friend's mother had two of them dyed like blondes, all thanks to miroshnichenko, uh

, that means uh. that's how they brought their eyes up imagine such an image, so she was exactly a trendsetter. and why a, because she carried a different consciousness into this soviet world, a different culture, aristocracy, some kind of separateness, starting with the role. scouts that is, she has always been separate from this world, so she began to appear in roles in countries. here and from some other space. that is, she was a little bit of an alien, but completely beautiful, smart, ironic aristocratic. that is, she really carried the charisma of a different consciousness, or all the same. it was love, because returning here in the nineties, and the composer andrei nikolsky, whom you all certainly expected today, but he is not in moscow, at parting, petrovna, in love, writes an entire album for her. and one of the first live programs in this studio. and misha zelensky invites irina petrovna, then still the kingdom of heaven. uh, roman viktyuk and tortures them what

happened, and between them, three albums were not recorded, but in fact it is impossible. you add to me that i came to insta not on the russian channel. and love is the best picnic will say give you beautiful novels roman grigorievich yes, everything that was in the variety theater. yes, when there was a performance, but for your love, which i put there now , songs that were you. it was this sparks that were composed the whole evening the hall was filled with it, it was the best thing. at the same time, nikolsky or

petrovna meet quite by chance , the editors did not know anything on the program. hello andrey, where, uh, andrey nikolsky sings his famous song with smart eyes in my eyes, i look at this song by philip kirkorov that he wrote and see how the camera is filming them. during this dance. this is 30 years later, after everything that happened. nasty

chest remained. valentina pimanova, today we are visiting. but when you asked, irina petrovna, about some kind of roman, in my opinion, they even almost kicked you out of the interview. andryusha, you know, i was driving here today and i was thinking on the one hand. i can not pretend that we were friends and say that we were somehow close, but on the other hand. i remembered so many things about irina petrovna. because, uh, somehow life turned out like that 25 years ago, that is, somewhere in the mid-nineties, just that was the period in question, and i decided to make a program agreed on it. everything was great. and this is the question of her character that she was a real actress and a real woman. the first thing she said? i don't want to act in ostankino

because i'm tired of it. and well, all right, they removed then only japanese restaurants came into fashion. we will shoot in japan, yes, we will sit on the floor with him, we will drink. green tea. yes, we will drink green tea, then i said. send a car for me. of course, irina petrovna and what kind of car will you send, i say, well then , there were no foreign cars in the arsenal of ostankino. and we have the volga , so to speak, there are no black beautiful wonderful ones, i won’t go to the volga , i said irina petrovna. but what are we to do? how can we be? so i'll drive myself in my mercedes and your driver. let him accompany me from behind in this way. she came to this restaurant. everything was fine for a very long time. we are her. naturally. waiting for you is good. it is known while she was making up, and i, as a serious person, journalist. naturally, i really wanted to talk to her about the theater, but as soon as i asked you no, not the aroma, as soon as i asked her and tell irina petrovna how you like the hut, and near

efremova such women lavrova vertinskaya you. the reaction was just incredible. there was nothing else like it in my life, because it was noisy. she screamed, now she is already from the position of age from the position, and life in general is her own. i understand that this, apparently, is exactly what we are talking about, she was very vulnerable. she was very very woman. and therefore, apparently, she immediately thought that there was some kind of evil journalistic intent here, in short, this is the only one, and in my life for 38 years of work there was an interview when i just told my editor, we are leaving, we will not tolerate this , a failed interview, but why am i telling all this to the fact that this is almost a tragicomic story, but after a couple of years we met with irina petrovna life. somehow she kept bringing us together and hmm more words of love of some incredible

delight of some desire to tell me, but good good. i probably have never, and then during my life i was honored with so many episodes. e such a joint communication with her of some kind and in the backstage of e , events on the set and once we sat together for two hours in the dressing room before, e, a theatrical event, and suddenly she began to tell me. i even think today, maybe this is in compensation. that interview that didn’t take place, she began to tell me about her life, and, uh, she said two very important things. that's what i'm talking about today she remembered how important it is for a woman. for me, she said , you know, here is my life today, and i have two jobs, the first is theater and everything related to my profession, and the second is to save myself, as a woman to save myself, and the struggle with age. she said it's okay. no. naturally, i burst into compliments. she says, no no,

someday you will understand me and remember both hmm and the second episode. yes, she suddenly began to tell me about her women's some i can't. it is natural to talk about this in detail, but this is not a secret for anyone. she said, the biggest stupidity that i did is that i have no children, so to speak, and said the saddest thing is, uh, this is theater again, they were rehearsing something. and, apparently, chekhov. i understand that irina petrovna could still rehearse with her. well , i think you can now slightly open these interviews there. yes, very strong toxicosis is happening, and she said that i would not get to the premiere if it was like this, and she made a decision. she says, there was no more stupidity in my life. i know, after this hmm communication. i just have here this woman has become something for me. a. well, you are right in the feminine sense of absolutely such a secret, but in the best

high sense of the word. let's return to the name of chekhov and where did irina petrovna say goodbye today, what was the attention there? there was culture. i probably did not have time to tell you much irina petrovna dear during her lifetime. it's just that i always knew that i could call you, so please forgive me for this. i am sure that you will meet and sit down, please, too. tell him that i and children love it very much. and that we really miss him. and now you will not be missed

yet and it's all left in one place, which were such words. take

others while they are still talking. reminds me of this famous song. let's end this episode. uh, this melody is milked by lev leshchenko or miroshnichenko immediately after the advertisement. we continue to sit stubborn forehead and aimlessly lonely winter balls of others more

wealth and her brother. premiere on the channel russia and your father's dirty body, you will never know the truth. help can be a nightmare? talking comrade

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the application. it's just great. on friday at 21:30 only on the russia channel on the stage native muscovite irina miroshnichenko will leave here in this city. here is your home here, my home is here my home, a native muscovite, they often tell me, a native muscovite, and i am proud of you, a native muscovite. i am in moscow

bow down. today the country says goodbye very early in the morning to work at the moscow art theater named after chekhov in the theater, which we irina petrovna served for 60 years. let's fast forward again to stoleshnikov lane. looking at the heat in the capital. today , although tomorrow is expected to cool down. hundreds of admirers of her talents came to see her off on the last journey you see the wreaths the first wreath from vladimir putin the second culprit from alexander kalyagin the third from the ministry of culture the fourth from the actors' house, uh the next wreath from the moscow art theater studio school and from the russian association of banks and you see endless applause.

friends of a film critic colleague gathered in this studio today. i want to remember the first role, irina petrovna. i'm walking around moscow where they already immediately said that she was beautiful. let 's watch the fragments and then i would like to discuss this film with you. thank you. i already have your needles. no, i've torn my pants. and as if i needed hello, he was bitten by a dog. kat came to him trousers. well, will you bring vanishka from kindergarten? sash skirts are your buddy? no, no, no, i'm fine myself meet my beautiful sister. okay, let's not look. we shoot while

i offer. would you like some tea soon? it's true that she was almost kicked out for this role, but you know, in the soviet union there was such a strange idea that, while students of theater universities were not allowed to act in famous films, i'm graduating from the shchukin theater school, nikita sergeevich mikhalkov was expelled from our school for filming in the film i walk around moscow and tatyana samoilova was expelled for the film the cranes are flying, because they were filmed without the permission of boris sergeevich zahavy. and irina miroshnichenko was also almost expelled for her, vladimir menshov stood up for her. i wanted to say something else about the paradox of spectator love, paradox and people's love. you know people sometimes say, we love the artist so much. n. that's exactly the same lives with me on the same personal site. we love

artist m so much, the same one works with me in the same department. miroshnichenko was loved because she was not the same as on the neighboring site or the same as from the neighboring department. she was different, she was different. she was different like, than most of the artists in russia, even when i was at school , a girl who starred in the film andrei rublev studied with me in a parallel class. she played with her sister. chiry of the grand duke and her mother were very friendly with stark, and he said that when they were filming the scene with mary magdalene. i don’t know if this is true or not, but tarkovsky told me that he demanded that miroshnichenko be completely naked under

a canvas hand so that she could feel the sensation of mary magdalene crawling under the snow towards jesus christ and frames from hand that scratches the snow. he filmed several takes saying that irina was ill. after that, she said all the time a wonderful phrase, the main one, so that others would not know from your pain. for me. this is a big life lesson. but here it was already heard and the correspondents asked for a deputy. and what does she think about the fact that she is alone, yes, and the theater is burying her, indeed, it seems to me that in nikita sergeevich mikhalkov, uh, also helped in this funeral, but in me it seems that in this case we see how great love and attention of fans. eh, unlike

from the news that came today that the famous director svetlana dzhimbinova, who staged six performances. dozens of works were found in your house dead people in their apartment on university avenue for a year the body lay there, yes, no neighbors, no, who? yes. no, i was looking for her, yes, the name day and theater critic , the theater director, was mummified for a year in her apartment in moscow, yes. here in and we live at the same time, yes, when loneliness can become like this, yes, when you have devoted yourself all your life to the profession, yes, all your life you have been trying to do something. let's. let's let's move on to the temple of sophia the wisdom of god on sofiyskaya embankment, where irina petrovna was buried today. here we see a bus with fans of irina

miroshnichenko pulling up to the church opposite the kremlin walls will be taken out and the beating ceremony will begin. we were family friends. she was in the family, like the second, third grandmother, we have two grandmothers of our children, our morning began with these wonderful pictures, good morning, cup. coffee some ideas for the future, what are we doing running there? well, she lived with e, lived herself to say, e had assistants in her, and then she was two full. she hit. it's just easier for marina to go to the clinic than when she was next to her. yes, laurin petrovna had such an idea before that all her property that belongs to her was not so important for her, in fact. she wanted it to remain for a generation. it will become public

property. we, perhaps, a museum, we had a mutual familypathy. and often we petrovna went somewhere to the country house and to ikea, she was still a very good designer and all her furnishings. she always created herself today in the theater they talked a lot about the dressing room, she really, a inserted the dressing room. she gladly supplied the dacha, although it is. the dacha did not belong to her, as they now write in all the media. and nikolaevna shatilova has been for more than 20 years. eh, wait. i so want to say about the vyra, firstly, when she was supposed to be 60 years old there was a concert. i led ira participated, but we talked more behind the scenes. she says, you know, i will soon be 60 years old, as i want. here is my solo concert, as i want. first in life. she says, well, i will, well, it's as difficult as organizing this concert in the variety theater. i was on

it elegantly beautifully singing a song in french. this is how the babkina theater went on last year or the year before last, it was nadia telling, and the concert hall was packed, as always. this theater goes out my student. my friend vladimir berezin addresses the audience without naming he intrigued the hall. today is such a concert yes, he speaks for a long time, suddenly ira and backstage. she must have been nervous jumping onto the stage with him to the side of the microphone. and so the hall applauded the hall laughed. the concert was until 12, probably at night. then there was dinner. that's wonderful again. now you have come as an adult. let's faith to god came already in adulthood, you understand that ira, we were not so close when we met on television. all forever. we

were talking about something, but when she got into an accident, she didn’t share, in my opinion, with no one, when she got into this terrible accident, it is clear that some kind of fracture occurred in her, that she began to attend the temple, went to the temple, you understand? this is the inner yes state. this is the push that happened and she. but she, by the way, here, when there was an epidemic , you are sitting there, i am there alone and will call, another. i think let ira call, as she calls, she speaks to the phone, ira longing green is an epidemic. this is a pandemic. everything has been cancelled. nothing, how are you? she says, you know anh and i'm listening to doctors, you know, after all, here this is it, seriously. i don't want to be fate to experience. i am sitting at home. i don't

communicate with anyone. that's what she told me, you know? she didn’t go out very much at all, she didn’t take part in any shootings. you before. confirm that either petrovna was very careful about her health. and yes, in general, it treated itself very well, very good. so, when such a phrase is spoken, a person has given himself completely to the theater. this is what you can check to tell, she really gave her whole life to me. for life was like this little waves and, in my opinion, not a very great joy. she had a great life in life. but as much as she did on stage. you know, it seems to me that this is how the work of great russian artists is studied. so they will study the euro. i've probably been here the longest. i know before everyone met. i studied at the theater school. shchukin in the first year. she was on the second, but in the moscow art theater at the studio school, and we didn’t come to the theater library, i

came and i saw. oh what kind of girls we have in at that time there were sneakers, you know, some boats. you were very good. i remember here, but that's not the point, and i saw this one, who was not a student at all. that's really an alien, but since i was really good. and i began to roll up not for the first, for the second or third time, and she told me with her chesty voice and you with a huge valoke, we with her eyes she sent me away so much that later many years later, when we were filming in the winter cherry, four i went to her she firstly, how maslennikov suffered with her says, i only suffered more with lebanon. yes, before shooting, they send a car for her. she asked not to bring in advance, but

before arriving on the grims, she went around 3-4 commission stores. she was buying everything that maybe she didn't need the antique quarian. it was necessary to look good to dress some. let inexpensive, but very catchy beautiful decorations were, i told her then on the set, but you don’t remember the theater library in 1961, and i’m rolling up to you. and you talk to me like that, grandma. if i i wrote down exactly everyone i shaved off in my life. it would be the complete works of tolstoy. but as i want to say. yes , i'm sorry, i'm previewing you. it seems to me there is a gaft. something happened to them. she repulsed him, because the epigram that he wrote to her. ah, you play, you are on the stage of the hut and constantly sleep married and the daughter is not clear. from whom do you have your husband take off the sky without me, do not give yourself to oleg, that is,

there was clearly something there. you understand, you asked, i somehow went aside. she treated you really well, it's up to you health and pandemic. she did refuse. i met her here at your place or on other channels of some programs. i don't want to go. i'm afraid to go. go away, i'm wearing a mask. well, you don’t have to understand, and now she didn’t save herself. she went to some friend of hers in a pandemic, and she got sick, my god, and she pulled herself out. she was strong she was. they talk about men with eggs, so here she was. she was such a strong woman, i can't believe she's gone at all. i swear. it's just unbelievable. let's never dream snippet one of my favorite uh with her attention. oh, what a blessing that we are now

far, far away from everyone lusya lusya lyusenka is it hard for you? let's help now. and i live

not far from here, for god's sake well, luxuriously here, these jeans are immediately called individuality, but she looked at it in a chesty voice and said she left. well, it’s just that claudia is our coordinates and they say that she was indignant, she was first offered the role of mother, so that she would tell somewhere that you write me off the bill, or something, so i just can’t help but say. em. here we are we are talking about the fact that the actress is a spoiled woman who knows her own worth. although there is probably some irony behind this, and so to speak, maybe even self-doubt. naturally it was. i'm hmm very friendly with military medics. and so i specifically called yesterday, i know that i will come here , and i asked my very big friend, a well-known military surgeon, so i know that you are familiar with irina petrova and he began to tell me about

how she came to the hospital. burdenko almost every time on the 8th of march to congratulate me on this staff. yes you know about this too, and it was the ocean of shlaggi these women, waiting for these e concerts. one day it happened that she was called to the hospital. and, uh, she broke her leg, and she was so worried. she didn't know, she was literally ready to go with that leg and then she said, i came up with, please, then her records began to come out. she said please to the organizers. buy the entire edition. she was brought to the hospital with these records. she signed each one not just signed, but she signed each one with some kind words and these records were handed over then after the first chechen century - at the beginning of the 2000s. uh, moms took care of their kids. e sons, and she asked here to send them and this is also irina petrovna and she spoke to the liquidators of the chernobyl accident,

when many were afraid, she was not afraid in a row. and how did she react? here's to his valya malyavin. she had never been, especially close was called moths. i wanted to talk. there , after the advertisement, how she went to the hospital and rushed to her, we have these shots. uh, let's leave it to our viewers with one more snippet from the program. hello andrey , the favorites of all the women of the country, the group sadko irina petrovna sings with them. what are you standing swinging

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the murders. the most complicated cases but the main secret is still not disclosed. mom, who are these people, we don’t talk about it, but we don’t find out anything. we don't ask a question. we watch the continuation today at 21:20 on the channel, russia an artist who acts a lot, but alas, not with me, who sings amazingly, but alas, not with me.

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, we will not forget love and tenderness , i will never return to your love, it cannot be returned. goodbye brother, why did you part forever? farewell farewell that wine came to me. goodbye country says goodbye to the bright star of soviet cinema irina miroshnichenko today, our correspondents will be in touch with us in just a few minutes, uh, from the rekursky cemetery, where today the actress dolphin was buried. vladimir dolinsky said about an active life position, irina petrovna and now i remember. indeed, how worried she was for her friend valentina malyavin, breaking through to her in a closed boarding house. uh, to make sure she's okay. let's take a look at these shots. what is prison? well, have you gone crazy, or what? it's that prison one second means to connect

director for director. she treats me with her on the phone. although i'll talk to valya that i can't. i know she doesn't talk. she talks, she remembers everything, not true. you know, because i got into a conversation with your head physician. she told me that she is in great shape, when she says you will come, i will always let you in. she told me this personally, girls. do you think? it was i who drove half of moscow and that i will go to her. that's enough, i want something else strawberries you want , you make a wish. you are the first to say, well

everything worked out okay. you have no idea. well, she knew how to make friends, when she would have made her way, she would have smashed everything there. it was the drill she was, if she set herself a goal, and here then she was not looking for some ways there. you know, it was possible through the theater there some teams did it. she went herself. she bought it with her own money. she took. she went more than once and lied. we talked to her , she was crazy, well, this is this little man, and this and this all crawled out on stage, but one position, that her mother still lived up to 93 years. yes? let's say that she kept it, despite the nature of her mother, but c. a. we have unique staff. you will now see ekaterina antonova

, irina petrovna in the full moon program, these shots. in one vernik, 1995 , my mother tells us about ira. pay attention to the reaction of irina petrovna, everything. this is for you, probably, that you ring petrovna became an actress. this is your unrealized. dream. you wanted your daughter to go spend the winter. i wanted her to be different. yulenka well, i said better to you like that, but the fact that time was hard to sing, it was for you surprise, she sang a little, you know, she was so tiny. and when we came somewhere to visit, i always said,

you see, it's so quiet, everything, an apple, come on and lie on me. well, okay, i can say something else. oh, oh, strange to stop talking to you do not want you different characters. yes, that's how friends are. hello andrey, hello studio. today, our film crew, together with numerous close friends, colleagues and

admirers of irina miroshnichenko's work , saw her off on her last journey. and here we are at troekurovsky cemetery, already during the broadcast , the funeral ceremony ended and today in moscow it was such a hot sultry all day and when the funeral ceremony ended , a strong wind blew in the cemetery. it seems to me that this is symbolic, as if nature is also saying goodbye to our wonderful magnificent actress , you can see that the grave is literally strewn with flowers. mostly. these are roses. they say these were her favorite flowers, red and white . well, here you can see the lilies, as we were told by the people who brought this bouquet. uh, this flower reminds me of irina petrovna. just as soft and sophisticated. the burial took place in the twenty-first section of the troekurovsky cemetery. this is the so-called alley of actors right here.

we can see the grave of anatoly elizarov’s mine drobysheva sergey kaleisnikov, who died quite recently a little weather the grave of our famous singer boris moiseev rests opposite valentin yudashkin boris klyuev boris grachevsky, that is, our wonderful actress found peace surrounded by the same famous famous personalities. here we see 11 wreaths next to the graves, also this, mostly white and red roses in the center, a huge wreath from the president of the russian federation. many people could not attend the funeral ceremony personally today, for example. from the staff of the actor's house, we also did not see today either at the civil memorial service, not in the temple of alexander kalyagin, but uh, here is his

wreath. the red carnations, well, their famous role they have a famous role in the film where they play her husband and also there with a huge hysteria. thank you cyril thank you very much damn. here is for you irina petrovna what a woman imagined, the anime leg is different, this is a rare case. the fact is that the data is sitting here, they are all iron women. all. what is the difference between normal women, love work, iron work that makes you and women and an unattainable woman, and you control a man who either suits you or not . her life consisted of this, well , she was looking for, but she trusted, she received energy supplies from a talented person, but nothing happened , but it happens, and you are all happy

places. we all manage our lives and ira managed her life, managed it competently. i wanted to sing and began to sing. i once sang, even at the competition, the second place myth invited me to malakhov. i say, i don’t sing, because i know that it’s not very professional. i hide all the time like a snail. i'm generally a loner. i like to hide at home. close everything. i'm happy. and when i go out for me, it's work. i know that i love me. i must. so i must, she happily did all this. well kingdom of heaven happy life. let 's hear what she herself had to say about her life and her dreams in the pain program. in the summer i am satisfied with the fact that i am in the theater i need. i play

what i can now play. i'm a normal being. i played 29 performances a month. i have played all my life. and there is no such oh i want. oh, i want it urgently. no, you don't need to take care of yourself. i am a sick person, i do not say hello very much. i need to follow with me their. i'm sincere. i am always satisfied. i wake up in the morning anyway and dream. i love doing this all my life. i'm all no dreams plans build. oh, don't do this , do this, do this one, and then this one, this one, endless dreams, you can't always live, as dreams end, so happy oil. irina petrovna and they will sound again in this

studio, where she has been many, many times. and where was she, beloved kingdom of heaven, irina petrovna, we don’t dream of another song from the movie, but today this song already sounds different. i know someday the sky was not given in both years, the wind, spring night will bring you a sigh from me. it’s not difficult to convey,

my truth will be betrayed by death, the conquering law is my love. hello dear friends and comrade live your