tv Utro Rossii RUSSIA1 September 12, 2023 9:30am-9:55am MSK
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[000:00:00;00] mkhati in the art theater as her service and this is what she does with her life absolutely until today, but confirms, and spectators of different generations continue to remain in the power of her great talent, filled with love for her native land and compassion for the little person. this is exactly what i see. eh, the meaning of our profession. especially today in affirming the positive and the best that exists. in us elena finnoshina vitaly marchenko 200 you to this now we
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was overflowing with fat. we have nothing left to drink the luxurious hollywood diva actress could easily transform into the heroine of past eras, as if she had stepped off the towel of great artists. it was no coincidence that andrei tarkovsky chose her for the role of mary magdalene in his legendary film andrei rublev. irina miroshnichenko attracted men to her like no one else, but even in her three marriages she was unable to find her long-awaited feminine happiness. how to experience the joy of motherhood? why did irina regret the most? at farewell to the actress, many famous people recalled what she was like lev leshchenko konstantin khabensky evgeny mironov evgeny gerasimov
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you never dreamed of her on-screen property in the film, which the audience adore, it seemed that everyone was declaring their love for them again. this happened often in life. this is the life and fate of irina miroshnichenko in the memory of evgeny gerasimov good morning, beloved vladimirovich, we are meeting with you. today these have already been for 40 days, as some petrovna has not been pushing it for literally a little over a week. yes? you are surely as beautiful as usual. you do it, congratulated you on your birthday. and so this is the bitch when nothing was foreshadowed or she was already lying around, there was a feeling that she was already feeling unwell, they wrote different these days, including because it was on her birthday on july 24th that she felt bad. it’s like it all started for her from that day. well, i'll vilify it. it’s a russian tradition that i didn’t immediately go to the doctor. and what, because, well, it’s important in sex, she called
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you. simply, the best doctors in the city would have been with her in 5 minutes. and, of course, you had some kind of special connection. how much i saw you. once you met in person at a film, you never dreamed of it. were you still on stage as long as i was? how did you and how did you talk about all sorts of hotbeds? how gallantly they looked after her, how why is she so careless with herself, she is a courageous, strong person, she is in life. eh, i've been through a lot. everyone knows that she had a serious injury. and uh, when we were filming the film, you dreamed about them, we were worried with the director and ilya frez. will she be able to film with us? because when he invited me to talk and talk about who might be in the movie. at this time i had many other offers. oh, and there were roles. well, let's say big roles. but when he told me
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that irina miroshnichenko would be your wife , all other roles immediately disappeared. i realized that i want to act where my wife will be. irina you know a few years ago here in this studio. we talked all the time petrovna, of course, about this injury too, uh, put it this way, as she recalled it, it really was not just a fracture of parts of the body. this is it a turning point in her destiny, and at that moment you came to her destiny. put it as she recalled, there was no accident, after which i spent a long time in botkinskaya for 3 months. they couldn’t miss the hematoma in the neck, which was no longer so high because it had already become different after the blow and hmm, they didn’t know how to get me back on my feet, but for some reason, of course, my mother comes to me, everything will be fine. we will heal, everything will be fine. and somehow i still think that everything
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will be fine and really slowly, getting out of the consequences of this accident. you then it was then on the set that they somehow felt on the set. no one ever noticed that she was unwell. uh, hmm, the only thing she uh, when there was a pause, she went downstairs, uh, to her car. um, i was getting into the car. and it was clear that she was relaxing slightly. eh, after all, she was still in enough pain, apparently. and if you didn’t know that she had an accident. so, in general, no one would have noticed. put on a fragment of the film of the legendary
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let's remember. mom likes it. for me it's, well, that's it. this is some kind of pain that she hides and never shows, this is actually some kind of theme, or something, all her fates turned out that way for me. when she passed away, i always look at the dates. well, because yes , this is such a thing through which god can also speak to us. i saw and did not become the third in the evening of august 3 in the evening. uh, a new church day has already begun - the day of remembrance of st. mary magdalene. yeah, and the main theme in general, mary magdalene is, well, repentance, she’s such a saint who talks about what
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repentance is. i started to think about this and somehow contact irina petrovna, because we we talked to her a lot about her life about some things in her that she really regrets, and then i remembered, i got goosebumps. we got chills. one of my first roles was the role of mary magdalene in tarkovsky’s film andrei rublev. and this is also such a special thing to play. moreover, to play such a complex saint in tarkovsky’s work. it is necessary to somehow communicate with her, somehow peer into her. then maybe she brought it. this is not the case throughout your entire life. so, she died on her day , the day of remembrance of mary and magdalene. but when you are with her about such things, about some personal breakdowns in life, about some mistakes, some things that she regretted, they said. you know, uh, she never showed it. eh, those problems of difficulties that i had to go through.
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she only dreamed of playing one role and playing another. eh, hmm, the theater is crazy, of course she loved it and she, uh, all the time, uh, had to be at work, so it was no coincidence that when there was a pause, there was no filming. she was playing in the theater when there was a pause in the theater. she went on stage to communicate with the audience. this in general too. in general, such a country is her life, which she remembers a little now. she, like you , came to power without leaving the acting profession. she was a minister, the culture of the moscow government. not like that for a second. yes, but it belongs to her, because vasilyevsky descent at some point. that concert venue, then a lot of concerts were held, and this was done, in addition, even on the slope and down in the nineties, when in the ruins of the country, the country in which it was generally formed, which it served, and so on. but many
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lost, a lot of people in art were lost, they were lost, and and in these very fierce, hopeless nineties, she was plastered with posters. all moscow remember, she sang. she entered. this also gives a lot to the characters. of course, i’m in some kind of if she’s a child of war. she was born in evacuation, or she is from a military family, she, uh, recalled his action. she recalled, uh, the difficult years of the war. well, mom was always next to her, and she always spoke to mom with admiration. you know, of course here. we are now looking at different photos different times, but it had its own unusual style. and in all her heroines, whom she played, there was also something, uh, different, but it was irina petrovna’s style, but
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she loved it too. i thought about this too, in the snow. she never became. imagine, well, deafening novels , brothers, with such men there, the playwright of the tents, the legendary soviet playwright igor vasilyev, the beautiful actor, with whom everyone was in love, aliki efremov, whom she also loved and with whom she did not live. all your life is there. you know how they died on the same day. here, well, about this kind of pain. at least she's uh about her uh men. she spoke very well, you know, the real one. i think the woman is, uh, if she loved, then she is grateful to the man for having this feeling. at the same time, i know that irina petrovna was always very sad that i didn’t have children
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, because i didn’t become a mother, although there was an opportunity in life and despite all this brilliance , this profession was in demand, and loneliness was not felt. and they felt felt, but she was very much in in this sense, she was a closed person with her uh problems and she didn’t share this loneliness with anyone. when we met here about the fate of a person, we started talking about a very delicate topic. i didn't bark. even on this topic, i think, i couldn’t help but ask. and then, well, how he answers, so he will answer. not only did irina petrovna answer me about this. struck a please put it. and you abandoned
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the child, right? yes, i thought that it would happen sometime later and i was sure of it, that it always seemed to me that my whole life was ahead, that i will forever be young, that everything will be fine. unfortunately, because of which film you refused , your parents only know the first film by sight. the main female role of the tents, how did you accept it? he didn’t dissuade you from having an abortion, but pushed you to have an abortion, of course. borya well, how can i tell you this? he understood what my profession means to me. my work is the first big leading female role. you see, when she abandoned the child, she, uh, convinced herself even more that she should only be in the profession. there after we talked quite
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long about this. she said that there was a different time, that now she would never have done this, and she regrets, but what is it like, you were a witness. what was it like to play the mother of mothers in the movies, she probably just realized herself, like a mother in her film roles. or how hard it was to eat, you know, we had such an episode. e hmm on set. eh, they brought me a child. he was from an orphanage, when they put him in my arms, he immediately fell silent. and it kind of stuck with me. eh, and the director says, well, at least pinch him so that uh, he could cry. i say, i won’t pinch this child, he’s about to say, well , pinch and irina supported me in this sense, she says, zhenya is right about the days of this
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child. eh, no need to pinch. that's how it is. i could be very strict when i was 7 years old. i played in the play tattooed rose in your house, where she played the main role. uh, i was a river survivor. i read some kind of prayer in latin. but she walked confidently across the stage, also playing her role, at some point they passed by me. did i do something bad there or was rowdy or making noise, ate the props or something, she showed me like that because of this, vera and then went and continued, uh, and it continued on stage. she treated hers to children as to adults. this is what i remember very well. so many people, so many great artists came to say goodbye to her. put on
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a fragment to remember depression. i had no attitude towards life and creativity, so it’s a big hello to me, i’ll tell you the words that i love you selflessly, just like when i was a child. you know your time at the vakhtangov theater ruben simonov invited one woman. she was not an actress. she was from a very famous old family. and uh, everyone was perplexed. why what? why is she always at rehearsal? why does she come to performances? eh, that’s it, the time is spent in the theater, and he said, it’s very
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important for me that you feel a real woman, that the artists look up to her, and that men behave around her, because only with her can you behave. and uh, irina petrovna in your house was the very woman next to whom a man should feel like a man. and women must understand what a real woman is. how exactly is this? yeah, it’s been 40 days since she died, and a little over two years ago in this studio, she turned to herself, wrote a letter to herself in the past, and now i understand that these words are like some kind of trait, some kind of result of her life , since
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she saw it herself, put it. right now, at this stage of your life, so that you, with your experience, can write to yourself this girl, this beautiful girl, what would you tell her, you know borya, i know that you always ask this question, i thought for a long time, what should i answer? first i would like to give her some advice. and then i thought today, no? the way fate has destined for you. your path walk it. just try to do it with dignity. and no one can calculate what is destined in advance, but still i can only say two things. thank god and life
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is wonderful. to your light, the kingdom of heaven to irina petrovna is life and fate irina miroshnichenko in memory of evgeniy gerasimov thank you dear. we bring to your attention our favorite hit reusable smart vacuum lids for the tightest fit; with them , the preservation process will become much easier, and the finished products will be much tastier. simply, put on the lid, pump out the air with a special pump and be sure that no oxygen will get into the jar until you decide to open it. open the russian-made vacuum system, consisting of a pump and vacuum lids , which allows you to preserve the freshness
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