[000:00:00;00] would you like to meet tatyana nikolaevna fedorova, niva, the performance of the drummer, there was such a bold dance on the table, in a leotard , foreigners really liked it, i would not want to work in any other theater, the mandate was the last performance that played here theater, i didn’t want to fight for roles, i didn’t... didn’t want to, it’s my job to play, i played on this stage for 20 years, i’m very glad that i was able to be here, now i’m very happy and happy that you brought me here, that i see this and that i can do anything this is basically asking, i don’t think i’ll have the opportunity

to visit here again. let's say goodbye, thank you, it was nice , i loved you, everyone, oh, lord, mikhailovich, we recognized you, tatyana nikolaevna, well, of course, how could i not recognize you, she just... well, it broke me that she was with this, i didn’t know this at all, and i see that you are in tears, yes, i’m just in tears, she really is such a bright person, tanya, and the way she said, i loved you all, i loved everything, this is the true truth,

because it seems to me that this is difficult for tanya of course, to walk through... in the theater without doing harm to anyone, but tanya lived these 20 years exactly like that, not, so to speak, did not snatch roles, on the contrary, she could give them away, and there were such cases, she is truly truly bright person, but i want to say that the hotties did not prevent her from being in this studio today and coming to meet her beloved, we meet,

we meet tatyana nikolaevna fedorova. thank you, thank you, i’m very grateful to you, i want to say a few words about tanya, okay , of course, the thing is that tanya and i, after... we sat in this picture, it was the year seventy, when we were filming, yes, suddenly in the year eighty-four, my son was born, he was 4 years old, and he and i were going down the escalator, or somewhere in the center, i scolded him for something , because i have him, well, that hooligan, i did without - profanity, harsh language, in general, and suddenly i say, do you

understand me? or not, suddenly i’m from below, which means i hear a voice saying, lord, why does he understand everything perfectly, but why shout at the child, why shout at him, i say, what do you care, i say that you, you don’t care, she says, but for me, i didn’t find out at first, well, instantly, she says, that’s exactly what i care about , senya, this. in general, in general, she intervened in my educational process, which means she intervened at a very timely moment, and i even felt ashamed , i really think, well, yes, she also said, and even in front of everyone, they

will recognize you for what -you're setting an example, aren't you? it begins, you left the theater, and irina yurievna has her own theater, you heard in spain, in madrid, imagine, devoted, devoted, yes, she survived, but why did you leave, tell me, now, did you find out or not, they lived with you , it turns out with sadalsky, then oh, that was yes, no, it was i who lived, no need, we somehow, tanya , i lived with you, you remember this, i stayed in the corner on rags, i apologize, i stayed in the corner on rags, some stas slept in the corner on rags, and he only had one night for that, but we lived with you , as if he were alone on a dick, he got up and started sneezing, and he said, stas, shame on you, get used to it, get used to it, he said,

get used to it, yes, but we got used to him, we were very friends, loved him very much, now we remember you with him all the time, tanya, with all our hearts, with love, with tenderness, you are beautiful, that’s the second, that’s the truth, now you understand that - that’s it, you decided to stop and after 20 years of serving the theater, you turn this chapter over and change your fate, you know, in the theater i met actors, actresses who were deeply religious people, i started going to church, in the temple i met wonderful young scientists who were neurologists. they wanted to create orthodox medicine, they wanted people to be treated by people, believers, who

had a slightly different attitude towards illnesses and the sick, i was very fascinated by this, let’s listen to the attention, but that’s how red i became. this corner was very small, it grew like this, one icon, a second icon , father nikolai guryanov, he is a modern saint who saved me from taking a wrong step, you know, when i was still a schoolgirl, i... heard about some artist , which is just so popular and re-national, i stood up - on my knees in front of the icon, curling behind me and saying: “lord, i don’t want anything,

i don’t want a husband or children, i want to be an artist, that’s how i got it, my uterus was removed because i had a fast-growing hysteroma, which, which i am afraid that it will develop into cancer. and i was operated on at the oncology center, everything was removed from me there, so everyone, everyone carries his own cross, which he begs for, so i begged for this one, i have this very thing, here, you see, how many icons, yes, and to me my spiritual father, he said, that’s it,

the iconostasis is enough so that there won’t be a single icon anymore, i can’t decide anymore, here are these weighing , let them be with you, but no more, suddenly on the same day the mitrophania of voronezh gives me, and i was born on the day of the mitrophania of voronezh, august 20 , as my father says, they gave it to me, well, okay, he says, do you want to be mitrofaniya? i say, i want, of course, mitrofan, this is a monk in our ian khronshtatsky monastery, they even allocated cells there, that’s all, thank god, i didn’t end up, in the early nineties in the temple in which, in which i already went to the temple, i was there i met doctors, young, very good, very serious people, they wanted to make our healthcare orthodox , they invited me to work in pyatigrad,

they paid us very little, so, but we actually didn’t count the money, i still haven’t gotten used to leninrad can. my heart became in moscow, it remained, it was hard for you to move , you know, what’s the matter, here my mother was dying, so i had to... be with her, she was very glad that i came and maybe her life got a little better, so, so it seems, but by the way, i don’t know whether you found out or not, today we have ilina vyacheslavovna visiting us here, kirbikova, how many years have you not seen each other? 10, 10, almost, almost 10 years, 10 years, but you can hug your friend, sit, sit, also, my dear, you even gave us

a tour, showed us how everything has changed, now in this hospital, where tatyana also worked as a nurse , what character traits did she have that allowed her to work, to serve people, there is this expression from the apostle paul, who sows sparingly, he sows sparingly married. whoever shines generously, reaps generously, tatyana was an incredibly generous person with a soul, and this generosity, of course, she extended to everyone, not just her colleagues, we all adored her, and of course, to her patients, who in general, well, well, well, we bathed, one might say, in her care, is she your godmother?

children, and the godfather of my children, yes, and how many years did you work together, before leaving, almost 16 years, yes, and you saw this film, which we are discussing today, about frater’s bride, of course, of course, but i want to read a fragment soviet screen, seventy-first year, review of the picture, several dietary comparisons, this is a quote, the hero does not dare to look at the heroine’s slender legs, he looks shyly at a piece of flowering bird cherry, rain or allegorical running up the stairs, enthusiastic pull-ups on the horizontal bar or the general breakdown of the lyrical hero, all this is expressed in reading, all these are shy decals of emotions. in seven brides the plot itself sets the authors in a different, much less monastic mood. the eyes of the demobilized zbroev mobilizes our

attention to concrete objects, for example, clear tangible forms, the way kostya looks at the applicant-textile worker trembling like a rabbit, like an enthusiastic fan, he contemplates the conductor of an international carriage, and what can we say, even the leaf fall is burning at work for a social activist, we see not on the podium and not in a strict face, so shall we rejoice at the playful freedom of the screen, or shall we think about it? 71 years old, today too. so at the meeting with the piffreyter sbruev, let's invite her to our studio, glad to see you, we're just meeting on yes, good ones, how beautiful as always, how long have you not seen each other?

yes, quite recently, at her anniversary, yes, now we just congratulate each other, happy anniversaries, yes, well, let ’s remind you, this is really your episode, especially since corporal harness discovers that a married girl wrote the letter to him, attention . good evening. so, the territory has been cleared, the guys have been fed, they’re sleeping, ugh, that’s it, the gymnast’s shirt is torn , i’d better sew it up, listen, soldier, why don’t you give my wife peace, day or night, kolya, let me introduce you, this is zbroev, he’s a subbotnik , whose wife, mine

to the wife, well, yes to her, wait, wait, wait, wait, why did she write, if the wife, what she wrote, was about feelings, cool, i absolutely don’t understand anything, maybe this is youth correspondence through contacts with the army, now we’ll figure it out, if it’s through contacts, then there must be copies. zbroev - this is with or z zaks, settlement of harnesses. but that is, with the light hand of gaidai, you were again given the role of a komsomol member, yes , well, i think that i think that yes, of course i had a very ambiguous attitude towards this

film because at that time i was already studying at shchukinsky played serious roles already appeared on the stage of the vakhtangov theater suddenly again a komsomol member only a little in such a truncated form, but tell us, mikhailovich, they were also secretly in love with natasha varlivo, surely she knows about it more than once, let ’s do it now another short advertisement, immediately after this meeting, after 53 years all the brides and freytraeva will continue, on air today. on saturday. and if you want to find a girlfriend, then you need a dating site, the most important thing is to throw off about five years, he will throw off a five for yourself, you'll knock off a ten for yourself, what an interesting woman, it's strange to see your wife, your ex-wife, ksenia alferova, alexander makagon, by the way, i also saw you on this site, my advice to you, take a photo from

our family album, the premiere apartment, on saturday on rtr. the floor is precious, the walls are shaking, big changes have come, in the new season with a new renovation, with a slight movement of the hand, we are making three different functional zones from this room, absolutely faceless, ideas are overflowing, we want to turn the radiator into art object, there will be plenty of surprises and a lot of work, okay. before our eyes they turn into projects, i adore plants , i am generally a plant maniac, real stone flowers will soon bloom in the living room of our heroes , after dismantling, a lot will become clear, and dreams become reality, look,

let them into your home, big changes, every sunday on rtr. open up! i love you and want you to always be by my side. oleg, me, movies on weekends. remember what kind of wedding you wanted as a child? i love romance i propose a noble wedding. i didn’t know which flowers to choose, i thought that everyone loves roses, you can forget the past. but why is it that all the organizers in the city of my son’s wedding will be officiated by his ex-fiancée, this is absurd, i myself am not happy with what you need, but you can’t forget true love, 6 years ago it just happened mom, you and i are drawn to each other, i i love you, i love you all my life,

i’m sorry, i want to cancel the wedding, this will never happen, wedding march. on sunday on rtr. watch the special episode today programs 60 minutes. don't miss all the latest news about the situation in ukraine in the world. 60 minutes, today on rtr. from the first day, you are the head of the company. i can handle. this is my dream job. and yanochka, have you thought about her, where are you going to take her, let’s hire her a nanny, hello, yanochka, my name is maria alexandrovna, but can i call you aunt masha, my dear, call it what you like best, and you’re not afraid at all that

masha will replace you in yana’s life, they can’t live without each other, like mother and daughter, when there is no one closer to the nanny, you named? daughter, are you afraid to leave yana with masha, or what? i'm afraid, but do you like riding the bus? i haven't ridden yet. yana, yanochka! aunt masha, on friday on rtr. once again, good afternoon, meeting after 53 years, all the brides and freitor sbruev and. crossroads of the fate of actress tatyana fedorova, who played a central role in this film. a rapid rise in career then complete oblivion in the late eighties, when it became clear that there were no roles... in films, tatyana fedorova, just like her colleague in the shop, tatyana vedeneeva, could make a career tv presenter, she taught

russian language lessons on television. good afternoon, dear tv viewers, today we have the twenty-third lesson. however, the actress took a different path, received a medical education for almost 16 years, and worked in a hospital under the moscow patriarchate. today actress tatyana fedorova interrupted. seclusion and told what led her to god? now i’m looking at the screen, how beautiful everyone is, how young, how everyone is, how bright everyone is, you all look gorgeous now, girls, but now you’re really starting understand this with age, because of course, by

and large, i didn’t appreciate meeting with... my dear colleagues, yes, exactly my relatives, because over all these years we became related 50 years of the film, this is a whole life, you know, it stopped me on the street, every second passer-by expressed their admiration, and there were so many letters, but this applies not only to me, to all participants in the film. this is by which people always and everywhere now

recognize, this is the bride of hope, we had an amazing, absolutely amazing director who created an amazing, there was a warm atmosphere, some kind of magic, it was literally filmed from the first take. i had to make a choice between theater and cinema, and those films in which i starred , they entered the golden fund, which i am very happy about, in the seventieth year i graduated from the leningrad institute of theater of music and cinema, since then i have been working in the theater for 54 years theater unfortunately , over these many years, i was not able to cross paths with anyone except vitaly vyacheslavovich

melnikov, and i didn’t have to cross paths with other colleagues, about tatyana fedorovna, i i don’t know anything at all, unfortunately, i’m very glad that we are together today, and that i can see you, my dears, i’m happy to see you, i love you, i... wish you creative longevity, be healthy, strong and strong i hug you, yours, natasha, yes, andrey, uh, actually i wasn’t privy to who would be there, but just in case, i took my guitar with me to perform this song that i sang here, well done! that is, you refused to repeat the dance, but you want to sing the song, because the dance is the legs, and this swallow is

a completely different matter, so i use with your official position, of course, you can go get a guitar for now, but i want to introduce lyudmiluevna mabry, actress, classmate of tatyana fedorova, how long have you not seen each other? no, no, andryusha, we haven’t seen each other for 10 years, it turned out that we had just seen each other. how long have you not seen each other? five, how's your friend? well, it seems to me that the light comes directly from her too, no? yes, but i still want to return to the picture, there are still two of your brides who met in our program: hello andrey, let’s recall this famous meeting of elena solovey and marianna vertinskaya, attention, there is an actress behind the scenes who, only after learning that you had arrived from... the united states , put aside all her business to see you, quietly, tell me, honored artist

of russia, marianna vertinskaya is visiting us today, we welcome her. hello, my little girl, my good girl, she came to us, after all , well done, smart girl, smart girl, hello, hello, where are you sitting, i’m here, thank you, hello, andrey, hello, good evening, both beloved women let's remind corporal sbruev that’s my last name, if you remember, i’m in friendly correspondence with you, a brilliant film, let’s see how elena is in this film, you’re 23 years old, you play a nurse who comes to you, the situation is modest, i’m not a slave, i think it’s better

to buy gradually, but more expensive per meeting. for auditions, of course, well, it’s not like i was the matchmaker, what kind of course we had, yes, olya, it’s wonderful , i see a lot of female roles there, i say, so we have butterfly on the course, a lot of girls, yes, like maryana is now saying, here’s an amazing artist, let’s shoot, she doesn’t say shoot me, well , it’s hidden somewhere, that is, first

elena solovey, and then you chose, i understood this whole situation, how many, how many auditions were there, did they pay for each , also an interesting question, then they paid for auditions, we’ll talk about it on the sidelines, and on the sidelines, i will never forget how extraordinary, that is, well, natasha never auditioned, she was immediately approved, in fact, as far as i i remember, yes, she was a superstar at that time, no, it was me student. what a superstar is an axiom, well, she’s being modest, but how worried, how worried two famous artists were, i helped them at film screenings, i honestly, i worked honestly, that means i loved each one, and so golubkina and chursina, they both

auditioned, yes and nastya vertinskaya, for some reason they all already had such a filmography, such fame, and suddenly i too, but i don’t care, i’m already established, it amazed me that such a big one in all of them in a sense, the artist is like a chursina, when she worked with me, she says senichka, sechka, help me, dear, i always dreamed of playing something comedic, you know, i always dreamed of it, now... i ’m one step away from this, you know, he’s walking around, and larisa golobina said, you sing, i say, well, in the kitchen, he says, well, it’s obvious, well, come on for larisa ivanovna, no, the thing is that when atasha

chetvikova and i played it all out, she was very worried, she, she was generally very anxious. girl, she’s still a girl, here i am, i look, she’s kind of timid, very well brought up, and when i started for her there, she said, senechka, what are you going to sing, i say, well, actually, and i was just starting to study, well, just a little, i say, well, actually, i wanted yesenin, oh, yes, so sad . my maple, the fallen maple, the maple is so bitter that you stand bent over under the