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Understanding 9/11tv Taini sledstviya-9 RUSSIA1 November 23, 2023 1:55am-2:40am MSK
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[000:00:00;00] faces, melody, atmosphere and people with whom she will make this film, coincidences, happy coincidences, themes that were set by the author, the director, who felt the theme and carried it out, and naturally, oleg nikolaevich efremov, who was a wonderful partner, wonderful, such it’s impossible to put a bright social hero next to him, well, of course, the charm is very strong too , we have a lot of beautiful girls in our village, she comes to visit us, the peasant woman nyuki has an enviable husband, children, a strong house,
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a profitable farm, she’s lucky to moscow for selling surpluses on this trip, she suddenly realizes that in her life she has never had great love, passions that take her headlong, men who would treat her like a hero in a french movie, there was no tenderness, we convey tenderness in the song, she even doesn’t know what it is, suddenly a person appeared who could give it to her, all she had to do was stretch out her hand and open the door, nyuka didn’t take a step towards this person, she couldn’t, although she’ll never forget him, she’ll probably regret it all
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life, without you the earth, on shablovka, not on plyushchikha, was the title of a story by alexander borchagovsky, which was published in the newspaper nedelya in 1966. the author was completely unprepared for the fact that this publication would be noticed by the famous director tatyana lioznova. she suggested that borshchagovsky write a script based on the story. the writer faced an obvious problem in his work. the plot is about the outbreak of feelings between the peasant woman. and taxi drivers, turned out to be too simple for a big film. but for leoznov this very moment is completely didn't care. tatyana leoznova had one question that she did not even discuss over the phone; it meant a personal meeting. she needed to change the name of the street. alexander borschogovsky calmly said: change it,
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please, but why? on shabalovka both tritopols have been preserved, and the cafe from which it is called that way, lioznov replied, and there is also a television on shabolovka, everyone will immediately think that our film is connected with it, but i would like to avoid this, shabolovka was connected with television, after all there's always some kind of movie i retained my own pride, so to speak, but i think that here, rather rhythmically, there are three drownings on the ivy, somehow it somehow sounds more harmonious, in the film tritopol on the pecking they agreed to film with oleg nikolaev, because this is from those partners who, through the truth of existence, help, just as pasha
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luspekayev helps them. true existence with all of oneself in the plot, there are partners who confuse you all the time, because suddenly, firstly, you feel that he is trying to play and not exist truly, for a character, to portray something, then you become ashamed of him, and to play yourself, you become ashamed, because you lose sincerity, and the most impactful thing on the viewer is extreme sincerity, it was more or less easy to talk about
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participating in the film with oleg efremov, although he... was a sought-after person, full of ideas , the head of the sovremennik theater, but at the same time he loved acting so much that he agreed without any conditions, he is one of the few actors in soviet cinema... who always agreed to act, he loved this is the case, i know many actors over 60 years of working in cinema who refused, chose, either the wife reads there, or the editor, oleg nikolaevich always agreed to any roles, it turned out that oleg efremov did not know how to drive a car, and he had to act as a taxi driver, he must have looked like he was driving when he came to filming and had to make his first
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independent drive around the city. oh, is there anyone else here? efremov calmly got behind the wheel, at that moment the passenger door opened, and liozna was next to him. okay, so i won’t get stuck. she told him: if we crash, then together. oleg nikolaevich drove extremely carefully. ulioznova had no goal of getting tatyana doronina into the picture. she knew little about this actress. do you love theater? i want to ask, do you like theater? how i love him plays, what performances that some already go to st. petersburg, leningrad to watch. with the participation of doroni, so she came among other things, well, here i am, good luck to you, anna grigorna, in the eyes of the director she was just one of the possible candidates, dog,
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what a wonderful name, tenderness, like the others the actress handed the lyrics to the song tenderness to liozny, not counting on anything, the result amazed her, liozny had a preparation, at the audition, according to this preparation the actress had to sing a song like this, sleep, sing, she said, grant, here is the song, now sing it, as a christian woman would sing, how much time do you need to prepare, we can meet tomorrow, when you say so, she said: i need 10 minutes, and doronina immediately sang what was needed, let the sky lead, tatyana i didn’t imagine tatyana’s acting range back then doronina couldn’t even think that this handsome guy with the appearance of marilyn monroe could
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so easily complete her task, but as soon as leoznova wanted to shoot doronina, she immediately ran into a star, the attention of which she first had to win, in those years herself the type is not even of the garden ring, but of the boulevard. what will you take from me? and here was a peasant woman with painted lips, a nuka, this was the first time this had happened to her in her life, was she not ready for this? it was just a time when i was very busy, very busy with the film, once again about love, it was filmed in parallel. and i didn’t particularly want to act in this scenario, why did doronin walk in nude from the sophisticated horde, but persistently or again finally persuaded her
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to do photo tests, what is a director? lezny persuaded doronina to come to the film studio to take a photograph, but without makeup. this was the case when, based on... the auditions, the decision was made not by the director and studio management, but by the actress herself, whether she would be filmed or not, the shots were very natural, without any lipstick and lined eyes. doronina liked herself, her consent was connected not only with this, leoznova’s offer to play a village woman was unexpected and provocative, the actress thought, let the audience see that she can be like that too. when filming began in the village located on the edge of the river, tatyana lioznova sighed and thought that now the city beauty doronin would have to teach how to wring out a rag, rinse clothes in the river, and tie a scarf, but it turned out that
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doronina did not need any teachers. the village part of the story in the film tritopol on ivy for the actress had personal motives, from childhood, when the whole family went to their mother’s homeland, near chernigo in the village of koryukovka, little tanya was stacking haystacks there, turning hay, milking cows, mashing boiled potatoes to feed the piglets, maybe she got interested film material, which made it possible to again come into contact with those memories. are you awake? why are not you sleeping? did your father spend the night? throwaway daughter. the river began to play on it from the person who is closest to me, loved, and familiar, played her, purity, mother's.
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her spontaneity, that is, what is not , is not spoiled by the city, this is what remains in a genuine woman, who is not, this is coquetry, everyone likes desire, for her her children exist, her before... her family, i have two children, two, the actress dedicated this role to my mother, just as my mother once dedicated her life to her children and her front-line husband, how my mother existed during the war years, when my father was at the front, and imagine that my mother, who was very beautiful, will suddenly be with someone else to leave us sister. runs off on some kind of date, this is completely
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impossible. leoznova expected that nyurka’s strictly husband would be played by her favorite nikolai rybnikov, an actor who had cosmic popularity in those years, by the way , guys, there is news, rybnikov, this is lioznova’s actor, who in the previous film conquers the sky with him, about pilots, played the main role, played it superbly, and as you know, directors often drag in the next project, it’s all over the place, 99%, so, of course, the main character nikolai rybnikov, rybnikov, lioznova had already internally confirmed , and began to argue with herself, whether he had patriarchal firmness in his appearance, so that his wife would be afraid, so that the cold would come from his gaze, she would understand, after all, he is not a grisha, allow the launch , the audience loves rybnikov. inner light and soft kindness with which he looks at the world,
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she offered the role to vyacheslav shalevich. he didn’t sit there for long, but he didn’t like this hero. it seemed to shalevich that by that time he had played plenty of similar characters. leoznovo convinced him. this is not our last day on earth; we’ll spend another night. she told me, glory, don’t be a fool, i saw everything you did in the cinema, everything you did in the theater. and that's all. together it’s difficult, you haven’t played such a role, she said and this plunged me as an artist into some kind of reaction, response, so that a subtle trusting atmosphere was created in the frame, it had to be created on the set, tatyana mastered the rare art of achieving this with simple actions, sometimes an intimate conversation about life was enough, he is a girl in
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brides, how did she get used to it, krisha, she somehow created the atmosphere in the frame before they started filming, she talked and when she saw in our eyes that we had infiltrated, she said, just a quiet engine, and everything was already there ready, he comes to us, and you took me, leoznova demanded that every time the actors not just act, but always connect their souls, in the scene after the wedding , shalevich and doronina had to play the happiness of the young. i had to wait a long time for the engine command, everything took place in the summer, in the heat, the actors were privately angry, although they tried not to show. having developed the film, lioznava saw that their joy was feigned. and then, when they filmed it, that’s it, she told me, i never show the material, but i will show it to you. let's go, let's see, we watched the take, she says, you see what is happening, you laugh, but your eyes are not funny.
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as much as possible, but i didn’t see, i laughed, and well, one day during a break tatyana doronina thought about something of her own and quietly sang, just like that, for herself, she heard something funny and immediately offered to weave it into the material of the film, i she started singing she said, this is what we’ll sing on teleleg on teleleg, cart with... but the director also had another song, the main one - tenderness, with which it all began, the one that... she offered to actresses at auditions, i want to find one song, i often in front of tatyana mikhailovna still couldn’t think of where tenderness could sound beyond the name, tenderness, tenderness , and for a long time we were filming in kolomna, she stood by a big huge tape recorder all the time
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turning this film, tenderness, i say that you do what you do, i thought very i like this song and i want to insert it into the film, but how else... i don’t know, in general it was very strange that there was a ready-made song, usually a song was written for a film, the premiere of the film, the premiere of the song, but here it’s like leoznova took the opposite route, tatyana leoznova did not tell the whole truth to anyone, the song touched important strings of her soul, this happens when someone sings about your most secret things, so for this song leoznova first looked for literary material, then for a situation in which the song could sound nowadays they shoot video clips in a similar way, telling a human story inside the composition, lioznova shot an entire movie to her favorite song, the idea of topol was born
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due to the fact that lioznova heard a song on the radio, like me for several hours. the song became a striking hit, loved by millions, only after the film was released, although maya kristallinskaya had been singing it for a couple of years already. the song was born from the incident when the poet nikolaiov and his wife, composer alexandra pakhmutova, came to meet with pilots and cosmonauts, and one day they we arrived in zhukovsky and one of the pilot’s wives said, she says: you know, i’m really the only wife here, the rest are all widows. and then dobronravov remembered that saint ezuperi has a phrase: a pilot flies away, but does not always return. and it was from this
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trip, from this meeting that the song was born when kristallinskaya recorded this song. i literally could hardly hold back my tears, without you the earth, the song had no success, after the first performance in the column hall of the house of the unions, kristallinskaya was not even particularly applauded, the song was not understood, routine applause, about the singer was told that she left the stage to the sound of her own steps, but maya vladimirovna still left it in her repertoire, as if she understood: this song will be performed again, i ’m lucky, not every artist gets to receive such a song, i’m happy that i’m really the first performer this beautiful song, thanks to this song i met the very talented, very beloved, beloved film director tatyana
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lioznova, who, in fact , the entire musical fabric of the film was built on the song, don’t worry, it was an initiative director, for her through this song, it was such a whole view of life, so to speak , and this work is also very, very dear to me, this song is a pass to eternity, few singers manage to perform the song that will preserve them for posterity, such a song: vladimir troshin has such a song, these are evenings near moscow, and maya kristallinskaya has such a song, this is a song, the tenderness of alexandra pakhmutova, sergei grebennikov and nikolai dobronravov. maya kristallinskaya
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already knew about her illness, which at that time for years it seemed incurable. the internal tragedy made the performance of the song very personal. divided her life into before and after, she had to endure enormous trials associated with this disease, but it was they who gave the depth that later appeared in her songs. lioznova was among the few who felt the song earlier, more strongly than others, in her film... she was not even looking for a place for the song, but just a big role, suddenly the director came to her, right on the set, the whole plot was filmed from virtually one point. that is we worked it all out in one take and
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improvising along the way, because everything that concerns the explanation, for example, who is the character of this or that song about a french pilot, is improvisation, in time. the great director sergei palinaevich gerasimov, who knows how to select actors and select takes, which one way or another, the actors play each take differently, but in such a way as to build. logic of the character to the end, and not to lose this line, few
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directors can do this, but she can do it - honor and praise, look after the small yard, bozno somehow leaving pavel alone, everything is done, the main premiere of the year, on the road, gentlemen, ekaterina alekseevna, my responsibility is your safety, that you keep hanging around next to the empress, and you believe that the place is still yours, trust. justice will prevail, can i help? ekaterina, favorites, tomorrow on rtr, they say you need to prepare for rest, you need to be able to rest, you need to rest beautifully, but you need to rest. where the sun and sea are, on the first
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your rules. titanic, deluxe, golf - the best choice for an unforgettable vacation. russia is a country of great achievements. right now we are making a discovery in science. and our children open the doors of modern classrooms. we create new cultural ones. space, and of course, we are opening new routes and points of attraction, discover the achievements of our country, come to the russia forum exhibition, my whole life seems to me now to be one beautiful moment, everything that has been lived, that has been done before, has coincided, when the film premiered in the soviet union, it was only a month since yuri gagarin died during a training flight. and the song, like the whole film, suddenly had
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another tragic meaning. the song became about ggagarin. people on earth once again felt their orphanhood without him. now hearts ached for our world's first cosmonaut, who died when he was 34 years old. he is from a russian village, in the smolensk region, the same as nyuka. it's clear. why did she like this song ? pakhmatova was not very keen to work in cinema, she did not think that she had a successful experience working in cinema, if you look at pakhmatova’s work, she is completely self-sufficient, it was only in her youth that she had songs for... films, everything else, that was obviously borrowed, but she no longer wrote for cinema, so to speak, and here the task was
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to persuade her, based on the song, to write some kind of... such symphonic music, some kind of symphonic accompaniment about moscow, the director persuaded her to come and look at the footage. after leaving screening room, pakhmutova said that lioznova will have music. she will write it only because alexandra nikolaevna was struck by oleg efremov’s close-up. the miracle is that aleksanovi pakhmutova, who did not want to write music. she was invited to watch, she said: take the song, i won’t write music, she was invited to watch the footage after seeing this piercing gaze on the steering wheel of oleg efremov, i’ll write music, it takes me
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a few hours, another hero of the film is a car, the legendary cinematic volga, who starred in leonid's most beloved soviet films. pointed the taxi to dubrova, beware of the car, ildar ryazanov has a car, oleg efremova also played there, he played the role of an investigator, if you want, anna grigorievna, i ’ll show you moscow. showing moscow, leoznova wanted to be as authentic as possible. nina’s apartment is really very close to plyushchikha street in a famous house built in
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the thirties according to an architect’s design. alexei shusev, this is house number five on rostovskaya embankment, and the apartment was real, the owners gave it up to the film crew, moving to the dacha. the yard was paved 2 days before filming, at the director’s request, and a set was installed in the middle of the yard: cafe tritopole with tables on the street. that was the name of the tritopol café on pleshchikha, because of this there was always confusion in the name. either they put tritopol in quotes, then tritopol, well, some no one had ever heard of a cafe, and already there were quotes in the name, this could also be scary. the route along which efremov’s hero takes nyuka to this house turned out to be unreasonably difficult, as was often the case with taxi drivers, because her address is a few minutes from the place where the driver dropped off the uzbek grandfather, but for some reason they find themselves in the center of moscow, manage to drive past manege square, along kalinin avenue,
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now this is the new arbat, and end up on komsomolsky avenue. stop by the horizon cinema, drive along the smolenskaya embankment, only then the taxi will stop near the cafe tritopol, rezny, showed the modern city, she understood that very different people live here, and they weren’t always there, how could they be close to her, but still it's in this pistrote was the life of that very moscow. modern moscow is not only the center, lioznova deliberately showed different capitals, both the one on postcards and that one too. which guests of the city rarely visited, a scene was filmed in the horizon cinema when the heroes get tickets to the film without waiting in line, it was a new cinema, a new district, but leznoy in this sense was never a champion of old moscow, she always said, i’m not quite a muscovite, because i was born on the outskirts,
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and for her it’s just these outskirts at home, and in fact, even this is the house where she was born... on the street, this is a house behind one of the three stations, it was, as it were, more moscow than the arbat, for example, so in this picture, we see rather a new moscow than an old moscow, the characters shown in moscow are extraordinary people, there are a few of them, all of them are unusual for our cinema, here is a girl who returns from somewhere, early in the morning and talks with longing about the big ones. moscow, london, paris early in the morning, traffic flows, life begins early, everything is on wheels, well, it was still an independent event, then after all, this is a genre of road stories, well, a micro-genre, yes, because it was necessary to show different people, there he is taking his grandfather from tashkent, after the earthquake,
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when he says nyuri , that nizhny novgorod is big, shaking, sashkent, shook them there, earthquake, i heard, it turns out that nira nyura lives in such a wilderness, that she says, every day there’s an earthquake, they don’t even understand what she’s talking to him about, that’s what it’s about could also get attached, say how the whole country is raising tashken, our common trouble, and you are portraying such a fool, what a hero she is after that, do you even read the newspapers, read, it shakes, it shakes us almost every day, then this, then that, if you go in and find fault with very different things , or when the heroin hero stands with long hair, remember, girl? what do you want grandma? what kind of grandmother are you? tatyana leoznova had to be a lot nervous in this picture. she had enough reasons to be irritated, and one of the main ones, according to
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her recollections, was her serious character tatiana daronina. the actress did not want to unconditionally obey the will of the director, the actress had to wait for a long time, the actress refused to wear approved wardrobe items. according to the script. when i arrived at the railway station and bought myself some ice cream, doronina thought the idea of ice cream was superfluous, she had to eat and wanted to leave . on the third day of shooting, she came up with a reason to leave the film, mom, give me some ice cream, where is it, i put it there , a whole shift was rented, there was a train that was waiting there, they somehow got there, well, in short speaking of which, when we got to this scene, all the equipment was there... the filming equipment was on display , but he suddenly said: you know, i don’t eat ice cream? will you eat some ice cream? come on, they say it’s sweet, otherwise you haven’t eaten it? come on anna grigorievna, he doesn’t need strong teeth, such a stupor set in for the whole group,
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because the group began to look at lyozny and understand who was who. tatyana mikhailovna understood that either she was now losing doronin, if she stood her ground on ice cream, or she was losing authority, she had lost authority. on for some time, but it was boring, she said, okay, the shooting is cancelled, this tension between the director and the actress existed only during the work, immediately after its completion, tatyana lioznova always spoke with admiration, as well as about oleg efremov, about whom tatyana mikhailovna said that it was impossible not to fall in love with him. efremov, conqueror of women’s hearts, may he like you, oh! old and without an arm, he had an inner masculine charm that women could not escape. according to the results of the competition of the soviet screen magazine,
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tatyana doronina became the best actress of 1968 . she looked amazing with efremov in one frame. her image was filled with love, what haven’t they been written about them? it would seem that everything is heading towards such a strong friendship. but several years passed and efremovanina began an unheard-of confrontation. this happened after olleg was invited to lead. mkhat was divided into two parts: those who disagreed with efremov went under the leadership of doronina. over time, over the years , it became completely clear that the very idea of separation did not
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belong to him, but belonged to some people from the environment. this is when you feel sorry for him in this situation, because he was set up. here to share a wonderful actor with a wonderful partner, because we have several films with him, a television film, nothing can be done here, because anyway, in any circumstances, he remained for me a very great artist and an ideal partner, busy, your car is mine and a person who always treated me very well, and this was always in return, a good
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attitude, and i treated him very well, when in 1998 obamkhat separately celebrated tatiana's centenary and ... an unspoken competition arose: who can invite tatiana leoznova to his theater for a holiday, you'll have your heart set on me for the rest of your life, take it in a good way. in order not to offend anyone, leznova firmly decided to refuse everyone, but doronina did not accept the refusal, and again a confrontation between the two tatyanas arose, as during the filming of the film tritopol the spitting. goronina called her and said: “tyana mikhailovna, look out the window.” here you see, the driver is standing there, but if you leave in an hour, he will still be waiting for you.
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if you go out again, in 2 hours, he will too, if you go out in the morning, he will be standing in the morning, hung up, or further on, like a nude from the film of the drowned splash, looked out the window, and i always felt sorry for ordinary people, that’s how - she always imagines them in her life somehow in detail, she thought, maybe he has a wife, so i won’t come, and tanya will scold him there, and so somehow she knew how to make it all up for herself, in the end she got dressed and went out, that's what she didn't did. in three poplars, here lioznova did it, she went out and went to doronina’s anniversary, in doroninskamkhata, although in general, of course, she didn’t want to do this, today it’s hard to believe that this simple film about a dozen characters was watched by 26 million people, thanks to the film, moscow has turned into a city where you need to come not only for money, fame, career, education, but for tenderness. and she felt it. warmth, this was unexpected,
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this taxi driver was unexpected for her, she suddenly discovered this unexpectedness in herself, like some kind of miracle, and defied this happiness, and she could not do otherwise, because in this regard she is not modern, she is not easy, she may not... preach morality, she exists all the time in this - morality, for soviet cinemas it was as usual, when nyuka struggled with a stubborn door, people shouted, telling her from their seats, the keys are on the suitcase, the key is on the suitcase, the key is on the suitcase, and with an intonation almost of an order, well, lord, get up in the end? come in, take these keys and
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open it, and complete happiness. so simple the story in which two of the greatest actors met became a cinematic event of the century. after the premiere of the film, the song tenderness turned into a super hit of all times. the audience could not calmly watch how she refused true love, the film studio was inundated with letters so that the creators of the film would reshoot the ending, there were spectators who came to the sessions every day, each time they hoped that now, without fail, the heroine doronina would decide to open the door and step towards the taxi driver your
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dreams, and a miracle will happen. the leaves are also falling in the gardens, and taxis are still in a hurry somewhere, only there is nothing on the ground, alone without you, and you, and you, and you and you, what did you bring, i say, your not... rest is leaving yourself alone. rest is not thinking about anything, when you are calm and completely
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switched off. rest is rest, we know everything about rest. anex. time for news on the culture tv channel, in
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the studio egor bedulya, hello, rethink the tragedy, somehow a little pity is born for the person who commits such acts. on the small stage of the theater of the nation. premiere of elizabeth's play bonddar magbed has an unbending character. i believe that every girl should do ballet, this is my slogan, i, this is my propaganda. people's artist of russia ilzalpa celebrates her anniversary. to speak and write correctly, we actively want to promote dictionary culture in society. on the day of the dictionary , the updated portal gramota.ru was launched. cinematography from different countries. most of our films are based on socio-economic realities. pakistani directors made their debut at the november festival in minsk. in the theater of the nation reimagined shakespeare's tragedy macbed.
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the great playwright, creating one of his bloodiest tragedies, did not spare the feelings of the public. the authors of the production followed his example. they compared the well-known plot with modern times and paid great attention to it. the sound of the text, details from yana muzyka. either branches, or strings, or a hellish web, everything hums and grinds. elizaveta bonddar is a musical theater director, so in dramatic performances, auditory quality is most important to her. even the scenography sounds in this production. individual elements scenery becomes alternative musical instruments. the director created sound sculptures together with her collaborator peter aidu. we looked to scrap metal dumps for inspiration. petya found different objects right in the landfill, knocking with a hammer, as
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it all sounds, we were selecting, in fact , not yet, well, not every landfill can buy all these objects. the starting point for the creators of the play is the shell shock of the main character, and this whole terrible... world is a projection of his consciousness, actor dmitry gizbrecht notes that mcbed was not a classic villain, this is a talented, successful person, favored by power. he opened this pandora's box, by some fatal accident, broken by the war, evil lay on this whole soil, then it fits well, the key was already inserted, and ledith turned it, the chest opened, all the darkness poured out, maybe the horror is that ordinary, well... an ordinary person is subject to this darkness. lady magbed in this performance evokes sympathy. we made such an analysis that they lost a child, in this world, where there is practically no life, where there is no, and women are life, this is a continuation of life, it’s like
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there is no place there, she doesn’t even have any hope for this life. according to the director in this production, she explored the anti-hero. a little pity is born. to a person who commits such acts, and we can say that we have such, well, enough , well, a simple analysis for today, that it’s simply impossible and unthinkable, to strive for power by killing and, well, dismembering everything in your path, not the middle ages and not modernity - this is an abstract unrealistic world, literally and
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