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Understanding 9/11tv Taini sledstviya-9 RUSSIA1 November 24, 2023 1:55am-2:41am MSK
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[000:00:00;00] for the first time in st. petersburg, the performance is inside, it is based on one of the ancient styles of indian classical dance kathak in a modern interpretation, staged by the famous choreographer aditi mangaldas, another interpretation of the eastern postulate about two parts of one whole, good and evil, white and black. kathak is characterized by rapid movement and an intricate rhythm that... kicks out, i have been striving for many years to bring ancient dance techniques into the modern world , to make it exciting for the modern viewer, the focus is on the human soul, in in a complex dialogue with himself, he strives for openness and calmness, the artists reflect different sides of the personality, while one triumphs, the other struggles in agony, disputes and reconciliation, affectionate participation and viscous hostility, for each emotion in the dance there is its own pose
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or gesture. this is mudra, these movements are called mudra, each has its own meaning, we can turn blessings to the higher mind, there are movements that personify angels, flowers, animals, this is the basis of kathak, the scene is constantly changing, a slight wave of the hand and the drama of the scene instantly acquires new colors. the journey within oneself makes the audience either shudder, strain, or exhale with relief. oriental rhythms and lives. and the action of the scene , where responsiveness, indifference, facts and doubts, mercy and cruelty suffer, everything is decided by one eloquent look or a complexly broken, but not devoid of harmony and beauty, body movement. the contradictions that torment the hero are emphasized by the play with light; it is the main decoration of the play, from complete darkness to scorching lava, which gradually
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turns into a barely noticeable candle flame. we we want to show that inside every person there is both evil and good, we are very multifaceted and not only what can be seen with the eyes, for me it is very important to give the ancient tradition a long life, it cannot be preserved by locking it in a museum under glass, creativity should breathe the fresh air of the future, there is a special contact between the dancers and the audience, the viewer picks up the mood of this oriental tale about kindness, humanity and eternal love. this performance can be considered interactive. because even though it's traditional, we sit, no one, uh, expects that the audience will participate in this, it is impossible not to participate in this, it is as if you came to a raft, and you cannot help but succumb to the power of this rhythm, the charm of these gestures, the difficult path in the end is illuminated by acceptance, warm and bright colors the darkness is finally replaced, the masks are dropped to the accompaniment of indian folk instruments, songs sound in melodic hindi, the finale is complemented by the solemn ringing
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of bells, an important element of kathak, a symbol of the pacification of happiness. tatiana bashko, daniil zhironkin and galina rominskaya, lead petersburg. this was the st. petersburg news, all the best. rest is leaving yourself alone. rest is not thinking about anything, when you are calm and completely switched off. rest is rest. we know everything about holidays. anex. travel without
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of entertainment, a golden beach and azure waves, liu reоrts, we are here for you, who became famous throughout the world under the pseudonym rt, invented by himself, is practically unknown here in russia, such a paradox, with this in france and especially in america. he is adored, idolized, he was one of the most famous successful artists of the 20th century, and we are happy that we have the opportunity to tell the russian audience about this amazing man who influenced a colossal influence on the art deco era and in fact was one of its incarnations, talk about the things that nourished him
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as an artist. roman tertov was born in 1892 into a very famous noble family, the tyrtovs, almost all of whose representatives were military officers, namely naval officers. nothing foreshadowed that the young roman tertov would want to become an artist, moreover, a fashion designer.
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however, from childhood, he was interested in designing dresses. his first model was his mother, for whom he made the first dress and this dress was so successful that his mother... appeared in this dress quite calmly at social balls and even in the reception room of the winter palace. all drawings and paintings by roman tyrtov made during his life in st. petersburg were destroyed. his uncle was shot during the revolution. his father left, resigned and fled st. petersburg , he lived in very difficult conditions with his wife and eldest daughter, in 1920 roman tertov took his family out of the soviet union and settled them in france. why does young roman
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tyrtova had such a strong will to become an artist. his grandmother greatly influenced him because she purposefully and methodically took him to theaters and especially to the opera. his first operatic impression was... of rimsky korsakov, in fact, rimsky korsakov was a naval officer, just like his father, so he went to the tyrtovs’ house, he was a close friend of his parents, and accordingly, roman tyrtov’s first thing visited rimsky korsakov's opera and then reviewed the entire repertoire of the mariinsky theater, then the entire repertoire mikhailovsky theater, in addition to these theatrical impressions, there were exhibitions organized by dyagenev, in particular in st. petersburg. exhibitions of world artists, exhibitions of contemporary art in st. petersburg at that time, he was greatly influenced by the work of konstantin somov, as well as lev bakst, whose theater sketches he
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collected in the form of postcards, in addition, he took lessons from ilya repin’s student, dmitry losevsky. losevsky was distinguished by the fact that he gave his students a fairly large share of freedom, in parallel with painting classes, young roman tertov still dreamed of becoming a fashion designer. he had several sources of inspiration, these were the masters of world art, in particular lev bakst, it was a greek vase painting from the collection of the hermitage, where he spent... a lot of time, he made a series of drawings on the theme of greek vase painting, stylizing them as these works of greek masters, even within the framework of the
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art deco style he remained faithful to the classics. in addition, there was another obvious influence that he experienced already in paris. oubre berzley, an outstanding english artist, who lived only 20.5 years, but managed to influence a colossal number of artists around the world, all this had a direct influence on the formation of the style of roman tyrtov, but this style is nevertheless unique, which stands apart in
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relation to the era and his contemporaries, much less any avant-garde movements that he encountered, for example, in france. in 1912, roman tertov left for paris in order to become a fashion designer, not for any political reasons, not because he started. world war, not because there was a pre-revolutionary mood in society in russia, he didn’t think about anything about it, he thought about realizing himself as a fashion designer in the fashion capital, that is, he emigrated 5 years before the revolution and that’s how it happened that he remained to live in paris forever, he had to deceive his parents by promising them that he would study to become an architect, because the profession itself was considered generally base
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and absolutely disrespected. arriving in paris, roman tertov was faced with the fact that he was going nowhere can't get settled. he had no connections. and he ends up getting a job, almost a year later, in a small studio that specializes in copying models from famous fashion houses. illegally coming to fashion shows, sketching them, and then hosting them under his own brand. the owner of this fashion house forced his employees to copy these same pt models, he was ashamed to simply copy, he tried to make variations on these themes, and these variations, these attempts towards independence, the owner of the fashion house was extremely unhappy, she literally flew into a rage . a month later... she kicked roman tirtov out of work,
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telling him that he was absolutely untalented, and threw all his sketches into the trash. it was really a blow, he takes out of the trash all his sketches that he made during the month and sends them by mail to the most expensive, most famous fashion designer in paris, paul poire. puara receives this package and invites her a day later. roman tyrtova to his place of work. our hero becomes the main artist of atelier paul poire, one of the most expensive in paris. puara is very pleased and even invites him to work on some theatrical orders with him. the first such work experience was the private parisian renaissance theater, in which mata hari played, a dance production where she performed in
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an oriental costume created by rt, in the thirteenth and fourteenth years, most of the models produced by the polypois fashion house were actually drawn by roman tirtov . a year later, after his arrival, he takes the pseudonym rt surname. difficult to pronounce europeans, especially the letter s. on the other hand, he was a little ashamed in front of his parents that he did not continue this line of naval officers, and thus did not have the full right to use his aristocratic surname. rt is an abbreviation based on the first letters of his first and last name, but in french. transcriptions, this pseudonym itself, it also correlates
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with the french word art, arte, what roman tertov was striving for. the first world war begins. paul puar is called to the front, he closes the fashion houses, tertov, having safely left paris, he settles in monte carlo, where he begins. where he sends his sketches, which are made there for the new york public, and he also sends his sketches. in two american magazines, and from each of these magazines he receives an invitation to collaborate, he throws a coin, choosing with whom to collaborate, then the harpers bazar magazine comes up, and as a result, for 22 years, all
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the covers of harpers bazar, a monthly fashion magazine, one of the most popular in america, comes out exclusively designed roman tyrkov. he also does spreads where he anticipates the next season's clothing collections. in america, thus he became a very famous person. he began to collaborate with broadway musicals, with several very famous producers, in particular george white, many others who staged shows on broadway, and he also began to collaborate with the chicago opera house, as a costume designer, he created costumes for la traviata for pelyasa and mélisande,
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who stood in this theater. him also invited to hollywood, in the twentieth year was his first experience of working for cinema, the owner of harper's bazar magazine was also the owner of a film studio called cosmopolitan films. naturally, he was invited as a graphic designer to stage the most beautiful scene of the film, the so-called ball of the gods. the restless sex. the poster for this film stated that the costumes were for the ball scene. created by the famous russian artist rt. roman tyrtov said diversity is important to me in all areas of my life. i'm running away from monotony. he wanted to try himself in different areas
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of creativity. starting from the cabaret variety show, where he was in fantastic demand, where he did luxurious shows, he begins to collaborate with operas. theaters, with drama theatres, in particular the sarah bernhardt theater in paris, with the barcelona drama theatre, he sometimes designed private interiors, as a designer, in the late period of his life he came to create engravings, he began to create sculpture at the very
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end of his life, jewelry. in ancient greece, the beauty of the human body was highly valued, young men like the ancient gods improved their physical training in special sports schools, they were called palestras, the best athletes, winners of the olympic games and other competitions were showered with parts, beautiful muscular bodies often inspired ancient sculptors. vilaze's most famous sculpture on a sports theme was miran's discus thrower. in the 5th century to ours. eras in ancient greek sculpture replaced the static archaism with a new style, which later art historians called it a strict style. its best representatives sought to overcome the form frozen in marble or bronze, conveying to it the moment of movement.
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admiring contemporaries said about the famous master miran that he could capture the souls of people and animals in sculpture. the pinnacle of miran’s creativity was the dynamic statue of discovol. it is unknown who served as the model for the sculptor before podlin. according to one version, this is one of the winners of the olympic games; history has preserved mention of several champions, whose statues were created by miren, according to another hypothesis, discabolus is the hero of an ancient greek myth that tells how a young man. the nobleman accidentally died during the competition, becoming a victim of a disc thrown by the god apollo. some art historians argue that while working on the image of the discus thrower, the great ancient sculptor did not at all strive to depict any specific athlete, he solved
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artistic and technical problems. in the era of antiquity, the contemporary sculptor polykleitos also turned to the image of the discus thrower. his posture is discophoric, full of peace. miran's work was innovative for its time. the master set himself a difficult task. he had to find a dynamic pose for the discus thrower without disturbing the harmony and compositional balance of the sculpture. about who ordered the statue and for what purposes it was created. history is silent. the discus thrower looks spectacular only from a frontal angle; it loses greatly if
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you look at it from any other angle. miren created a generalized image of the face of the discus thrower beautiful, but devoid of characteristic features. it maintains olympic calm. for a long time the statues of peace. was known to people only thanks to ancient writings, including what was left by the ancient roman writer lucian and samosata, who lived in the 5th century of the new era. he mentioned the discus thrower, who was bent over in a throwing motion, he turned his head looking at his hand with the discus , one leg bent slightly, as if preparing to straighten up at the same time as the throw. the original discus thrower made by myron in bron. not preserved in the 5th century bc, perhaps
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he died during the barbarian invasions, because the conquerors could melt down the valuable metal bronze and use it for other purposes, while the famous sculpture retained its appearance thanks to the craftsmen who made several marble copies of it, one of them was found in 1781 in rome, on the territory villa located on the esquiline hill. by name. after some time, archaeologists dug up several other copies; they were badly damaged, but based on the description of the surviving fragments, the craftsmen managed to restore the original appearance sculptures by miran. several details, including the left feet from kabol , could not be found. copies in which the athlete looks down, not at the disc, contradict ancient
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evidence. x-rays of the discovol from the townly collection kept in the british museum confirm that the sculpture was assembled from several parts. the discobalus is one of the most famous ancient statues. her casts adorn the collections of many museums and art academies. miron's innovative creation had a great influence on sculptors of different generations. thrower image the disc also inspired soviet masters, matvey manizer and his wife elena yayanson manizer. manizer's discus thrower is intently preparing to throw, while janson decided to capture the discus thrower at the moment when the discus is about to take flight.
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her bronze shot putter froze in the most complex movement. disco ball mirana is one of the most famous athletes in the history of art. this sculpture has repeatedly become a symbol of modern sports competitions. some experts argue that the athlete’s body position will not provide disc... the distance of the flight, but this does not at all prevent connoisseurs of beauty from admiring the image of ancient man, his physical perfection and inner harmony. oh, a gift for the studio and antonov apples from our garden yablona, about 50 years old. natalia narochnitskaya, dad liked that i was like a boy, but i loved dolls, especially in a beautiful dress, but at the same time i always had a pistol with caps, i adored shoot at the ceiling. dad, you told me, he spanked you and his son, once i spanked him, but he got used to the fact that
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if he hurts himself, then i kiss that place, he... to me, kiss where it hit, history is a personal matter, and dad is an outstanding historian, and what would he say now, looking at how this evil has again spilled into the holy earth on some terrible scale, that’s all who are now ignites a spark, unable to predict where it can be stopped, the fate of a man with boris korchevnikov on friday. on rtr, they say, you need to prepare for a vacation, you need to be able to relax, you need to relax beautifully, but you need to relax, where there is sun and sea, on the first shore, where everything
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that's it, relax. anex. titanic luxury collection bowrum. dutch painter jaan lievins and the great rembrent. the years of youthful friendship and creative rivalry were linked. jan livens was born in 1607 in the city of leiden. he grew up to be a real vondergem. from the age of 8, he studied with local artist joris van schooto, and 2 years later he was sent to amsterdam, where he mastered the profession in the workshop of the famous
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painter pieter lastman. there is reason to believe that he visited utrecht, where he was influenced by local carvaggist artists who excelled in the art of contrasting light and shadow. leavins returned to his native leiden at the age of 12. his early works indicated that the young artist possessed not only the greatest talent, but also great knowledge in the field of painting. rembrun was also born in leiden and was a year older than lievens. unlike his colleague , he was not a prodigy. rembrandt began to master the basics of painting
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much later. like lievens, rembrandt went to amsterdam to study painting with peter lastman. the young artists became friends. for several years they shared a workshop organized in the house of rambront's father. having no money for models, they often posed for each other. rembrandt in livvens' paintings appeared in the images of a violinist and lutenist. perhaps he served as a model for one of the card players, and also played the role of a servant in the painting of pilate washing his hands. young artists shared creative discoveries, ideas and plans with each other. the pictorial style of their early works was similar, they both wrote
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on wooden boards made from the same oak. the subjects of their paintings were close, and rambrand and livvens loved to depict people in spectacular exotic clothes, as well as to work on portraits of old people. the similarity of the early works of the two painter friends still poses a problem for experts. the attribution of some paintings from the leiden period gives rise to debate. sometimes young painters, creating paintings on the same subject, entered into creative competition. the themes of such competitions were the biblical story of samson and delilah, and the gospel... plot of the resurrection of laser. the talent of young artists attracted the attention of one of the most educated people
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in toypokha. the secretary of the prince of orange , constantin huygens, was a keen connoisseur of art; he had an excellent understanding of painting. rembrent surpasses livens in his confident touch and vividness of emotions, he noted. livvens, unlike rembron. more inventive and bold in the choice of topics and forms. anything that strives to capture livens' youthful spirit must be gloriously sublime. creating your own portrait huiggins chose to entrust jan lievens, but began to patronize both artists. it was huiggins who advised the prince of orange to purchase one of lievens's paintings. to present it as a gift to the english king charles i. his majesty liked the gift so much that twenty-four-year-old jan lievens received an invitation from the english court. rambrand
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decided to move to amsterdam that same year. the artist friends' paths diverged. during the tour, english painting reigned supreme. he graciously accepted his younger colleague and even painted his portrait, from which engravings were later made. livens learned a lot from the great master, but did not dare to compete with him in the art of portraiture. his works were not very successful among the british aristocracy. after 4 years, jan leavins returned to his homeland and settled in antwerp, the city where... the great peter paul rubins lived, worked and taught. in antwerp, jan livvens was
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lucky. he got married and was able to find customers, among whom were representatives of the order jesuits. however, the painters did not limit their creativity only to commissioned portraits and religious paintings. he took on landscapes and still lifes. yanivs soon became famous. the abundance of orders allowed him to live in grand style, but his inability to manage funds plunged him into debt. fleeing from creditors, the artist left antwerp and settled in amsterdam. by that time, the name of jan lievens had become well known, and this allowed him to receive not only private money, but he also participated in decorating the interiors of the amsterdam city hall, as well as royal palace in ghaagi. for two years lievens worked as a visiting artist in
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berlin. in holland, portraits made in the vondey style became increasingly popular. since livens learned about the secrets of portrait painting first-hand while living in britain, he coped well with orders from wealthy clients. it is unknown whether youth friends rembrandt and livvens communicated while living in amsterdam. what is known is that rambrand, despite the financial difficulties that arose, stubbornly continued to work in his own style, while experienced craftsman jan lievens primarily sought to focus on the tastes of wealthy customers. this played a cruel joke on him. gradually he lost his own creative personality, turning into a skilled artisan. according to experts, livens's later works
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are much less interesting than those he wrote in his youth. the wars waged by holland in the mid-16th century greatly undermined the art market. during the financial crisis, many people had no time for paintings. livens, who is accustomed to luxurious the life of a successful painter was ruined. he died in 1670, leaving his descendants with such huge debts that they were forced to abandon the inheritance. the posthumous fame of the painter also turned out to be short-lived. livens' works began to be mentioned almost exclusively in connection with the work of the great rembrandt. sometimes rembrandt is credited with the best early works of lievens, those that he created in the years when friends created side by side, for one workshop for
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two. decorative and applied arts are non-fine arts, they can, well like any work from the world of fashion, for example, it can become outdated, but on the other hand, very often it is in applied art that we feel that cultural basis, the richest, which connects us with threads to
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the modern. the work of the artist of the republic of tatarstan is a striking example, because a very large cultural basis can be read in his works, it relates to classical art, first of all, the point here is not only in turning to the classics and different styles, but also in the taste with which he does it all mixed, taste for the selection of the actual motives that inspired him, for their interpretation, color, composition, all this... was synthesized in his work very brightly, his work carries a very high aesthetic charge, and also, of course, it is a magical fantasy, a fantasy that was admired by everyone who dealt with him and his customers , and his audience, a fantasy about which he himself wrote that i live there in a fantasy world, that everything i did in art was a play
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of the imagination. in america, rtt was positioned as a russian artist and at the same time a parisian fashion designer, sometimes he was called a russian-french artist, but this russianness was always emphasized, and this was the highlight; it is not obvious in his work. naturally, his work is international in nature, it was easily perceived all over the world, but the first 20 years he lived in st. petersburg, the colossal amount of artistic impressions that he absorbed in the capital of the russian empire, shaped his taste, this is an indirect influence, but this charge, this cultural baggage, very serious, it manifests itself in his works, he saw nezhinsky perform, he was on tour
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performances of karsavina, pavlova, russian seasons could not pass him by, where the theme of russian art, its features, could not help but influence him, he nevertheless remained somehow very hermetic in his work, and went his own way, he was so immersed in creativity that, like probably any creative person in the process of work, he came to an altered... state of consciousness, this is evidenced, for example, by his quote: i am in another world, my drug, art, in the mid-sixties years, roman tertov creates based on his old works, large color silk-screen prints, practically designing them as easel works, but there were series that were not based... on his old work,
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it all started with the alphabet series, the first series in his life, which he created not by order, but for himself, the latin alphabet, each letter of which is based on the image of the human body, these could be angels, and dancers, maybe even a lady with a living leopard, later a series of numbers was created, nagoda, the seven deadly sins, he really loved the creation of such series, alcography was carried out in about 300 copies, but then , despite the fact that it was a very labor-intensive production, a fantastically expensive matrix on which all this was printed, it was publicly destroyed
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by the author, he gathered journalists, organized a small press conference at which he publicly destroyed it, and thereby he publicly declared that this series... was completed and there could not be a single print more and everything that would be created after that would be a fake, so his circulation graphics were never faked. fans of rt's work, of course, were a variety of people, among them there were stars, this is the american singer and actress, barbara streisend, she was friends with rt. collected his works, it was a very unexpected combination of rt and andy oorhol, it would seem that two things were incompatible, and yet warhol was fond of rt, he adored this
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artist, on rt’s ninety-fifth birthday, warhal actively photographed the elderly artist, rt lived an enormously long life, his creative life spanned over 80 years, and his physical existence 97, he died in 1990, and until his last day he worked, he left us a colossal legacy, his style was not only always recognizable and in demand, he was not only an ardeco star, a man who shaped this era in many ways, if we talk about fashion sketches, then we we see references to different periods in the history of art, his famous... asymmetrical neckline can be seen as a reference to the roman toga, for example, or some kind of greek tunic. rt was also an innovator in the field of colorism, cover of harpers magazine
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bazar for 193. the clearest example of art deco art, a very rigid, very rhythmic composition, but there is one more thing here, coloristic innovation, in one ... the work brings together a monochrome work and a color one, combining it in one frame, this is an interesting experiment that turned out to be a great success, he was an incredible master of color, such a
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high-flying experimenter of fantasy. it is surprising that a person who never dreamed of becoming a great artist who would amaze the art world with something, nevertheless he became one of the most successful, sought-after, richest artists in the world, his personal exhibitions, starting in sixty-seven, were held annually all over the world, and from the new york exhibition, all exhibits were purchased after the exhibition closed. .. by the metropolitan museum, from the london exhibition, all exhibits were purchased from the collection of the victoria and albert museum, france , italy, spain, england, germany, japan, australia,
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