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Understanding 9/11tv Taini sledstviya-9 RUSSIA1 November 28, 2023 1:55am-2:45am MSK
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[000:00:00;00] the tower was abandoned, his skin was torn off, absolutely right, there is some very large cast there, 85 people, an orchestra of 150 people, yes, yes, one soloist on behalf of nasemi, nasemi, here he embodies the image of our hero, na simi, and i was shocked by the fact that i constructed his individual poems, which... of course did not provide for any such dramaturgy, but i constructed them dramaturgically and in his poems it is amazing, as if he sees his death in advance, he knows what kind of suffering he is going through, he always tries to captivate this crowd with his ideas, enlightenment, gradually, gradually he achieves this precisely on the day of his death, because he is already accompanied by his students,
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relatives, and even to the point that he had 12 missions, he was both a teacher and a theologian, he was a medicine was carried away, a philosopher who connects all the luminaries with the lives of people, the destinies of people , all this very much attracted a huge number of people to him, and he was accompanied by a huge crowd, that’s when he was led to execution, and from the fact that he always took on different guises , everyone said it’s not at seven, they tried to protect him, in the end he will say, no, i’m at seven, and i’ll go for this dare, well, in general, it’s incredible , of course, you can talk for days, this is the image of galileo, that’s why he has this famous phrase, when he says: i don’t even fit into two worlds, into two different worlds, i can fit
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cahana sığmağaram, it is for this essay that you received this prize, i know that it was presented in lisbon and you were congratulated by the president of portugal and agahan personally, and this was essentially one of his last public appearances, unfortunately, and prince amin, the three of them are standing on stage, which means agahan himself, his majesty elhais, is standing by the president portugal. and the prince stands, the three of them, greeting, i played my music for pinot there, they asked me to perform as pianists
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too, i spoumina there. we are now in sheiki, i just want to draw special attention to this, because it is an absolutely charming place, stunning nature, air, you can simply drink, an amazing, small-sized festival, it is five-day, yes, five-day, with the name of the silk road, a festival that
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is already in its twelfth year. you do, yes, the opening of the festival is always a big performance , and usually it is an azerbaijani opera, one of the azerbaijani composers, this year, for the first time, you know, we showed the entire azerbaijani repertoire, we had absolutely wonderful productions of medzhenuli, this our first opera, shah ismail muslim magamaeva, grandfather of mislin gavay,
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so as not to think, then we showed him. amirova, well, this is based on their anniversaries, how would we show these ballets , in addition, famous, like arshin malalan, the first soviet film millionaire, which earned millions of rubles in its time, during the war years this film was filmed by arshim malalan, and this incredibly beautiful music, very similar, yes, a funny plot, with such disguises, a very interesting production and we showed it in such an original form and we also had
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this kind of appereta was called, as if paraphrasically, like this: arshi be silent on the silk road, there already with some modern ones it was against the backdrop of the khan-saray it was. well, hansara is generally an amazing place, it’s like the scenery itself, it’s just that, first of all, it’s a garden, yesterday we were at the mugamo concert, the scenery is amazing, the main thing is the people, people react as if they were already on stage themselves, yes, the audience is very active, so that concerts always go like this, because our people empathize, they know these texts, listen to one thousand times and every time they experience these moments, and every time they have some emotions and of course, it’s very... the performers are inspiring, as if during a direct performance , they are always on some kind of you know baptized baptized and baptized at the end
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they just end their performance in such ecstasy, this is natural, it should be so, i must emphasize, if someone doesn’t know, remind once again what exactly you brought or brought mugham to classical music, yes, that is, you connected as if not connected, no, for the first time, you did it in your opera, but in symphonic music , in chamber music, yes, this honor belongs, if i say so, it may sound immodest to me, it began with gabel sayaga, a famous piece that people don’t know, in my opinion, there is no longer a vilacherist who has not played this piece, starting from yoma, manigeti, gerringas, i don’t know, korub, may beizer, well, it’s impossible to name.
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dervizh sounded wonderful about the yoyomad project, such breakthroughs were the combination of mugaum art with some completely new ones techniques of musical expression. which on the one hand, in my opinion , should sound quite modern, on the other hand , as if the building material is , of course, mugham modes, modes - this means a special article, here we can talk for a long time,
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our seven main modes. i know that thanks to you, the mugham encyclopedia was published in many ways, as for the mugham encyclopedia, this work had to be written, because many works have been written in azerbaijani, farsi, turkish, but still this is a huge space russian-speaking, which is very interested in mugham, we will not explain the character of rasta or the character of some boards, modes, but here it has grown incredibly and there is detailed information about these seven main mugham modes of ours and the embodiment is a unique country, which is the first
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opera music, because azerbaijan is in symphonic music, their embodiment in the east presented mugham opera, opera in general, yeah, symphonic mugham, this is all for the first time, jazz mugham.
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frangis are there any russians perform mukama, they have already appeared or not, yet? russian , i don’t remember now, but we have students who come specially from other countries, the american is actually a very famous verbog, you’ve probably heard that he plays the kamancha and tama wonderfully. studied, we had students from south korea, they and we even invited him to one of our festivals, he took part in our concert from south korea, there is, well, that’s
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something. i can’t appear with a russian surname now, i would like to return to the opening of this festival, it opened with your opera, which has the amazing name inetezar, but unfortunately he did not have time
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to stage it. for akif islam-zadeh, an amazing performer who suddenly lost his voice one day, some parts were performed, but still like an opera, we have not yet been able to translate it on stage, in addition, i had an order from the hongton grand opera, your name means the sea, this is so interesting. history of the grand opera houston, they had such an east-west project, they said that we have no doubt that you should write this opera, we have been looking for a long time libretto, then i say, let me write the libretto myself, the idea is that the girl is an artist, an american, a guy, a mugamatist from azerbaijan, they fall in love with each other through creativity, he sees her paintings, falls in love with these paintings, searches everywhere all the time these pictures. and she falls in love with his
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voice without seeing it. and in the end they meet quite by chance at an exhibition, she says, it’s you seimburg, and he says: and you’re denis, her name is denis, yes, and in azerbaijani denis is the sea, he says: your eyes are blue, like sea, he says, your name is the sea. so i will think that we are still together. era of the year, have you forgotten why you were put in this case? what are you doing here? i came to say good night! is regin cooking? i forgot to think about my own son. you crawled like a snake into the empress’s room, you fooled her head. i will do my best to bring you to clean water.
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ekaterina, favorites. tomorrow on rtr. travel without restrictions, we take care of every detail so that you can enjoy every moment, orlikino tour is not easy a trip is the story of your life, created in
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the world of adventure, don’t miss your chance, fall in love with the journey with arliki natura. rest is leaving yourself alone. rest means not thinking about anything when you are calm. and completely turned off. rest is rest. we know everything about holidays. anex. now, if you come to my house, the first thing you will see is a door scratched by dogs , he could become a bailiff, or an athlete, we took the gto standards for 30 - 34 years old,
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we can do pull-ups, a taster, i like to eat a lot and always or a rescuer, but he is a doctor that everyone needs, treatment should not be self-medication, you need to contact a specialist, dr. myasnikov, every saturday on rtr. yes, the initizar opera, since i was at the opening, had the honor of being in the hall next to you, and as i understand it, it was such a compact version, due to the fact that the stage could not afford more, that’s the question, are you human ? , on the one hand, strong traditions, beautiful ones, you protect, preserve, develop, yes, but on the other hand, you have
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a very unique, very modern language music, yes, but here it seemed to me an opera that was really written in such non-traditional material, this. you know, there are a lot of things that seem to collide here, firstly, i wrote for our opera house, let’s start with this, yes, our opera house for now, well, after all, there are no modern operas in their repertoire, let’s say, even let's say, prokopieva, well, i'm not even talking about macabres and so on, that is, this tradition has not yet come to our opera house. we have chamber ensembles that perform modern music beautifully, but the opera house is still this did not come, taking this into account, i followed our opera classics, not to interrupt this tradition, but, as it were, step by step, to expand, yes, there is electronics, which unfortunately
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we could not use here in these conditions, qurtardım quldurların əlindən, nə olub əşim, hardan gəlirsən, bu halın nədir, yurdumuz, yuvamız əllərdən getdi, elimiz, obamız qana bələndi, nə olub əşim, bir söylə görək bu alın nə dir, barımız yoxumuz əllərdən getdi, ocaqlar, can you imagine that some kind of modern director, you would
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do you agree with this as the author, or are you also cautious, despite the fact that it all depends on the director, depends on the strength of this operatic company, naturally, on their technical capabilities, that is, even completely, some kind of traditional production, if enhanced with modern technical means, this is how they did it, by the way, i watched the fiery angel in the komish opera, so i really liked this production, why, because they, without departing from traditions, they strengthened it with modern technical means, there everything took off.
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i even have the program saved somewhere, i was invited to act by abdullah, he played the main role there, it’s just a wonderful production, it really penetrates into this era and somehow it’s done very beautifully, that is, you see, it all depends on the individuality of the director, which either becomes absolutely... the established position, as if i would do it in my own way, or he penetrates into this plan and tries to reveal it with modern means, which of course did not exist in verdi’s time, he could not have the floor fall through, so that there you see, the heroes all took off, although this is in the plot, that is, you expect such co-authorship from the director, yes, yes, yes, i, i, well, i don’t know, maybe it doesn’t sound modern, the main person in the art of opera, i think after all, in the art of opera, the main
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composer is the main one. the composer is the creator of the opera, because the librettos of so many operas are simply ridiculous, for this ridiculous plot, which even many people don’t know, they know the famous arias from these operas, but they know in general what they are talking about, in fact, who is who who, that is, this is great music, raised this ordinary story to some kind of incredible, well, perhaps even carmen, well, it’s very revealing that nietschi always considered wagner’s best operas, at the end of his life he said, all this is nonsense, the best opera is the meringue carmen, you know, that is, early or later you come to something that is natural, beautiful, melodic and really attractive, in this regard there is so much rich material there, you understand the deposits there. and it is absolutely no coincidence that shchedrin also turns to this and makes a completely new version, but he does not move away from the idea
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the main thing, he doesn’t oppose himself without uh, or this plot, it seems to me that these are breakthroughs, they provide very rich material. bimarınam, özgəvanın. neylər, ey, ey insanlar, bilin kim yar ilə xoşdur cahan, çünki yardan ayrı düşdüm, bu cahanın neylərin. and teatr, they said how many modern operas have appeared, what
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can we expect now, what breakthrough, in what direction are you working on this? at the moment i have mainly symphonic works, as if in the works, several very interesting premieres are expected, opera, you know, deciding on a new opera is such a big process, you have to... mature, it’s difficult, but i’m very happy that boulez’s predictions didn’t come true, which means opera is dead, it turned out that it’s not dead, wonderful from adysh , i think they are wonderful, i have watched these operas many times, and indeed, this is a breakthrough, well , geordileti, you understand, how much opportunity there is, and when these operas are staged in such an unusual way, this... this really coincides, and this music, and this production,
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here they are in harmonic unity, i really like it, that’s when the directors reveal: this figurative structure , this is modern, completely unusual for the art of operatic music, here it helps to penetrate into these completely unusual sounds, you know, because it reinforces , it gives a figurative structure to the scene more vividly, so this is all a very long process, and of course, only the most talented composer is able to connect these seemingly incompatible things. such extreme modern means musical expressiveness, unusual, from the opera stage, well, of course, the british did a lot in this, this process went step by step , well, it’s so interesting, it turns out, now i’m listening to you and thinking about what the music essentially anticipated, then it was written before these technical capabilities
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developed; they seemed to empathize with each other , these two processes. they accompanied these two processes with each other, you see, it ’s impossible to predict anything exactly, for example, pierre boules, i’m sure he didn’t he just said this phrase, he studied this process, he was worried, he was worried, he said these words, that is, he could hardly have predicted that there would be such an explosion, you know, composers, as if with a vengeance, suddenly began to create these works. it seems to me that no genre will die until the composers die. there will always be composers, and what is a composer, at the root of the word is an inventor, an engineer, a music engineer, and a music engineer, he can never sit idle if he is truly real
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composer, that now there are a lot of surrogates who call themselves composers, unfortunately, they sit on the computer, there is a piece from there, from here a piece, from here a piece, mom, why are you, you can press this, this rhythm will come from here, i say , leave it, i don’t need it, i have enough, i have enough, i have a computer here in my head, that is, these people who have technical capabilities, they are trying to somehow join this process, it’s impossible.
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frang, i would also like to address your the premiere that you have. called harmony, what is this work? edward schmieder, he is a professor himself, a violinist, remarkable in his time, and he collects the best violinists, this orchestra commissioned me to perform a piece for their summer festival, as if it were a premiere for the summer festival, our ambassador in los angeles, he said, maybe it will be something like hamonia, like a combination of musicians from different countries, your music, it will be in complete harmony, this is a wonderful name, i played the piano part on the piano, there was such a wonderful trio of drummers, there were national instruments, and naturally all the flute players, and schmieder did a great
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job, the audience was absolutely incredible, it should be noted that not a single person passed me without hugging or congratulating me, it was very pleasant, it was such a wonderful atmosphere, they mean everything, yes, and one even said, oh, i even heard the shaherizada of the roman corsojo here, you know, yes, yes, yes, shaherizada, well, in general it was a pleasant collaboration, schmieder i had my own ideas. he asked, so that it would be so oriental, and he says: i want there to be oriental motifs , and so that there is something to play, yes, i have virtuosos sitting here, well, i tried, as they say, so that it corresponds to his plan, which is now in
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the works, what worries you and what makes you happy? well, i was very pleased with my premiere of nezami cosmology, well, this is such a work very... well, it’s disturbing that the situation in the world, i wouldn’t call it calm, here we are completely, of course, this pandemic shook us to the core, by the way, that was also very interesting period, i would she said, in her life, she was in some kind of depression, suddenly a paper worker from denmark calls me, she writes to me, it means it’s very interesting, you’re probably in a bad
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mood too, we’re in a bad mood, a wonderful ensemble, ores damber players, they publications, by the way, i invited them to my anniversary. in berlin they have an amazing concert, yes, just amazing, they played my trio like that, the most difficult, very difficult, there are such cadenzas, terribly difficult, for the violin, even
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if you want, remove the cadenza, play as best you can, our wonderful musicians there, sitkovsky with his orchestra, it was all very pleasant, such a celebration was real in my beloved berlin, it was also a very solemn celebration.
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what worries, worries is that there was peace, what can worry a musician, what can worry a parent, there, a grandmother, yes, what worries is that there is peace, that people do art, useful things, that, as they say, they enjoy life. what can you ask for, we lived a wonderful life, i tell young people all the time, it was several stages, well, i don’t know, i can’t complain either at one of these stages, life always turned to me on its best side, i have wonderful parents , a wonderful family, a wonderful son, wonderful grandchildren, everything is wonderful, i just want them to be just as wonderful. and the sheiki festival, so that it continues, first of all, and how many countries have you once counted here, yes, you counted
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, we got 35 countries, we had such a filigree, an ensemble from america, they performed, well, such music, songs, very popular, then we had a military band all over the city with their marches, also such a case, 35 countries, japan was there, wonderful amazing concerts of south korea, even 2 days in a row, it was something, some unusual legends, we see theatrical performances on stage, these masks, these costumes are incredible , we have, of course, had these movements from china
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several times. the most important thing is that there is a lot of public, yes, the public is very inspired, very musical shaikinians, you know, at the union of composers in 1934 right away. a folklore room was opened. and then, that means, ours young composers were sent to the districts to collect folklore, and karakaraev was shocked by the zurnochi ensemble, there was a decade of azerbaijani art in moscow, and he wrote a march, a wonderful one, a song from the heart was called, at the end this ensemble began to play, it was generally a completely incredible event, so that each region has its own specifics. and shekki city
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is a region, it has its own traditions. frangist, thank you so much for this conversation. thank you for the fact that this is such a hospitable city, that you are so hospitable and i wish you, of course, first of all, wonderful musicians you already have on stage, i wish you a wonderful audience who understands, respects and appreciates all this.
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thank you. hello, it’s time for news on our channel, in the lada starkhov studio, briefly about some of the topics of the issue. the storm of the century, a wave destroyed the roof, cold sea water flooded the ships. in crimea, the damage caused by the hurricane is being assessed. the birth of talent. of course, this can only be told in the theater through the artist’s capabilities. vladimir mashkov is preparing his anniversary the prime minister. atom of the sun at the oleg
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tabakov theater. in any of his work, abstract, yes, we will always see a plot, a new exhibition project at the tretikovo gallery was dedicated to victor kazararin, the sounds of high technology, this is one of the best halls in siberia. the great hall of the novosibirsk conservatory is open after a lengthy reconstruction. in crimea , they are eliminating the consequences of the hurricane that hit the peninsula; sevastopol was especially hard hit. the historical center of the city was damaged, the oldest aquarium in europe was destroyed. ksenia egorova will tell you more. hurricane winds, hail, storms, rivers overflowing their banks - this is what residents of sevastopol and crimea faced last night. emergency mode. emergency power outages and water supply threaten not only social but also cultural sites of the peninsula. hurricane winds uprooted trees and destroyed one of the oldest in europe, founded in 1897. this is the first
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aquarium museum in the russian empire, the wave destroyed the roof, cold sea water came here in a huge stream, well, as you can see, almost all the animals died. died more than 500 rare fish, because the inhabitants of the aquarium are mainly freshwater tropical species, here is the main symbol of the city, the monument to sunken ships, withstood the storm waves and retained its status, as local residents note, the rampant nature of the elements even suits it. but the monument that appeared in the city recently, to the sons of russia who fought in the civil war, in the quarantine bay, was not ready for the hurricane. the historical center, the seaside boulevard, and the count's pier were damaged; the granite slabs of the embankment ended up almost in the sea. the damage has been done and experimental oyster nursery, as well as the scientific library and laboratory of the institute of biology of the south seas. monday has been declared a closed day in sevastopol, closed. khersanist tauride, the management
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of the reserve museum has not yet commented on the situation with the safety of the complex. ksenia egorova, rostislav kolmagorov, culture news. the oleg tobakov theater is preparing a premiere, the show performance atom of the sun was a gift to vladimir mashkov for his sixtieth birthday. it was the artistic director of snuffbox who came up with the idea for this production dedicated to search and birth of talent. anna shuster has already seen the new work. they promise a lot at the premiere screening in tabakerka. warmth of light, once playwright viktor rozov said about oleg tobakov that he illuminates the performance with his talent, as if he had swallowed an atom of the sun, the show performance of the sun is dedicated to the phenomenon of talent, skill..., imagination, continuity, these words are the keys to the artist’s success meet spectators in the photo zone. there are many mirrors on the stage, and the main character of the show is the mirror man, who travels around the theater universe, finds talent, as oleg tabakov did, it was he who believed in young
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vladimir moshkov, who by that time had already been expelled from theater universities twice. oleg pavlovich gave me a book, my real life. then, when i left, it so happened, i... opened the book again, and there were leaves stuck, the first leaf, i peeled them off and there was a message, and it was written there, vovka, i love you very much, i want you to develop intensively and fully , both you and the people will feel good, this is his message, this show performance vladimir moshkov calls talking about reflections, because over the course of life, every person wants... to be reflected in their work, children, students, 66 artists take part in the atom of the sun, these are theater workers and students of the tabakov theater school. the students are adult artists and almost all the time they are in all the rooms together, this is wonderful, together with
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their assistants. the theme of becoming an artist runs through the atom of the sun like a red thread, the performance is divided into chapters, talent, voice, rhythm. we are all prisoners of rhythm. our heart, drum kit. there's no need to play on stage on stage you need to act. this idea is illustrated in the production by acrobats, and when it comes to conflict, without which a good performance is impossible, fencers act out the fight in front of the audience. at one point, the mirror man gives way to the clown. these four migrated from the performance of the deadly act. this time the task. three of the clowns combined acting and staging work with the cotton wool of the sun; four directors alena lapteva, sevastyan smyshnikov,
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arthur kasimov and vladislav miller worked on the performance. together with the author of the idea, vladimir mashkov, they are looking for the most accurate definition of theater, this is a place where a miracle is still preserved. culture news. structures of restlessness. the title of victor kazarin’s exhibition in the new tretyakov gallery is the essence of the artists’ work in the eighties and nineties. it was a time of experiments, explosive canvases full of tension. about how they were created, elena varoshilova. at the entrance , the viewer is greeted by a crow; to look at her, you need to move away, then you can see her head in the abstract lines and hard strokes, eye, bird's beak, favorite model. we understand that this was written with a giant , almost molar brush, we remember that he worked on the floor, canvases, he laid out more on the floor and just like jackson folk, he seemed to create such a kind of shamanic action. the artist’s son dmitry kovarge, the custodian
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of his father’s paintings for the exhibition poster, took the work of the eighty-sixth year arba from the stock collection, giant canvases break up the space of the hall, these are works of the eighty- fifth-eighty-six years. the very structures of restlessness that the artist will write again and again. he moved from a small format, where very tiny works are presented, to these huge canvases. he had enough strength and confidence, and it was at this size that he found it most comfortable to work. victor kazarin’s parents dreamed of a stable profession for their son, for example, a grinder at the institute of mechanical engineering. it lasted for 2 years. after. the institute, the faculty of graphics, art entered the life of victor kazarin. icons, frescoes of dionysius, malevich, polag wangok, he studied with the greats, created abstract stories filled the pictures with strange creatures. in any of his work, abstract,
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yes, we will always see a plot, we will always see a certain theme, we will always see a certain story. he writes furiously and a lot, exhibits in the malaya georgian language, meets anatoly zverev, creates a young creative group. in ninety-one, at a personal exhibition in manege, he showed 600 paintings, and ferapontov’s artist also built a bridge to the monastery with his own money, the locals called it moz kozaarina, he wrote all the time. the workshop, which was a small one-room apartment, it was all covered in paint, that is, the floor was completely, he often worked on the floor, on large canvases, yes , he walked directly on them, worked frantically, lines, shapes, colors, textures, and of course, it’s unlikely that he’ll be able to figure out them the first time, but you can try. elena varashelova vladimirov, culture news. the large hall of the conservatory in novosibirsk, this event was awaited in the city for several years,
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anastasia putintseva saw the updated concert venue. 4 years ago, the hall was closed for renovation, now everything here is new, replaced electrical wiring, lighting, ventilation, wooden windows and entrance doors were recreated. just 2-3 years ago, these luxurious chandeliers, mirrors, floors, ceilings, panels, the most modern materials were not here, real chaos reigned in this place, boards, bricks lay, instead of the floor there were real pits, the famous russian appoos ponno was also restored music, in the center of which is mikhail glinko. the conservatory bears his name. i think that almost no one slept that night, everyone was worried, worried, prepared diligently, waited very much. no longer in the hall unpleasant hum, under the new piano biosendor installed. air conditioners, as well as under each 321 spectator seats, by the way, the covering
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for them is made of special acoustic materials, curtains, panels are also responsible for the sound, there is a luxurious murano glass chandelier upstairs, each ball is unique, and new lighting equipment was installed. our students, our teachers, our creative teams will work on this stage in perfect conditions for their talent, this is one of the best halls in siberia, i would like to wish the students and teachers, to the fullest to use the opportunities, but of the large hall, there is still a lot of work ahead to renovate the building, the main building of the conservatory, and the dormitory. the hall began to sound, it will become not only a training ground, music competitions will be held here. a concert is promised at the conservatory by december next year; visitors will also hear the organ, the king
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of musical instruments, currently undergoing restoration. anastasia putintseva, denis evstegneev, vesti novosibirs. irish writer paul lynch won the booker prize for literature for his novel "song of the prophet" lynchi's fifth book is a dystopia about the establishment of authoritarian rule in ireland. this is the story of a microbiologist who tries to save her family after her husband, a trade unionist, is arrested by the secret police for his participation in protests. the expert council called the novel a truthful and heartbreaking reflection of the social and political anxieties of the modern world. among the authors who most influenced his work, leach names joseph conrad, william faulkner and fyodor dostoevsky. this book was not easy to write. rational part of me said that this work would ruin
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my career. the worst film of the director's career, tasteless and joyless. harsh reviews from critics about roman polanski's new film the palace only fuel interest in it. the films are already in russian distribution. stanislav anisimov shares his impressions. have you ordered fireworks? then you will have to go back to the past. champagne should flow out of the police's noses and ears. so, on december 31, 1999, a luxury hotel in switzerland, millionaire guests came here who were preparing to celebrate the new year, and so beautiful change of dates. a night full of all sorts of events, epic nonsense and phantasmogorical fantasy of the rich and famous. this is a great piece of work, very organic and beautifully put together. thanks to the director, screenwriter and the whole team, this chaos
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