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Understanding 9/11tv Taini sledstviya-9 RUSSIA1 November 29, 2023 1:55am-2:46am MSK
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the joint project of our television company with one of the largest charitable organizations in the country , rusfond, continues. tv viewers can contribute to raising money for the treatment of seriously ill children. this time, sixteen-year-old vovya mostryakov needs help because he may end up bedridden due to scolio. elena volozhanina will continue. will you show your back? vov. by the age of sixteen, volodya mastryukov had already undergone several operations, but now he can even stand in a walker without assistance. extremely difficult, in addition to the main diagnosis of cerebral palsy, vova ’s scoliosis is progressing, straighten it, don’t worry about anything, you’re young, soon you’ll be standing like this without any problems. despite the serious diagnosis, the boy learned to ride in a wheelchair, and several years ago doctors even corrected the dislocations of his hip joints. vova began to confidently stand at the support, tried to walk, but during the time without a corset, he simply could not wear it, the spine was so curved that scoliosis was about to... gain all these
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achievements, the pain was so strong that now vova can hardly sit even in a wheelchair stroller, everything will be fine for you, don’t worry, that’s it, don’t cry, look, you see how wonderful st. petersburg is, what a wonderful place you are in, all this time next to vova is his mother, who had to leave her job, his father was not ready to raise the sick child left the family, anastasia was left alone with a disabled person in her arms, but she firmly decided that she would not abandon her son, no matter what. i constantly take care of him, turning to doctors for advice on what else i can do for him, we went through a lot, there were worries, there were the experiences were strong, well, emotional, it was very difficult, of course, but we managed and move on. the young man’s scoliosis is progressing, the second stage has passed into the fourth, severe stage, the doctors insist that an operation is needed, the child is ready to be helped at the albrecht center, where he is. this is not the first year. 2 years ago, when
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we first met vova, the deformity was 50°. at the moment , the main deformity in the lumbar spine is more than 80°. at the albrecht center he operates according to a special a technique that has been proven over the years. the operation is done in two stages. first, metal structures are placed on the patient’s head and hips to straighten the spine as much as possible. after 2 weeks the second operation. we insert screws directly into the vertebral bodies. have a hole through which we pass a titanium rod, connect these vertebrae with titanium rods, which firmly fix the spine in the correct position. a complex operation together with a titanium structure costs a million rubles; a single mother does not have that kind of money. according to the quota, then eat for free, in the albricht center the patient will be able to be helped no earlier than 2024, but according to doctors, one cannot delay, otherwise there is a high probability that the young man will be bedridden forever. vova and his mother really
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hope that this story will have a happy ending. elena volozhanina, vyacheslav rakov, mark palukhinskikh, vesti petersburg. to help vova, you need to send an sms with the word children to number 5542, the cost of the message is 75 rubles. all money raised will go to pay for complex surgeries and medications for children, on our website television company, on the rusfond website, you can find out how much money was raised and which of the children they saved the life of. st. petersburg is the capital of professionals, the city hosts several large specialized forums, they are united by one goal - to establish a dialogue between business, government and education. the key event of the day was the plenary session within the framework of the ninth forum , the national qualification system of russia and the finals of the championship in professional skills, they talked about new challenges that require radical changes in the field education, as experts noted, previously parents often decided for graduates where to go to study, now this... approach
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is ineffective, a federal professionalism project has been launched in russia, they are creating educational and industrial clusters, some kind of symbiosis of colleges and enterprises, with a choice of future profession for children help from school. today the first step has been taken, and we see that in 2030, taking into account the emerging demographic trends, the russian economy will need an additional 2 million... our task is to find these 2 million, we attract teachers from higher education to these laboratories, chemistry, physics, biology, astronomy, a number of other areas, i want to say that we are now succeeding, the majority of our students today choose technical specialties, because we e city is industrial, businessmen met today with participants in the finals of the championship of professional excellence, and deputy
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chairman of the russian government tatyana golikova and governor of st. petersburg alexander biglov inspected the site where 800 young masters from eleven countries competed for several days. this is the first national championship of russia and it will be. traditional, all equipment, including modern machines, will be given to special laboratories. college students will practice at these production sites. also today , the st. petersburg international scientific and educational salon started. universities and technical schools presented the potential of the northern capital as the largest educational center. for the first time, badges were awarded to honored employees of higher education. petersburg, next year is the tricentenary of st. petersburg state university, the anniversary of the leading university. countries will celebrate on a grand scale. this was the st. petersburg news, all the best.
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good evening, my dear viewers and tv viewers of your favorite culture channel. hello, veronica, you say that your voice does not match your character, and that you dream of the role of magbet, but you have to sing tatiana, with whom you do not coincide in attitude, how do you overcome this contradiction, and what is your worldview, what is your character? well, maybe i already sang, in twenty-second year in türich, very successful, thank god, in general, many conductors say that lyrical heroes... i am more successful, but i think that such characteristic ones with a strong
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character as macbeth, verdi, shestakovich, ekaterina izmailova, it seems to me , better for my voice, for the perception of my inner, i would like to sing such roles with strong characters, for some reason many conductors say that such... i have a great voice, but my character is strong, so maybe, but this is good, that i can sing and lyrical heroin, and so to speak, a strong character, thank you, you were born in ossetia in the family of an athlete, when did you first develop a craving for singing and performances? in your family, did anyone else sing, had a similar gift, and the second question: the city of your childhood
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, how do you remember it, thank you, thank you, well , my dad is an athlete, and my mother is a teacher, but my dad still always has an amazing voice, he dreamed of being an opera singer, so from childhood i was instilled with a love for the art of opera, for music, in particular, he always played the royal, my sister and i, together i sang with him, i became a singer because dad really wanted it and he was not mistaken, because dads are never wrong, so thank you to please dad, because it was always his dream, and he is my most important critic , of course , musical, everything can be clearly sorted out, what worked, what didn’t work, so far, well, my beloved tskhinvali, i am from the long-suffering city of tskhenvali - which, unfortunately, i have not been to for a very long time, but i remember it, sunny,
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i remember my first steps, which means that singers like me signed tickets and handed them out to neighbors, i say, today at 6:00 i have a concert, i’m waiting for you all, this is how i remember it, musical , and of course i miss it very much, i must say, veronica, tell me at what moment you realized that the opera stage is your place ? well, as soon as possible. once i entered the stage, of course, professionally, in general , i have had this since childhood, i always wanted
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people to look at me, so i really like it, and to sing, you know, when in childhood they ask children to sing something - something, embarrassment, or , on the contrary, i was eager, this has been since kindergarten, then at school, at the art college, and then i realized that i couldn’t live without this, for you to look at me and admire me. you once said that you were not emotionally mature to play the part of madame butterfly, this is because this is the story of a young geisha who mistook the lieutenant’s frivolous love for great love, and what needs to happen in your life, in your picture of the world, in order for you to want to perform this part, thank you, there are such parts as surzhelikani butterfly, where the death of a child is, and there’s boy there and margarita too, and
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there are singers, legends with whom i talked, they told me that i didn’t sing surzhelika , because there is the death of a child all the time, there are tears all the time, it’s very, very difficult, i had this in mind, this is connected with this , not vocally, well, now it’s already possible , i’ve already gone through a lot, so to speak, there are parts that are impossible to sing without experiencing some kind of great tragedy, maybe i would say so. great pain, so i sang surzhelik, this great opera, madame butterfly, which i hope will soon i’ll come too, only with this, yeah. hello, dear veronica, critics call your voice fearless, what does fearless voice mean? oh, i don’t know, well, maybe it’s due to the fact that i’m a very brave singer, because sometimes i even took on parts in which
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i still couldn’t convey, technically, emotionally, that he... fearless - this is most likely my courage on stage, my voice sounds, it doesn’t sound, i really want to sing, this might have something to do with it, courage, courage on stage, you can’t live without it, but tell me where you started on your journey to the heights of opera, who or what helped you become noticeable in this complex elitist... of course, my teachers, first of all, i was very lucky at school with my teacher at the vladikavkaz school of arts kingdom of heaven on reinichnestanovo, who invested a lot in me, here
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4 years of hard work, then she went with me to st. petersburg, we did it with her, she was rooting for me, worried, then of course meeting with... my other favorite teacher tamara dmitrievna novichenko, who raised a lot of big opera stars and tamaramin always instilled confidence, which is very important for singers; an opera singer should always be praised, not scolded, very, very carefully , because people are very vulnerable, strange at times, but i think that she, along with the technique, gave me what i needed. was to be praised, how talented i am, what a beautiful voice you have, this helped me a lot , because while i was studying, i became a laureate of ten international competitions, so i think that it was not without her will that she did this, she herself is very a strong woman inspired me with confidence that you are the best, the most
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good, the most vocal, and i went very boldly, which means that in the round, so to speak, i always made it to the finals, even if technically i was not strong, but this is my will, this is how the jury members immediately noticed it, so thank you to my teachers and of course to the people who i met along the way, veronica, good evening, you are a queen, you are simply super , the question is, you go to the opera, you can abstract yourself from the profession and listen to someone without judgment, who do you listen to, thank you , well, of course, i just left the hospital, straight to khibla in the big
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theater, be sure to support my abkhask sister, just recently i was in charge at her concert. definitely, i go to operas, well, not all performances, of course, but what interests me, to my favorite friends, favorite singers, singers, to support, definitely, when i can, when i’m in moscow, always, definitely, thank you, it’s true that maris janson, after seeing you on the internet, invited you to play the role of tatiana at a festival in switzerland. in reality, of course, this was not so, but maybe it was so, i don’t remember anymore, but i know for sure that i auditioned for him at the mariinsky theater , he listened to me, for tatiana, he auditioned, for some reason he tells me to sing verdi’s requiem, there’s a passage in the middle, in one breath
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practically, by the way, i learned how to do it, so i watch recordings of singers , no one can sing this for so long, and the master tells me: you can sing in one breath, i say, well, i’ll try now, that’s when he approved it for me, well, of course, meeting maris janssens is indescribable, it’s so i’m lucky that i worked with one of the greatest conductors in the world, and what kind of person he is, then, of course, gebau invited me to the concert and then to the lucem festival tour in munich, then to moscow in st. petersburg, it was a miracle, and of course, communication with him, after , yes, it’s very interesting to talk after the concert, what singers he loved, how he laughed, what jokes. and he said , this is of course a great happiness, the earth is full of rumors, it’s okay, so be it,
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veronica, what did you do when performing the part of tatiana, that the cold-blooded swiss they cried, somehow, here’s my part of tatiana, everyone really liked it, i can’t say that this is my favorite part, but yes, it was a big one in switzerland. i think that this is, of course, thanks to the maestro, because he worked with us like that, then there was such a line-up of singers, and they came to munich to support us, of course maya mikhailovna with radion konstantinovich and after the concert, of course they came up, maya mikhailovna, the first thing i said was that i was very slim then, veronica, how slim you are, i’m all in my own way, and of course, it’s simple. marie made such a performance
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so musically subtle, tasty, beautiful that it was impossible, how can i say, not to be successful, yes, indeed, they wrote that maris had a trump card in the person of veronica dzhueva, of course, for me this is a huge honor, i am very proud of this , how to say, a fragment of your own, your life. veronica, you dreamed of such success in 2000, when you entered the conservatory, how many people were there , what helped, talent, luck, stubbornness, how you lived, how you studied, who inspired you, i had number 375, 501 entered man, i i don’t know, now there are still such competitions, but at that time chernushenko was the rector, when he spoke to the applicants, or rather , he said that this was the biggest competition in 20 years, i think, well, of course, of course i
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got there, naturally, but at that time the head of the department was seleznev, one of the outstanding basses, and he studied at a nearby conservatory , he really loved such caucasian voices, then he said that in the sapran sapran they sang, suddenly: veronica comes out and such an oily voice, in general, here somehow i liked him with my voice, there was a very big competition, and of course, the fact that my teacher, i recently said that my teacher went with me, and she not only inspired me, but in the morning she would feed me, and bread, butter, caviar, of course, red, so that there would be strength, without such teachers, without such people, nothing... the path will be completely different when there are such people nearby, for which she then left her sick mother in the caucasus, went with me so that i would do, every and every tour, how she
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worried that there were so many guys, all vocal from all over russia, my god, they were so acted, what i think, why do they enter the conservatory, these are already ready-made singers , so of course, it was unlucky that kind , sympathetic people were on my way and of course , the biggest, the biggest gift itself is my teacher, who helped me didn’t leave me at the most difficult moment. the first round, before flying to st. petersburg, the parents have no money, no one has money, they started looking, asking relatives, my mother’s sister is in moscow, she quickly brought us the last thing with the teacher, which means she brought it all, so far this is all, while we were looking for money, the tours had already begun, i... lost my voice due to nervousness, after 2 days i was singing, i left my sick mother, as i said, to sing me in the morning, yet the money was found, but the voice does not return, she
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closes the piano, hitting it very hard, says: you know, i left my sick mother, i came here to mess with you, the ligaments are torn, but sing, my god, i think nothing happened at all, i don’t know, that’s how i should sing , i started singing. and the voice came then my fellow students later told me that we were listening outside the door and they thought, my god, why does she need to go to the conservatory, she needs to go to the theater already, that such a miracle happened to me, then it happened more than once, several times, but then we perform on stage and something happens, magic, i don’t know , magic, a voice appears, there’s the smell of the stage, the orchestra, the audience, everything goes away, and you already forgot that something hurts you and so on. so you, my dears, magic, i entered and
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successfully... i graduated during my studies , won all kinds of competitions and became a laureate, thank you in my native cut our native song, to where we are free, where it was.
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flooding with light, in the valleys i paint mice, they sing green, every time i cry, it’s very hard to remember, i went into my house, sat down in the hallway on the floor, said, i’ll stay here, the military had to be made aware of what was simply going on there animals are dying, donetsk was shelled very heavily, but we decided to be at the wedding out of spite, the main thing is that we are together, ours, ours don’t abandon ours, from monday to thursday, on rtr.
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we take care of every detail so you can enjoy every moment. orliki to tor is not just a trip, it is the story of your life, created in a world of adventure. don't miss your chance, fall in love with the journey with orliki natures. rest. is to
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leave yourself alone. rest is nothing to think about when you are calm and completely switched off. rest is rest. we know everything about holidays. anex. veronica, tell me. and what emotions do you get when you hear the word novosibirsk? second question, how do siberians differ from your other fans? well , siberia has long been a part of my heart, i sang on this stage for 17 years, i’m no longer there i’m working, i’m already working at the perm opera house, but in april, early april, i sang at a festival with the outstanding vadim reppin.
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and the melancholy in the theater, and the hall was full, of course, the audience missed me very much, they haven’t heard me for 2 years, and the siberians are very, you know, very greedy for music, it’s like siberia, and the audience is very hot, really, really, that’s why of course such an audience is often lacking in other cities too, i love siberia, i love mother siberia, my wonderful novosibirsk theater, it is always in my heart, this is my... the first real theater of this kind is the colosseum of sibyle, when you don’t go on this stage for a long time, you understand, my god , how hard it is without such a huge stage, and my voice sounds completely different, so i can’t sing in small theaters , this is some kind of vocal claustrophobia i have, as i call it, i can’t find my bearings at all, but when the hall is huge, then
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you feel so good, your voice sounds different, i really miss this stage, it’s a pity that it’s impossible to transport it with you everywhere, but of course it’s alone this is definitely one of the best opera scenes for opera singers. because when this colosseum rises after the performance, you can go crazy simply with delight, all the opera houses where i sang, luxurious acoustics everywhere, beautiful halls, i love all the stages, the bolshoi theater, the marinsky theater, the türich opera, the opera house in bari, well, yes, all the stages, but these are my favorite ones, because they are very beautiful and they have amazing acoustics, and i also forgot, the palermo theater, of course, where there is a place where coruso sang, so i stood there too sang, i think so that everything would be fine for me too, in 2011, you took first place
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in the all-russian televised grand opera competition, tell me, why did you need this experience, thank you? many people ask me this question, well, i just understood that without television broadcasts there will be no popularity , and this is also very necessary, unfortunately, fortunately, because we represent the art of jelly, so i want them to know more, well, i don’t regret it , it was a wonderful time communicating with outstanding people, singers, god bless them, many, now we too we communicate with makval filmonmonnaya, with sinyavskaya... uh from bertman and this is very cool, there were fruits, and people recognized me, and they watched the big opera in prague, in italy, in germany, in general, opera lovers, so there are a lot of me we learned, thanks to this
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for the first time you took part in the play atilva by giuseppe verdi, where the director was eldar abdorazzakov, an opera singer himself, tell us what kind of singer he is, and a gorgeous singer of the bolshoi theater, tell us about this work, about
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partnership with eldar and about your heroine? thank you, i must say that this performance is one of the most beautiful, truly the way performances should be. classical, and of course, another facet of ildar was revealed, he is such a talented singer, artist, actor , he is a man like the sun, he has incredible charisma, not only on stage, there are singers who are charismatic only on stage, in life they are very poor in emotions, and so on , and eldar is a charge of emotions, and together we are an atomic bomb, so i always love him very much i’m happy to sing with him, the first performance took place in ufa , the second in moscow, this period was unforgettable, communication with eldar, working with him, he works very softly, quietly, he is now a singer himself and knows how i recently wrote to him
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, i say, it’s time to repeat this opera, i already miss it very much, and there was a luxurious cast of artists, there was an amazing tenor ganchi from italy, so i hope that we will sing this wonderful performance again in the big theater, because it will only be done once passed, but i think this kind of opera is absolutely necessary - give to people. veronica, for an opera diva it is also important to look like a diva, what do you like, what style of stage in life do you prefer, who mentors you, what designers are you friends with? in fact, of course, like all opera singers, we love, i love to eat most of all, like everyone else... most of my colleagues, but a period comes when you need
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to pull yourself together, like i am now, this is not the limit, start denying yourself a little in many ways, because it’s right that the stage needs to look beautiful, everyone loves beautiful people singers, not only beautiful voices, designers i love oscar de lorento, of course, fuad sarkis, from whom i get most of my clothes. here is marchesa, i don’t have any special friendships with designers, but i prefer to buy ready-made dresses, i like all the beautiful dresses, and i love the color black, there are no bright colors in my life anymore, that was all before, such bright colorful dresses, there was such a period , now it’s no longer there, the time is coming, it’s time to worry. everything to be quite
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stylish, very concise, i try, maybe not it always works out, but i try. veronica, please tell me what stage courage is in your opinion , and do you have it, well, of course, since it’s obvious from me , of course, thank you, yes, in general, you can’t be on stage without character, without a strong one, because this profession is very it did not give many people a life, one might say, a professional one. a lot of people lost their way halfway, and the worst thing for
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me is that a lot of opera singers don’t start families because they give everything away, they want to give everything to the stage, there was such a period of fanaticism absolutely, i was completely obsessed with my voice , with vocals, thank god, the time has come that i understand that there is nothing more important than family, more important than relatives, let’s go back to the fact that without a strong character and self-confidence there can be no opera singer, because while you walk along this road, you come to different theaters, there will definitely be, not always brilliant, concertmasters or conductors or teachers who will lead you astray, that is, in fact, such a terrible path, i now feel very sorry, sometimes sometimes young singers, that is, each pianist says his own, here is his own vision.
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vocals, this or that part, technical, and that’s when you start listening to everyone, that’s when, and if you’re a smart vocalist, as i say all the time, in master classes, in interviews, if you don’t have a flair for your vocals, you know, that you are going in the right direction, it’s very easy to knock down, you need to have a character like corn, he was denied entry to the theater seven times, but he still became a corn, that’s how it should be, so you have to believe in yourself and. loving the stage everything will always work out. veronica, tell me please, who is the person in your destiny to whom you will be devoted all your life, man, oh, i must be devoted to my children and parents, brother and sister, i don’t owe anything to anyone else.
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only to my family, i live for them, i create for them, and the most important thing is our family in life, and then our work, veronica, can you name the moment when you felt truly happy, truly happy? this period, now is my life, here, now i am the happiest, the happiest period, isn’t it for me you can see that the energy is flowing, rushing. well, with me, well, many people know about my difficulties, and with the child, probably yes, and, thank god, everything, god is now, everything is fine, but despite this, now is the happiest period of my life, and i really want so that it
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continues for a long time, and i want to charge you all with this energy, so that everything will be perfect, wonderful and you will be healthy and happy. this is not the end of the program, i just want to give you my energy. boyarina morozov, i’ll give it only to joyeva,” said radionrin. how did you deserve the maestra’s trust, which brings you closer to him. thank you, thank you. oh, there was a period when we communicated very closely, which means that mikhail fekhtengolts was working in the big theater at that time. and he called me and... said that radion konstantinovich wrote a new opera, he said that the most beautiful sapran should sing for rusabu, the most beautiful voice, come and audition, i say, well, of course, my god, shchedrin, plesetskaya is there, oh , ran, i sang, of course, but rodenka, that means this is such
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wisdom, this is such aristocracy in everything, in communicating with people, such, such kindness, such warmth from him, he said, veronica, god, what a beautiful voice you have, maybe i didn’t even like it very much, but oh, i really want you to sing my book rusova, so he warmly received me and gave me the opportunity to sing this amazing little opera, then we recorded it, then we went to italy on tour, with the born konstantinovich and with may mikhailovna, we walked around italy with her for a long time, but it’s indescribable, the lord gave me a meeting with such... outstanding people that it was happiness , after the premiere in italy byrona morozova, of course, maya mikhailovna and rodyon konstantinovich invited us to different restaurants all the time, four soloists, choirs, naturally the soloists were always with my mikhailovna, and the jokes were so
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funny, of course, they told ssantinich when we were walking with mayamikhadna, i don’t remember , one... one of the rehearsal days after the rehearsal, then we are walking, she says: veronica, i have to take off these shoes, i bought them today for 50 euros, i’ll take them off now, they’re too tight for me, so i ran barefoot , i remember it very well like this that’s it, i don’t know how many hours, she probably walked quietly barefoot in italy, but it’s clean, beautiful, she has brand new slippers in her hands, and well, i can say that she seemed to teach me life, thank her very much for that, they told me a lot about their personal life, she says to me: veronica, this phrase veronica, all brilliant people are easy to communicate, so when the great ones leave, you already understand that why you were no longer with them, so
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we will communicate more. well, of course, this communication with her is happiness and i don’t know how this, for me it was surprising that we were not in rome, not in milan, uh, not in naples, but this was the small city of udine, i don’t know how big it is, so we come to the restaurant, and they see maya mikhailovna and say : maestra, there may, everything is free for you, italians, i remember this well, they treated her everywhere, they knew her everywhere, so even in small towns they knew who blesetskaya was, they used to talk on the phone, of course, and there was communication, well , ended when work on bayarnya
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morozova, well, our paths diverged a little, but i i know that razen kosnachevich is doing well with him, he is at the marinsky theater, they go to operas , and our great maestro gergiev always performs, the soloists sing and i am very happy that the music of this great man is still heard in russia and, god willing, world. veronica, valery gergiev seems to be a very
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formidable conductor, but have you ever felt fear of a conductor or director? well, that’s how it should be, the conductor should be, of course, formidable, but it’s in communication, he’s very kind, amazing, very humane, that’s why i can say that i incredibly happy. that my first traviata in my life took place on the stage of the marinsky theater with the approval of the great maestro, and i am happy that i performed with him in baden-baddan, on the stage of the marinsky theater, and most recently at the anegen prize, one can simply say everything about him, the great gergiev, that’s why this is happiness. what attracts you to the music of these composers? in general, my journey began as a boroque singer,
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because master kurenzis saw me as a baroque singer, other conductors saw me, which means mozart, berlinini, etc. are in the repertoire how i have a very agile voice and i can sing mozart, but how i speak when you hear the music of the abyss. it is so, how can i say, already ingrained into the skin that without this music it is impossible, so for the first time, when i had already started working on the abyss, i realized that i could not live without this music, so i had to change my technique, mozart biline, this is one sound, this is one perception of sound, teaching is already... there are more coarse grinds, so i had to change my technique, somehow enlarge
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my voice a little more, so that the rich orchestras in danetse in rossini, in mozart there is no such orchestra, there only half a voice is enough, everything will be beautiful, sweet, in the style of mozart, in cucina you need a back pain, you know, when you really sing to the abyss, there is a turanddo... and so on the whole body should to be sick, and verdi is like mozart’s medicine for the voice, teaching, of course, is harmful to the voice, especially for a young one, but it’s just such music that once you sing, it’s already impossible without this music, verdi, as i said , this is a medicine for the voice, collected sound, collects sound, evens out tone, voice on everything range, when you already sing a lot, it’s already starting to... sing something
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, mozart, level your voice again, go back to the abyss, i don’t recommend singing a lot of the abyss, and i don’t want to sing it a lot myself, although now i’ll sing a lot, that’s why this is my path, it’s better like this from rossini’s daniceti and mozart to verdi’s abyss than the other way around, i’m still calm about mozart. therefore, this same medicine is also for the voice, so yes, my voice is very strong for europe, therefore, although i am an ordinary lyric soprana, but since the vocal world and voices have become scarce all over the world, then, of course , they offer me large roles, it is believed that my voice is very large, although i have a very lyrical voice, very soft, so, but everyone... the quartermaster has his own agent look, so sometimes you have to adapt to it, so if
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