“i’ve been editing other people’s works for so long that i can accurately distinguish a man’s hand from a woman’s, i don’t know what to tell you, let ’s wait for pavlik, maybe he will explain something, it’s better to find out everything now, if the novel comes out, a monstrous scandal will break out, your son will be called a plagiarist, simply a thief"? he won't be called a plagiarist. why are you so sure? it's complete. why do you need this? i know that he has a difficult character, he can be in groups. why do you need to ruin the boy's fate? however, he chose his own.

fate, who is she? nika, my daughter, sister pavlika, she wrote all the books, but she is no more, she was very sick, it’s been a year since she died, i’m very sorry, she lived separately, we didn’t know anything. only after death did they discover four manuscripts , i didn’t have the strength to read them then, but pavlik read it, he liked it, and you allowed him to appropriate someone else’s, he said that this way he would have a chance to change his life, maybe fame would come, but nothing she, she doesn't need anything anymore. and so maybe her work won’t be lost,

but it wouldn’t have been lost anyway, we could publish a novel under her name, natal pavlovna, i lost my daughter, i lost my son too, if i hadn’t allowed him to do this, you know what he is like, you know his character, he would have hated me, i’m not asking you, i ’m begging you. well, god , let everything go as it goes, well, i’m natalya pavnovna, you want me, i’m in front of you, i’m on my knee in front of you, i ’m on my knees in front of you, they’ll fight for you, well, let them publish them, well, let him swallow it, since he needs her so much , well, you are also a mother, natalya pavlovna, you would allow your daughter’s fate to be broken. forgive me please

i’ll tell the publishing house that i was mistaken, sorry. oleg stepanovich is at home with us, and where have you been? where have you been, where have you been? oleg, i'm a complete fool, this is amazing news! listen, guys , well, i’ll go, okay, denis is waiting for me downstairs , he and i went to the theater to soap up, that’s it, what a theater, and there are such theaters, where performances start after 10 pm, i beg you, let her leave, i have your ears are withering, you ate, yes, yes, yes. and she fed me, and oleg

helped me solve problems in algebra, what kind of oleg is this? mom, what should i call you, uncle oleg, or something, that’s it, i’m off , bye, bye, uncle oleg, oh, listen, it’s a pity that he’s oleg, yes, remember that note in the balloon, why the balloon, what kind of notes, what kind of balloon, i’ll have 35 in the fall , yes, time flies quickly, we need to marry you urgently, otherwise i won’t drag the old lady to the zaksa, we don’t need the zaksa, however, we will get married in the church, you are baptized, imagine, yes.

my father was so strongly involved in the party, my grandmother secretly baptized me, but they baptized me not as oleg, but as pavel, are you pavel? no, according to my passport, i’m oleg, i was baptized as pavel, so in a way i’m almost your tyrant, that you look at me like that, natasha will find her happiness with a man named pasha, god, what vulgarity, what.

sonya, i decided to add a veranda to our dacha, in the winter i will install glass, and in the summer it will be completely winter-free. i already bought a gas barbecue from my garage, can you imagine, in the summer we will welcome guests with kebabs and herbs, thank you, my mother called, what she said, nothing, they said, they flew well, she is very happy with her husband, thank god, god, do it so that everything goes well for her. slav, there is no need for extremes, but who should i pray to so that berta moiseevna does not return. yes, alisa

vitolovna, the chief is calling you. the day started off poorly. boris nagenich, did you call? glad to see you, pass by, plant dumplings, uh-huh, how are you? well, we’re working, we’re working , it seems to be successful, it’s about success that i wanted to talk to you, i don’t like you lately, but before you liked me, what are we doing?

5 minutes you don’t connect me with anyone, i want to offer you an extraordinary vacation, but i don’t i'm tired, if you refuse, i have to urgently. there to ask, well, girls, i’m afraid, support the bouquet , god forbid he takes it away from me, don’t pour any more, now we’ll be standing like a spectacled snake near the altar, swinging, but the altar won’t threaten you and me, we’ll drink. “listen, do you at least understand that this time it’s all over, now you’ll answer to god, and not in some regional office of the legislature, tattoo, you’re generally the luckiest among us,

you’re getting married for the second time, now for some reason i envy you, so in front of the sacred ritual means squawk." "mom, the groom has arrived, daughter, i don’t drink, it’s all of them, oh, well, it’s a disgrace in general, that’s it, take your friends, let’s go already, brides, yes, and try to straighten the situation, well, in a straight line ,

as i did not ask, we, unfortunately, were placed on different floors, hmm, this is very sad. well , we’ll get through it somehow, and i think so too,

goodbye, see you, excuse me, is that you? romka, i didn’t expect it, neither did i, but i recognized you right away. listen, who are you here with? with my grandfather, i was sick and he decided to take me to the sea. where is your grandfather? he's asleep and you're in what number? i’m in 488, and i’m in 487

, and you’re playing great, i’m just lucky today, and why are you that guy in beige shorts, looking at you so suspiciously, what kind of, you know, rom, some kind of crazy person, pestered me in on the plane, he says that i remind him of his wife, and you have a husband, what isn’t there, what’s not, how can that be? who cares about you? about me? well, i take care of myself. so you are

women, who protects you? you probably have a boyfriend? no, romka, and no boyfriend either. yes, let me be your boyfriend, would you like a drink? i want it, can you bring it? yes, i have. oles svetolno, we can’t leave you just for a minute. i see you already have a baby. where is he from, whose is he? my? your? yes. how's yours? and you didn't tell me anything about him? no, you didn't understand me. he’s my gentleman , and the gentleman, it’s funny, yes, maybe

we’ll drink something, but boris nakinovich, you didn’t understand me, i’m telling you, i’m already busy, you see, they’re already bringing me, look, it’s still cold, just drink in small sips, thank you, honey, you take such good care of me, hold me, listen to what’s going on here, i’m sorry, comrade, well, this is not your wife. the stupid house is already bothering us, you look great, well, let's go for a swim, let's go, at home, grandfather, meet me, this is my grandfather, vladim sergeevich, grandfather is alisa, remember, i told you about her,

yeah, very nice, alice , i am also very pleased, alice, you will teach me to whistle, grandfather, she whistles so much, such a woman whistles, no, i could, of course, whistle now so that you don’t doubt me, but i’m afraid that the whole beach will scare. thank you, my grandson told me about you, you cleverly

fought him off from the hooligans. but i i imagined otherwise, did i disappoint you? oh , no, no, what are you doing on the contrary, thank you, you should warn you right away, roma doesn’t, in a word, he has neither father nor mother, only me, i’m very sorry. my son and daughter -in-law crashed in a car, and my wife, she couldn’t survive it, and roma and i were left alone, you know, you’re raising

roma wonderfully, from him... a real man, i hope.

strange, alesya, it seems to me that i know you for a long time, i’m good with you. it’s easy, i feel good too, it’s very good, kiss me,

yes, maybe we shouldn’t do this, don't be afraid, everything is possible at the resort. alice. i can’t part with you like this, i want to tell you, so tell me.

oh, it's late, i have to check on roma, good night.

alice, will you and your grandfather get married now? romka, it's not that simple. but why? don't think about it, he 's not a pensioner, he's laying oil pipelines. i don't think so, it's simple. well, how can i explain to you, you have your own well-established life, i basically do too, it’s all because of me, that is, if i hadn’t existed, you got married, rom, what are you saying, it’s still unknown who i fell in love with you more, you knew when i wanted you to be there. with us , don’t look, my grandfather is not old, women still run after him, yes, a lot, enough, adults

complicate everything themselves, just tell me, yes or no, yes, why are you so after... looking for you they were looking, looking for me, and here i am, go , got drunk, romka, come on, go for a walk bye, alis, just don’t scold him, he doesn’t explode often, what happened, vadim, nothing happened, i just thought, i understood, that nothing will work out for you and me, nothing, hello. may i know why? it's possible, i'm too old for you, well, i’m over 60, will soon be 70, well,

you see how well you count, and in 10 years i will be 45, well, oh, 25 years, a lot, it’s monstrous, a lot - a whole life, i’m already with i’m going to fairs, here you are, and i saw how men look at you, i saw, you know, women don’t let you through either, you know, if i find out that you’re cheating on me, i’ll just die, i need to put the roma on their feet. let's break it up now before it's too late, you understand, no, i don't understand, i feel bad, it's very bad for me, and

now you want me to feel bad too, yes, and roma, leave roma, leave me too. well , go away, get lost, because you can’t hear me, lord, alice, what happened to you, what happened, don’t you dare stop her, what? allow me, i didn’t say, get out, you’re my woman, vadim, let me go, i won’t let you in, i won’t

let you go anywhere, but let her go, it’s true, slav, i came, you promised, slavnik, well , you swore not to drink, i'm sorry, sonchik, you held on for so long. well, are you in

trouble? trouble, we are in grief, sonya, enormous grief, what happened? your mom, mom, mom, what’s wrong with her, who called? she herself and called. sonya, it's me, mom. my husband turned out to be a scoundrel, i would say, the last scoundrel, at least in my biography, i ’m coming back to you, sleepyhead, mommy, i miss you so much. my daughter

, i can’t live without you, you are my family, you and i lived together and we will continue to live, this is how there should be a wait, and why is bertha greeted by the whole of moscow, but not with oleg they are leaving now, now welcome back, thank you , where we were going, but we decided to go to town for a week. look, alice, have you agreed, or what? what does it mean? this this means that alice found her bastard in cyprus. and most importantly, where did the child come from? no matter where it came from, it looks like it will now be ours. listen, my girls are there. do you

know them too? who are they all? i'll find out now. alice is coming with us. boy, first of all, don’t shout at the entire airfield. secondly, take your hands out of your pocket and thirdly, explain why alice is going with you. this is elementary. she is leaving to marry us. no, did you hear? she marries them.

it’s quite simple to talk about how the film yashagai in moscow was shot: the director paintings, georgy danel. she left behind filming memories, brilliant ones, some of the best memories in the world of cinema. they are very similar to his films. sad and funny come together. the bad is forgotten, wisdom is hidden behind simplicity. perhaps this is due to the fact that georgy nikolaevich filmed and wrote only about what he loved, and never deceived himself, the audience, or the readers in his work.

they immediately want to help, a home where they always treat you to tea, pies, buns, something tasty, something sweet, they want to please, they want, why is it so natural, this is

moscow, just one moscow day, a young metro builder, how long after a night shift he returns home, in the metro he meets an installer from siberia. a story that was published in the magazine youth , now all the writers, the editor needs to get to a famous writer to get an opinion about the story, kolka’s friend is getting married today, you love me, and tomorrow the friend should be drafted into the army, kolka’s love is working in the gum, every step guys - these are new adventures, discoveries, relationships, visible and invisible connections, all of this is united by moscow. at the end of the day, my friends part, the metro construction is tsakulka, a new one is waiting, i’m walking around moscow, but i can still walk, the salty wilderness, the ocean and the tundra and taiga.

georgy danelya lived in this house on chistye prudy, chistoprudny boulevard 23. before the revolution , this house was profitable, it belonged to the writer-merchant nikolai teleshov, bunin, kuprin, chaliapin, rachmaninov, levetan came to his apartment, to the teleshov syreds. gorky read his play here for the first time at the bottom. georgy nikolaevich’s parents lived here, many years of his life were spent here. and of course, chistoprudny boulevard was included in his picture of moscow. this is the scene with the mad dog torn. well, consider the stake you've earned, you think she's mad, and she's getting lazy, it's a disgrace, boy, take the dog away. the story of the film began in this house, the extraordinary, sparkling poet and screenwriter gennady shpalikov

came to visit georgy danelia, a young director who made atmospheric lyrical films. shpalikov was a recognized talent, a lucky symbol of the generation. a year before, a couple of paintings based on his scenarios. about children and dreams, on the one hand, this is a boy, a suvorov veteran, yes, who was brought up in a military environment, in military discipline on the other hand, this is a person in whom there was obviously a significant degree of internal freedom, which is like an illustration, i i walk around moscow, and it manifests itself in the aesthetics of our film. shpalikov felt time, understood its essence and could express time in creativity. this is a man who, as some say, showed the vector for a generation, not that he led the crowds there, but he... was present directed many important phenomena that

shaped cinema and the atmosphere of that time, he brought precisely this intonation of the time, an intonation that was new in the sixties, and no one else but him was a young man, perhaps a little frivolous, the poet of the soul of any company didn't do this. gennaty shpalikov bought a noble drink, champagne, for georgy daneli’s visit. task, it was warm, when they opened the cork, half of the champagne spilled out and splashed the wall, to the displeasure georgy nikolaevich’s mother, 2 days ago the apartment was renovated, gennady shpalikov came to the director for a reason, but to celebrate the brilliant idea of ​​the future film: a girl is walking along the sidewalk in the summer rain, and next to her a cyclist is trying to hold an umbrella over her, then asked georgy nikolaevich , well... let’s think of something, shpalikov laughed.

georgy nikolaevich liked the idea. this is an amazing scene, there is nothing in it, it is, in general, i would say, everyday, but it is filled with some strange meaning of such reckless youth, some kind of love, care, something like this. and of course, this feeling, it permeates the film and any situation, no matter what happens there. georgi yes, the stage. she really became key in the film, everyone remembered her. they filmed it for 3 days, with three different girls, a long shot with one, a close-up the next day with the other, on the third day, the legs of the journalist, who waited several hours for her to be interviewed about the film, entered film history, or rather, her legs ended up there. this is one of the first impression films in russian cinema, mood. it's nothing there

no, there is no special plot, no, there is no particular intrigue , so there is also, i would say, a premonition of happiness, and there was only one cyclist, aspiring actor oleg vidov, whom no one knew yet, he is not in the credits , like inna churikova, who painted a horse in gorky park. even when a brilliant script was born from a brilliant idea, it was not easy to approve it. georgiy danelya was already experienced in these matters, after all, two big films. first, the script was accepted by the editor of the association, then by the editorial board, then arts council, partork, editor-in-chief of musfilm, director of the film studio, editor of state cinema, editorial board of state cinema and editor-in-chief. the final authority on the script was approved by the minister of cinematography. and when, under georgiy danel, they said that in

some country 100,000 people watched the film, he answered: in our country, such a number of people are just launching a film into production. with shpalikov's strange script , it would have been impossible to get the film through all these authorities. he's been here before. peace of friendship. danelia took and took the script right away top. and he gave his word there that there would be no chrome in the film. cromo immediately arose after the meeting of the first person of the state with the intelligentsia. do you take party positions? you can say that now it’s no longer frosts, but frosts, and for such people there will be the most severe frosts. it was in 1963 that nikita khrushchov unleashed his anger on marlen khutsyev’s film outpost i. the trouble was that the script for the outpost was also written by

shpalikov, he used the same plot device, three friends, a girl and moscow, the air is thawed and youth, your whole life is ahead, and you can’t help but love this life. kutsiev, like danelia, was also a georgian, as if on purpose, well, people, so as not to accidentally run into the discontent of the party leadership, i walk around moscow with the script of the film.

they came up with a scene with a tent, about truth, life, they came up with it on the day when shpalikov was picking up his wife from the maternity hospital, everyone came to visit them, he and danelya went out onto the stairs, this time their work table was the windowsill of the entrance, on the box there was... over the cake, they composed a conversation in the writer’s apartment, the scene was copied from those situations when danelya and shpalika worked their way into their script, and the bad council turned him away...

but on the eve of filming, he called, he had some problems with his throat, either he had a cold, or lost his voice, there was no time to figure it out, so they were looking for a new tenter already in the corridors of musfilm. they were incredibly lucky in these corridors, because georgy daneli met vladimir basov, he agreed to act and turned out to be irresistible in this role. and who are you? i am a poet, a miner's worker! nikita mikhalkov was brought to filming by gennady shpalikov. he was a friend of nikita's brother andrei konchalovsky. when i wrote the script, in some ways i copied the main character from nikita. but the idea of ​​approving mikhalkov was not very close to the director.

danelya looked closely at vitaly solomin. he met nikita quite recently. he seemed small and frail to him.

on the territory of masvilin we met one of our students shchukinsky from the evening faculty and he said: what are you doing? we say, well, well, well, why, everyone, everyone, everyone understood, what? so, he says: well, come into the group, i’m walking around moscow, this is a production building, fourth floor from the elevator to the left, we came in, open up, hello

, also georgy nikolaevich in that he trusted, because it was not always possible to immediately determine, yes, no, uh, i, to be honest, don’t remember that i had auditions, some of us also had some auditions, well, they just appeared organically out of thin air, and then the picture ended, he filmed it like singing a song. in general, he shot like this in principle; sensitive, compassionate lika, just in case , carried out photo tests with the new boy, although frankly speaking, there was no need for this was. lek aronna said that he was saying : well, you looked so pitifully that i decided to do a photo test for you too, after the photo tests everyone

agreed that steblov would be more suitable, now i had to call and tell the previous approved actor that he was no longer needed, that the other actor had time to rejoice the day before, cut his hair, as required by the role, call the young man, the assistant director refused, insisted that he do it. you call, so he called, and this uh, it means that the artist is young, he yelled so much, cursed so much, sent him somewhere away from gorgy nikolayevich and all masfilm and all domestic cinema in general, so i never hesitated. maybe we cured him, this is what georgy nikolaevich writes, remembering this. irina mirashnichenko was

a first-year student at the emhat studio school. all the students dreamed of filming, although they knew that as soon as they were filmed, they would be immediately expelled, but the temptation to appear in front of the camera was so great, and the role seemed completely unnoticeable. somehow i thought that maybe no one would notice me at all and... see me, because the filming we were there in the summer for only a few days, in general, or a day or two, it was very short, i thought that no one would see the film, and especially me, there, i keep turning away , hanging out somewhere, walking around, but try, it was a temptation, of course, and i took a risk, well, then i got a punch, as it should be, she was expelled for...

increasing his fee, he has the main role, but he gets less elbow and polish. georgy daneli had to perform a whole performance in front of the young actor. he pretended that it didn't bother him at all, that he nikita can easily be replaced by another actor. how he needs girlish friendship. well, hit, hit, hit, if you feel like it. he had already acted before, he was already more involved in film production than me. and he wanted to get a big bet or something, well, somehow there was some kind

of story that...