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tv   Nashi  RUSSIA1  September 20, 2024 1:00pm-2:01pm MSK

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the entire time of military actions in the kursk direction amounted to more than 15,000 soldiers and 124 tanks. this was the program 60 minutes, all the best to you, goodbye, right now ours. about people who became heroes, about events that will go down in history, our author's program with olga armyakova and nikolai dolgachev. hello. today we will talk about a person who left his mark on the history of modern russia, who became an example for many, knowing how to be friends, feel people, love. homeland to be
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sincere in his profession. our special the issue is dedicated to sergey puskepalis, an actor, director, a man of incredible talent, with a big heart, whose life was tragically cut short exactly 2 years ago, on the way to donbass, where he was carrying aid, because he was always caring. he never played, he lived in the frame and spoke as he felt, such talent, his first role, an episode in a walk, sergey puskepalis received at the age of 37, he immediately.
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they believe in this, that this is our war, that this is a common war, he believed in this, he dispelled the myths of a very large number of people who they said, why is this, what is this, he stopped them, looked them in the eyes and said, guys, come to your senses, come to your senses, understand, and he went to the dpr again again, went there and on september 20, 2022 in an armored minivan bought for the fighters, well, here armor plates, rubber.
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what actions he committed, well, as if he commits, but it is still hard to say that as if no, well, this is a heroic act, the man is a hero of our time, after the tragic death of sergei puskepalis, grateful residents of donetsk named him after square, they installed a memorial plaque in the city and planted cedars, these are the actor's favorite trees. today in the studio in the hall we have those who knew sergei puskipales well, who were friends and worked with him. alekseevich, did you meet with sergei the day before he was supposed to leave for donetsk? in fact, we met with him three days in a row. the first meeting was on saturday, the seventeenth, at a closed show of a tailor from brooklyn, and after the show, he was so happy and said: "listen, i will definitely come to you in vyadskoe this evening, i "i definitely need to go to the temple." in the evening he was already in the temple, and in the morning i see his car is already there, i went into the temple, and he is standing in the temple, i don't even...
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that's the thing, i need to help someone out, he says, yes, i have filming, what are you talking about, but half an hour later he called back and said: "listen, i found an opportunity to change the filming days somehow, so i'll come, he came, he performed wonderfully, here - sergey, well , really, you told about such a sketch, when he is in the temple, every time he goes to donbass, he went into churches, he had his own spiritual father. let's look at a short story about this. sergei was a sincere person, that's why friendship with him is like that, not artificial, not somehow forced, it's such a kind, good communication, i am her spiritual father, because we talked with him, he confessed somewhere, he was interested in questions...
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of course i worry that i couldn't, i just warmed up with him, i remember sergei smiling, he is always so joyful, or rather, let's say, cheerful, but when he remembered or talked about some things, which contradicted, let's say, the interests of russia, he was so tense, he was just, let's say, angry, but he was always with russia. he was always with our people, he was always with our culture. what happened over russia8 is a great tragedy. alexander rogatkin, a special correspondent for vgtrk, made a film about it. alexander, when we dive, as they say, into the material, we get to know the person closely, how you met this news
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in itself, why you decided, of course, there was a shock, and this was a person who seemed to be with lithuanian surname, yes, palisa launches, yes, it is like, when translated from lithuanian.
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incredibly popular in donbass, the body, reinforced with armor plates, saved from small fragments of a bullet, but look at what this armored car turned into, it feels like a shell hit it, sergey puskipalets was over there, in the passenger seat, but unfortunately, there was no chance of survival. this is an armored car, flew out like a shell, - says truck driver georgy, right into the cabin of his truck. 3 months in hospital, 14 ribs are broken in several places. of course, he
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same, stopped at this place of yaroslavl highway, where tragic fate brought together such. different people, yes, left me, maybe it is necessary, why, maybe it is not necessary, nobody knows, armored car from palisa launch, with his name along the entire body, nevertheless reached the front, we made exactly the same armored car, camouflaged it here at the film studio and sent this armored car there. to donbass. indeed, sergey's mission was continued. the armored car reached. yes, yes, it finally reached the front. well, what does this mean? that he could not imagine his life somehow differently. vadim kuzovkin, a close friend of sergei poskipalis, you could have been in that car that day. the day before, there was
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the inauguration of our governor, and sergei and i saw each other after the inauguration, somewhere around 1 p.m., it was. and i asked him for time off for work, i said, let's leave an hour earlier. that we didn't try to at least conditionally drive it before that, get behind the wheel, of course, it was a different car, an armored car, well, when i left, an hour later i started calling them, i couldn't get through, i ran up, that's all the whole i had a nightmare, the police saw that i was in shock, they said, do you know who was there, i said, but you don’t know, they said, we don’t know, when i reported who had been in an accident, well after that they started calling, started... talking to all the relatives, you knew him, well, informally,
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you were friends, what kind of person he was, when he came to yaroslavl, it was the day of industry there, he gave the volkov theatre the opportunity to hold it there, and we, word for word, literally immediately, already about the napkin, i thought that we had a unique contract for the napkin, it turns out, another contract for, i don’t, i suggested it to her, i say, i love the theater so much, i’m ready to buy 20 tickets a month there and we... signed a contract for the napkin, this napkin is now hanging in the museum in zheleznovodsk, why do i like to say the word friend, this is not a unique word, let’s say, for me personally, look how many acquaintances he has and everyone considers him the best friend, we have volunteers in the hall, this is already a friend of sergei puskepalis, vladimir blaise, you then formed this parcel together, what usually was delivered, what let's probably still tell you about this armored car itself. which appeared, yes, the day for departure was planned for monday, i said that i can't, i have
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a lot of work in moscow, he says, well okay, then you tell me to transfer the money, i say i'll make an advance payment for it now, well and it turned out that he didn't leave on monday, but he called me, said that i was going to the corner to be filmed for 2 days, the car would be painted there, we say it we'll camouflage it, i say, great, i say, who are we handing it over to, he says there is, he says there's such a unit, he says wolves, well, it didn't work out with the car and... he got very involved in this issue, there's a producer, sergei vladimirovich bagirov, yuri mikhailovich vaksman, he says: what, what can we do? i say, listen, he promised this car to the fighters, maxim letovchenko, an actor, came, a week later i received a call from sergei vladimirovich bagirov, he says: volodya, he says, get behind the wheel yourself steering wheel, you can, drive it to kaluga region, to midyn for a war film with maxim litov. we already took it together and with diana's accompaniment we drove this car.
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his promise was fulfilled, for us it was essential. and what is important, this is the first car. then sergeyev's friends constantly called me, old friends, for example, the mayor of magnitogorsk says: deki, i am such and such, here we have prepared a car for you, what kind of car, an armored one, then bagirov calls too, here is another car, more than 200 car after this event here. i have passed through and not a single one arrived empty, the first time when sergeyemoto and i went to donbass, he offered me on my birthday, will you go, he says, with me to donbass, his friends gave him a loaf of bread for his fiftieth birthday, sdelimkhan he squandered it, well, because it was green, probably, i don’t know why zelimkhan, so he decided to give it, and he tells me that we will drive it empty, let's collect and fill it with something, i wonder why sergey himself did this, he told about this in an interview with our colleague alexander sladkov. from the last interviews that they wrote in donbass, let's see, yes, he came to us then, so we can close,
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that's it, that's it, we finished loading, we drove on, we're going to the deck, now, decks, that's it, we 've moved out, we're going to you, now we'll send you a video , look, how beautiful we are, how, here we are... we drove into the donetsk people's republic, now we'll stand in line here too, or maybe we won't, here you feel the reality in a completely different way, the tension in the air that exists, the resentment, the injustice, which arose in connection with people like you and me, but for some reason someone somewhere decided that it is impossible to speak russian, so i look at this, at this situation, and you know, i have this, god forbid, god forbid, if right now here we are solving this... issue, god forbid there are hollows there on our mainland, you see how many notaries there are, here deki is already looking at his
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fighting friend, who will be with him, yes, a child, everything is there, now we are starting to move towards donetsk, deki, well, here she is that same loaf, zelemkhanochka, yes, it's not just a loaf, why did sergey get this... that's how we met, he read my book, and i watched his film godfather, he was filming a series about the events in kosovo, so when i was watching the film...
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man, we talked for a long, long time, in this series that he was filming, he had exactly the same loaf, it's a medical loaf, he wanted to have such a car here in russia, friends found out about it, found one, bought it, gave it to him for his birthday, he really messed it up, then he says, well brother, you understand, i have it here , come on, i'd better give it to you, you fight for it, for those who really need it.
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and civilians who suffered in this conflict, for the work of our center we have already healed more than 300 people, fully two battalions more people returned to duty, guys, it was at this place that we first met sergey, the first impression was of course of a big soul person, sergey did not come to us empty-handed, that is, he knew about our center, so he brought sweets to the guys.
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here is our museum, here we have one panel, this is the second world war, relatives of employees, our war, our comrades in arms with whom we served in the battalion, now here we have a photo forever of sergei puskipalets, along with all the guys. in our hall today is the head doctor of the rehabilitation center in amvrosiivka. hello, eduard belitsky. do you remember this first visit of sergei, how was it? i was talking to patients, i heard, the godfather arrived, what godfather, to whom? well, the guys watched the film the godfather, for some reason he was remembered for this role, yes for this role, here is the first handshake - this is
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a strong-willed big hand, this is such a colossus, sergey arrived, saw the second building, and what is there? i say, well, there is a renovation , the construction stopped at that time, let's go look, he took the wiring and says about...
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such energy was launched, that is, somehow this is all correct, his son said that the hero of our time, for him this is a friend who still understands, he is this famous story, when he walked along the maidan, went into the tent. he said, yes, what kind of untranslatable folklore of may are you talking about next, yes, he walked on may 9 along maidan, in tents and said what they were like, well and then this is after that, when these bendyrovtsy tore off orders from veterans, he went there and scolded them and of course, in the fourteenth year , well yes, of course, that's how it was, it was just he who participated in the filming of the battle for sevastopol, exactly yes-yes-yes you understand there is a person he has a very tough position. i 'll tell you that there were cases when it flew, well, not childishly to those who said something bad about russia, and i remember one case, it was in yaroslavl, they were sitting at the table and
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it so happened that one of those present several times during the evening spoke about russia in the third person, i look at puskipalis, and he looked so calmly at this man and said: you are an enemy, you, he says, sit down, we say, we will finish eating, but we will never cross paths with you again in this life, i will never forget. the last day of his film vyshmera, why? because on that day seryozha died. and do you understand what the story is, that half of the film crew are people living in yaroslavl, that is, it is like a national phenomenon, despite the fact that i am with him introduced by cinema, in general he always considered himself a man of the theater, that is, he lived in the theater, he lived in his office, he spent the night somewhere there, he could not leave, i remember when he came after a long pause, he had just become the artistic director of the theater for the second time, he says: come on in with ... "sit down, listen, i say, what happened, i wrote a manifesto, what am i, how important it is to be an actor of the volkov theater, how important it is in general,
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it is important to live in this theater, according to what canons, that is, this was his statement about that, what a modern theatre should be like, i send him my play somewhere, probably in a few months, cinderella files for divorce, let me read it, and after some time i call him back, well, he says, of course, it's amazing, the city of pakhmor, thank you very much, somehow we'll decide for ourselves where to go
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coming home from school, please your neighbors, to everyone who is waiting for new hits from vladimir matetsky, i answer, it's not evening yet, now is not time for food, time for spiritual search, time passes, meanwhile olga will be ordered to make tea. good evening, this is your music. your letters your congratulations, here is a new day on radio mayak, so says the lighthouse. earlier in the program, war correspondent alexander ragatkin told what connected sergey puskipalis with the residents of donbass. those people who said in donbass, like him,
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yes? that we are russians, for him they became brothers, and a member of the people's militia, diyan berich with the call sign deki shared stories about how he dissuaded sergey from serving in the special operation zone. he fought for a long time to get permission so that the theater could come on tour, there, it's not safe, that's when krik sova, seryozha, back then he was still, well , let's say in the cinema, not a very famous actor, the fsb even gave him the first prize.
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where is there any grue or anything else, it all intersects with stanislavsky's ethics, moral principles, everything is very tough in the sense that well, and we didn't resist, because you know, the average person has this opinion that oh, the acting environment, absolutely normal people, when he told us, who? is afraid to go yet there was no svo, so he whistled our e donetsk battalion, we they called him that later, they quickly made the play, that is, he staged it while the guys were still on the road, and you were among the first to go to the donetsk theater, and maybe even the very first, let's see, repertory theaters, the first repertory theater that went there, now we'll see a small vision there
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by... the square in the city of donetsk in front of the bravun theater was named in honor of sergei puskepalis after his death - in september of the twenty-second year. sergei came with the troupe of the yaroslavsky theater to lugansk people's republic, to donetsk. this was the first, in fact, a message of creative help to the residents of the unrecognized at that time. republics, when these artillerymen arrived, it was such a huge breath of air, new, fresh, from big russia, which always supported, here proof of support was needed, in the park there is a memorial sign, on which it is written that this sign is in honor of a friend of donbass and a patriot of russia, he helped
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with transport, he would help... with questions, he helped the wounded guys as help with treatment, well, that is, the man tried to help with everything he could. donbass will always remember a friend, donbass. will always remember a man who gave his life for this region. konstantin, tell us, what kind of artistic director was he, from the point of being strict and strict, and in this situation, when we went to donetsk, well, it's scary, he somehow changed his attitude towards his employees, his employees, yes, he became tougher, softer, we didn't know each other for very long, these are three, 3 years, 3 years, during which he did three performance, and before... going to donetsk, there was a personal call to me, i said: "kostya, are you ready to do this?" i said: "yes, of course, i want to do this, because i've been tearing myself apart for this since 2014, the year of russian culture, then the president announced, yes , vladimirovich, so we went there, it was an adventure, of course, it was scary for us, because we rehearsed it on the volkov theatre stage,
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there were three or four of these, well, collected runs, we practically said everything from sheets of paper, we rushed, we went there, but for we were, of course, impressed, the city is so gloomy."
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they are under the shadow of fyodor volkov's cloak. with the arrival of sergei puskepallis, the theater has become more open, more socially focused. what tasks do you set for yourself, for the team, for the guys, for the troupe? well, first of all, to be interesting, for the people who come to us, meaningful, to share our discoveries that do not suppress us, do not destroy us, but that somehow support us. in this very interesting, complex world, this is the office that sergei puskipalis came up with it for himself and for the assistant artistic director. sergey puskepalis sat in this chair, sometimes he
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greeted us in the image of fyodor vulkov at some theatrical skits, that is, he spun and in a moment turned into fyodor grigorievich in a wig in a cloak. he congratulates on the international theater day, smart, handsome, madly in love with his profession, knowing what, how and why to do, therefore he, as our flagship, and we follow him into fire, water, copper pipes. it seems to me that this person, as if he passed the test authorities, he is very principled, he is very tough in some ways, he knows his position very firmly, but at the same time, even...
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he was a simple guy, when we arrived in lugansk, we were liberating popasnya then, deki arrived then, and he says: i am dirty, terrible, he was at the white white. when you see an intelligent person, you
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behave intelligently, and it was also very convenient for me, and the first time he called me, we were filming a movie in crimea no comment, based on real events, i first made a movie spetsnaz gru, there were kadavy, and there there was a real episode, a documentary about a german young man who falls in love with a turkish woman, then accepts islam and ends up in chechnya, so we made chechnya in the bakhcharai region, someone gave him a film to watch, he watched it, called, and said, my name is sergei puskipale. i watched your film and i really liked it, really, just in case, keep me in mind, the film blood, the next one was also filmed in crimea now, i say, sergei, is there a role for you, he says, send it, i came , he says, that little one, and i have to trim my beard there, i still have to go to crimea for 3 days, and i have a performance there, i'm sorry, please, i can't, if anything, if anything, next time i definitely won't refuse, he's already a doctor, i'm writing a script specifically for him, i call him and say: sergey, here we are, oh, artyom, i was appointed artistic director -
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he's been working in cinema for 17-18 years and
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his active social activities, it's just amazing, when i called him and said: seryozha, i have a new project, send me a script, he says: no need, we're on trust, therefore, this is the only actor for whom we rewrote the script in code, instead of action we made kavminvody so that he would live at home.
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on the phone with his daughter, and then in the finale he appears, and he came to shoot with lena, and i am in the frame, he talks all the time , i say, lena, you can star in our film too, she oh, i can't, i'm there it is, in general, we put lena, and now she says, you know, i watch the film now only from this episode, well, what is it like, and now later, when seryozha, when seryozha died, i... his hero is bored, he was there, but he asked me, i ask you, kill me, because i am not i can, i have a theater, and there was a premiere of our film maria save moscow, i came up to him and said: seryozha, we are writing you out little by little, as i said, well, you asked, i said, well, let gleb... film, we will give him a good role there, that's it, yes, he agreed, but
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when seryozha was gone, then it turned out that the hero was there, we needed to rewrite the script, and i asked lena, lena, where would seryozha want to go, for a long time, she thought about it, said, to murmansk, and we quickly sent our hero to murmansk, posthumously for this role he received tefe, you know how amazingly time flies, listen, only he walked in this jacket in a suit, here as if his existence there is not yet over. and this is already in the museum, these are signs i consider of some kind of real. later in the program, director vera storozhevaya will tell how she experienced the loss of a colleague and friend. seryozha is one of those people who really this black hole remains,
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as a loss, on the one hand, on the other hand, as the fact that he did so much, this such... in this sense it is light, who are you? ibrahim, sulman, berta maria bender bey, turkish citizen, this is my father, my property still needs to be proven muzik, he will play any role, honorable audience, now there will be an explosion here, an explosion in the action of laughter and joy. he will not leave his fans without attention, i would suggest to get acquainted for a start, bloodfinya, transdanubian, you can masha, all this for the long-awaited reward, calmly, do not fish, whoever is a dernets will get a bullet, whatever you want, baton, and we will leave,
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that allows air to pass through well, allowing the skin to breathe. two colors to choose from: classic black, universal gray and a wide range of sizes from... treat yourself to comfortable , beautiful shoes right now, call and order universal sneakers with velcro artex for only 1495. send me photos and videos from the scene, i want to see something, work from dawn to dusk, marya sergeevna dreams of nothing but this, i'm lucky today, yeah, a lot to do, we have no time to sit around, quiet, quiet, quiet, secret investigations, i thought i 'd watched everything, but i'll tell you, no, it's catchy, monday through friday on rtr. earlier in the program, the head doctor
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of the rehabilitation center eduard beletsky told about his first meeting with sergei puskepales. i hear, the godfather has arrived, what godfather, to whom? the guys watched. film - godfather for some reason they filled him in for this role, here's the first handshake - this is a strong-willed big hand, such a block, and director artem temnikov shared a story about how he wrote roles especially for sergei, it's a small one, and i have to trim my beard there, and also go to crimea for 3 days, and i have a performance there, excuse me, please, i can't, of course, his death is a great loss for the family, for his relatives, and for his friends, for everyone. and the city of zheleznovodsk is waiting for him, of course, remembers him, loves him, there is a museum there too, let 's see, let's see, seryozha. tal lived, went to school here, loved here, zheleznovodsk is his second homeland, here he
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created a strong, reliable family, i believe that his most important quality is reliability, he was a 100% reliable person, a caring person, a courageous, strong person, with a bright smile and an open heart, my daughter called and said: "mom, i'd rather tell you than someone else, sergei died, shock, terrible pain, bewilderment, the tragedy that happened on september 20, 1922, of course, brought pain to all of us. i knew seryozha for a long time, he is a fellow countryman, a graduate of our first school, a cheerful, happy boy, played the accordion, visited.
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school life zheleznovod remembers and loves seryozha, he took an active part in cultural events, sponsored these events, celebrated the new year every year. in his words, everything i do in this life, i do for people, everything i do in this
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life, i do for people, it was anna petrovna rashkovskaya, she worked as a history teacher at the school where sergey studied, how she preserves the memory, how all those present, and many other people remember him, know, and let's imagine that now 2 years after his death, maybe he hears us, so that you... this black hole remains as a loss, on the one hand, on the other hand, as the fact
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that he did so much, this is such a light in this sense. in murmansk he received posthumously, one of thirty prizes that the feature film doctor received, in which he played the main role, we have six grand prix from china, europe, well, and russian festivals and sergei was noted in six places in some festivals specially dedicated to him some special events, before his death we with him we called each other and he wanted to act in the project "unknown war" again, where he wanted to play the combatant, the prototype of which was vladimir tsvyakh, maybe god willing, sergey will help and we will make this film in memory. sergey, there are few people who understood what evil is hanging over russia, so i will tell him now, in this battle that is going on
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now on the territory of ukraine, we will definitely win, sergey will be happy, i am sure that he will be happy. we also have a short video from friends and colleagues, let's take a look and come back. sergey, let's go, as they say, did not have a drop of russian blood, lithuanian and bulgarian, and at the same time it is demonstrative, convincing, integral. russian man, he will always appear out of nowhere, he will always do everything possible to make his comrades feel better, this is about him, this is about him, he is like one of those soviet-model films about real male friendship, he symbolized it with all his behavior in his sincerity, in his tenderness, in his kindness, in his responsiveness, it is impossible there would never be any doubt, of course we have the topic... donbass, the topic of war, it immediately brought us together and we immediately found a common language. in general, he was a golden guy. an open, honest,
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bright person. when i watch his images on the screen, i recognize him, i recognize him, because the strength of his personality is such that it often outweighed the image he embodied, relatively speaking, he was himself in the proposed circumstances, this does not mean that he repeated himself, but he played out so honestly that it could not but have a response from the audience, in general, he is missing himself, this it was our dream. to work together with sergey in a war film, so when i arrived at the studio vaen film in medyn on the first day of shooting, call sign zhuravle, he told me: "stanislavich, we will generally be here with you all the time, i will not leave here, i am ready to live right in your tent, and i will leave now for a couple of days, i will take the truck that they gave me there
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in order to send it. there to his friends in a word, that's how i remember him, leaving the set, telling me, prepare the tent, i'll be right back, yes, it turns out that the first day of shooting in this film became his last, sergei puskapalis really had a huge brotherly heart, which could accommodate the pain of people. donbass of all russia, and he was a brilliant actor and director, and of course, it was a huge tragedy that this heart stopped beating, in fact, he gave a piece of his brotherly heart to each of his friends, each of us called each other a brotherly heart. you know, i am subscribed to several channels of our war correspondents, and there there is such a very phrase that often
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ends their messages: to be... to live forever, he is a warrior, he will live forever, pay attention, he had only some honest, sincere, organic people next to him, no fake around, here he is an open, kind, cool guy, in the film doctor sergei is a colleague, for the guys, he is a godfather, we will continue to remember him and continue his work, to help people, in the twenty-second year, when he offered me to become his trusted person for... msvo, the period of our communication, i received from him question, why are you not speaking there, i say, well sergey, i got a small injury here, so when my time comes, i will definitely be there, my wife elena ivanovna and gleb did not agree that i would take his call sign, since it was called launch, so for your program, in memory of it, i will leave you these two stripes from russian officers, it is very important, thank you, thank you,
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vladimir, thank you, friends, thank you that we... today here, that you came to remember him on this day, indeed, this is a man who left a deep mark in history modern russia showed us a certain moral compass. and when you touch such people, do you become better yourself? there is no such thing as chance, as in alexander sergenvich pushkin. and chance is god's inventor. when we were on tour in sevastopol, there were bombings during two performances on two days in a row. there was not a single alarm for the performance "the descent of palis, the upcoming event and the scales". that's what it means, he is with you, we know that he is with us.
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505 years ago, on september 20, 1519, from the spanish port of san lucar. barameda left a flotilla of five ships under the command of the portuguese nobleman ferdinand magellan. thus began the famous expedition, which became the first circumnavigation in history. magellan's expedition proved in practice the hypothesis of the sphericity of the earth and the inseparability of the oceans washing the land. meanwhile, from a three-year arduous journey, one ship and 18 crew members returned to spain. the great maripla himself perished. 280 years ago, giacomma quarenghe, an italian architect and painter who came to russia, was born at the invitation of empress catherine ii.
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the famous architect who built the smolny institute and the hermitage theatre in st. petersburg, the hospice of count sheremetyev in moscow, the building of the alexander tsarskoye selo palace. they said about him, this quarenghe makes us wonderful things. the whole city is already full of his buildings, he builds a bank, a stock exchange, many warehouses, shops and private houses, his buildings are so good that there can be no better. all diseases are social, because they all depend on the conditions in which a person lives. in order to to fight them correctly, it is necessary to change the social conditions themselves, he believed and added. drunkenness culture - two concepts mutually exclusive, like ice. fire, light and darkness. 150 years ago on this day nikolai simashka was born, the first people's commissar of health of the rsfsr, under whose leadership the foundations of health protection in our country were laid. the uniqueness of
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the system he created consisted in the uniform principles of organization and centralization of health care, free and accessible qualified medical care for everyone, unity of prevention and treatment, special attention to motherhood and childhood. the fountain of youth is your mind - she believes. and the best form of female beauty is simplicity, calmness and inner harmony. a woman who is firmly confident in her beauty will eventually be able to convince everyone else of it. today, the winner of honorary awards from the cannes, venice, berlin and moscow film festivals, winner of five golden globe awards and two oscar awards, celebrates her anniversary. the legend of italian. "i am grateful to fate for every day i have lived, for the opportunity to constantly discover something new, the actress admits. if you are lucky enough to keep the souls
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of a child in you, then the best in your life is yet to come. today is september 20, 2024." hello, on the rossiya vesti tv channel, in the studio is rina rossius and the main topic for this hour. history is very often used in modern politics. vladimir putin discussed the topic of objective interpretations of history with the permanent members of the security council of russia. in the kursk borderland in iisu, since the beginning the invasion has already lost more than 1,500 people. today, artillerymen destroyed a bridge over which the militants were delivering ammunition and fuel.

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