after the exhibition in paris , about 70 works from the collection of the bath of mikhail morozov at gauguin returned to the pushkin museum, the huge panhard canvases and sculptures of maillol were completely preserved by monet cezanne. these tours began in 2019. morozov’s collection from three museums was first shown in the hermitage on the anniversary of the pushkin museum, the collection of the brothers will be exhibited in moscow. we hear sounds with you, by the way. it's knocking on the museum on the second floor. this is

preparation for the exhibition. morozov there is a huge construction site. we are building the entire second floor. and just like the shchukin exhibition, she will take place on the second floor of the museum and the museum will be completely transformed. those who remember shchukin's exhibition, they walked through the halls, did not quite recognize them either, and it will be morozov's exhibition, it will be a completely different image and therefore the sounds of a saw and various construction tools. they are now heard in our building and i am not more pleased than saddened. for 70 years now, the collection of shchukin morozov has been living separately, part in the pushkin state museum, the other in the hermitage for the first time in such a composition the works will be exhibited in moscow, the hometown of the collectors , we are dealing with a great collection of the great russian collector and pike and morozov - how is that?

it seems to me that the exemplary collectors of all times and peoples in the 20th century are hard to find collectors, er, who manage to collect. uh, so revealing so bright so flawless, uh, collections of the latest art, of course, these and other paintings will appear in the museum much later than 912 . but how did its creator ivan sanctify and how more this century get along, academic approach and novelty. on may 31, 912, all the newspapers of the empire wrote about the opening of the museum of fine arts named after alexander iii, as it was then called according to the old style, the idea of ​​​​creating an

educational museum. slepkov hovered for a long time, but only ivan tsvetaev managed to bring it to the end. collected for over 20 years. and the building was under construction for 14 years and the first casts at the university appeared in the middle of the 19th century. tsvetaev - he just continued to develop it, but he took it in a slightly different way. he was able to bring money. this it was his talent professor at moscow university . how important it would be through the sculpture of blind architecture and painting to teach students the history of art, urged patrons to donate to the construction. well , tretyakov morozov, prince shcherbatov, donated, and the largest donation made alekseev , or rather, according to her will, a representative of a well-known family of merchant alekseevs is known. she

bequeathed 150,000 rubles. based on the museum the only condition that also bear the name of emperor alexander iii. companions and the main sponsor of the project industrialist and philanthropist yuri nechaev maltsov in the head of the moscow archive preserved his handwritten letter to grand duke sergei alexandrovich in it. he coordinated the details of the interior decoration of the building - a luxurious staircase. the main hall, 24 columns, standing on the sides of the stairs and the vestibule put mra. monolithic columns are solid pieces of marble, not tiled. this is a one-piece huge monolith and marble and in addition, a significant obstacle is that i require about 8 months of time. the official list of professor tsvetaev’s service records how often he traveled on a business trip to buy and order casts and became the first director of the museum and, closer to the end of the service record, he was repeatedly indicated. just here the

repeatedly listed business trips abroad for the acquisition of monuments, fine arts brussels ahina kelly bonnie mainz and berlin is one of his last trips in view of the upcoming opening in moscow in the spring of 1912, the museum of eternal arts named after emperor alexander iii will at first be criticized. they agreed on one thing, that a museum consisting of slepkov should not have an educational one. eh, educational eh, the meaning of casts spoil the taste of the student must learn. this means that this is for students and teachers, respectively, there is no need for such a scale, there is no need for such a building even before the opening, the museum will be replenished with a collection of the dictologist of the bootleg, it will gradually be enriched with other originals and ivan tsvetaev's wires will only be confirmed. he created a museum for all democratic attitude

towards the visitor, to which anyone, well, any level. uh, the museum was calculated. it could be designed for a scientist of another student, but for anyone who just wants to get into it and find out. issued by a member of our family to visit the museum, we are registered as employees of the museum so that you can come to visit any new exhibition at any time. his mother is the great-granddaughter of the founder, his great-grandmother anastasia ivanovna , writer and younger sister. marina tsvetaeva our great-grandmother anastasia ivanovna tsvetaeva daughter us vladimirovich, her son andrei borisovich trukhachev , mother of a hooligan andreevna trukhacheva, and my brother and i,

andrei, lost grisha and grisha of the ninth year in the museum, then they arrived on the occasion of the 95th birthday of anastasia ivanovna andrei is still a teenager, as now his son denis is already five generations. for whom pushkin parts of growing up and family memory. mom went up the stairs and upstairs with her grandmother, and on the last step. grandmother stumbles and on her knees drives right up to the bas-relief of her father, and she says she gets up and tells olya to her mother. i never i was going to kneel before my father, but apparently the lord decided so. this was the most famous such story. in our family. marina tsvetaeva called the museum of them and anastasia a gigantic younger brother. the father was so absorbed in the matter of creating it that he infected everyone, including the donors, with this passion for him to buy himself a new suit. it was a disaster to spend money on a new suit.

i mean, uh. they saw how he could count every penny, so they probably trusted him because of this. more teenagers andrew adored, egyptian hall. my brother and i went together , one launched. and this childish impression, when you enter one hall of egypt, there are not mummies there, there are, which are like a sarcophagus, but there is an open sarcophagus. there mummies, of course, goosebumps were a lot scarier to walk around. that's when it made a huge impression. yes, complete silence of people, no one and mummies lie.

what make up the glory of the museum is the result of many years of research together with the kurchatov institute, never before in russia have they researched and investigated the life and death of the ancient egyptians. here on the basis of such a video was created, where we see the virtual unfolding of the mummy. yes, what's inside, that is, what scientists have always been interested in in general, but we do not damage the mummy. this is the most important thing, yes, that is, this is not an invasive method of research. the contents of the sarcophagi were studied by physicists, genetic chemists, forensic doctors and anthropologists, and museum staff told the story. here the sarcophagi are in a frightening order. well , this design move is very interesting and it reminds us. about the meaning of the egyptian immortality. this e rebellion is such a vertical

position, when a person gets up, as they imagined themselves and begins to move for pushkin , it is very important that this is all his native at the heart of the egyptologist's meeting. vladimir galinishchev. his collection was bought by the state for the museum. tsvetaeva back in 911 in the choirs under the roof from where a rare view of the main hall opens, his cabinets have been preserved, in general, we now have an egyptian collection of eight thousand. here, but the core is the collection of vladimir semyonovich, burning. this is russian and egyptologist, generally the first russian. eh, he is in st. petersburg and he collected his egyptian museum, he went to egypt, he was engaged in excavations and was engaged in reading texts. here he has been collecting egyptian antiquities for 30 years and even bought a special house, and on mokhovaya street at number 15, and there his antiquities were exhibited indoors. in what collection

many world museums could envy, and tactile exhibits are part of the important ideology of pushkin as a museum accessible to everyone today, such an amazing thing that is made especially for the exhibition, we are not ancient egypt - this is a cast of a couch, and this is such a figure, uh, which was located, which participated. actually , she was present in the design of the burial, and instead of praying in a tactile room in the depths of the italian courtyard and exhibits, according to which lectures on the history of art are given to visually impaired visitors , exhibits made for some exhibitions go to the tactile room. yes, for example, this one, uh, is the work of a part of a politician from the exhibition, and the siena school of siena is on the dawn of the renaissance which took place about a year ago in

the pushkin museum. an unusual model, which is carved from an oak board. here are versions of the sculpture of canvases that are understandable to the touch, that is, it is really paper. she is, therefore, completely different. yes, that is, we understand the feeling that you get from the composition. here on such a deep relief. yes, it is absolutely not the same, when you touch the paper and here the image is raised. yes, that is, this is such a foamy technique, and in this way we can feel this light matisse drawing, this it is interesting for both blind people and weaklings, because , for example, this drawing is as close as possible to the original charcoal drawing, and a visually impaired person can also relate his impressions of how he a can see the picture on the exposition with residual vision, and how he completes it is this impression by touch.

for 4 years, the pushkin museum has been looking for a new language to tell different people about art, regularly holding classes for children from boarding schools. everything is perfectly beautiful. seventies, but began programs for the deaf, it’s just that then there were no employees who would speak sign language in the museum, so the deaf were simply given the loudest guide, an art historian, who

had the loudest voice, that’s what she told the whole building, which means she was saying something very loudly that they now a few guides who are completely deaf and develop texts in sign language look so expressive and figurative that even well-hearing visitors join them. she says, uh. they will watch the fans and serves at the same time. no fans. here she is after that. pushkinsky

in recent years have been moving towards a living, museum, where there is a place for the most relevant art in 2020 boris with the boredom of lockdown people. sit at home, revived world canvases. thus, a popular network project arose due to isolation, together with its authors, the museum chose pobediteley adorned its facade with a modern version of david, where is this line, where is this balance between the academicism of such a museum that we are used to. you know what the museum does not show and no matter what story he told me, and we are a museum of world culture and a universal museum and the art of the old masters and antiquity. ancient greece, including egypt, as we see now , much and much more - that's all. a great story of our great love, but we see it and look at it with our eyes. today living people. and this is a very important understanding, so this is just a modern view of a living person today. actually. it is not what we call

contemporary art that moves us. it seems to me that you are the art that we show, but always modern. and now we are standing in the hall of french art, where the eighteenth century and the 17th century are nearby and it seems to me that it is absolutely relevant, it is very important how we look at it, how we install it, what we say to our viewer. what language do we speak with him? and how this information is conveyed to him is all part of our current existence, so it seems to me that this is the dialectic of our development. the museum cannot exist like this existed 100 years ago. it's just not possible. you can and so the canvas in the hall of italian art, it sounded to walk

around the museum in headphones, but not with an audio guide, but came up with the music, the schoolboy sebastian composed each of the 13 pictures on a separate track. from the fact that this is a portrait, it seems to be static and very monotonous, that is, there are no plots and nothing interesting, i took this sample and different tracks with different instruments. i would like to describe this picture. despite the fact that all this is played by the same melody, but on different synthesizers and on different instruments, sebastian is 15 and he graduate of the club of young art historians. today all youth programs. here they call pushkin 's yuz to an old manor in kulmazhny lane , teenagers and students come to communicate and

join the museum. maybe for many guys who come to us as a youth space. ah. this is, well, such a first meeting with the museum in some kind of free capacity that your parents have never taken you. or did you come from class on a field trip? ah, when you came on your own , maybe you came here to do your homework or meet with friends, but next time you come to the museum and the museum will already be such a friend of yours to whom you came. the rest lies in the sheds. this is a fresh graduation club. he will return to the museum already as a specialist, and some manage

to develop projects during their studies, such t-shirts and other merchandise will be sold in a souvenir shop. i decided to collect, for the anniversary year, uh, 10 reasons for the love of pushkin to the museum, and, as it were, i will reveal the secret in the notes. i had 30 pieces thrown in, it was very difficult to choose exactly 10 clubs young art critics. invented by young employees in 1959. among them was the irina antonova museum. she will lead in the sixty-first year and all the next 52 years will support youth programs. the last time irina alexandrovna was then already in the honorary position of president of the gmi. we have been dating since 2019, then. she recalled how in the late forties it was decided to divide the collections between moscow and leningrad, and then a fair amount of courage was needed, in order to exhibit what only yesterday they wanted to disperse in the provinces, or even destroy it altogether , individual things began to seep in, and

everyone realized that naked noir or claude monet’s breakfast could not say so, decompose spoil the sixth year we did. a very large exhibition of picasso, moreover, what picasso but all the glory, god was unacceptable from the point of view. yes, that's what picasso means a great idea from his gave away, the hermitage gave his thing, and in addition, we received from france it was a collection of the picasso office director's memorial office on ivan tsvetaev's desk photographs by rin antonova on the windows of projections of plowed exhibitions 74th year visit of the gioconda 81st banned by malevich filonov kandinsky at

the moscow paris exhibition the louvre club was a wonderful exhibition from paris . but it certainly brought the museum to such an international level. and uh hmm expanded a lot functions of the museum, because and work with children, which was just beginning. wow, it started at the same time. how many people are old before the military, but thanks to her efforts, the museum received huge territories and buildings, another question is that they require large investments, both material and intellectual, so to speak, but, in general, she, of course, fought to ensure that the museum received square, because like any other museum it is always crowded and it is necessary to show the collections, it is necessary

to expand. around the main building continues the main construction site of the pushkin museum to expand it to the whole gorodok bequeathed even more flowers and the reconstruction was conceived by the centenary of the museum for the deadlines were constantly shifting what we see - this is the only new construction in our quarter, because the rest of the estate that we are restoring is being built anew. in front of us is the exhibition block, this block will be open. when the main building is closed, the pushkin museum will be presented in this building, on the right we see the restoration block. mainly for employees er custodians and restorers built three floors underground, depository storage, which will move all the storerooms of the museum in total , nine buildings will be opened for visitors on the

top floor of the new exhibition center, an observation deck with an unforgettable view. and the center of moscow, olga trustova, has been working as a caretaker in various halls for 16 years, prompts the way and patiently answers questions from visitors. whose palace was this? do you understand? even just like this, as the saint says, that a museum should be educational? here we are on this one, briefly to answer clearly and to make it interesting, so that they come to us again and ask such questions. and where is pushkin here? we went around the whole museum, where is his inkwell, where is his peru ? they even ask stupid questions. here in the fifth grade we

were told to come to see the hall of ancient greece. why is this necessary, when we have russian history? you see, this is amazing, because somehow. well , he reads fiction. yes, even now mummies everyone is attracted. and marina morozova has been in the museum for 11 years. grateful visitors have been passing through her shop herself, it seems, the entire book assortment. thank you so much. come more people love our museum. he gives education what tsvetaeva wanted, he built for students who cannot go abroad, which is the poor who can see in the casts to feel the art. in other countries, in principle, it seems to me that nothing is changing now. all the same, we carry warm education. and people also come

from different countries and republics so far. morozov's collection returned triumphantly at the beginning of the 20th century from a tour of von doing viuton in paris. ivan morozov compiled a grandiose collection, 230, of western sculptures of towels, authors of 11 gauguins, 11 matisses, five monets. but there are only three picas, but also six extra-class renors and, of course, his favorite benefit, 18 paintings. and morozovskaya repeated the exhibition, you know, she multiplied it. i thought that it was impossible to increase it, because 1,250,000 people sat at the shchukin exhibition, and it was a record for all times and peoples. and morozov’s exhibition, despite the pandemic, because after all it took place almost entirely against the backdrop of a pandemic,

one million three hundred thousand people visited the impressionists, the old masters of the collection of the ancient world for more than a century, pushkin’s collection has increased dozens of times, but thoughtful exhibition policy and oksana novelty what the museum has been different at all times.

it pours, it pours, it smokes, it melts. why do russians smile so little in the center of the brightest world , the blackest holes are born, but everything they do they don't count. and why are the russians smiling so little trying to drown out. it has already been we repeat russians. why are you so little? are you smiling? are we smiling? when what is planned happens, when we meet with our soul mate, we smile, and at the end of each long winter we smile just a little, we rise through heavy lumps of a stalk, this earth smiles, you stand on it, you feel like strength from the feet. a

face rises in my head and smiles itself when, where there was only ice, cities appear, when our first space is sent when the one who must reach victory reaches, and then returns. and smiles.

accustomed to watching videos stopped working , install, open, watch russian channels and all series of movies and cartoons, educational programs and documentaries for free without registration. in the donetsk and luhansk republics, after shelling by the ukrainian military, civilians were killed in the capital of the dpr, the districts of several local schools and the university were attacked, five people were killed, 17 were wounded under fire, also gorlovka and hay zaitseva makeevka ukraine