the eye crying in the desert by the romanian director chabrean mega is the real story of the orthodox preacher georgy kalchu, who was imprisoned as a political prisoner after the second world war. he promised himself to become a priest if he manages to get out alive, having fulfilled his promise. george launched a crusade against an atheistic regime, a topic that is simply amazing and given the fact that, but it is revealed on a minimal budget. as u told us, the director is so believable. yes, without fiction, without any embellishments, and completely reflecting political picture of the period. we are wonderful film and great with games. ah. and, of course, such a past. in general, which should not be forgotten. there are important words, probably, for everyone it is always relevant. that is, one should never forget that my heart is a soul always

free, the director of the voice crying in the desert was the acting priest chaprian-mega, who wanted the romanian righteous to know, as many people as possible, as a result, a serious and thoughtful drama about a man who not afraid to talk about faith, even when other priests preferred to keep quiet. and why was it so important for you to show the film in moscow? i don't think that today people can be limited by an iron curtain. and if they told me, you have no right to come here, but because there are people with dog heads. and then i would say, i will come here to hug them, ah, on my film, i will return to my country to say uh. how wonderful these people, who met here to see the director's priest is quite unusual,

although we know, and such examples, and what other professions, uh, modern or in the profession of the future? uh, it will be seen in the church, among your uh, brothers in christ, it's a rule that i only do what i feel, and i serve the church, uh, the work of the priests of my life. but that's just my passion. i'm so naive that i think that the movie what did uh your hero do? uh, in addition to breaking the silence in a society where dialogue and discussion were cut off. this silence was very guilty. it was silence was a compromise speak the truth in this world to live. this is already a huge

achievement. participant of the international competition, which premiered on sunday at the iss camel arch. vitaly suslina, her main character is an ordinary shoemaker who lives in his small and cozy life. somewhere in the provincial wilderness. everything changes when he has a dream to ride a camel and see the red sea. and since he cannot earn money for this trip to fix shoes, he decides to do something unexpected for himself . what are you up to with the pigs? highly nice to see. i rather liked these questions. santa claus came to see me today. the real real is such people. what is not very lucky, a distinctive feature of all

vitaly suslin's projects, is the director 's endless love for his characters. this could be seen in one of his first works in the film the head of two ears, which became the laureate of the film brand and in the seventh run along the contour of the globe, which won the choice from the confedevale window to europe, in addition to this love, the camel’s arc is a lot of mysterious and riddles begin with the name itself. can you explain to the viewers, uh, the meaning of the name, the meaning of which was put into it, that i can say that a person does not read to see ride a camel and believe the magical red sea, so the word camel is at the head of the picture here, and everything else. it seems to me that everyone is already fantasizing and drawing his own. here is your view of the world on things. eh, how it is manifested in your heroes, but in general i shoot about myself in every picture. it seems to me that every director shoots about himself. well through some forms. scenario construction, of course, i

constantly argue with myself in big conflicts every second, so there are disputes among the heroes, of course, also with their big conflicts. well, you dissolve yourself in the heroes. that is, you are in the main character, you are in his friend and in his son , piglets, and these piglets are also in his wife and, of course, son. and the snow maiden is the source of inspiration for this picture, what served, maybe , how does it happen for you in general, everything starts with some small detail. well sometimes you see the scene. uh, well, you just see some kind of clearing, you think, what kind of story could happen here, the original car. well this is for me this point - it's a thrill. this excitement should make you want to start drawing something. do you remember the moment when this point arose, uh, the movie had a camel friend. it was a clearing, which actually plays an important role in this picture. this is a clearing in my hometown . this is where i was born and raised. hey, where do i live now. i often come there at different times of the year to

shoot and communicate with her. there is never anyone there. almost. well, here's a moment. i saw her in a new way. i wanted to tell you something about her. here is a picture that inspired me. how long does it take? i don't know who says that he finds inspiration in him and there are such moments. really amazing when you start to hear some notes, and you understand that it's not for you. well, that is, how you are just like a conductor. and uh, that's a lot of work. well, that is, you need to constantly force yourself like kung fu kung fu, yes. that's why your conf stronger than any other kung fu learned, yes, forcing the black network events, otherwise nothing will work. no, i think so. i love the word work. i love this very much. i would love whether those people who passionately love their profession. and what do you, as a director of a modern russian author, see the significance of the new competition at the

moscow international film festival, and the moscow festival is a large number of press, respectively, shows russian films at this festival, they write about them, they say, there are a chance to reach the viewer, even the slightest, but it is there. it's great, so i somehow i think it was so logical. i was even surprised. why didn't this happen before . so god forbid that he become so permanent. here is a competition among the main competitive programs of the moscow international film festival, the national russian premiere in it showed a new picture of semyon serdina, a similar person. it's so good, we know the people with whom we communicate every day and whether we even know this question is trying to find an answer, semyon serzin. whose new movie is similar the man was shown on sunday at the imff as part of the competition program. according to the plot of the writer alexander ivanov, the russian prime ministers are found dead after falling from the window of a multi-storey building by a researcher

who undertakes to interrogate his acquaintances. suddenly it turns out that they all describe the deceased in completely different ways, someone calls ivan too closed, someone too open, someone sad, someone cheerful, how he was, in fact , no one can explain. introverted was like that. well, what can i say? not very nice, it was big optimist, directly studied in labor was not successful. i wouldn't name him. it looks like a person. semyon serdi, she was filmed based on the play by dmitry danilov , testimonies for the director, this film is a kind of roll call with his previous work, a man from podolsk, the remaining laureate of the 2020 film brand nikolay and you look at simple ways. victoria isakova taisiya vilkova and lyubov tolkalina played the main roles in a similar person, and natalya makretskaya, who worked with serzin on a man from podolsk , became its producer. i congratulate you on your participation in the moscow international film festival in the competition

program. russian premieres, a similar person, a similar person. who is this? it's kind of like a detective story, so uh, it's hard to start explaining it here without spoilers. uh, but i guess it's like all of us in that sense, i guess that's what the title refers to. is there an exact description of a person, in principle, is it either possible at all? well, this is just a difficult question. in the sense that any person. it arises on its own and manifests itself only vkontakte with someone else. he can have whatever, and and put. well, that is, now we are talking to you about this one thing, then we will go out and talk with natasha and i will be a different person. and natasha will also be a different person. and after this interview you will be a different person. there really is someone here. it's very difficult to determine whether it seems to you today that the uh detective

is at the end of uh of his uh development, or are we on the verge of some kind of new round when, uh, the investigation itself does not become an end in itself. yes a acquires some other layers or goes completely into some other e dimensions then. yes, but here, probably there is no such particular genre desire to stick to detective stories. here, just like me, uh, there seems to be such a deception. yes, when one is one genre. as a result, how would he line up in another, which, in principle, is also in a person from podolsk, yes, there is such a game with the audience, how difficult it is to work with a seed. if you can talk about it. uh, in front of him, of course i can talk in front of him, we had experience work with a man and from podolsk they rubbed against each other, but not for long, and i saw a

director in the seed. ah. and this is a great rarity and his knowledge. sounds like my knowledge. we agree with him here . we do everything better for the movie we do to make the movie work and when we are focused on the movie they have their own ambitions, then the movie. it turns out as in this case. our cinema, and especially film distribution, which is actually very young, has its own growing pains and a certain segment and lower cinema. e need your own a really curatorial approach, and the ministry of culture supports a huge number of paintings, and there are not enough author's paintings of debut paintings of expert opinion. and i think that the moscow festival should become this expert. uh, the moscow festival should also have an initiatory function, that is, you need to tell that this is an author's film and you need to watch it. for such, for such, for uh, in the seventies and eighties, uh, there were film clubs, there was a great culture. culture movie viewing

complex cinema, and i believe that we should rejoice this. oleg is the main character of the f-20 film. arseniy gerasimova lives somewhere on the outskirts of st. petersburg , works in a car repair shop and spends all his free time boxing one of his workouts ends in a serious injury and tragedy, and the guy starts to think that he is going crazy, my hero, uh, strong looks incredibly sensitive and weak inside, but in the main battle his opponent will be drug addiction. there is one win in this fight. it will not be enough much more important not to betray yourself. in 20 the debut film of arseny gerasimov, a graduate of the higher courses of scriptwriters and directors arseny was also seriously engaged in boxing. this is how it turns out

in modern russian cinema. why is there a taboo about this film being shot extremely rarely, and drug addiction, do you think? why a? they don't talk about it. i find it awkwardly uncomfortable. uh, the topic is difficult, possibly unpleasant for many, but this is a certain problem of our reality. so they don’t talk about it, well, like everything bad, they try to hide it in a certain sense from people to talk about something more pleasant, what, what did you want to say about this issue, as an author. well, i would actually uh concentrate on the drug problem in general in this movie it's kind of like that. e. an accompanying tool for unraveling the internal conflict of the protagonist. here , too, it’s more of a film, it’s about some kind of

decency. uh, for me, decency is such a certain term. it is like a deep responsibility for the committed actions. so the film is still more about this than drug addiction box uh selected. uh, like another dramatic circumstance in the picture, and it's also the way of a boxer. and why god with e? what role does boxing play in your life? uh, i was boxing. er, in this sport, i am more or less. eh, i understand and i can roughly state and how much it was possible to show it more reliable than in other films closer to reality, i tried you to participate in the russian premiere competition new competition at the moscow international film festival. uh, where do you see opportunities, uh, who open this competition for russian geographers, i would like

producers and professionals to pay attention to all the films participating in this competition, because it is quite difficult to break into the world of cinema with good interesting scripts. i would like this participation to give some kind of next opportunity. contacts with certain big people from the world of cinema, in order to do further, honestly, there was also a special screening of the history of the failed film from nikita mikhalkov and andrey zaitsev the day before. that rare case when a great master made a film about a film that 30 years ago he decided not to show to the audience, by the way, in the next issue of our diary, see an exclusive interview with the president of the moscow international film festival nikita mikhalkov. in 1993,

nikita mikhalkov made a film remembering chekhov in which four representatives of literary bohemia share their impressions of excellent meetings. with the great writer who has already passed away, the heroes gather in a restaurant, have a snack and talk. and as we suspect not being tempted by something to embellish, and in some places to brag. uh-huh. we've got three here. everyone has something to remember, however, in the process of installation. nikita sergeevich realized that he had not been able to get a picture for 3 years. he spent to fix something, but in the end he decided not to release chekhov on the screen. and today, almost 30 years later, mikhalkov, together with the director. andrey zaitsev made a documentary project about a film that did not work out and, together with the audience, tried to answer the question. what exactly was his mistake? when cinema is not just a profession, but something more.

he demands from you. another other concentrate of another attitude of another seriously, if you are at some point very many who and even do not feel and do not know they do not understand that they are taking revenge in the cinema for how frivolous they are towards him on monday in the competitive program among russian premiere enters a new film. boris akopov in the center of the plot is a girl from an escort service recently, who has become a mother and is forced to choose between easy money and motherhood , who is the main question of the film. killed

the work of the main competition will continue and the audience and members of the jury will have the opportunity to evaluate the film by the peruvian director luis basurit and the picture without prior agreement by the iranian behruz shoibi. it is interesting that the plots of both films are connected with the return home, the heroes come to their hometowns , from which they left many years ago and arrange an audit of their entire lives. well, within the framework of russian programs, there will be a premiere screening of the film by mikhail raskhodnikov, not an orphanage and a retrospective of director vitaly melnikov whom we know from the pictures of the eldest son of the head of chukotka vacation in september and others. ivan kudryavtsev was with you. this is the fourth page of the moscow international film festival diary .

in the case of the murder of daria dugina, a new suspect. this is a citizen of ukraine, a certain bogdan tsyganenko, according to investigators. he helped the perpetrator of the terrorist attack with fake documents with explosives. mission magatet, this week will arrive