and what about paying dividends now is not very correct? ah, especially in the current conditions, but this is all that can be said and gives the green light to other companies, including private companies, first of all, of course, this concerns the resource sector of the oil and gas industry and metallurgical companies, in addition, the decision large business on the payment of dividends will positively affect the ruble exchange rate. after all, companies make a profit, including in foreign currency, and it will need to be converted.

hello ivan kudryavtsev on channel russia 24 diary of the forty-fourth moscow

international film festival today , page six, the main international competition of the imff continues to be screened the day before, two world premieres were held, the audience and the jury saw the turkish drama nadezhda and the film instinct from bangladesh the protagonist of the film nadezhda turkish director umut kyorikin actor umud he works in a small theater company, but dreams like this . ummud career for 20 years, his mother did not see his father die. he was sent to be raised as a teenager, where one, but suddenly news comes from her, she is seriously ill and needs his help. ah, the script. eh, to your film. i wrote inspired by chekhov the seagull i am happy that the premiere of my film will take place where i was born and lived, created and died, then balychi nadezhda the second

full-length work, his utokerikin, the previous film blue bicycle became a participant in more than 30 international film festivals, including berlin and if the first work was devoted to feelings between teenagers, then he learned in the film he explores the relationship of an adult child and his aged mother and hopes for the restoration of a severed bond makes me very excited i excite films with open endings. i will think about the ending of this film all my life, really, it is very interesting. what a release, the main character, but, it is very emotionally catchy, all the more so at the beginning you don’t mean, in general, what everything leads to somehow calmly look at, and then how it captures you, and in general a lot of emotions. well , such a subtle, the movie seemed to me, well, the relationship between son and mother. this is so very you are always experienced. history. director's theme. mut kyoriken, a great admirer of russian literature, dramaturgy and cinema, came to moscow with a

volume of a case. i am very glad to welcome you to our festival studio at the moscow international film festival and congratulate you on your participation in the main competition. and yes, thanks. i am very interested in russian literature, yes. yesterday, as soon as i arrived, i immediately began to explore moscow. i am very glad to be at such a festival, which has such a rich history with its own movie. i always carry with me books, in particular by russian writers. uh, to read something in passing for what you're taking now on your nightstand by the bed since yesterday. i read

chekhov, there is a translated turkish language, i really like to read chekhov but since yesterday. i have already read 3-4 of it today we visited his grave very valuable and i am very happy to visit all are, in what part and in what exactly russian culture influenced your new film. hope is my new film. hope i created it inspired by chekhov's famous plays the seagull and the seagull as you know, it tells about the problem of relations between

parents and children, if i watched chekhov's seagull twice in turkey, also in germany and in england, i interpreted it in my own way. the point of view, if i left, uh, this play, uh, my dream has always been the same as russian writers. uh, to be able, uh, to show the inner world of a person in such a multifaceted and precise way the situation that we are seeing today, which we find ourselves today and, uh, how difficult it is today for a director to come here to decide on such an act, is it an act at all? today, first of all, uh, i emphasize that i think

the art of high politics is constantly happening a lot of things like killing wars and the like uh, and this too will end, but this festival will continue. i am sure that a festival like this one, which has such strong traditions in this particular period, requires special support, and to support or not to support a side or take a political position is one thing, but to use the power of art as a healing force. this is another drug dealer's wife. every day, a beggar colleague comes to her house to buy weed. gradually, a sugar romance begins between them and leaves her husband and leaves with her lover, but his story turns out to be difficult and at its beginning a serious crime. my first

film that i watched from this country and it seems to me that the director has a great future and in general you have to watch the preparatory movie, because it is unusual. there is some color there. and, well, one should get acquainted further to go deeper film of life film about the truth of life. ah, i liked it, well, the ending, of course. well, i didn't expect it, it's made in the power of italian neo-realism, that is, not professional actors who play themselves . ok then. this is how people live, they don’t try to be a director, they don’t try to embellish somehow. that's all, very skillfully filmed in motion instinct. first feature debut. jibaraja, shamilman, to implement his idea, he chose not the most standard way of collecting money on a crowdfunding platform, and the film itself was shot completely independently on a personal camera. the director wanted to depend on other people as little as possible and created a story, imitating the creative

process. based only on himself and his feelings of his characters, the director searched in the slums near the railway station often acted impulsively or relying on intuition during the year of filming, any homeless person happened to him they threw stones at him, they tried to steal his camera, and once he was even arrested, but it was precisely such an immersion in the world of vagabonds and crime that helped his research. finding the causes of human impulses and desires that lead to crime and self-destruction causes some kind of complicity with regret, there is a lot of tragedy, a lot of drama. and in fact here's a movie called instinct, in fact. you see, a person adapts to absolutely everything in general. of particular burning interest among spectators and experts at the festival are a competitive documentary program that has already been shown will tell our story. every year documentary films are gaining popularity and

the competition program of the imf is confirmed by the full halls at the screenings, long discussions and impressed viewers. all this is a documentary competition of our festival this year, the chairman of the jury was the malaysian director and screenwriter, weibin. haji shaariyy film uh, reality, and the closest to how it is the most close to the truth, so far for the documentary competition go from the first days of the festival with a real full house , a screening of sergei dembezhev's painting, the holy archipelago, a large-scale narrative of the life of the solovetsky. abode film touches on the deepest meanings of life, faith, hope and love music for the tape was written by the honored artist of russia on this composer vyacheslav butusov i would like to congratulate all of us who will watch this film today. e with such