well, tchaikovsky well, and so on all these names. you know dozens of names, in fact the constellations are extraordinary. look, amazing constellation. it turned the minds of europeans. well, that is, it stumped them, but, because, uh, well, you can give such a not not quite understandable, correct example. here is some african country there, let's not offend anyone. and suddenly she appears for some ridiculous thirty forty-fifty years - these are ridiculous terms. actually. suddenly she is uh, ginev with incredible incredible power of incredible height, which are immediately become global, the property of such things. impossible can not fit consciousness. and at the same time, simultaneously with this, when all these great creators appeared in literature, then in music, and then also in painting, and so on. i started with this conversation at that moment in russia incessantly, military conflicts led military conflicts. but starting, in fact. and also in the fit of

alexander i conflicts. as a matter of fact, with napoleon's army, which is only called an army napoleon is called french, of course, there were what are called twelve languages, as the poet fyodor glinka said, because the french napoleonic army was a consolidated huge european army, where there were representatives of at least twenty nations, as the poet himself said. and now this is a huge army. it is due to certain objective subjective reasons. here she poured into russia. but i want to remind you of one remarkable, important curious historical fact, when napoleon completely voluntaristic and vile goals moved to russia when he approached the border of russia, he called it, the invasion of russia, which was to begin the next day, called it the second polish war. strange, tell me why

he called him that, everything is explained. it is very simple e during the 18th century several partitions of poland took place, and they usually took place under the influence and even under e at the request of our europeans, because they are called partners. and so catherine the great participated in several such sections and here is a part of poland she received, and a part of poland remained, respectively speaking in other european countries. so when napoleon moved to russia , he needed to come up with some form of legitimate justification for his invasion, and he says, well, what, where are we going? we are going to liberate the poles, it will be the polish war. here is the first one more part. he released earlier. uh, here, and the second part of poland, which was part of the russian empire, respectively. now he has decided to release. and for this he moved to moscow this second polish war was called. we called her. as you know? first patriotic, if you know, here, and when the great

patriotic war had already happened for some time, when the first world war happened i beg your pardon for some time i called it the second patriotic war, now they forgot all this, nevertheless, the patriotic war of the twelfth year and then there was the second patriotic war -e 14-16 years old. and now, if we used the russian imperial, a historiography and their names, then our great patriotic war would be the third patriotic here we had it patriotic and they had it was the second polish war. and what's more, it was then that napoleon spread a number of frank fakes. and the so-called testament of peter the great, peter i, which never existed, about the fact that, well, the main goal of russia is the capture of europe. well, all the other outrages and horrors there, which supposedly were allegedly written in the will of peter the great, this will was not this will was not existed, nevertheless, napoleon and this still confirmed his legitimacy. here we are going to liberate poland and here we are. do you remember that the russian and russia are an absolute evil that wants to take over europe. that

was in 1812. i assure you that nothing has changed since then. since then, this is exactly how everything has been all the time, you need to free some poland from the russians, and all the time you need to remember about the will of peter i, if not peter i, then lenin or stalin or putin, who bequeathed, order and are going to seize all of europe. on the one hand, this image of russia was created, uh, how a threat like a terrible ah-a terrible pressing this neighbor with a huge incredible territory simply exceeding the territory of europe, uh, repeatedly. let me remind you that the former president of france, in order to explain to the french that this is russia, said that russia is 48 times larger than france. that's 48 times and in fact, draw your own conclusions, - he said, that is, apparently, the french should draw a conclusion, and because of this, if russia is 48 times larger than france, then it must definitely capture france 48. and so, and with one side gloomy huge unbearable monstrous

russia and on the other hand. it was russia during the same period in the 19th century that showed unheard- of examples of culture, uh, which europe could not resist. europe surrendered itself to russian culture. she accepted it as her culture. she was fascinated by this culture. she loved this culture. she connected with this culture, which , of course, did not interfere with europeans from e in subsequent military conflicts. and i mean, not only let's say, but the crimean war, which was, accordingly, not only in the crimea, the british landed on vladivostok, they tried to attack, arkhangelsk no, you have all other military conflicts, including, for example, conflicts with numerous conflicts with the ottoman empire. they were all supported in one way or another, uh, by the european world. here he is. on the one hand, the european world is at war with russia; on the other hand, it is read out by dostoevsky, it is read out by a fat one. he deserves, uh, russian music, and then a little later he

falls in love, also with russian painting. and this one here is paradox, a completely impossible european, he could not and to this day could not somehow reconcile himself in himself. well, how can it be. such a terrible , such a monstrous, such a cold country with such a terrible one with such a drunk with such an incomprehensible one. e, due to a misunderstanding by the white population, and suddenly she is giving birth to such a culture. and what did europe try to do in this sense? that's what we need to talk about now, seriously, seriously talk about it, and already in the twentieth century, especially after the october socialist revolution, and on the one hand, here russian culture is nowhere from it. don't get away. it will have to be accepted, it will have to be dealt with, while the soviet union, the young soviet country fell under a huge unimaginable number of various sanctions. and then, in fact, these attempts of the first cancellations of the russian one began to occur. what is happening now. of course, i didn’t. for the first time this was the case, even then they

began to try to cancel something not to show soviet cinema and not to translate soviet literature in a number of countries. at least we had a uh inexplicable great phenomenon over there mikhail alexandrovich sholokhov, who spoke first with the don stories, and then with the quiet don saga that shocked the whole world and epic. i. e, immediately. as a matter of fact, quiet don began to become a world bestseller. let me remind you that the first volume of the quiet flows the don, the first volume of the quiet flows the don, came out in 1927 at the same time, and forgiving hemingway's weapons, on the western front, without changes. and remarque and actually quiet don and sholokhov won this competition, at least in many countries. uh was in a proportionate position then in poland, for example, which was severely anti-soviet, it was forbidden to publish tikhiy don with a circulation of more than 2,000

copies, because the raised tselina also put a badge of 2,000 copies. uh, but poles in polish publishers, maybe sympathetic to the soviet union or russia, i don't know, they cheated cheated. uh, all uh, the monitoring bodies handed over underground circulations all the time. as a result, when in the final, uh, 28 years old. e among in poland conducted a survey of the most popular books with e. throughout poland throughout the year. the first place was taken by tikhiy don a, the second place was taken by raised tselina a hemingway was already in third place. that is, even in poland, where they didn’t give out and stopped circulation in germany, they stood up, respectively, as soon as the socialists had the potential to come to power themselves, they burned soviet books, they didn’t publish them, and then in all countries that one way or another fell under fascist or semi-fascist regimes nonetheless. there they tried to publish the same show of aleksey nikolaevich tolstoy, and those countries that occupied a neutral

neutral position there, there it was just the popularity of slava soviet literature. we can't even imagine right now . like what status. how powerful was the influence of the writers i have named. here is fadeev's ushellov from nikolai ostrovsky and roman how steel was tempered by alexei nikolayevich tolstoy and, of course, by gorky and a number of other writers. a-and poets, of course, because vladimir vladimirovich mayakovsky became the world poetic brand of the 20th century. he was one of the most maybe the most popular poet in the first half xx century. he also powerfully influenced the entire world of poetry, which in one way or another was under the influence of mayakovsky, rose in price to mayakovsky , and perceived mayakovsky as his teacher. this, too, was completely unprecedented. that's it, of course. various structures opposing the soviet union began to think, how, and to fight this influence

, the 19th century was the century of the arrival of russian classical literature, in the 20th century there was a revolution. and now it would seem that it should have collapsed, there are huge the pyramid of russian culture and russian classical literary and musical and all other influences. actually. uh, it turned out to be a new wave, because, of course, for a huge part of humanity, for the third world, for all the blacks and muggles that i named. e red-skinned yellow-skinned for them for all, of course , the seventeenth year was not always the way we sometimes teach now. right now, for us , this is some kind of bloody mess, which ruined the life of all great russia, well, then and humanity is a huge part of humanity, but it was perceived perfectly. otherwise, she perceived it as follows. what, and the same. people, in fact, are like these russians, who are white only due to a misunderstanding. in fact, a

third world country is able to challenge in europe is able to challenge the world that built the colony system, because people in india people in latin america people in africa people these people millions of these people thought that white people were invincible never that challenge them quit impossible that they will always manage colonies to take the results of other people's labor and sit on their necks. strictly speaking, about a different-skinned, but the inhabitants of the planet. and then suddenly, uh, russians appeared who said that we would build a different humanity. we will put a working man on top and a working man will determine everything and, of course, the soviet union was not only a place, but a geography where a variety of terrible things happened, where there was terror, everything else. what do you know about? great, er, at least according to modern russian cinema, this was also a place.

where did the currents come from to break the colonial system and the soviet union somehow recreated its imperial unity immediately, and four empires collapsed simultaneously and then during the 20th century. all other empires collapsed. the english british empire collapsed. uh, french italian spanish all all collapsed. this is just after the seventeenth year. and this, of course, also influenced the promotion of russian soviet a-a, literature, music, cinema, and everything else and europe to somehow try fight it with it. she began to divert, and divert attention, uh, readers or viewers or listeners from a positive image of russia with a positive image of soviet russia in this case and instead of soviet literature, soviet literature, soviet cinema. other samples are offered, here, uh, to create the impression that the soviet union is the

evil empire, everything is monstrous there, everything is scary there, everything is ugly there. but there is real uncontrolled free literature. there is solzhenitsyn, vasily aksyonov is there? well, and so on, you emigrate, and directors or emigrating artists, avant-garde avant-garde artists, swear by it. e, as if attention and aim, of course, among the emigrants, the second and third waves were gifted people, which, of course, does not negate the fact that in the soviet union the largest artists from the painting series of the cinema series from the field of literature continued to create, a, but already by the sixties seventies and by the beginning to the beginning of the eighties. here is the european this is it. hmm ah, european efforts are diverse. of course, they were crowned with success, but you all know examples that, uh, let's say the nobel prize was first received by ivan alekseevich bunin, then they received it, respectively, solzhenitsyn then. it was received by the turnover officer, and already in recent times received by alexei