diary of the 44th moscow international film festival the festival is coming to an end yesterday the final world premieres took place as part of the main international competition. the youth of the yakut director dmitry davydov opens up to disclaimers that the film was shot at a temperature of -50 °. and therefore the author is not asked to judge them strictly on the screen by the harsh winter views of the yakut village. this is the birthplace of forty-year-old vasily, who returned here after 20 years of absence, returning home. vasily feels yourself a stranger to your own village. the father's house looked sideways, there are no more friends, native places have changed beyond recognition in an attempt to fall back to their roots, pure phantasmagoria and hallucinogenic frenzy begins, in which, in addition to the main character, the rest of the villagers participate and all this to rollicking songs. yakutian rock group two

years ago, dmitry davydov's drama was scarecrow. a village sorceress. received three prizes at the film festival, including the award for the best film director, is not afraid to work hard and experiment with genres. it came out in may social drama illegal. then, at the window to europe festival, the premiere of the ethno-folk comedy songs of the summer, youth, the third film was held. for a year, a musical obsudist dradi with elements of jurassic realism to look for new forms and go beyond the existing ones, the director considers the main task. here they talk about cinema as the most expensive form of psychotherapy to you personally. eh, in the tempering of your character. eh, thin. what have you become? how did the lesson help you? the movie gave me some peace of mind. yes, because that's all. here you have some kind of hoarding in you and you need a way out. someone goes into literature into music. yes, i went to the cinema, what have you accumulated, what has turned out to be

youthful. most likely at a young age. here are the characters there is me and this hmm my here are the storks my knees such lost generation of the 90s. e. outback, yes, which where the wind blows to goes there from the other side. i wanted them to go a little to another, that is. i used to say that i want to try something, something bold and interesting. here is something else, maybe funny absurd, maybe some kind of not surazny such. yes, you groped, generally a way eh? wildly far from all some kind of graphic centers of the world to create, uh, a hearth, and seething and creative, but to

can it be? will there be more if there is a development of regional cinema. if new cinema outlets open and that's it, it will be somehow. that's it. that's probably of interest some second wind will appear. at the cinema. in the main competition, the screening of the film sickle of its director was held, the 73rd anniversary of the film refers to the name of the film as a usual important for the serbian people, the whole family gathers on the day of the religious holiday of the death of st. john the baptist. but for a cozy picture and a cheerful family dinner, a thousand family members hide their secrets. the youngest son ate. he does not study in depression and works takes drugs, and in general is on the verge of a nervous breakdown. he is the complete opposite of his in every way. meanings of a positive older brother, parents are going to divorce, but they hide it from their adult children. the atmosphere is heated up under the influence of stress and alcohol, the family and their guests

quarrel and scold. in all this house, the yoven indulges in the escapism of a family holiday. he spends in the room getting drunk and taking drugs and dreams of being away from his family. beheading is the debut feature film in serbian bluest color chacha. it grew out of his graduation work, the young director came to moscow to personally present your picture. please fight on someone else's all killed the finish line welcome to moscow for the moscow international film festival in the main competition. e. i'm sure it's joy and excitement. but it's also a very important message, an important message to, uh, audiences in our countries and international audiences. and how would you formulate this message, and my month for this festival is freedom of art. art should have no boundaries. against all odds, therefore, this is the most important thing at this point in beheading. uh

the title refers us to, uh, biblical events, to the beheading of john the baptist, what meaning do you put in the title of your film in the place glory to the orthodox from glory to us tomorrow? before you name the movie and uh, finally decide. uh, the scenario, how this holiday will be called, we are all orthodox glory, here is what the serbs celebrate the godfather of glory, we went through and realized what is most exciting. uh, viewers' attention, the title will be just a beheading, because it refers them to the bible, and uh, promises some, maybe there is violence in the movie that doesn't exist. and that is, it allows this one to reign and, uh, decapitation, like, uh, drugs of depriving oneself of such a kind of freedom, this is also somehow a decapitation. i invested and is terrible.

the screenings within the framework of the national competition russian premieres, which were organized for the first time at the cinema, the artistic audience and the jury saw the ethno-thriller, have also ended. mikulai ilshata, rakhimbai and the drama of petrat darovsky are healthy people. thriller mikulay tells the story of what happened in a remote tatar mikulay lives here in the village, he is a respected wealthy peasant. he has a young wife and a child is due soon. one day , a young man comes to the village who claims that he is the son of mikulay, the life of the family, which has developed within the framework of centuries- old traditions, begins to crumble, exposing the past history, about which nikolai would like to forget, the mystical thriller becomes a parable about the ability to forgive and let go, and self-acceptance and did not expect such a job. it's just

something incredible. uh felt, it seems every moment. this is tatar christopher nolan very beautiful pictures, but the operator well done beautiful color filing game. i don’t know me until there are no words, nikolai became the debut pictures of the director from tatarstan ilshat, he took the play as the basis for the play, the tatar playwright and screenwriter mansur giloz. for a year preparing for the project, money for filming the final prices was collected on a crowdfunding platform. nikolaev played viktor sukhorukov, also in the film ivan dobronravov ekaterina ageeva and varvara shmykova sukhorukov of course, just great. in this role, the shooting took place in a small village near kazan. the characters of the film are kryashens, a small people of orthodox tatars, 100 years ago there were more than 100,000 of them. now the number of kryashnas has decreased by four times . on the example of one private story of the author of the film , they talk about the problem of the disappearance of small peoples during the period of globalization, but we need to figure it out

a little. that's what, uh, tatar, ilshat viktor sukhorukov tatar tatar, you ivan is not a tatar which one of you was baptized none none, and why then are you engaged in this topic, because, well, painted this is a small people. this is the small people. they are active because of this actually. well uh keeps his language in his culture. they have their own society there. they are very active, they have their own holidays, and the most interesting thing is that, of course, the villages preserve their culture in the purest form, which, in fact, is very similar to the tatar one. therefore, in fact . it immediately attracted me as soon as i saw the story. i realized that the whole texture is already ready, because there are languages, there are colors. there is patterns, there are, uh, landmarks and that's it. the rest with

which you can work is your hero ivan, uh, this is the one with whom the viewer associates himself. but as a person who looks at all this with such eyes , he does not understand anything, he tries. understand, in general, he obviously loves it, but he cannot understand it. well, in general encounter with a new with a new culture with hmm with something. it's just that the new it always excites both interest and some feelings , and rarely with this. well, meet. uh, so polar with some new world like that located on the territory, no matter how far away. that is, he did not have to go somewhere to the other side of the world to some ostrovsky there or something else. and this is the new unexplored world absolutely nearby, located, which i did n’t even know about at all, so it was very, very

real. that is, these villages you come there. some other level of openness, another level of interconnection of people, how they talk, when they sing all the time, what they eat, that is, it is interesting, that is, in our time, that is, the eye really gets used to this globalization and getting there 30 km from kazan is such a performance, easy. yes, there is also a feeling that some kind of flash mob is happening, as if everything was arranged especially for you. are you serious now, or are we, as it were, playing something here, and this one, yes, please, here, it seems, like a modern civilization, but not modern civilizations. it's all very rare another film from the program of russian premieres drama by peter darovsky, a healthy man, the main character of the picture yegor tikhonov, a sports news host after the tragedy, which he honestly, well, honestly tried to

prevent. it dramatically changes the way you work. lisa alert is an actor in the detachment and helps families of children with cancer. the new life does not contain the old one from work. i had to leave, and the family, it turns out to be on the verge of divorce rare films to bring me to the castle to cry, there are practically none, but yes, i want to say great. thank you. for this movie. it's great that such films are being made here in russia, right? you still e knocked. and when you history created created this world created this hero that haunted you. still, you say all the same, well, inner unrest at some point. and many of us are forced to stop of our own free will, before that they worked, made a career, gave birth to children, got married, got divorced, went to turkey to rest. ah, watching tv shows drinking with friends. and suddenly, for

some of us, something happens inside that it's all wonderful, but i want to stop and think and feel somehow. where are you you are, who are you really? and if there is something else in your life a heroine, ira starshenbaum believes that this is from some kind of inner emptiness and this may be true. ah, the heroes of zhenya tkachuk, consider that this is some kind of immaturity. uh, internal uh, someone might think it's a midlife crisis , anything, anyone would say it out of pride, a pride. yes, the man is completely insane. he went crazy, maybe all this, however, was pride, there is middle age

and boredom and everything, but this does not mean that this feeling that appeared in him is worth nothing. no need to underestimate it anyway. well, on the main site of the imff in the oktyabr cinema center, where our festival studio is located, as part of the documentary film competition, the premiere of the film land of great opportunities took place, the main character of this film is a russian farmer, justus walker, originally from the usa. russia and eventually settled in siberia in the village of tokucheset in the krasnoyarsk territory, dzhestas walker farmer known nicknamed the cheerful milkman, the hero of andrey nanin's film, the land of great opportunities for our russian

was littered with a story about a man from another culture who was able to adapt to new conditions. i have achieved impressive success, it captivates and does not leave indifferent the vital activity of justas. a story about love and respect for the earth, which only in this way becomes a land of truly great opportunities, you live in another country. we have a lot of problems here. you're laughing all the time, you're laughing specifically about us and about our farm. and i would like us to bring it to its logical conclusion so that we start, that is, we never had such a big goal there to become some kind of large agricultural holding, i don’t know 1,000 hectares there. and even now this is not a goal, that is, we want to be such a crafty, appropriate kind of production, but to achieve precisely the maximum, and the potential is just yes, that is, there is an opportunity. i hope that if my children show interest in my ah, creativity, my kind of work, when they grow up, that is, that i

i will be able to offer them participation in our family business in the same way as my friends in kansas, and already in the fifth generation offer participation in their family business, and for some reason their children and children do not leave. and this does not mean that 100% of all children will remain and continue this work. but it is said that at least it will be possible to twist it again, but the possibility, yes, the land of great opportunities. this, too, must involve some choice. yes, that is, the choice is either to do it or not, that is, this is not the land of large slavery. you've been a long time, therefore, something like this, therefore, if the parents. they want their children to stay with them. if they want to at least have hope for this, they probably need to prepare something for this in advance. we work with the family, the family is nearby and this lifestyle gives me the opportunity to be involved in the lives of my children, and for them to be. well, not least involved in my life. and

as much as possible as much as possible, that is, it is precisely to know that my children love me and love me not because i'm just dad, well, it's that person dad is the person they love. this movie was filmed for 8 years and for modern times. it is simply impossible such pictures are very small. and when you really have the opportunity to watch the hero, eight years old young director andrey ananin. it can be said that he lived with this hero, and he himself with a camera himself with geese with goats with children, and often became famous for his fantastic laugh, but for me, probably the most important thing in this project. it is that at the end it leaves 100% light and the feeling that life is here this land of great opportunities depends primarily on one person. you have to start with yourself. at the

moscow international film festival, as part of an out-of-competition serial program, episode 1, the film shaman was presented with alexander kuznetsov in the title role. in the center of the plot of the series shaman alexander voronov, a police officer of the village of khara turlak, lost in the steppes, in order to save his brother from murder charges, he is forced to accept the hereditary gift of the opportunity to travel to the subtle world and communicate with the spirits of the dead. now he is a shaman able to easily unravel any case. however, in the astral an ancient demon is waiting for him, who is hunting for his soul. this is not the first time. director's message. rustam masafira to the theme of fantasy and pagan rites in 2018. he filmed a historical action film. skiff i just fell in love with the movie conan warwards since childhood. and with schwarzenegger

i just had and books by robert howard primitive such an internal urge. yes, with some dark even worlds inside with dark strings and from the soul. it seems to me that they are very important now, they go into counterpoints, as if in contrast to the modern world and modern society, and i really do. since childhood, the mystical thriller starred sergei gilyov and anastasia kuimova, and the main role was played by alexander kuznetsov, the star of the epic action game heart of parma, he also played in the skiff. imagine there, in the form of a young dexterous scythian , a marten in its place. he has. eh, you need it this psycho, like such hmm psychosomatics. well , because if it was just there it would be interesting that he and the policeman and the shamans. like, he should be such a condo guy. that is, he has a huge range there. which is embedded within

the story. ivan kudryavtsev was with you and this is the diary of the forty-fourth moscow international film festival. we will turn the next final ninth page tomorrow on the air of the russia 24 tv channel. come to the cinema. republic

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hello on the air international review in the studio of fyodor lukyanov today in the program international review of the events of the week of the chronicles nuclear safety new you