instead of the trojans of carthage and the latins of their countrymen , few russians with their domestic habits and sayings valued the classics of ukrainian literature in russia. and here are a few more examples from individual chapters of the book. the black rada of panteleimon kulish, the first historical novel in ukrainian literature, was published in 1845 in the russian conversation magazine. in moscow, the text was printed in russian to make it accessible to a wide range of readers. the entire black rada saw the light in 12 years and already in two languages ​​in russian in the capital and in ukrainian no, not in kiev but in st. petersburg there is an even more revealing story of the publication in the russian empire of the first collection of poems by taras grigorievich shevchenko during the life of the poet in 1840 to the

sixty-first years, three editions of the kobzar were published in russia, the last after shevchenko's return and the references were printed thanks to the intercession of the then tsarist minister of education kovalevsky before the censorship committee after the death of shevchenko kobzar is published in russia more than 10 times over 30 years. some editions. reached 60.000 copies. the current poet, that russians and ukrainians never dreamed of such a thing. this is how the classics of ukrainian literature were oppressed in russia during the empire. more details in the story of olga mokhova this is how the russian artist mikhail mikeshin saw taras shevchenko, the author of the monuments to catherine ii in st. publish only

three volumes, the texts in them are printed in a column, on the left, ukrainian on the right, russian collection zhekabzar with a drawing of shevchenko's classmate at the imperial academy of arts. vasily sternberg. opened to the world of the poet's expressive folk house, it is remarkable. uh is remarkable in that it has a censorship. uh, resolution. er what er testifies to the official nature of this building it has a magnificent hmm beef at the beginning of the text, but er in other places of the text er, empty er empty places left for others in 1884 in st. petersburg. balashov, for the publication of the kobzar, a portrait of shevchenko is ordered in leipzig in publisher. in the film about gaus, it was then believed that the germans make the best engravings, in general, publishers loved creativity, as zarya handed over his poetry, both in rich bindings, and for the general reader, the poem katerina published in st. petersburg in e. in the printing house of the house of contempt for juveniles on ligovka

e, editions of nagolkin. uh, a typical popular penny. the so-called book. with such a deep illustration a little bit. this is evidence that the book was bought by a perebiente verse about a blind start playing the kobza in his first shevchenko dedicated a poetic collection to yevgeny the comb. he helped in every way here, so now, perhaps, few people remember, but at the heart of the popular romance, the eyes of the black verse of the comb, supplemented and magnificently, performed already at the turn of the 19-20 centuries by fedor, chaliapin 4 years before the publication of the review . in st. petersburg, little russian orders were issued by the natives of the poltava province, yevgeny grebenka. uh, comb between why poltava translated pushkin into ukrainian pushkin even wanted to transfer it to the former public imperial library of the current

russian national library, there was a legal deposit rule. it was possible to find in it everything that came out on the territory of the russian empire, only the st. petersburg editions of taras shevchenko and ivan kotlyarevsky are no less here, 25 the first two books of the most famous ukrainian authors were written in the so-called cyrillic alphabet with sieurs and graphics were as close as possible to russian graphics, to make it easy to read people far from the actual. uh, well, traditional ukrainian culture on the one hand, and on the other hand. after all, at that moment the codification of a full-fledged codification of the language of kotlyarevsky did not exist at the rise of public interest in folk life and culture, an arrangement of the plot of the virgel of the wanderings of the hero of the trojan war. written in a language as close as possible to the colloquial speech of the poltava region, the author comes from there yes , and the whole life of the characters is closer to the zaporizhzhya sich. rather than to the ancient realities before that, and speech is a language,

in which it is written has never been so close to the real, and the folk element has never been so alive in the past kotlyarevsky was the first ukrainian writer to turn to the language of contemporary ordinary people, in fact, in his poem , the foundation of the ukrainian literary language was laid, however, adopted with the well-known figure caused ambiguous assessments of the work by the russian public in the little russian society. kulish, he wrote, er, about kotlyarevism, as a low style. eh, how is that just a river expression. eh, they say gum images, e in feats written. or it cannot be high ukrainian literature, nevertheless , in terms of the number of editions, inaida is second only to the dawn according to the mjk of kotlyarevsky natalka poltavka was published even in pocket formats of the cheap library series. in 1841,

one act was published in moscow written by ivan kotlyarevsky muscovite russian. the wizard brought great popularity to the play, the outstanding russian actor mikhail shchepkin, who played the protagonist's rustic husband in it, in the 19th century really muscovites were called and only recruits, and those originating from the territory, well, inhabited by ethnic ukrainians by little russians, and the recruits of the russian army into the army of the russian empire as an ethnonym. moreover, the word became negatively colored only at the beginning of the 20th century. and in the nineteenth century, russofir views were strong among ethnic ukrainians. in russian society, ukrainianism was in vogue from january 1861 to october 1862 in st. petersburg on a monthly basis. the south russian literary collection osnova, which became the center of russian ukrainianism, was published in the first place. fate and the problem of the national language were then very popular. disputes. whether the dialects are only the little russian language or is it an independent language, in

connection with this, wishes were expressed that the language would also acquire its own status in the independence of the national culture, so that, in particular, textbooks and official acts would be published in this language, the main thing of the last years of taras shevchenko 's life was just the creation of such teaching aids in 1861. he published his south russian primer for sunday schools, the magazine is the basis it ceased to exist not because of the oppression of censorship, as is commonly believed, but with the termination of its sponsorship olga mokhova anastasia popova valery savelyev typical, ukraine that's all we wanted to talk about. kirill vyshinsky was with you today. see you soon.

martial law in the new territories of the country strengthening security measures in other regions and creating territorial defense the president held a meeting of the russian security council and gave a number of important instructions. so the most important thing on the territory of the donetsk and luhansk people's republics, as well as kherson and zaporozhye regions introduced martial law. the decree comes into force from tomorrow, according to federal law. this means, among other things, strengthening the protection of all strategic and state facilities, a special regime, entry and movement for citizens, if necessary, resettlement of residents to safer regions. curfew. everything, this is primarily for the safety of citizens, in addition, under the martial law regime. it is possible to seize property from citizens under the desired army with subsequent compensation.