ekaterin pavlovna noob or no nose here, my portrait is almost ready, dad, i ask you not to do this. good, good, katyusha, i won't watch ivan grigorievich my friend. would you like to have some tea? yes thank you very much. as soon as ivan grigorievich finished, let's go immediately to drink tea, the artist needs to be distracted and have a fresh look at his act. finish already 2 hours on the floor i ask you. well, let's go have some tea. oh i can't resist it's impossible okay, just adorable.

return the memory of dissociative amnesia does not remember, what happened to him and who events in life.

we received a lot of requests that we go out

more often, well, we try. in the west, they are trying to declare us a pariah country. let's look at this story a little differently. this is an attempt to hear recreate. through painting the whole panorama of the great country of the artist. for almost a year in belgorod, a gang of strong guys was operating, bringing terror to foreigners. i remember they didn't break my arm. i now have a broken tooth, a nightmare

for emigrants ended immediately after the arrest of the leader of the group, david tronenko, nicknamed carbide said that he adheres to the policy of national socialism. well, he told me about the action against the grant. we are simply obligated to resist all our attacks, not motivated. unfortunately, these ones quite quickly often cling to the weak established, frenzied neo-nazis. and what the extremists planned to do, that is, the solution of a mass terrorist attack with the killing of many people. you will respond to people quickly. yes, we took up this case and conducted our own investigation. it was said that he

stood on my defense gathered. they have very strong desire to learn combat training. they are ready to work around the clock. the guys are returning, although wounded, but not broken, he is still lying, but he is already discussing. now i'll fly up now, i'll return to the front. we have all the main rule - it's not to die. i want to talk a little about vasily dmitrievich

polenov about his painting the moscow courtyard. in general , this absolutely amazing landscape painter, in general, he was an adventurer in every sense. he fought in the balkans, he participated in the hostilities. although he should write to the body. uh, cruelty blood torn bodies, so he left more, as if a soldier's life is how a soldier lives before a battle or after a battle, and his life is so much. colorful what about those who came to buy paint? this is such a remembrance in those years, buyers of paints in moscow shops, naively, demanded from merchants.

give us paints, as in the paintings of the artist polenov you know such bright, sunny ones, even if they cost more, but here the point is not the cost of the paint, but the point is the talent, the greatest talent of the painter. moscow courtyard is a look polenov from the window when he came to moscow returned to moscow from italy in 1877. he was looking for an apartment and rented an apartment. he is in the house of a balgarden in a bad alley near the church of the savior on the sands. and what he saw from the window seemed to him. interesting in order to work with this is this how do you say? here you come to the pushkin house museum. let's say an apartment. pushkin there may be his gloves or not, his

vest or his? well, who knows, but the window is definitely his, because that's what he saw there were no trolleybuses from there. there were no people dressed like today, but this is a limited part of the air in the temple. he definitely saw it. here is the same and polenov his view. this part of the moscow courtyard is a very modest curtain. but there is so much naive touching fun in it. i would say that in general it is impossible to break away. let's try now and listen. what could he hear when he wrote the moscow courtyard.

in one of these courtyards in moscow once in 1878, polenov chose the last sword for himself

the place from which he painted a masterpiece of russian landscape painting. moscow yard vasilievich polenov, a remarkable russian artist, was born on may 20 , 1844 in a noble family of an archaeologist professor. he began to study at a gymnasium in petrozavodsk, then moved with his family to st. petersburg, entered the academy of arts as a student and at the same time entered the university at the faculty of law . polenov studied remarkably at the academy in 1869 as well. he has already been awarded a small gold medal for the painting and his friends. and a year later in in the seventieth year, he already receives a large gold medal for a painting called christ is risen. in 1872, polenov graduated from both

the academy and the university and became a pensioner of the academy, as a student awarded gold medals in order to go abroad to continue his studies, copying the originals of the great masters. and in general, as if, imbued with european culture in his letters and abroad. he writes that he can no longer be there, because he is afraid of becoming a nonentity. here are his exact words. i think, that here the matter is not connected with the fact that abroad itself, as it were, uh, forgives or destroys the russian soul, this is not the point. i think it's just lena, like many russian artists, like dostoevsky, like many many other perovs, he seemed to feel that the root system was beginning to die. i mean, it's like, uh, well, like, like an

ovulator. there may be some kind of apparatus that is not powered by electricity for some time, accumulating with these batteries the memory of the feeling of the motherland by the memory of feeling, and so on and so forth. further. maybe he absorbs someone else's, of course, but gradually this memory begins to fade and a person loses, especially a russian person, especially a russian artist loses these guidelines, loses the basis of his talent, as if you feed on, he is the soil and roots that are here, therefore polenov returned back he returns and settles in moscow why in moscow this is a very interesting moment, because moscow is here, probably we need to talk separately. about moscow moscow was built in a completely different way than st. petersburg, which was built linearly according to the plan for projects, and so on and so forth, moscow was built. as if with circles on the water of a

discarded stone. throw a stone into the water and these circles that diverge from this stone - this is, in general, the image of moscow, of course, there were big roads that went from the kremlin, because this stone is cream, but it was built. it is quite different this city was put home. for example, a person likes a place. here he puts a house , two lanes appear, another house is put, two more lanes. impossible to drive makes its way in house arch and so. uh, moscow, practically in the center of moscow, where we are now, you can go. eh, around the corner. you can go through the houses, and not bypassing. that's if fish well, of course, he was completely different at the beginning of the last century. it was trees, but in 1812, during the war with napoleon, when moscow was burning, the arbat was practically the entire flight. and then it was restored and became one of the really most

aristocratic districts of moscow and was. it has already been set in stone. so in one of the lanes here behind this house is spaso-peskovskiy lane, where stands the church of the savior on the sands, built in 1711. and it was there behind this church in a small courtyard in all sword polenov painted his picture a wonderful picture, painted in 1878 in the moscow courtyard. as it is impossible to imagine what was written in a 10 -minute walk from the kremlin, it is also impossible to imagine, let's say. uh, knee condition and opportunity. immerse yourself in this life of this moscow courtyard today being here, if we obey what is happening here, if we let's see what is happening here and imagine that literally 20 meters from here, 100 years ago, there was

the same moscow courtyard. this incompatibility will be absolutely striking. look at this landscape. this is a landscape of the arbat at the end of the 20th century. many of the buildings of this arbat have remained the same in the same form in which they were built in the last century. after the arbat burned down, but the saturation itself. the spirit itself, the very feeling of belonging to moscow, gradually disappeared and is disappearing, for all this , taken together with trade in vanity and, as it were, outwardly similar to other countries other world capitals such as copenhagen london vienna and so on. it doesn't matter, as if it gives rise to some kind of incompatibility , the arbat does not accept moscow does not accept lifestyles in this, maybe you need to get used to it, but

the feeling of discomfort is without harmony. in my opinion , there is always a sense of the difference in rhythms. moscow has always lived in another will die. the point is not that she should sleep, but that she had a different smell, a different sound and spiritual filling.

vaporize snowmobile pillow, whether? look evil will be a good watchman.

that's it, are you yelling at once? oh, look how we're tearing up. let everything yell that if it yells a lot, then it’s good, then for health it will go away. just ask her to yell, maybe he wants to.

always wondering where it all starts now? manufacturers of good things want and most importantly. but it's best to check. exotic animal specialist

listen bear now you are the prince of the christian soul.

will come to blame

and the main event to this minute in our news release. today is marine corps day the main strike forces of the army. the commander-in-chief of the navy, admiral nikolai imenov, congratulated the marines and veterans noted the creation of regiments. uh, inextricably linked with the name of peter i , the marines have always been distinguished by high, proficiency, professionalism and selfless devotion to the motherland .