the second is the smell inside the theater from the dining room, it was a disaster and from the toilets, which are practically here, that is, there were toilets here. this is how i softly call the genoa bowl after a 3 1/2 billion oe renovation in 2005. rubbing your coat. you looked at him pulled him pulled him he falls. and you remove the cloak ahead of time, you understand, it must fall on the cloak. let's do it again. let's repeat this, please.

the place where this theater was here was market square, here they traded grain, potatoes, straw, when vladimir mayakovsky suddenly turned to us the pedlars of the new faith are asking beauty. we are a new tone, enough of the frail nature to desecrate the squares, we will shy away from the skies of reinforced concrete. and when this idea arose, so that we would shy away this, let's then build a theater by the people who participated.

here's a discussion of the process. suddenly they said. why? actually the theater let's shy away? well , let's go to the museum. let's go there, then. i also came with my idea. everything at the top must be built in such a way that the theater is so that there is an opportunity during the demonstration. all this aggression banners with machines with light horses. there, then, wagons and so on. it must flow into the theater and go through everything, well, the proletariat in the hall is waving, giving them a hand, too, and that’s it. it

economically puts forward together and then flows along the red avenue. keep your leg above all and stand on your toes for the longest time. and this is some kind of fanatical striving for perfection and for your goal, for your dream. that brought me to the novosibirsk opera and ballet theatre. the profession is such that you can never

relax, especially now, when it is very a lot of young, talented youth, and everyone is also building a career and holding these positions. it has to be here. competitive struggle can grow and achieve?

thirty-seventh year in this year the layout of the already finished theaters from ours in the form in which it is now, it was presented in paris at the world exhibition of technical creativity and achievement. when the commission entered the soviet pavilion, assessing it and saw this handsome man who was standing there, the models turned out what it would be like and when they were told that it was in russia in siberia, everyone ran to map to see the solution.

are you going to stay here all winter, i replied. yes, it's nice here, but it's very cold here. i answered not afraid. i always have a coat and a hat. believe it or not, i like cold weather. i like snow. the republics here are a wonderful audience. she

knows and loves what the choreographer sees and respects. in fact, perch in russia was practically born ballet, it is on a par with italy. one of the best in europe , the difficulty was that they were used to doing things more static classically, he must

move his back more quickly with his body.

the ballet classes and the concert hall were in a terrible state, which we also had to make a complete overhaul there. in a terrible state. the roof was in a terrible state ; there were facades, all management. now we're going in. this is the new ballet. they seemed to be waiting for the rug that the theater would turn into. here in the theater, which i now, when we laid the carpets, went inside, they knew what to do. with creativity

ballet is about hidden flaws. you have to present yourself to the viewer, and yourself as if you have no flaws, but naturally everyone has them, even with amazing lines, my physical data is not so good specifically for a ballet

career. there is no turning out. it's true, it's an insanely hard profession to build a career. it takes a lot of time and effort to do this. i have, at least, used to analyzing myself. i had only one fear, it was not to realize myself, as artists, the biggest and strictest for me was and therefore, choosing the path, i understood that it is being done faster and faster here. although, i could argue that this is some kind of periphery. i am from kazan and started my journey in kazan at the kazan

cryographic school. after that, i moved to st. petersburg and studied there after graduating, i received an offer in novosibirsk for a couple of years, so i ’ll shoot faster and fly away somewhere, the theater dragged me in with its prospects and its scale. the teacher of the mind,

the architect of matter, proposed to close the theater with his calculations, the dome brought to perfection the creation this dome. what it consists in is that with a diameter of 60 m, a height of about 35 m, the thickness of everything i show is 8 cm of reinforced concrete. it's thinner than it's shelled. the builders they said, we won't do it, because

they realized that the dome. the chief engineer, polygalin, a very courageous man himself became and took a teenager from his family and stood under this dome while the sliding was being done. i

danced a lot here and on tour with the bolshoi theater i was invited to the novosibirsk theater. i've always been amazed, you know, like this going to a concert with a small group. uh, i thought to myself, lord, this is a huge theater. uh, who's gonna comedy, it's the rarest genre and the most difficult genre, it's the hardest to play to make the audience laugh.

why i still really wanted to, i have been the main romantic dancer of this country all my life. you understand. hmm, i danced so many sufferings for love, and i died so many times on stage, that when i had the opportunity not to die, but to joke something? i am very glad that i am a person myself, very very cheerful. when on i was put on a wig dress for the first time, it was terribly monstrous, because my becoming my prime minister, this is my back. i have seen a lot of performers of this role. it was basically terrible and when i first recorded myself in rehearsals, i looked. i realized that i was even worse and

mediocre than all of them, these terrible ugly people. and i had to really adapt to this performance. it's not such an easy job was hitler capitulates may 9 may 12 we open the doors for the first performance before which performance ivan susanin patriotic work? i

don't know what other theater could have been opened 3 days after the end of the war. this is as far as i know. this is an unprecedented case. somehow, here i was, staging one of my dramatic performances in novosibirsk and saw a huge building that filled the entire horizon line with such a huge dome. first, a newcas passes by, an elephant lying among all sorts of khrushchev and stalinist houses, this all made an unusual impression on me. this building suddenly

coincided with some kind of magic. i realized that there i am must do something. to me this is some kind of rational feeling, and suddenly i realized that this desire is such that i have to break through the wall. nobody knew me in any opera world. i was just a young director who stood in different theaters and dramatic performances. i became intrigued. i mean to get there. i've been persuading various people in the city to put in a good word for me. there is a young promising person in moscow who decided i was 27 years old, and whom you can hire, but for this i am like me told. i did a lot of things, there were some intrigues weaving so that someone would say something to someone, but in the end i was so happy in this opportunity that i was just like saying, i’m obsessed , i remember this it was early june 1998 early in the morning

hours at 6:00 am. my city home phone rings. i'm the director of the novosibirsk opera ballet theatre, and we're going to stage someone there, and it's interesting for that. i experienced some. well, how to say such an internal radiant rise. they were going to put on a contemporary young opera. david in the end, everyone won, because it was very resonant to receive all sorts of bonuses. and then it will be. we were given 155,000 golden masks, but i want to increase it, but there are a lot of seven. what i did there, in particular. this is aida with a huge scale with incredible ambitions, and something helped me, than i realized that i can do a lot and that i should not be afraid. i, too, be bolder and trust you and my abilities and

my skills. and i must be bolder and more courageous. so you see what novosibirsk gave me a kick springboard. grandiose hospitable beautiful native very

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the main events of this minute in our news release, ukrainian troops hit the elderly quarters of donetsk from nato howitzers and missile systems under fire, also the bus station, the south market shell hit the planetarium building, this victim specifies the heights of the stakhanov hotel and the central market of the city of alyoshka. in the kherson region of melitopol, part of the missiles were shot down, but several hit the hotel, there are civilians among the dead