the mariinsky theater has very little to advance. and there is also the small concert hall - a chamber hall for 50 seats. and this is also a very beautiful and not just adapted, but completely conceived hall for all the requirements of working with acoustics. moreover, in it. uh, there's also a third room, the orchestral instrument room, and the orchestral room. and you know. what is the highlight of our and our building of the music school, this is an amazing library, but there is no such library, not at the gaz branch i’m not sure our colleagues from other regions have such a small hogwarts a with the ability to read books. at daytime lighting, it will be necessary to get into a parallel magical reality, and in the historical center of vladivostok, the second part of the cultural class is located here, in addition to the concert zalarinka, a museum complex will be built, which will include the series of the hermitage

tretyakov museum of the east and the primorsky gallery, as well as the real russian state institute of namely arts scaffolding. very soon, the cultural cluster will be able to host any, even the most large-scale exhibition of the tretyakov museum or the hermitage in these spacious halls. at primorye, it will be possible to exhibit unique exhibits because of the pastes, which will finally wait for their audience. nowhere in the world is there such a museum in the exhibition space that would unite the branches of the four central museums of the country. and zefir ismailovna why was it important for the tretyakov gallery to open its branches, here in two cultural and educational centers in kaliningrad and vladivostok i honestly uh that this is an incredible opportunity for the tretyakov gallery, and you constantly

base us there, and where there is uh, lots factors, but providing, especially, the attractiveness of this city in this region, but there is very little real high culture , it can be a component, if we talk about vladivostok, then despite the fact that there are two wonderful e, museums, a and a branch of the mari theater still feeling, here are the girls. making incredible breathtaking uh, breathtaking, uh views, a very lively and dynamic city with its most interesting history, location at the crossroads of all roads leading southeast asia and at the same time

here is a keen sense of what is missing there, real great art, both classical and modern. the architects sought to harmoniously integrate the complex, the existing landscape style of the city, one of its features will be exploitable roofs, which are steps rising from the base of the building to its top, visitors will be able to walk along the terraces and observation platforms. firstly, the facade will be almost the entire e, it will be closed from glass with lamellas up to up to 400 mm wide. that's to have an exploited roof with viewing platforms on our pearl bridge over the golden hand. this is a rather complex unique façade. uh, such an

image, let's say, theaters, which, uh , you can say, have never been used in the far east, perhaps, as it were in russia, yes, this is one of the few cases of such a facade there. here, uh, which will implement a rather complex system of fastening under the system of the front part itself. here, which will be e connected and we can say that it will flow, a in the roof we also operate partially, also from glass, it will be e. the domed part of the uh of the inner botanical garden paying for purchases with savings can surprise you with the opportunity to

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to train employees for such a museum complex, at the initiative of the tretyakov gallery , a special course was opened at the far eastern federal university. this is a program of master's education, which, with the admission of 15 people a year, will make it possible to prepare a serious group of specialists who will form the basis of the museum staff of the wall in the future, and not only those works that can be sent there from moscow and st. professionals are people, so we immediately began to knock on the doors of two large federal universities, and we immediately concluded. uh mutual cooperation agreements with these universities and a

started at the beginning of god vladivostok a. special courses, which included ourselves and courses in the history of a-a russian art and a course in museum management and curatorial practices for students in the humanities at the faculty of humanities of the far eastern federal university, but of course, we dreamed of creating a special master's program, where we could train specialists more accurately for a-a these museum complexes. we are well aware, and also, that a very important part of museum work is, for example, the storage of a and works of art and the creation of accurate databases, and a-a accounting of these works. and it is precisely these practices that were already mastered by students of the initially kaliningrad federal university as

part of the first master's program. and since the fall of 21 years, a and e students of the far eastern federal university e, and that is, from another country, sponsors have helped us in launching these programs. these guys really are the new generation museum workers, as they say, who are interested in it. it is interesting to fly to the far east to meet with colleagues there, and i know that it is a complete delight. they call each other. it's true, yes, in parallel. we are not only building a building, we teach specialists, because sometimes experts learn much longer than walls to build a project is very complicated, but it is important when you cut the red ribbon so that life begins to boil there, that is, there we need to really and teams went and already their specialists there grew up who knew what i needed now, how to drown it in, as they say, how

it should turn out, because they drove me. that is, i know where i will work in a museum in my own city, the primorsky art gallery will also play an active role in the life of this cluster, which will have the opportunity to show its funds here in the format of an open storeroom, which were not previously exhibited due to lack of exhibition space . well, today in general, if you take vladivostok, there is actually not a single large modern exhibition hall. i'm talking now, of course, about the museum for the exhibition part. that is, we have several museums in private galleries. well, here is such a large professional playground equipped with the latest technology, as we are. in general, we see this in large museums, and not only in our country, but also abroad in vladivostok, so the appearance of such, of course, a museum exhibition complex. it is very important, because it will enable, firstly, the implementation of very large exhibition projects plus. uh,

a modern museum building. this is very important, as for today. today's museum is not only an exposition. yes, and this is generally a space where a lot of different events take place. so no one is going to devalue the previous cultural experience of the far east region in terms of close interaction with artists who live in vladivostok with the collections that have formed here in the collection of contemporary art. there should not be an exposition, there should be a program program, which changes all the time. that's how everything was born from hermitation. the hermitage has had a program for a long time. we have worked out for many years that they are by no means branches of the hermitage centres. they are legal centers, legal entities of the places where the hermitage is located. vladivostok, now we are discussing how it should be, but for us it should definitely go along with the primorsky picture gallery, and then both organizational and creative people are involved. all local institutions are involved. . they don't

feel so colonial that is, conquered, or colonially more active, they work with us. and then a dynamic program is created of what you need to bring and how to arrange to bring yourself not to bring things . multimedia. seaside flavor history and ethnography may look like this will. let's look outside to put up better people for the night. than the owner. these are my people walking along taiga. amba is not afraid, but the owner, not people once such a cold dog keeps us in the center of contemporary art. artash is in the new exhibition space, and this year it so happened that this year, uh, this is the

year of the 150th anniversary. and vladimir klavdievich arseniev and v. the same time is the year of the culture of the peoples of russia. we present here a group of dicks and hiru our project, in which we combined a project about arseniev and a jersey knot and our digital carpet, with which we are in different forms, in fact, we have been working since 2017, one of the main ethnographic never in the east. the protagonist in this case is a kind of conductor connecting the past and the present in the primorsky territory, why he is valuable to us because we work with symbols of the past, which we connect with the symbols of the present, for example, here in the middle you can see the traditional nanai symbolism, which is located on the carpets, but at the same time you can see the bridges, the modern symbols of the city of

vladivostok and the submarine of the yacht and e elements rather natural landscape. in general, and our favorite slogan, so to speak. uh, almost every project needs to talk about the landscape, if we don't talk about it, and it falls silent, then the story. it kind of loses its thread. and here we want to continue. we want to introduce symbols into the modern ethno-cultural space of the territory. ly of the past to remember those who a lived before us. uh, how they lived, how it is culture, they put after themselves. producer ksenia frolova has recently been successfully engaged in pr in a large automobile company, having received a promotion, she left to conquer moscow, but in the end she realized that her place of power is here in primorye and throw her back to the capital, she returned here to show with the help of images how beautiful

her small homeland is, what echo she is in the hearts of her children, how important she is for each of even here, even nature sounds in a special way and can become part of the exposition. i think, nevertheless, to my happiness, but i didn’t have a relationship with moscow and at a certain moment i began to look for the horizon , i didn’t have enough of the sea, and i didn’t find realization in creativity and at a certain moment. i returned to vladivostok and it was already closer to 2015. at that time, the zarya center for contemporary art and the guys on their platform functioned in vladivostok. they opened courses in contemporary art under the supervision of maria kramar, and my friend roman ivanishchev and i went to these courses, and the most interesting thing is that, probably, that very moment can be considered, but the moment of uniting us as a creative group of chirurfa hiru hero for hero, when our final assignments, and became

and the task we had to find something beyond the scope of presenting the history of a region or city to tell about something, well, in an unconventional language. in 2015, together with the historian roman ivanishchev, ksenia is engaged in ethnocultural research of the region, telling and showing the main project at the moment, the big graphic novel about general neverskov, he is one of the first explorers of the far east, this large-scale work hero for. hero has already been shown at the russian booth of the world expo in dubai. yes, the project is developing. although we have been doing it for 6 years, but for the last 2 years. he took a big step forward. and, by the way, thanks to the airport in the city of khabarovsk, which now bears the name of gennady ivanovich nevelsky, the project began to attract attention. and those who pass. uh,

they fly through the airport sometimes they write us photos, they send us it's very cool. and in all this, and in vladivostok we have the maritime state university named after gennady ivanovichsky and the student girls came to us. initiative to september 1st er to create er, well, let's call it a mural such large images of graphic street art, and on the territory of moscow state university, first-year students of the maritime university began the academic year with a creative project that will continue to create the second and even third part of the graphic novel. and next year, hirofo-hiru artists will be completely absorbed by a new multimedia project. consider that vladivostok is a city that entertains itself, so if we

need something there, we are bored. we came up with an exhibition, if we are artists, yes, if else bored, we took it and went to nature somewhere on the sea for a ride. by the way, we haven't talked about it yet. we won. uh, the presidential grand cultural initiatives to create three floors of the multimedia museum exhibition. russia is my story to help in the implementation of creative ideas in a contemporary artist. rsi students are coming soon. the branch of the st. petersburg theater university will also become part of the primorsky cultural cluster. it is very important for us that we are here. hmm, we are inside this story, and we create a completely unique, and educational for the region that needs it and we have two rather key areas. these are promotional jobs. this is the preparation and cultivation of our future applicants, and of course,

the formation of a corps of professorial teaching staff, because to the far east and for someone to agree , you probably need to go. to motivate them with something very attractive and, uh, these are two important areas in which we work. there are teachers from the head university, we will invite them. it can be some kind of modular systems, but the main ones will still work for us all the time. intensive preparation of future applicants is already in full swing at the school of creative industries, and with direct participation? rhs the educational theater of the russian institute of performing arts comes to vladivostok on tour, and university teachers conduct master classes at the school of creative industries - this is another, but the most interesting national project. ah,

which entered the structure of the branches of russia and there are such schools in three branches of our institute. this is additional education. for children in six directions. it's high. eh, technologically progressive, but equipped with studios, and they are the same in all our schools. only children are teachers, but this is already such a human capital and this is partly, of course, but it is designed to prepare applicants for us, but to a greater extent, of course, this is an opportunity for children to try themselves very early. e in modern technologies to apply their creative ideas to some impulses and feel like creators. here in this new environment. the rich program

is conducted in all creative areas and technical now in the midst of a rehearsal of the performance. i ask, i heard everything. yes , thank you, you know when i first learned about the school of creative industries. i immediately chose the theater, because i really wanted to try myself in just such a theater and i know that theatrical people. they are very very so charismatic very i'm just attracted to this area. i really didn’t regret it at all, not a bit that i came here and tried every direction, but still i like the theater the most, well, what the girl does not want to be an actress, only yes , who dreams of being, for example, a lighting designer or a sound director in a theater, or maybe a decorator, the viewer never thinks about such a technical aspect remains behind the scenes, but now a completely different approach is

an important theatrical specialty, these are those who help create the magical world on stage for the audience to believe. everything that happens on it is the scenery for the play. e some kind of hmm greek, a dramaturgy, when antigone and we create this space, e greek temple of the palace. and so you can imagine how the characters can act here, that is, for the theater. we need more people like that who work behind the scenes, and whom we will never see, but they do not contribute. quite right. quite right, that is, the world behind the stage is very large, this is a huge number of people of different professions who create this clinical world, what the viewer sees, the viewer sees only the front, yes, and the perspective, and in order to create this, a lot of specialists work , production designers, props, who creates, but sham, and the elements that

are visible to the viewer, as real as authentic. i realize myself from my creative ambitions, without leaving in search of happiness, to distant lands. at the moment, the dream of many here in the city of sokur and multi-colored letters - this is becoming more and more real features of never original, it is original. do you understand? i'm here with these three clusters. i was born in kemerovo and lived there for 30 years. i made my own theater there, and therefore i left for kaliningrad and now i live there, it is an important region for me. and in vladivostok i served this town. i described countless times in my works and i did a lot for them for these reptiles so that people read books. or listening to my performances , they understood that these cities can become, uh, an artistic space, people are happy, you hear that, as there is a person who reproduces their life, as an artistic

environment, it is completely incomprehensible how they stay on their heads, they told you, well, the hair is not short came. do not hook it on this ate. well, as in general, there were two answers, either focus, or the miracle of the year. grishkovets told about how he served in the pacific fleet of vladivostok in one of his most famous plays. how i ate a dog once with this particular product. he not only opened himself to the whole world, but also the once closed russian island, where now the cultural cluster has already equipped its educational buildings, so that against the backdrop of the bay, make your head spin virtuoso to play the most complex musical compositions and dream of returning home here after world tours.

vladivostok has already made an incredible leap , it is a closed city to the cultural center of the pacific region with its special atmosphere, climate, mentality of local residents here based on the work of vladimir arseniev, after whom the airport is named, he filmed his famous painting dyrsula the great kurosala, and a cultural cluster. i'm sure it will give the world many more new creative names. vladivostok 2023 is a new cultural farpost, which is recognized as a hotbed of european art in asia , a long-term project designed for a century and, perhaps, only our descendants will be able to fully appreciate. to what extent this mission of cultural renaissance took place. in any

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head of the ministry of defense sergei shoigu inspected russian troops in the zone of the military special operation of the minister during a working trip flew around the areas of deployment of units checked the positions of troops on the front line he talked to the soldiers and thanked them for the exemplary performance of combat missions at the command post of the grouping shoigu heard reports from commanders on the current situation and special attention to the actions of troops in the direction of a special operation, the minister of defense paid attention to the field conditions of the fighters, and how organized the provision of the military with everything necessary, as well as the work of the military copper.