conceived for all the requirements of working with acoustics hall, in addition to it. uh, there's also a third hall, a hall of orchestral instruments. uh, orchestra hall. and you know. what is the highlight of our e our building of the music school. this is an amazing library, but there is no such library, not at the gaz branch, our colleagues from other regions have such a small hogwarts a with the ability to read books. in daylight , it will be possible to get into a parallel magical reality in the historical center of vladivostok. here is the second part of the cultural class, except the concert hall of the mariinsky theater will build a museum complex, which will include the series of the hermitage tretyakov museum of the east and the primorsky gallery, as well as the real russian state institutes of all construction sites. very soon, the cultural cluster

will be able to host any, even the most large-scale exhibition of the tretyakov or the hermitage in these spacious halls. in primorye, it will be possible to exhibit unique exhibits due to plastics that will finally wait from their audience. nowhere in the world can you find such a museum at the exhibition a space that would unite the branches of the four central museums of the country. why was it important for the tretyakov gallery to open its branches here in two cultural and educational centers in kaliningrad and vladivostok, i honestly uh hmm that for the tretyakov gallery this is an incredible opportunity for us to constantly base ourselves there, and where there are, uh, many factors, and providing, especially the attractiveness of this city in this region, but there is very little

real high cultural component , if we say in vladivostok then and despite the fact that there are two wonderful ones, the museum of a and the norilsk theater is still a feeling. here is a girl, a-a certain. forcing incredible breathtaking e! a very lively and dynamic city with its interesting history, location at the crossroads of all roads leading to southeast asia, and at the same time, there is a sharp feeling that there is not enough real great art, both classical and modern. the architects sought to

harmoniously integrate the existing landscape style of the city into one complex. of its features will be operated roofs, which are steps rising from the base of the building to its top, visitors will be able to walk along the terraces and viewing platforms along them; almost all the glass will be covered ; that's to have an exploited roof with viewing platforms on our pearl bridge over the golden horn, this is a rather complex unique facade. uh, such an image of the theater, so to speak, which, uh, we can say that it has never been used in the far east before, perhaps, as it were in russia, yes, this is one

of the few cases there. uh, such a facade, uh, which will implement a rather complex system of fastening under the system of the facade part itself. here, which will be connected and we can say that it will flow, and we will also partially exploit the roof, it will also expire, the domed part of the inner botanical small garden. for the price of one only in the application , the sbermarket point delivers a holiday of delicious eco-culture tomatoes from 99 rubles. sbermarket. free delivery order sovcombank as soon as you think about savings, sovcombank offers an excellent interest rate on deposits. and now you are already skimming off the cream

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in order to train employees for such a museum complex on the initiative

tretyakov gallery at the far eastern federal university opened a special course. this is a master's degree program, which, with admission of 15 people a year, will make it possible to train a serious group of specialists who in the future will form the basis of the museum staff of the wall, and not only those works that a-a can be sent there from the museums of moscow and st. petersburg. the museum is, uh, professionals - these are people, so we immediately began knocking on the doors of two large federal universities, and we immediately concluded, uh agreements on mutual cooperation with these universities and started at the beginning of vladivostok a. special courses that included ourselves and courses in the history of a-a russian art and a course in museum management and

curatorial practices for students in the humanities at the faculty of humanities of the far eastern federal university but of course, we dreamed of creating a special master's program where we could more accurately prepare a-and these museum complexes. we are well aware, and also that a very important part of the museum work is, for example, the storage of a and works of art and the creation of accurate masses of data and a-a accounting of these works. and it is precisely these practices, a, that were already mastered by students of the initially kaliningrad federal university in the framework of the first master's program. and since the fall of 21 years, a and e students of the far east of the federal university a and, that is, the other side,

sponsors have helped us in launching these programs. these guys are really such a new generation of museum workers, as they say, who interesting it is interesting to fly to the far east to meet colleagues there and i know that it is a complete delight. they call each other. it's true in parallel. we are not only building a building, we teach specialists, because sometimes it takes specialists much longer to learn than walls to build a project is very complicated, but it is important when you cut the red ribbon so that life begins to boil there, that is, there we need to really and teams we were driving and already our specialists were growing up there, who knew what i needed now, how to drown it properly, as they say, so should learn, because i have a place to work. i know where i will work in a museum in my own city, the primorsky

art gallery will also play an active role in the life of this class, which will have the opportunity to show here in the format of an open safe its funds, which were previously inserted due to lack of exhibition space. well, today , in general, if you take vladivostok, in fact , there is not a single large modern exhibition hall. i'm talking now, of course, about the museum and exhibition part. that is, we have there are several museums in private galleries, but such a large professional site is equipped with the latest technology, as we generally see large museums, and not only in our country, but also abroad in vladivostok, there is no such of course the museum exhibition complex. it is very important, because it will enable, firstly, the implementation of very large exhibition projects plus. eh, a modern museum building in general. this is very important. since today the museum is not only an exposition. yes, and this is a space where a lot of different events take place. so no one is going to devalue the previous

cultural experience of the far east region in the plans of close interaction with the artists who live in vladivostok with the collections that were formed here in the collections of contemporary art. there should not be an exposition, there should be a program program that changes all the time. this is how everything was born in the hermitage for a long time there is a program for many years we have worked out that they are not in hermitage centers in any case not branches. they are legal centers, legal entities of the places where the hermitage is located, vladivostok , now we are discussing how it should be, but for us it should certainly go together with the primorsky art gallery, and then both organizational and creative people are involved all local institutions are involved . they do not feel like they are colonially, that is, they are conquered, or they do not work with us with colonial beneficence. and then the program is created so dynamic what you need to bring and how to arrange to bring yourself not to bring things, but the

hermitage is visited by a modern artist who has long been not only one who draws art objects, multi-component stories, often digital and multimedia. primorsky says history and ethnography can look like this, for example. you don't know who let alba in here. the owner of the house will swear. let's look outside put up for the night, looking, alp, the best people. than the host, this is my people together taiga walk. amba are not afraid, and the owner is not people like that the chill of dogs keeps us at the center of contemporary art. artash is in the new exhibition space, and this year it so happened that this year, uh, this is the year of the 150th anniversary. and vladimir klavdievich arseniev and v. the same time is the year of the culture of the peoples of russia. we present here our project, which combined the project about

arseniev and dr-suzaliya, and our digital carpet, with which we have been working in various forms, in fact, since 2017, one of the main ethnographic never not the east. dersu uzala like the main character in this case a kind of conductor connecting the past and the present in the primorsky territory, why it is valuable for us, it is valuable because we work with the symbols of the past, which we connect with the symbols of the present, for example, here in the middle you can see the traditional nanai symbolism, which is located on the carpets, but at the same time you can see the bridges and the modern symbols of the city of vladivostok and the submarine of the yacht and elements of the natural landscape. in general, and our favorite slogan, so to speak, of almost every project. it needs to be talked about

landscape, if we do not talk about it, and it falls silent, then history. it kind of loses its thread. and here we want to continue. we want to introduce symbols of the past into the modern ethno-cultural space of the territory. go, to remember those who a lived before us. uh, how they lived, like culture, they set after themselves. producer ksenia frolova, until recently , was successfully engaged in pr in a large automobile company, having received a promotion , she left to conquer moscow, but in the end she realized that her place of power was here in primorye and throw in the capital came back here to show with the help of images how beautiful her small motherland is, what kind of response she is in the hearts of her children, how important she is for each of them, and here even nature sounds, in a special way and can become part of the exposition, but i think that’s all - to my happiness, but i didn’t have

a relationship with moscow and at a certain moment i began to look for the horizon, i didn’t have enough of the sea, and i didn’t find realization in creativity at a certain moment. i returned to vladivostok and it was already closer to in 2015, in vladivostok, at that time , the zarya center for contemporary art and the guys behind the platform functioned. they opened courses in contemporary art under the supervision of maria kramar, and my friend roman ivanishchev and i went to these courses, and the most interesting thing is that, probably, that very moment can be considered, but the moment of uniting us as a creative group of chirurfa hiru hero for hero when our final assignments, and became a task. we we had to find something beyond the scope to tell the history of the region or city to tell about something, well, in unconventional language. in 2015

, together with the historian roman ivanishchev, ksenia is engaged in ethnocultural research of the region, telling and showing the main project at the moment, the big graphic novel about general nevelsky, he is one of the first explorers of the far east, this large-scale work hero for. hero has already been shown at the russian booth of the world exhibition in dubai. yes, the project is developing. although we have been doing it for 6 years, but for the last 2 years. he took a big step forward. and by the way, thanks to the airport in the city of khabarovsk, which now bears the name of gennady ivanovich nevelsky, the project began to attract attention. and those who pass. uh, they fly through the airport sometimes they write us photos, they send us it's very cool. and in all this, we have the maritime state university named after gennady ivanovichkov in vladivostok. and

the student girls came out to us. an initiative to create, by the first of september, uh, well, let's call it a mural such large graphic street art images on the territory of the moscow state university . so the first year students the maritime university started the academic year with the creative project of nevelsk and will continue to create the second and even the third part of the graphic novel. and next year, artists hiro fu, hiru will completely absorb a new multimedia project. consider that vladivostok is a city that entertains itself, so if we need something there, we are bored. we came up with an exhibition, if we are artists, yes, if we are still bored, we took it and went to nature somewhere on the sea for a ride. by

the way, people haven't talked about it yet. we won the presidential grant for cultural initiatives to create three floors of the multimedia museum exhibition. russia is my story to help in the implementation of creative ideas in a contemporary artist. rsi students are coming soon. the branch of the st. petersburg theater university will also become part of the primorsky cultural cluster. it is very important for us that we are here inside this story, and we are creating, but it is completely unique, and an educational institution for the region that needs it, and we have two, but key directions. these are career guidance work. this is the preparation and cultivation of our future applicants, and of course, the formation of a corps of professorial teaching staff, because to the far east and for someone to agree , you probably need to go. to motivate them with something

very attractive and, uh, these are two important areas in which we work. there are teachers from the head university, we will invite them. it can be some kind of modular system. but, and the main ones will still work with us all the time. intensive preparation of future applicants is already in full swing goes to the school of creative industries, and with direct participation? rhs the educational theater of the russian institute of performing arts comes to vladivostok on tour, and university teachers conduct master classes at the school of creative industries - this is another, but the most interesting national project. ah, which entered the structure of the branches of russia and there are such schools in three branches of our institute. and this is additional education for children in six areas. it's high.

uh, hmm progressively technological, but equipped studios, and they are the same in our all schools. only children are teachers, but this is already such a human capital and this is partly, of course, but it is designed to prepare applicants for us, but to a greater extent, of course, this is an opportunity for children to try themselves very early. e in modern technologies to apply their creative ideas to some impulses and feel like creators. here in this new environment. a rich program is being conducted in all creative areas and technical ones are now in the midst of the rehearsal of the performance. i ask you thank you. you know when i first learned about the school of creative industries, i immediately chose the theater, because i

really wanted to try myself in just such a theater and i know that theatrical people are very, very charismatic, very i just attract this area. i really did n’t regret it at all, not a bit that i came here and tried every direction, but still i like the theater the most, well, what girl doesn’t want to be an actress, only yes, who dreams of being, for example, a lighting designer or sound director in a theater , a maybe the decorator never thinks about such a spectator, the technical aspect remains behind the scenes, but now a completely different approach is an important theatrical specialty, these are those that help create a magical world on stage so that the audience believes. everything that happens on it is a decoration for the play. e some hmm greek, and

dramaturgy, yes antigone and we create this space, but the greek temple of the palace. and now you can imagine how the characters can act here, that is, the theater needs more people like that who work for a scene we'll never see but they don't do their part. quite right. quite right, that is, the world behind the stage is very large, this is a huge number of people of different professions who create this stage world, what the viewer sees, the viewer sees only the front, yes, and the perspective, and in order to create this, a lot of specialists , production designers, stage props, who creates, but sham, and elements that are visible to the viewer, as real as authentic. i fulfill myself from my creative ambitions without leaving in search of happiness, for distant lands. at the moment, the dream of many here in the city of sokur and

colorful bays - it is becoming more and more real features of never original, it is original. do you understand? i am these three clusters. i was born in kemerovo and lived there for 30 years. i made my own theater there, and therefore i left for kaliningrad and i live there now, it is important for me, and in vladivostok i served this city. i described countless times in my works and i did a lot for them for these cities in order to make people readable books, not listening to my performances understood that these cities can become an artistic space for people to enjoy. you hear that, as there is a person who reproduces their life, as an artistic environment, it is completely incomprehensible how they stay on their heads to tell you, well, short hair did not come. do not hook it on this ate. well, as in general,

there were two answers, either a trick, or a miracle year. grishkovets told about how he served in the pacific fleet of vladivostok in one of his most famous plays. how i ate dog once with this particular work. he not only opened himself to the whole world, but also the once closed russian island, where now the cultural cluster has already equipped its educational buildings, so that against the backdrop of the bay, make your head spin virtuoso to play the most complex musical compositions and dream of returning home here after world tours. vladivostok has already made an incredible leap from a closed city to the cultural center of the pacific region with its special atmosphere, climate, mentality of local residents here based on the work vladimir arsenyev, after whom the

airport is named, filmed his famous painting dersu zola the great kurosala, as a cultural cluster. i'm sure it will give the world many more new creative names. vladivostok 2023 is a new cultural farpost, which is recognized as a standing gog of european art in asia , a long-term project designed for centuries and, perhaps, only our descendants will be able to fully appreciate it. to what extent this mission of cultural renaissance took place. they twisted all the locks and freely left the building of the department of the ministry of internal affairs of the gang of the 90s, they depreciated human lives parents viewers of the channel, russia 24. i look forward to seeing you.

we continue to follow the developments, the frigate admiral gorshkov set off on a long voyage across the atlantic and indian oceans, as well as the mediterranean sea on board hypersonic missiles zircon, a weapon that has no analogues in the world, as well as a cruise missile caliber air defense torpedo weapons with details denis alekseev all control exits to the sea are now behind the crew of the frigate, admiral of the fleet of the soviet union gorshkov, proceeds to carry out combat missions and this, of course, is unusual.