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in order to train employees for such a museum complex, at the initiative of the tretyakov gallery , a special course was opened at the far eastern federal university. this is a master's degree program, which, with the admission of 15 people a

year, will prepare a serious group specialists who will form the basis of the museum team in the future. and not only those works that can be sent there from the museums of moscow and st. petersburg - these are professionals - these are people, so we immediately began knocking on the doors of two large federal universities , and we immediately concluded uh mutual cooperation agreements with people, and the two universities and a started at the beginning. vladivostok, a-a special courses, a, which included themselves and courses in the history of a-a russian art and a museum course management and curatorial practices for students of the humanities at the unitary faculty of the far eastern federal university, but of course, we dreamed of creating a special

master's program, where we could more accurately prepare specialists for the e-e of these museum complexes. we are well aware, also, that a very important part of museum work is, for example, the storage of a and works of art and the creation of accurate databases and a-a accounting of these works. and it is precisely these practices that were already mastered by students at the beginning of the kaliningrad federal university within. of the first master's program, and since the autumn of the year a and u, students of the far eastern federal university and, and that is, the other side helped us in launching these programs. these guys, really such a new

generation of museum workers, as they say, who are interested in it. it is interesting to fly to the far east meet with colleagues there and i know that full delight does not cause each other. it's true in parallel. we not only build a building, we teach specialists, because sometimes specialists learn a lot longer than the walls to build the project is very difficult, but it is important when you cut the red ribbons so that life begins to boil there, that is, we need to really go there and the teams would already grow their specialists there, who knew what i needed now, how to drown, as they say, so you should learn, because i went to work. i know where i will be working in a museum in my own city. the primorsky art gallery will also play an active role in the life of this, which will have the opportunity to show here in the format open security of his funds. they have not been exhibited before due to lack of exhibition

space. well, today, in general, if you take vladivostok, in fact, there is not a single large modern exhibition hall. i'm talking now, of course, about the museum and exhibition part. that is, we have several museums in private galleries, but such a large professional site is equipped with the latest technology, as we are. in general, we see this in large museums, and not only in our country, but also abroad in there is no vladivostok, so the appearance of such, of course, a museum exhibition complex. it is very important, because it will enable, firstly, the implementation of very large exhibition projects plus. eh, a modern museum building in general. this is very important. since today the museum is not only an exposition. yes, and this is generally a space where a lot of different events take place. so no one is going to devalue the previous cultural experience of the far east region in the plans for close interaction with artists, who live. in vladivostok with the collections that were formed here in

the collection of contemporary art there should not be an exposition, there should be a program program that is changing today. that's how everything was born from the hermitage for a long time there is a program for many years we have worked out that the hermitage centers are by no means branches. they are legal centers, legal entities of the places where the hermitage is located hermitage vladivostok now we are discussing how it should be, but for us it certainly should go along with the seaside picture gallery, and then both organizational and creative people get involved. all local institutions get involved. they don’t feel like they are colonially conquered, or they don’t work with us by colonial beneficence, and then a program is created so dynamic for what needs to be brought and how to arrange to bring oneself not to bring things, but to visit local come to the hermitage a modern artist

has long been not only one who draws art objects, a multi-component, history, often digital and multimedia. the seaside flavor of history and ethnography may look like this, for example. you don't know who let alba in here. let's look outside put up for the night, looking, alp, the best people. than the host, this is my people together taiga walk. amba is not afraid, but the owner, not people once such a cold dog keeps us in the center of contemporary art. artezh is in a new exhibition space, and this year it so coincided that this year, er, this is the year of the 150th anniversary. and vladimir klavdievich arseniev and v. same time of year culture of the peoples of russia we present here our project, in which we have combined projects about arsenyev and dr-su knot and our digital carpet, with which we have been working in various forms, in fact, since

2017, one of the main ethnographic never east main the hero in this case is a kind of conductor, connecting the past and the present of primorsky krai, why he is valuable for us, he is valuable because we work with the symbols of the past, which we connect with the symbols of the present, for example, here in the middle you can see the nanai symbolism the traditional one, which is located on the carpets, but at the same time you can see the bridges and the modern symbols of the city of vladivostok and the submarine of the yacht and elements of the natural landscape. in general, uh, our favorite slogan, so to speak. uh, almost every project needs to talk about the landscape, if we don't talk about it, and it falls silent, then the story. it kind of loses its thread. and here

we want to continue. we want to introduce symbols of the past into the modern ethno-cultural space of the territory. go to remember about those who a lived before us. uh, how they lived, like culture, they set after themselves. producer ksenia frolova, until recently, was successfully engaged in pr in a large automobile company, having received a promotion, she left to conquer moscow, but in the end she realized that her place of power was here in primorye and throw her back to the capital, to show with the help of images how beautiful her small homeland is, what an echo she is in the hearts of her children, how important she is for each of them, and here even nature sounds like a mustache and it can become part of the exposition, but i i think, nevertheless, to my happiness, but i didn’t have a relationship with moscow and at a certain moment i began to look for the horizon , i didn’t have enough of the sea, and i didn’t find

realization in creativity at a certain moment. i returned to vladivostok and it was already closer to 2015. at that time, the zarya center for contemporary art and the guys on the light platform functioned in vladivostok. we opened courses in contemporary art under the supervision of maria kramar, and my friend roman ivanishchev and i went to these courses, and the most interesting thing is that here, probably, that very moment can be considered, but the moment of uniting us, as a creative group of hirurfa hiru hero for the hero, when our graduation task, but became a task. we had to find something that went beyond telling the history of a region or city to tell about something, well, in an unconventional language. 2015, together with the historian roman ivanishchev, ksenia is engaged in ethnocultural research

of the region, telling and showing the main project at the moment. a large graphic novel about general nevelsky, he is one of the first explorers of the far east this large-scale work hero for. hero has already been shown at the russian booth of the world exhibition in dubai. yes, the project is developing. although we have been doing it for 6 years, but for the last 2 years. he took a big step forward. and, by the way, thanks to the airport in the city of khabarovsk, which now bears the name of gennady ivanovichsky, the project began to attract attention. and those who pass. uh, they fly through the airport sometimes they write us photos, they send us it's very cool. and in all this, we in vladivostok have a marine state university named after gennady ivanovichsky and girl students came to us. the initiative to create by september 1, uh, let's call it a mural such large

images of graphic street art, and on the territory of moscow state university, first- year students of the maritime university began the academic year with a creative project will continue to create the second and even third part of the graphic novel, and next year, artists hiro fu, hiru will be completely absorbed by a new multimedia project. well, in general, it is generally accepted that vladivostok is such a city that amuses itself so that if we need something there we get bored. we came up with an exhibition, if we are artists, yes, if we are still bored, we took it and went to nature somewhere on the sea at stakes . but by the way, people haven't talked about it yet. we have won a presidential grant for cultural initiatives to create three floors of a multimedia museum exhibition. russia is my

story to help in the implementation of creative ideas in a contemporary artist. rsi students are coming soon. a branch of the st. petersburg theater university will also become part of the primorsky cultural cluster, it is very important for us that we are inside this story, and we are creating a completely unique, educational institution for the region that needs it, and we have two key areas. these are promotional jobs. this is the preparation and cultivation of our future applicants, and of course, the formation of a corps of professorial teaching staff, because to the far east and for someone to agree , you probably need to go. to motivate them with something very attractive and, uh, these are two important in the areas in which we work, there are

teachers from the head university, we will invite them. it can be some kind of modular system. but, and the main ones will still work with us all the time. intensive preparation of future applicants is already in full swing at the school of creative industries, and with the direct participation of the csi. the educational theater of the russian institute of performing arts comes to vladivostok on tour, and university teachers conduct master classes at the school of creative industries - this is another, but the most interesting national project. ah, which entered the structure of branches in russia and there are such schools in three branches of our institute. and this is additional education for children in six areas. it's high. uh, hmm progressively technological, but equipped with studios, and they are the same in all our schools. only children are teachers, but

this is already such a human capital and this is partly, of course, but it is designed to prepare applicants for us, but to a greater extent, of course, this is an opportunity for children to try themselves very early. e in modern technologies to apply their creative ideas to some impulses and feel like creators. here in this new environment. a rich program is being conducted in all creative areas and technical ones are now in the midst of the rehearsal of the performance. i ask you to thank me. you know, when i first learned about the school of the creative industries, i immediately chose the theater, because i really wanted to try myself in just such a theater and i know that

theatrical people are very, very charismatic, very i just attract this area. i really didn't regret it at all droplets that came here tried every direction, but still i like the theater most of all, well, what girl does not want to be an actress only yes , who dreams of being, for example, a lighting designer or a sound director in a theater, or maybe a decorator about such a viewer never the technical aspect remains behind the scenes, but now a completely different approach is an important theatrical specialty, these are those that help create the magical world on stage so that the public believes. everything that happens on it is the scenery for performance. e some kind of hmm greek, and the dramaturgy is antigone there and we create this space, and in the greek temple of the palace. and so you can imagine how the

characters can act here, that is, for the theater, we need more people like that who work behind the scenes, and whom we will never see, but they do their part. quite right. quite right, that is, the world behind the stage is very large - this is a huge number of people of different professions who create this stage world - what the viewer sees the viewer sees only the front, yes, and the prospect, and to create this, a lot of specialists, production designers, work. props technologists, who creates, and fake elements that are visible to the viewer, as real as authentic. i realize myself from my creative ambitions, without leaving in search of happiness, to distant lands. at the moment, the dream of many here in the city of sokur and multi-colored letters - this is becoming more and more real features of never original, it is

original. do you understand? i have these three cluster. i was born in kemerovo and lived there for 30 years. i made my own theater there, and therefore i left for kaliningrad and now i live there, it is an important region for me. and in vladivostok, i served this city. i described in my works a number of times and i did a lot for them for these cities so that people read books. or listening to my performances, they understood that these cities can become an artistic space for people to be happy. you hear that, as there is a person who reproduces their life, as an artistic environment, it is completely incomprehensible how they stay on their heads. i to you i will say, well, the hair is short did not come. before not getting hooked on it, he ate it. well, as in general, and charity, or a trick, or a miracle.

grishkovets told about how he served in the pacific fleet of vladivostok in one of his most famous plays. how i ate a dog once with this particular product. he not only opened himself to the whole world, but also the once closed russian island, where now the cultural cluster has already equipped its educational buildings in order to make your head spin against the backdrop of the bay. virtuoso to play the most complex musical compositions and dream of returning home here after world tours. vladivostok has already made an incredible leap, it is a closed city to the cultural center of the pacific region with its special atmosphere, climate, mentality of local residents here based on the work of vladimir arseniev, after whom the airport is named after filmed his famous painting of the great kurosala hall, as a cultural cluster. i'm sure it will give the world many more new creative names. vladivostok

2023 is a new cultural farpost which recognized as the center of european art in asia is a long-term project, designed for a century and, perhaps, only our descendants will be able to fully appreciate. to what extent this mission of cultural renaissance took place.

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the frigate, admiral gorshkov, went on a long voyage across the atlantic indian oceans and the mediterranean sea on board, including cerco hypersonic missiles, but they are not able to reliably overcome any air defense systems . the crew received the command to complete the assigned tasks from the president with details. denis alekseev all control exits to the sea. behind now the crew of the frigate, admiral of the fleet of the soviet union gorshkov, is starting to carry out combat missions, and, of course, there is nothing unusual in this, the supreme commander notes.