a quiet life

i greet you, dear viewers of channel russia 24, on the next issue of our besogon tv author's program today, uh, we will talk about the culture of one, uh, woman. uh, she wrote me a letter, she scolded me. by the way , it was pretty. a long time ago he wrote a letter, in my opinion wonderful, at least there is one absolutely amazing and very simple idea. she writes that real art is what you want to hear, read or see again. and the question arises, concerning today, but many works that exist in our art today. uh, in the cinema or in the theater in literature, which we want to see, hear or read again. and it occurs to me. very much like that. persistent doubt, what do

you want to see, hear or read a second time? why do you know me, in general, this question is quite understandable, and the motives that lead this or that artist and director, but some outrageous. they understand me too. the fact is that the artists of the beginning of the 20th century, who moved away from the classical manner of painting. and they were looking for new. and by the way, speaking of them, those innovators who today, with whom we are dealing today, refer in many respects, but the fact is that these artists were moving away from what any of them were already able to do in e. bubnov fell or entered in the tail, by the way, the grandfather washes konchalovsky just was it was they who were

sazanists, they explored the new trend of impressionism, but they knew how, jewelry pa. on a pencil, draw the most difficult parts of the human body, say a hand or foot, so that it stands, so that the brush does not hang in the air and so on and so on. they were skilled. they moved away from what they already knew, because they wanted to do it again, because it seemed to them that what they already knew about it, they had reached perfection. whether it's true or not doesn't matter. but they were masters. when we see today that there is such a funny, but, in my opinion, true, so to speak e fair. at least a joke about what is how is defined, and performance and what is installation, what

is installation - this is to shit in front of the door and run away to call, and performance is call and sit down, so to speak, sit down as needed, and in very many ways these are true, because for this you don’t need anything but the desire to do what, so to speak, the artist does, but he stands behind it. here is a very strong powerful lobby that has the ability, so to speak, to elevate it to the rank of art. and it becomes a grandiose market, and in which almost everything, as they say, is for sale, everything is for sale. this is just the kind of outrageousness that can make e out of a person who has nothing to do with painting to the root. to make the artist whose paintings and works are popular and bought. do you know that nietzsche once said such a phrase?

he said that art was given to us in order not to die from the truth. it seems to me that today we are dealing perfectly. eh, a mirror opposite, but a time when and we need the truth in order not to die from the art that sometimes surrounds us. i don't want to discuss. uh, in detail what happens in our cinema or in our theater. let's say though. eh, there's even a story ostankinor. in general, it is quite understandable - it is understandable, it is understandable, and the fact is that you understand the outrageousness that caused such a wave - two waves colliding one for the other against. it would seem that it is very good when something of a work of art causes such controversy, but it seems to me that there is some kind of juggling here, because when, let's say, they refer to the overhead or other

navators, then they still risked. they risked. many sometimes even life is practically their innovation. it was wrought out. it matures inside the artist and then poured onto the stage, let's say pmrhold or watchmen they sang about it, because they could not help but sing. it overwhelmed them today in many ways. this is done, in general, with a cold nose, so to speak, without those, uh, internal messages and arguments that were then those innovators whom he refers to look for yourself, uh, director kulyavin, says that well, that's what shocking maybe it's the holocaust, or is there, let's say , religion? well, for some reason there is no queue. hmm, so to speak, overestimate on stage and rethink in the opposite sense

the holocaust, because i don't think it would have generated such a reaction of support. and the assault on the prophet muhammad we know how it ended. this is also not worth touching, because it is a risk. but orthodoxy, it is somehow safer in this sense, you can enter into controversy. it does not threaten life , health, well-being does not threaten there. and behind it. i think it's a fairly simple calculation. i do not want to analyze or condemn in detail. it's just that i internally experience a feeling of such awkwardness that happens when you see how the focus is done. do you understand why it is done this way and not otherwise, and how it is done? and this is, in general, immediately. m-m somehow internally

stops you in order to continue so to speak, but to be surprised, because you see on the stage or on the screen, well, i wanted to talk. about the other, i wanted to talk about the culture of the other. of a different nature than we say, but the word culture is formulated in encyclopedias. let's say. here is the word culture. uh, what is the word of latin origin meaning cultivation education, upbringing, development, reverence , culture is what is created by people, in addition to nature, culture is a set of material and spiritual values ​​that expresses a certain level of historical development of a given society and person. so say everything when you parse these phrases. but you seem to be immersed in them and it seems to you that

you understand the meaning of this and even so to speak. and it seems to you that you are from something this definition is enough for you. but i think it's much wider and much deeper, and how it's not strange. sometimes it does not concern the formation of erudition at all, but hmm the correct holding of a fork, knife in the right hand, and communication with people. yes, of course it matters. it is important. this is all brought up and so on and so on and so on, but we see, so to speak. how many times have people who have been abroad bought into this porcelain smile on these hawa yo-myo, and so on and so forth, when they ask you, so to speak, when you live, and you must answer that you live well, because that's not why they ask you you told how you live. you'll take

intimidation from the one who asked you, you understand me, my wife left everything, and he thinks, lord, why are you telling me everything. i asked you nothing how things played out in the pet all cultured people, we are intelligent cultured or don't burden me with your problems, i was present at one in america with such an autopathy of a smile. but this is all wonderful. how many times do you buy into this i say. oh yes, you say something like that to you, it’s true, you raped me. and wow und believerble. all for another day. you you answer in the studio, say, or on the street. he can't even remember. who are you at all who where did you come from. and why does he need you? they played there, we played this game and you get it, there was a couple of husband and wife standing on this autopath in glasses, pieces of ice are beating, they are talking to this music, they go to say hello, they come up to this couple in this friend. how are things yesterday, oh, yes, and the husband, he says himself, here we are going once with his wife, she is on vacation in

wine and this man who came up with a brilliant question. he says why just think about it, that is, what's the point in your trip? is there a business there? or have you been invited? how? why are you going there so far, that is, the thought that venice is even me to venice, even this question does not require an answer. i'm going to venice is that enough or there, you know i'm going to go to the louvre, why the fuck. why go through it? well, really. why buy nothing can not be sold too why and in this, so to speak, this very second world of communication. all this is the wallpaper of the same broth in which there is an intelligent decent kindness, decent people living,

so to speak in e in the modern world. but this has nothing to do with culture in the sense in which i would like to talk about. but about this feeling of the world which cannot be formulated or, so to speak, e lead to some natural unified formulation to such a natural common denominator. for example, how to decipher depth? such a phrase from jen buddhism throw stones at me. throw dirt at me. i am a river. so think about this image, how it embraces. it just covers the universe. throw stones at me.

throw dirt at me. i am a river. at this level, that's what i want to talk about. and it seems to me that one story that happened to me is very revealing, and the younger years, when i studied in afgics, the story simply shocks me , and it shocked me then, but only with time i understood the depth. here's what and what happens from what happened, i read an essay by such a wonderful writer, publicist yuri chernichenko, about vologda lacemakers, and i was so struck in general by this one in general atmosphere here under on suitable from what this lace is called, and clunk from between the frame, as they say, that is, bling. it's like a club on which energies are wound, and when they weave these cloves, these

needles, they assure each other. they are hardly between couples, that means between the spring autumn fallow, that is, when there is no work in the field, when the peasants, in general, are at home, and they walked in this amazing absolutely they, uh, they walk through the forest, the way they do, when lace is woven, they sing something so that it is not boring something from purring to themselves under their breath, they pick up the tone of these sticks, that is, they walk through the forest, hit the tree and listen. yes, yes, good. they make it from this tree or from this branch, they take it and then make it for a friend, and then when they a sort them out, they don’t rattle like clubs. they sound in that tonality, under which it is convenient to surround yourself in front of a stunning one, by and large. this is what culture is, so to speak, it is primordial. it

comes from the soil, it comes from the energy, so to speak, the centuries-old energy of the earth. and live living in this space in this space. we have arrived at this village. i will not name her, so as not to embarrass the citizens, but a small group of dikovites. we came to see these lacemakers. by the way, speaking this dialect, i transferred it to my thesis, a calm day at the end of the war, and in which seryozha nekonenko and natasha arin basara starred in this wonderful and northern vologda dialect. where are you from? where he was born? i didn't hear anyone either. how many did you ask? someone has not heard, you know how to say such things.

amazing village our little lake there is? a lot went to war. we settled with women in the village. there are no men. they are beaten out by the war. there is one, or his name, here are two teeth, one on top, one on the bottom of a small stature, a thin one commands all these women there, he is so wow. so to speak, drinkers,

of course, and his wife nastya to the question. kolya works as a groom. she says, but on weekends there are, of course, a day off they say, she fights, and that's how it goes. yes, often yes, every day, so she does the work for him and does her job, but nevertheless, so to speak. the law is the law on friday, the men are steaming, he is alone, which means there is no woman, and on saturday the woman means that the woman has a bathroom day, oh my, and they settled. we are in the house of one woman, who absolutely instantly lit up when we were in her house, her husband did not return from the front. it was in the sixties that not much time had passed since the end of the war. she immediately froze up. she internally somehow something so terribly excited her, and she just didn’t appear. she brought some milk there and something left. she did not spend the night in this house and her

was nearby, because this is the presence of a man, like oh, who are not in the village at all and she is scared. how to put it this way, i just squeezed it like that. she turned to stone. so she lived these years without a man and without a master in the house. and here she is, so to speak, suddenly completely gone inside herself, so to speak, not to splash out, probably, i don’t know, well, we talked, talked, talked, and we gathered them all. they began to drink songs and drank vodka. they drank brilliantly did not drink at all. song and i and i throw pebbles at breastfeeding from the steep bank of the familiar strait there in the words of the song lapiruvu for atlaperousa, but they do not know what laperose is, so they are simpler there, they are dumplings. ruza is again lenin, therefore , so they are her such a strait of the line of roses. well, god be with him. so they told their story. like everyone else, how they live here clips, and they told everything, so

he says, nastya tell me how tolik returned with his own and nastya told the story and whether he was sitting next to such a ruddy one was listening to succumb, he is with the owner, all the same there are generally these very aunts. it's all walking under it, because he is the only man in the village. and uh, because of the injury, somewhere in 43, he gets a vacation. one gets a vacation for 10 days and goes, which means that from the front on the train to vologda it is winter, february is more than 30 degrees below zero, the north plunges further into vologda, some kind of ride. yes, and he has to go for a long time further , and, in short, already somewhere in the morning at 2:00 at night at 3:00 in the morning, and some man brings him to the fork, says they won’t take him further. then i go home

on discord. and this, or wheat with a knapsack there he has canned bread, there are some spirits there, and he walks the remaining eight or 10 km on foot, so morozu goes to his village. moon silence creaking creaking snow podsypami. he reaches his house, the village sleeps, naturally knocks on the window, and at home. nastya means two children, and she heard this knock, went to the window, breathed piglet and saw in the moonlight the tours that a force this window. and he looked at this little eye too, or he was standing there. an illiterate person in general, well, so to speak,

if by and large, how much could he end up with out of sight? well, then in a village school, yes, a man, uh, a simple one will be completely tonal. yes, he did not read, he did not read dostoevsky. he did not read tolstoy. he does not know anything about chekhov, but there is something in him that does not allow him to destroy it. this is her dream, and he stands in the cold looking. here in this, thawed piglet and sees in this light of the moon the face of his wife and she will not just think about it. he continues her dream. he doesn't want to destroy it. this miracle is happiness. how writes the horse of his book, and the potter, that happiness, when it turned out, i don’t know when it will turn out, but when it turns out, he succeeds now

. he is prolonging it. this is the concept of being or having as a flower. yes, a flower is growing. you approach him, he likes needles. and as you wish, you took it sorval and put yourself in a glass and enjoy it wonderfully. this flower has it. and you can be, that is, be next to the flower without tearing it from the root. he is. he is yours he is with you, but he is not your property. you do not break it, it is to be and to have. he stood outside until dawn. and only when it blossomed and she realized that this was not a dream. he entered. that this inhibition is the result of shock no no, this is the highest degree i can not find

another word for culture, if you like, because this is the truth, not the general truth. for everyone. this is the truth of the moment when a miracle is happening and when a person does not want, it is a miracle that has happened, a miracle created by him, to destroy any artistic creativity by the brute force of the natural needs and desires of a person. besides, what is it, so to speak, with burning yourself in order to achieve what you want. not external, but internal. desired desire to hear you. for example, to play chekhov as he

wrote. and to see the innovation there is not in the fact that the three sisters are lesbians from rosenbach and homosexual and the numbers one and two third are written on their backs and this is such a shock. just. well, it's just in, but to play in such a way that this internal energy of chekhov, who put into every word, touched the auditorium. he won’t say, well, what time was it, and why is the conversation not true? it is not true, because the classic is the classic because it is based on the simplest and most eternal things, love, illness, death of parents. children, there is no other hunger. everything revolves around

this great drama is, so to speak, unfulfilled love as a rule. take shakespeare or the same chekhov i love me, they don't love me. i don't love each other, we ca n't love. i am now saying, not even just a man a woman love as such, it is the foundation. in my opinion, any, especially russian creativity, but the task is just me it seems the most interesting is the most important. to today's man through today's you. reading reading let's say the russian classics heard the one who wrote it and imbued. in what and how he wrote, if this is really a real classic, i do not at all call for, so to speak, to forbid them to stop experimenting. uh look, new

readings are gone and they're talking about it absolutely not. i'm talking about that. that any reading can possibly take place under one condition, when you risk yourself, as i said in general, guevara i am an adventurer, but i am one of those foreign tourists who risk their own skin, and not someone else's. so when the director risks the skin of the author when is he without punishment? because this is a new reading. and it breeds. in my opinion, the same dependency and speculator. which, if visible, exposes those who do

so. i told this story about roofing felt, not to show what should be filmed and how, or what should be staged and how not at all, this is a story. it seems to me that she is strong in that there is nothing external in her, but in her there are huge inner spiritual and spiritual forces. which spill into the world when you touch the truth. and this truth for you becomes the risk that you take on yourself in front of the audience in front of yourself. and before god, this is, in fact, all that i wanted to tell you today. i look forward to seeing you on our next show.

now shots from the government house dear sergey gennadievich, i congratulate you on the coming new year and merry christmas in your person, the staff of the fund, promoting innovation activities fund is the most important area of ​​support for the technological development of our country. all today's results in science into future achievements are the subject of special attention of the president of the russian government and their scientific and technical impulses are capable, and first of all, to qualitatively change the lives of our people, give new impetus to our economy and technology.