kia they have impressions, what emotions? yes, that is such a culturological image, there are few cities through the eyes of those people who come here. and of course, it is clear that putina was the main city in this sample, and therefore they learned about this work from a colleague from the district administration. and i had nothing to do with the administration of the district. they learned they invited me to share the results of this work, and somehow it started to spin. uh, our district cooperation. i called us an interview and said the package belong to such a thought that, if he offers me to erect a museum, i am 22 years old. yes, i just literally from the student bench i have six months of work experience. and they tell me the museum. yeah, i mean, well, you have to understand that it's a bunch of buildings. yes, human responsibility. here i don't. to do this, some knowledge skills. yes, listening in california. i get it, okay,

okay, if i can, i'll try. it is literally a revolution. so i think this appointment is, well, a slap in the face to some extent. yes, you probably got it. you 've been working there ever since a new director was born, or even before that, yes, and you understand. here comes such a young man who says that we do not work the way we need to work. this one is clear that shock and bewilderment arise, right? in the sense that there are experienced museum staff, why were they offered? why weren't they posted? well, well, you understand that i know how, why they were not put to go shopping to large cities and even abroad, so there are a lot of interesting things here. one of them is railina, what

is railina in translation, small royal the budget crisis in the region did not have enough money for anything. we greatly reduced our staff, reduced our economy, and of course, so that i would not go down in history as a person who ruined everything that created such an opportunity for my predecessor. in principle, it was necessary to quickly look for some other source of financing, besides the money of the district , documents from the courts came to me in an endless city, because we had a debt to run these before heating for some moments. yes indeed literally electricians crawled onto a pole. in order to turn us off, i ran to them and shouted. yes , wait, wait. we've got everything paid for. rate payment will go, do not turn us off, please, once even the prospect of spending the night in the museum, because the alarm was turned off. that is, he came to develop what is called a museum, right? well, when aleksei mikhailovich took up this position

at the museum, it seems to me that he changed his job, radically, that is, people who were not museum employees began to be attracted and theater began to be attracted. we learned what a project is, and we began to participate in projects and now the whole city is, uh, involved in project activities. you can say participation in presidential grants and others that allow you to raise money. we received a new embankment 2 years ago in order to have a renovated embankment, we fought for two years during the twentieth year, the embankment was renovated. and now we have the opportunity to already walk along good footpaths . this particular section was just a steep road. that's just the same state of aggregation dirt, dried up, what a freeze, yes, and there were actually no elements of landscaping, except for one ladder, an arrow, two benches, where they gathered and basically used it as

such, well, beer benches, let's say so. we learned that there is such a competition of the ministry of construction, er, to create a comfortable environment in small towns and historical settlements. we began to offer the embankment there, won the tender, then the contractor went to the embankment for a long time, the work was not easy, but now, thank god, the object is pleasing to the eye. and now it's just now, the second the queue, the crayfish embankment is also being put in order, being improved, we really wanted it to send some kind of message to the people who come here to this embankment and, of course, we certainly remember the history of travelers who came from this embankment in the 18th century went far without any guarantee of return. this is very interesting in itself, cool information related to these sailors. this is where they left. they did not know at all not to return when they would or not to return they would see, not only were not

see. this is a journey that required great courage from people. i really wanted to talk about tourism and about these people, and the embankment bears the name of ivan kuskov, this is the last totem mogihot, the founder of fort growth of the southernmost russian settlement in california, there are signs on the amphitheater that you can look at to read about the facts of the travel of the merchants of the sailors, uh, to the hollywood islands and alaska, that is, such unobtrusive historical meanings, such an unobtrusive historical educational program. do you know the best places? my name is christina i work in the tolzinsky museum association , work as a director, i have been working for eight years and in fact. it seems to me that, actually, uh, what i do fits very well with

yours. actually. thoughts, goals , desires, aspirations, and so on, because you came here within the framework. uh, i understand most of you within the presidential platform. russia is a land of opportunity. now, i absolutely follow that, if it is possible, and i actually represent your line, which is related to what i think, now there is a huge space for opportunities and our small towns that really really need a frame. needs a lot of creative ideas. he really needs some cool things and really needs people who will actually put forward these cool things and ideas. in general, in fact. i am deeply convinced, dear friends, that it is really in people, yes, that is, uh, we are really not only us. and who else? uh, maybe uh do what's called small area revival. yes, there, like the development of new territories and so on. here because really now, uh, well, it's pointless to wait for someone

, it's pointless to think that someone is going to burn you, mountains of gold. here is. you have. there is a place of work small town have you have an interesting will be for children. you can fully engage in the space that we are now in the space above the creative space. it is such a said transformer. yes, i mean, uh, here today like this, yes, because uh, bean bags and breakfast here are easy features. dangerous for children, the day after tomorrow here details, youth and so on. what would a chemistry teacher call table salt? here's the first one, well, sodium, chlorine, let's not complicate things. what does the catchphrase mean to leave not solo on the slurp. well, i think at the same time. i believe that you said at the same time, so both teams get e mezzanines , as

the salt storage room was called first were better here your reaction is very great that there is such enthusiasm, of course, you don’t always expect in such small towns, that this kind dynamics, yes , the gentrification of the regions is happening, but i it seems that this is due to the great demand that the garages themselves have. you see, we are building a 19th century brine lifting tower, that is, our visitor can see you from the twelfth century to the 19th century. and here is the brine lifting tower, it will serve as a kind of observation deck where you can climb, we have long wanted to show a particularly lifting pipe. this is an absolutely unique building. that's not enough. who even understood what it was like to stick some pieces of wood from the ground. well so often stick out. yes, what is so attractive about them, but this is a real engineering miracle. it's just a building, uh, oh, that can be

talked about endlessly. well, from these especially lifting pipes, the oldest one is anywhere in the church, for example, as in general in the 16th century in the 15th century. it was possible to engage in deep drilling. wells were drilled in one well. there 3 years 5 years, that is, 7 years, the plant has not existed for more than 100 years. uh, the territory is overgrown empty overgrown empty. moreover , it was even impossible to approach the mouth of the salt-water river, where the lifting pipes were sent out and we at first, they simply mowed down part of this wasteland and laid wooden walkways and stairs made on the approaches. uh, brine-lifting pipes, but then something somehow fascinated us. this theme. we understand that people are interested in tourists very much such a good request for this route, and we realized that we need to move on. we bought the plot here and began to restore the already built salt plant. in the twentieth year, reconnaissance was carried out. we have defined the boundaries of the cultural layer. uh, the fact

that salt was boiled here was known for a long time it is known that there have always been wooden water pipes here. all these are wooden pipes, and whole drills and not composite, but very long sections of 5-7 m. uh, they carried salt water from the wells to the guys. there are very interesting brine-lifting pipes. that is , the vertical ones you see here in the river stand here at a great depth from solikamsk to soligalichi through that winter, entering the novgorod region. e at a great deep depth is a layer of rock salt, at a colossal depth. below it are ground water, which is under the pressure of cows e is squeezed out not to the surface, but to a depth reached of 30 by 100 m. e seeps through

. once again, because there are a lot of people today. maybe you didn’t hear something, the bar is a closed room with fish, where there were no windows, there were only doors and several openings in the upper part. e, through which the smoke came out, the main thing, belonging varnice is an iron frying pan. this iron frying pan was warmed up, and warmed up for several days, and then salt brine and wells, or it’s correct to say a split from the bulk, it was scooped out and entered this iron pan, and then the welding process went on. well, you can imagine how much it really was hard, really. here they sniffed a little bit of ours like this, of course, our guys are pouring before our adventure. they will open the assistants at the same time. we were, it turns out you

showed salt how the actual process targeting happens from the beginning to the end. and when in practice you can touch each stage. this is a thousand times more interesting, of course, than reading wikipedia or somewhere else more reliable. when you lift it, yes, yes, when you lift it, the hot bucket, it's especially exciting. you can’t sleep here, everything is in order here , as they say, yes, that is, our people are in no hurry , some paths are overgrown with grass, and maybe absolutely no one walks along them. i remember cows, my god. i remember a cow walking along a totma of goats, uh, who nibbled grass, those thereby saving the city from the need to mow with a scythe to walk. in this house, literally , all my childhood passed, next to the school, in a very beautiful quiet place, here we are on the shore of the dry land, with a huge yard where we could spend hours

exploring every secluded corner. the shortest way to the river. he was just passing through our yard through the gate, literally just a little bit down from the house to the dryer. and we, accordingly, ended up here in this place, where there are always a lot of fishermen's boats, where there is an area of ​​linen on the raft, and of course we were engaged. the same way we rested here. we swam, we tried to fish, in any case, so we, of course, helped our parents to carry, like zina, such colorful baskets at home to the washing machine. uh, he's just a soviet-style washing machine, she won't get it. uh, she only does laundry, which is why i had to pack the laundry in baskets after washing and come here. in winter, they went to rinse on the hole , they usually made two holes from one, took water

for some needs, and rinsed the other. here and uh, respectively, of course, this occupation is not easy to rinse, ice water. and of course, the hostesses. this business was given not simply, but when returning home with this linen. she always smelled so frosty freshness, without any air conditioning darlings and so on. of course, great. yes. sit down. i wanted to talk about the exposition. we have replaced the shop windows in the merchant's hall. you saw and the question arose about what to do in the blue hall, because there are shop windows without light and backdrops there are not very pretty. apparently, it will be necessary to purchase fabrics, blue ones are tight in order to in any case, we agreed that the electrician will work on the light to start these showcases, so the questions here and the clarity of the situation

i trust, if you think that if it's not a fan, it's better to have a blue background, i never thought that the museum in general works so interesting. i always thought even when i studied at the department of cultural studies, what where? where the museum will not work, because there is so much dust in the past. and now i understand that in fact there is no, of course, of course there. yes, there are some artifacts of the past, but these acts of the facts of the past can be sold very tasty. yes? very tasty. very interesting. uh, and museum work is constantly communicating with new people, constantly self-improvement, constantly. this is, uh, the movement of business trips for professional development, some kind of constant movement that you can organize here on the spot in the dark. it seems to me that this is very exciting a little. what kind of work gives such opportunities such resources for development. when i myself began to work in the museum, i realized that the training courses that are offered for

museum workers in moscow in st. petersburg do not meet e my requests, because they tell things that are very far from our museum activities. yes, that is, well, there, when you’re like this from the stage. they say that you need to lay at least a million rubles for a good exhibition, and you sit and think about what you have for the exhibition, god forbid, if the district gives 20,000, that’s good. cognitive dissonance begins to awaken, yes, and that very feeling of helplessness appears in my head. yes? what, oh my god. well, we are so small , we are insignificant, what, in general, are we doing here. and i realized that it is necessary to organize such a platform here, perhaps in the yes volume, which would really be connected with education. e museum workers of small towns. we are now organizing these training courses, seminars and trainings of the school of museum development, to which people come literally from all over the country. well, on average, there are 70 people in the audience of the museum

development school, while the most distant participants came to us from the republic of yakutia. so we are making a language; there are people coming from lensk, from chelyabinsk, from salekhard. yes, if the school for representatives of the cult of the camera come to small museum workers, and peterhof means, apparently, after all, we tell some things that are really interesting to people and that are in demand. this is very inspiring. intro museum is the main festival of our country. it takes place every year in the manege, and so we won the museum from the design school of museum development, just with this project it is connected precisely with the organization. here are such refresher courses for museum workers in small towns. we won the best a project aimed at inter-regional cooperation, when literally our rivals were four large federal and regional museums - this is the russian museum for everyone, the well-known snake named after pushkin is peterhof and the darwin museum. that is , this is a museum of resources and the possibilities of which

are absolutely not comparable with the possibility of a museum, but, apparently, not everything is decided by size, not everything is decided by geography. sometimes the enthusiasm of people, it really becomes a decisive factor, and we received an award of 400,000 rubles. actually, which we have updated our material technical base in the department of funds, funds. the storehouse of our museum bought shelving. there are such special cabinets, not cabinets from the driver, from which all this is stored. and so we just bought this for this award, because until recently, we still had fundahanilis , racks and structures of the fifties of the last century.

yes, someone came last week , the husband's business does not allow. we often visit our hometown more and longer we live in nizhny but during our absence, my love. totma has improved so much. i even managed to walk along the streets of our city and now dear friends. we want to tell you a little about the project, it's about the people who have already begun to be implemented in our city, they will tell you about it and what will happen. in this building, after a while, the director of the totem museum of local lore alexei mikhailovich novoselov good afternoon, dear friends, it's joyful to see everyone here at our

new facility. it is being renovated. it is gradually being put in order, big work is to be done on it, and it all started in in many ways, by chance last year my colleague vera nikolaevna galushkina, who you all just saw here, wrote a post on a social network. e vkontakte about this house and literally a week after the post appeared on the social network vkontakte. people come out to me and say, alexey, we are selling the house. i say, great. how much do you sell the house for, well, for a million. i don’t have a million, the museum doesn’t have one either, what should i do? we posted a post on the social network that the house is for sale in order to find him a good the owner literally 4 days have passed uh 700 likes, uh 400 reposts, uh, and i got a message from a person who still wants to remain anonymous. he lives abroad. he

says, alexey, i'm ready to buy this house, but i don't need it, if you take it for yourself, please, no problem, and we went to the bank. we made a deal. we bought this historic house, and we began to think of only his house. and what to do with all this? we decided to create a museum in this house for a tourist center that would tell about entrepreneurs about patrons about merchants about those people who made a huge contribution to the development of our city further. we will be painting the building, repairing the roof, then repairing the interiors, when we actually open we do not yet know, but we hope that with god's help with the help of you, dear friends. uh, this object will get a second life, and we can get together to drink tea in the house. only where you put them directly in the house itself, and not just in the yard. thank you

hello hostesses. well, how are you? everything is ready about fine pies full table, good day. good greetings well, how is work today or already or already there is no work. or only exclusively culinary matters of care are all in the process. we pulled out fresh presentations, of course, with one hand we put pies in the oven, we make a presentation to protect perfectly. you saw how she cooked , show what she cooked. oh, it's right you

have prepared, of course, the light. at sour cream with garlic sauce, a seagull is sure to somehow yes , i want weed already. we are all participants of the summer museological camp last year , alexei mikhailovich novosev came up with an idea, come up with something with the participation of students the idea in the past has grown and by the end of this academic year has grown into a more clear understanding that museums need to address the issues of new development of the space of the house of refrigeration. you and i

are in the former front drawing room of the main merchant's house, which belonged to the kholodilov merchants, who equipped expeditions to alaska to the aleutian islands for the extraction of furs. here is the house accordingly. so its one of the most significant monuments in our city, associated with the era of navigation. exactly. here we are currently designing a new exposition of the future mariod museum. we have it in the city, but, of course, it is already obsolete, we will be here in this front suite. eh, to create a new exhibition, but nevertheless you need to understand what you see, what conditions we are now in here. the point is that most of my life. this building was first the county police, then the district police, then the district police. we are doing it for the first time. in our

base, we used to conduct, of course, both student internships and some activities related to the camp of restorers, who also came students, integrated our work from the funds of our museum. but this is the first time we are running a museological camp, and it is dedicated to project activities, as tools for the development of a small museum, and students who travel around, they work, write project applications and study. for example, what is relevant now it is important for us to work with the kholodilova estate now, and therefore we suggested that they break into groups and work with our future museum spaces. how do they see their potential future as already such public spaces to visit. it turned out to be a very interesting interactive option, how to reduce the estimate by almost 300,000 rubles. uh, using regular flashlights. we remove

almost all the light from the exposure, leaving only natural light. these are windows for exposition in the daytime. if tours are held in the evening, then we introduce such a small interactive option, we took just ordinary flashlights that people will use for self-guided illumination of the exhibition exposition, which they do not want to examine. they wrote applications in the real form of applications for the presidential fund for cultural initiatives. they directly received from the experts the same scores according to the same criteria by which the real project of the presidential fund for cultural initiatives is evaluated. that is, everything is like e for real, and here are two teams out of six. as a result, they scored passing points. here are those projects. we think first . we will apply when the fund announces the next competition students who came

for practice. they ask how you can work, when how can you get after graduating from universities well, why do you want to move from vologda that day, yes we want, because we don’t see that volodya will also be interesting to us in the museum. it seems to me, praise, and this is such a good foundation for the future and an advance , including so that we do not stop, so that we continue to work, so that we bring up young people. and so that the guys really understand that here you can create an interesting environment around you. if you yourself you don't just have to sit and wait by the sea for the weather. oh, the cinema is not worth it here, otherwise there is no embankment either. oh, there's nowhere to go out and walk, go and do something for it. go do it, it's just not sitting, don't be silent. do whatever you want, whatever is in your power.

as a very young man, he joined the ukrainian galician army. there, they were trained as scouts for saboteurs. and, of course, ukrainians organized monsters , 6,000 service people were destroyed , they were detained and used in anti-soviet activities.

the strength of the armed forces, which 11 times today tried to go on the attack. zelensky’s formation was thrown back to our units, about 400 people were lost in the donetsk direction, where the most fierce battles near andreevka are cheerful and red-roving, and in just a day almost 1,000 officer soldiers lost everything.