in this hour we are watching a documentary by alexander rogatkin, the brotherly heart of sergei puskepalitsa on the actor’s memorial day exactly a year ago, he tragically died in an accident near yaroslavl on the way to donbass, where did he take humanitarian aid? dear friends, we are moving out tomorrow, everything is working. 100 kg 100 kg everything

works fine. tomorrow we are going to see igor ugonnik and camouflage him with victories. all these years, old cash-in-transit vans were incredibly in demand in the donbass ; the body, reinforced with armor plates, saved small fragments from bullets. look at what this armored car has turned into. it felt like he had been hit by a shell. sergei was launched over there in the passenger seat, but, unfortunately, there was no chance of survival.

this is an armored car, it flew out, as a shell says, trucker georgy, and straight into the cab of his truck. 3 months in the hospital, 14 ribs were broken in several places, a lung was punctured. well, okay, the water didn’t go, damn, there are also four fractures on the face and a shoulder blade and two arms. as they say, for about three months, the bag of bones hurts there, it hurts. but it's okay i'm working now. theater driver alexander sinitsyn was driving the armored car and died. it is clear that an armored car

is a heavier vehicle and it is not every day that a theater driver has to drive such equipment. so, accordingly, he skidded a little into the lane of oncoming traffic, at that moment two trucks were moving, and there was a sliding contact with the first truck. as a result , the trajectory of the armored car changed, well, and, accordingly, there was an almost head-on collision with the second one, which was following the first truck. he might be distracted by something, but this how can a person now judge? what to blame already? who's to blame? yes, this can happen to anyone. he hit the guy in front, damn it, on the front wheel , his speed was so good that his wheel exploded. yes, the way he crosses for me was like a movie, for me

it was as if he ran into something. this is how it is shown in the film. she was already a car and then left it on two wheels for me, like that’s how it was, and then how many one two gates and that’s it. they live next to me there there's nothing you can do, damn it. this is the most unfortunate place where the yaroslavskoye highway, at the exit from rostov velikiy, makes a small turn, and it was on it that the armored car, pieces of a finger, carried it into the oncoming traffic. georgy avgustovsky still doesn’t understand how he survived this accident . although i sat down and then i asked, but they said nothing, everything is there there, they say, there is no one. it’s a pity, of course, it’s a very pity.

we are all people. we are all people, especially since he is such an artist and has watched a lot of his films. i watched it a lot and liked it. we're the same age. i'm also forty-six. well, somehow god left me. there was always a sense of charisma in this man that flowed across the screen. he was a man in every sense of the word. he was a bright man and an active citizen. you know, they say with people like that you should

go on reconnaissance missions, and everyone had a feeling. i would go on reconnaissance with him, even without ammunition and grenades. ah, on the huge 120-hectare film set of the voenfilm studio in medyn, near kaluga, the next series about the great patriotic war is being filmed. let's go look at the object. hello, ugolnikov always wanted to pick up sergei and start his finger together, walking along long paths to each other. and here it is, finally. it was supposed to happen here

to star in one of the main roles. unfortunately, the first day of filming turned out to be the last for sergei puskepalis. and we filmed the first episode with him on the first day of shooting. eh, when he meets the main character, and after this day seryozha had to leave, and he warned me about this to leave for this ill-fated car. the ugolnikov studio in medyn has a unique technical base here restoring rare tanks and airplanes from the great patriotic war, the applicant had to return here in his armored vehicle and prepare it for the front. and for now he will continue filming and

live here at the studio. we had to camouflage this car for him properly, and he was going to use it to leave for donbass ; everything was ready to start the shooting day. and this unfortunate call, which told me that seryozha not only wouldn’t come, but that he was no longer there at all. in series call sign cranes, pro-front reconnaissance sergei pusk finger was supposed to play the wise chief of staff andreevich, who ends up captured by a sabotage group, dressed in a soviet uniform, when he guessed that the car was stuck. andrei is saved thanks to the vigilance of the arrested commander of the dead company of penal prisoners, the lieutenants, ivashov, were sent to the tribunal, but on the way the convoy is met

by saboteurs or the lieutenant helps first to expose the german intelligence officers, and then to destroy them. captain i'm taking it from you lieutenant, there is a comrade lieutenant colonel. so it remained in this short episode. we stopped filming for two days, of course, and made sergei’s decision to leave this frame, this first scene, in the film . eh, the way it was filmed, and then i will play this role. i myself quickly make a decision. and also look what kind of hero this is and what was not planned came to be done, and i played the role of seryozha in this picture, then they acted. modern cinema has long used computer technology, deephake duplication. the face of the actor

was replaced by a computer double in the tv series saboteur of the deceased vladislav galkin. the idea was to make a diff. uh, artificial intelligence, but no artificial intelligence. he will never replace a great actor and a great man, but the armored car with his name all over the body still made it to the front. we made exactly the same armored car and camouflaged it here at the vine film studio and sent this armored car there to the donbass along with the car that killed us. vez, he asks, what else is needed? well, kadym, an armored car would be nice. serbian sniper deyki often brought sergei to the fighters. this was simply necessary both for the launch of the palis and for those around . when such people come, they bring a lot of good things, not the buildings in their hands, but with their energy, it

goes and glows. just like that, eagle follows them straight away, and wherever he came to us, he was immediately in a good mood. the guys are getting up. they understand that just a person came to me. they understand that a person has arrived who is giving them a pillow. now the decks are no longer available due to health reasons. i’m fighting, i’m engaged in humanitarian aid and sending volunteers to my homeland. after my last wound, i can’t fight anymore. the eyes don't work there. the left hand piston does not work at all. well, the problem is a lot: somehow the deck treated his finger to the famous serbian dried meat brochute and sergei suggested that deyan, belivich open a meat shop.

i have no money, but i will finance it. you're just a job. and, well, he understood what kind of attitude i had with my health and they understand that i can’t live out my pension without getting 5,000 , i can’t live, i say, i’ll do everything for you you work so that you can work straight away. repairs are constantly being improved. this is what the famous serbian prosciutto looks like. yes, sergei loved eyeliner. oh, sergei loved it. so we carried the test sergei when he was driving to your house. at first we had 12 tons. products in the warehouse, so we then

fed all this remotely to our serbia guys there, and then sergei was a witness at elena’s wedding deck. it was the other way around for me. at first i had a month, then in church two years later. i brought pieces of a finger as a gift for the newlyweds, i don’t drink a barrel of moonshine at all, but i promised, when the war is over, when we win, then i drank one hand from this barrel. here i will make a table for my colleagues who survived this war

and give him a drink sergeev himself brought this deck to you the rusievsky rehabilitation center in the dpr where doctors put paralyzed soldiers back on their feet after being seriously wounded literally a few days before their death the actor managed to give the uaz center received a loaf of bread to transport patients, they talked and set a task. well, people take pictures and leave. well, with sergei it turned out differently. less than a month has passed, probably. so i came to us with this car, that is, the man was a real monday. eh, we were given a car from sergei to the center, and on friday, unfortunately, he was already buried. n he firm

fell in love with the loaf. here in the military, a loaf for the doctors, i found such a loaf in russia, i repaired it, made it from her , and actually gave it to us as a candy. around me, which he will have with her as zelimkhad. yes, little baby. everything is. now we are starting to move towards the donetsk mission, we fought a little bit, and then, when i was wounded, i left, uh , this loaf was given to the rehabilitation center, when they went there to the israeli center , he was silent for a very long time, just silent for a long time and then said, brother, something needs to be done. now in the small museum of the rehabilitation center there is an exhibition dedicated to the actor. these trophies have already been created, the guy, a sapper,

was lying with us, and he discharged the nlow and handed it over to our museum. this is our war, our colleagues are already deceased, our nephew died near mariupol. here and here is the corner sergei pieces of rosewood here guard. i gave sergei this knife, but unfortunately, he didn’t have time to get to him. war, as a developer, a litmus test, keeps coming out, who is, who was a patriot of his country, he was a russian man who could not abandon the russian people, at the time when the republic became a heavy-bred republic, pieces of a finger were often on the front line, but famous russian writer and commander of a volunteer battalion. dpr zakhar prilepin

basically did not take him into position and protected him as best he could. he is so huge and easy to get into, and he climbs into the forest all the time , somewhere there is something to see, something to see, with his own eyes. well, in general, he is such a balatov, brave, of course, he was a brave man, such an explosive, bright, striving, it was donbass that made them very close friends and united the common ideas of fraternal help. zakhar prilepin is now in his fifth month in the hospital. ukrainian saboteurs blew up his car. he underwent several difficult operations, but without hesitation he agreed to meet with us and tell us about his deceased friend. he didn't try to go somewhere between the streams. he i just chose my side and spoke. i am whatever you want, that is, zakhar. if you call me, i will join your battalion in any capacity. i would, of course, health is not the same, but i will bet to the last, but i just haven’t called for it yet. here's a humanitarian aid. here is help,

but i will always hold you. if you came up with this, then i'm with you. i was, of course, very proud of it. i think he treated few people with such trust. why do actors come here? here you are, you seem to be growing your fame against the backdrop of donbass or i don’t care, on the contrary, i ’m even embarrassed by this kind of publicity, because i don’t really want to make any kind of show out of it, you know, there and so on. i personally want my comrades, well, those who know me, firstly, to stop being afraid. they just stopped being afraid to broadcast what they feel, because in many respects in our environment. that's the fact that my behavior is a little causing the actor's it is causing me it, because i have developed some kind of feeling that we should be opposition to the existing government. here you can feel the reality in a completely different way, the tension in

the air, the resentment and injustice that has arisen in connection with people just like you and me, but for some reason, someone somewhere decided that it is impossible to speak russian . it’s not a pity, not a bit at all, let him serve. i don't have that opportunity. let him serve with normal guys with our heroes and warriors. let him protect our interests. he went there with joy that he could bring our soldiers what they needed. necessary and the most important thing is that he always enjoyed communicating with the guys. it gave him some new sensations, some new perception. e of the motherland, a new perception of our heroes, archimandrite sylvester in recent years has become both a friend and confessor of sergei , and the rector of the church of andrei telat admitted that as a great teenager he always blessed him before trips to the front. he called and said

that he was leaving almost every time there was an opportunity, i blessed him after all, the trip was a hot spot, but on this one the last time we missed each other somehow, uh hmm , apparently, he was in a hurry, in a hurry, trying to get the car in order, which he was supposed to give as a gift. and so, unfortunately, such sadness. but on may 9, when the maidan was in kiev, he was in the hotel and saw people coming, well , veteran soldiers with medals, and he quickly ran to the store to buy and buy fruit and cakes there , and he drove up and quickly bought them, and i just tore off their medals and medals that were on them and he approached these nazis and quarreled as equals. and victory when i ask for kyiv

i saw everything that was happening there, there were no more questions for me, then only confirmation began to arise. he often played in films about the great patriotic war, he handed over the price of that victory and sent bulletproof vests and warm clothes to the donbass more than once , drawing soul-tearing parallels, remembering the difficult fate of the russian soldier on the front lines of exile. how many people the office of the person strangely does not see the federation asked, we already have ammunition for us, but for pleasure, and medicines were sometimes a rare combination of incompatible qualities. he

there was uh, amazing texture of the man. and at the same time, there was such softness in him , such a kind of ah, tenderness, i would say, and i really wanted to work with him a lot, that to no avail, at 5:00 in the morning the bell rang. for some reason i turned on the phone at 5:00. what's happened? i run to the phone so seryozha , who finished the painting, looks at the painting. well, how is it, yes, but he spoke about her with such delight and tears and somehow very humanely that i didn’t even scold her. and this is at 5:00 in the morning even on this occasion. in the film adaptation of the novel by vasily grozman life fate dealt with the already accomplished dramatic actor plays artillery captain grekov, who organized the defense

of the house of stalingrad. in this role, he incredibly organically did not carry out the order of the command. execution. only one circumstance can save. why did you desert now, when the man really played himself, all of russia was buried. the captain, as an enemy , argues that you will have to answer for these words. and now i’ll let you go and none of my fighters will give me away. and we will be like a proverb, the forest is cut down, the chips fly when we played this scene. i'm really scared. that is, i understood that this was all conditional, that seryozha threw no one into these offered by this entering was so

precisely amazing, therefore, i decided that i really felt uneasy and was joking at such a moment. i am an acting profession. she is such that in one life you live many, many lives of other people. and maybe it doesn’t fit into your physiological life. this is all that you live does not fit, but this is already such a specificity of our labor. individual human individuality. i think that a huge role was played by the fact that he did not acquire the features of a moscow resident, so to speak , a moscow resident, so to speak, born in moscow. he was a very provincial person. it was beautiful because it had

a purity of naivety. he is surprised. he did not miss the opportunity to be surprised for almost 30 years in provincial theaters by everyday troubles and leaking roofs. this could not but affect the character of the finger and the trigger itself. knew well how and how to surprise venerable directors; he served as an actor for more than 10 years. in the saratov youth theater, after the directing department of the gitez under the leadership of pyotr fomenko, he worked in the samara theater, then as the main director of the theater in magnitogorsk, at one time he staged plays for oleg tabakov’s studio, and four years ago he left for yaroslavl to head the first russian theater. mini by fyodor volkov

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photographs of the artists of the volkov theater, then no, in theory, the launch of the palis. this is the magic cloak of fyodor grigorievich. and this is the continuation of the square and all the artists are on the cloak , the theatrical cloak of fyodor volkov, which is like protection, like a safe-conduct? here he is mine theater, they are wonderful successors of my work, the new artistic director. valery kirillov calls himself a student of sergei puskepalitsa and a successor to his work at the yaroslavl volkov theater, in fact, this is the office of sergei vitaut pieces of palis, they really liked that the president of russia opened the theater in 1919 in our