and if you think that these are just photographs of the artists of the volkov theater, then no, in theory, the launches of the palis. this is the magic cloak of fyodor grigorievich. and this is the continuation of the cloak and all the artists are wearing the cloak, the theatrical cloak of fyodor volkov, which is like protection, like a safe-conduct? this is my theater, these are the wonderful successors of my work, the new artistic director. valery kirillov calls himself a student of sergei puskepalitsa and a successor of his work at the yaroslavl volkov theater ; in fact, this is the office of sergei vitau. it was launched that go theater the president of russia opened in our theater in 1919. as a matter

of fact, here is his desktop, it’s convenient, good. go ahead, don't doubt anything. puskepalis blew up and upended the measured provincial life of the yaroslavl theater ; new performances appeared in the repertoire; ideas simply did not have time to be implemented. sergei vitau had the groundwork for not one, not two, but at least three seasons, and so now , in an amicable way, we are honestly implementing what he had in mind and these plans for more than one season. he laid the tradition for the whole group to ride on a motor ship along the volga for spectators, regularly organized excursions into the backstage and

held open rehearsals. before the premiere , the team threw coins at the monument to the founder of the first russian theater, fyodor volkov. and at the end of the season, everyone went together to plant a christmas tree in front of the theater. unfortunately, this year we had to do it without sergei puskepalitsa. the tree as a symbol of the fact that we will not be there, and they will turn green; count the seasons by the trees; count the seasons by the fact that we buried and burned the roots; we watch how it growing? how is it developing? this is very cool. yes, tell me, you see the doctor is interested and the tragic season for the volkov theater ended with a performance , the upcoming event pieces his finger, he considered it

his main success as a director before the start of the production, his voice still sounds in the hall, as if nothing had happened. dear viewers are glad to see you at the performance of the first russian theater named after fedorov volkov, this is the season of the polish finger a and we know, we love, we remember and feel. that he is with us the truth is the truth without any mysticism, therefore the final point this is exactly a performance with upcoming events. now walk along the edge of the crimea, the premiere of this particular production of the participants decided to show it in the donbass; it was important for him to hear the opinion of those spectators who live under the constant fear of dying from shelling ; it became some kind of fateful sign; the main idea of ​​the play is the eternal dispute between the angel and the devil . and this is precisely what i probably

saw in my current position and current life. why did he take this performance there, because that’s where this fight is, when injustice arises when it needs to be fought and nothing else. just what is happening in the world now. not a single psychiatrist is diagnosed. first it was shown in donetsk and then they played in gorlovka in gorlovka. there they heard shots and shelling , that is, this was the first creative battalion that went at a busy time, so, of course, everything was received with pleasure, everyone understood that they were carrying a certain mission , which had to be done in the hall, began to watch the performance, then there was an alarm call. so he did it, he went to the front line, picked up the wounded soldiers, brought them to the hospital and

returned for the finale in order to thank us for being together, for coming from yaroslavl to support the fighting creative spirit. gorlovka residents from all of us from gorlovka from gorlovka residents. it's a shame that not everyone was able to get here. this is ultra. it happens. well, maybe we’ll wait again and the threads will come to them for the first time since 1914. a professional theater came from the mainland, what did they call us? it was. it was a sign. it was such a serious sign support is a sign that guys, we are together , no one will leave you anywhere, and these are all pieces. this is the mission. here we are. we had

a mission before us. this is how they touched each other, touched us in order to simply understand that we had arrived, and we exist, and we are one whole ; they simply touched us, like a talisman, seriously, as an element of complicity. yes, just global and my guys left here. you say they left here different. they they understood what art can do in general, this is the industry in which i am, and you believe in art. well, i don’t really believe it. i am sure that this may be one of the highest manifestations of human activity - war, and war is something that art has not completed. what she did not complete is then completed by military law enforcement agencies. i always tell my comrades i say. here you are doing something that you haven’t finished yet. me or my colleagues. the question is too abstract, why are you being clever again? i'm just asking you directly. this

word is sometimes like a child choking on his own joy. so, of course, i came under charm under the love of this person. he immediately let me into his heart. i felt it, and it became mine, and i even think that it is also born by me very accurately. a huge russian heart, even despite the fact that

her last name has been thrown around, and i tell myself, as it translates, he says, he says, half a loaf. and a bastard. you are my spelled hankenrock, semi-bread. you got through my start, here’s my dear, my man’s father is lithuanian. therefore , sergei often spent his holidays in kaunas with his grandmother and spoke a little lithuanian. my mother is from the small town of taraclia in moldova, where mostly bulgarians live, it was a typical international soviet family that traveled all over the union , this, of course, was amazing for me , i won’t hide it, because sergei metalloto was treated with he, uh, well, he doesn’t have a drop of russian blood, and at the same time he was simply just a patriot patriot patriotovich. to be honest, i just didn’t ask the sergeeviks. well, it's no secret. probably, you are half bulgarian, half latvian. how

do you get the russian world in your head in general ? was formed, and how did it exist in you so easily, freely and organically , your patriot of chukotka exists because i was there for 10 years in chukotka, i told you what a beautiful land it is. lithuania because i liked grandma monika milk. this, uh, way of life is the same as that of my mother in the bulgarian village of taracleya, which is now next to gagauzia and is next to gagauzia. i was a patriot in this teraklia until now you can knock on it. now it’s very difficult for them there, and back then, even with me, they were already trying to use the romanian flag all the time throw it in the trash when it was the nineties and they were launched from the floor with a loaf of bread translated from lithuanian: good bread, peasant surname. i really hope that this madness will end in lithuania too. of course, i considered myself russian. it was due to his russian childhood in the russian army kindergarten , where he served excellently, and served in a service

that he was very proud of and valued. he raised the flag there on all holidays. well, that is, that is, in general, he was a man of great russia in russia, of course, there is nothing unusual in this. no, we are, well, we are there there we are surprised, but we have pushkin and lermontov and zhukovsky whoever have huge, and parts of the ground blood we, well, it’s just like one of the strange, amazing important bright components of the russian mentality of russian culture. and i wanted to make a big film about donbass together with director and screenwriter artem temnikov. he was so passionate about the story of the heroic battalion combatant vladimir of the workshop that he dreamed of bringing it to life on the screen and was ready to fully finance this project. this is the story i learned from your reports about vladimir workshop.

uh, about the checkpoint about how, uh, these several dozen uh militias of the miners who were in the miners were forced to surrender and uh, they won and he really liked this story and i liked it, yes, also because uh, what, there was a noble handsome and the main character. eh, beautiful soul mentally. what is the guarantee that we will go out? and the guarantee is that i will go with you. yes, that is, i will take you out and return, that i am not afraid that you will take captivity there, he looked at the materials and , uh, vladimir also looked. that's it, i asked still send him to get used to the character, and he had to play church. yes, he wanted to play. he wanted to play combat because , well, more precisely, and how he leaves. uh, death for me there at the end. give me some money again. i gave you 2 days ago, where are you going? surprisingly, sergei is already starting to burn, an accomplished theater actor and

director was brought to bolshoi cinema by his own son gleb, then was 11 years old, and he starred in alexei popogrebsky’s film, koktebel. and i don’t want to stay here. i'm not here like it or not. i don't like staying with this one. the guy played absolutely brilliantly . and now he is already studying to become a director at vgik, taller than me, and in connection with this , sergei pushkin somehow came to our set and it seemed to me that cinema was hovering around him. the father was an example for his son in everything, but gleb says the main thing he taught was not stagecraft about letting people down , he taught people to believe in goodness, because goodness is much harder to do. the most important thing is not to let people down, not to let down loved ones and

to work and to work in work is the exodus of the soul. well, actually. well, that’s how it worked. i realized that my inner camera was keeping him in close-up, and i myself, without expecting it, began to come up with a film for him and only when i wrote the first draft, the script, simple things. i told sergei seryoga and i wrote a film for you. in the film, sergei poskipaev was supposed to play simple things in a duet with the legendary leonid bronev. this was one of the master’s last roles, knowing the difficult nature of the armor, everyone, including the directors and actor, was worried debbtant, but everything worked out and pieces of a finger at kinotaur received the main prize for best actor. i say the dropper won’t be there anymore, let’s remove it. well, i understand. no need to shout. i asked, i hear in pogreb inspired by the success and the fact that i got incredibly right with the choice of actor, he invites pieces of a finger to chukotka to star in a film about

polar explorers how i spent this summer sergei agrees without hesitation, moreover, as a child in chukotka he lived 9 years with his parents, since the two roles for him are the main roles that i wrote for him. i i wrote specifically for him. here he is, it seems to me that in my films he is the same as kim, i see him in life, continuous observation over many years. all for one tourist who came here to later write an essay on how i spent this summer. if people died. what is charisma? it’s impossible to define what film genius is, pieces of the finger lives and, uh, breathes in the frame incredibly organically, and so it turned out that the roles that were written for him were those that fell on him, which is simply

incredible. it seemed that the finger itself was pieces became part of this harsh northern nature , just as inaccessible and thick-skinned. we are filming a scene in chukotka, again prices with dobrygin and suddenly from somewhere from the tundra on the coast. uh, brings a billion mosquitoes. just unbelieveble. it’s like the locust, the sun is obscured by a bunch of mosquitoes. at first i'm horrified, then you realize that for the stage - this is very good. and then these mosquitoes fly in, they obscure the frame and begin to mercilessly bite the entire film crew; they begin to bite dobrygin, who plays a young trainee at the polar station and in an amazing way. they don’t bite pieces of palisade just ah and the main thing for the role is that this is absolutely not a brilliant decision. this is how nature ordered it. i say, between takes seryoga what, mosquitoes don’t bite you? yes, they are already tired of it. they've eaten me up for 9 years.

they want new ones. sergei vitalievich , i’m still in the barrel for at least two months. and indeed, since the universe gave us these mosquitoes for a conflict scene, when we understand that one person is from the flesh of this polar texture, and the other here visiting visiting trainee. or seryoga played in such a way that mosquitoes didn’t bite him, i don’t know, i don’t presume to judge samara, sergei was allowed to play and grigory dobrygin received the silver bear for the main muscle role one for two. it was a stunning success for aspiring actors.

the tradition of planting evergreen trees, established by the policy, has now been intercepted in donetsk by the unbroken fighting city under the roar of artillery cannonade. in the park named after my favorite actor i met cedar trees brought from big russia. we arrived at the park named after my father, we came here with such a large delegation and put up signs over time that cedars will appear here, cedars are a favorite tree that is very difficult to break. he has a lot of things connected with cedar in his house. we also have cedars in our garden. maybe, by the way , his call sign was kedr. i think opa is his very favorite city. perhaps, well, one of the beloved people of real real destinies of real correct traditions. actually, our russian orthodox people and what they actually stood for.

the last year of sergei’s life at the start of the palisa was the most fruitful; he managed to star in 12 films; he regularly traveled to donbass and directed the yaroslavl theater. preparing the premiere, the schedule was not so scheduled that it would be up to the minute , it seemed to the little-known director artyom temnikov , it was not easy to persuade the popular actor to appear in his only third film. i don't belong to myself. i am in the theater refusing all contracts that have not yet been concluded and sorry, well, just in case, send it to me. uh, just look at the script, i'm sending the script. it was half past ten. e evening. uh, and it's already eight at the beginning of the ninth. he calls me and says, artyom, i will definitely star in your film. and i liked the script. i liked the role. and i will even help you, in whatever way i can, i will help you come, as we will film. yaroslavl

has a base here. there are places here, there are locations here, if that happens. we'll find everything. e. well, i just won’t be able to travel to moscow for 20 filming days without taking time off from the theater, because the theater is very important to me, bite your finger, without hesitation took on the incredibly complex role of a doctor in a children's psychiatric hospital to pose the same question as chekhov 's where is the line between mental deviation and normality, why do children of seemingly decent parents become flayers or suicides? yes, it’s not them, it’s us who need to be treated, and everyone should be treated , and usually actors are not superstitious and die several times during their careers on stage and on screen, but here everything that happened cannot be called anything other than a mystical coincidence the schoolyard where the doctor's death was filmed is in the same rostov veliky where sergei puskepalis died when his heart attack at the end and the doctor falls and

leans back on the snow and takes a breath. this is his heart beating. and right there opposite this place when he was driving. eh, this armored car is a collector's car. so he had an accident there, that is, uh, directly opposite this place, in fact, six months later. yes, fate, yes. so bright and fruitful. life is so short , there are still unfinished theatrical projects, unmade films and unplayed roles. in that car gaz-67 and we are now going with it to the site. he tells me something, uh, i answer him something. we communicate and prepare to do something interesting, important, that will remain after us. i’m sitting here at our table and still waiting. here he is now for a second

sergei always when he arrived right at the door, he walked right in there. this is what our russian bugatti says, brother. my idea is always in a heap. d. i’m sitting here and just waiting. now, i'm sorry for a second. i've been there twice already. once at night i crossed myself to the kingdom of heaven, and the second time i wanted to stop i couldn’t. a tear welled up in my eyes, but i couldn’t stop. but i’ll stop anyway, i’ll definitely stop anyway.

i stopped at this place on the yaroslavl highway, where tragic fate brought together such different people. yes, she left me. maybe it’s necessary why maybe it’s not necessary nobody knows. from the turn signal from my glass

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