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evaluation. don't get burned. bank credit cash deliveries 3.9% per annum for everyone and if you think that these are just photographs of the volkov theater artists, then but no, in theory, the launch of the palisa. this is the magic cloak of fyodor grigorievich . and this is the continuation of the cloak and all the artists are wearing a theatrical cloak, fedorov volkov , which is like protection, like a safe-conduct? here he is my theater, they are wonderful successors of my work, the new artistic director. valery

kirillov calls himself a student of sergei puskepalitsa and a successor of his work at the yaroslavl volkov theater; in fact, this is the office of sergei vitau. it was believed that the president of russia opened the theater in our theater in 1919. as a matter of fact, here is his desktop. there are good teachers here, including him specifically. this is the photo when i start having doubts. go ahead, don't doubt anything. received blew up and upended the measured provincial life of the yaroslavl theater ; new performances appeared in the repertoire; ideas simply did not have time to be implemented.

sergei vitau touched upon it, it was for, uh, not just one, not two, but at least three seasons, and so now , in an amicable way, in an honest way, we are implementing what he had in mind and these plans for more than one season. he laid the tradition for the whole group to ride on a motor ship along the volga for spectators , regularly organized excursions into the backstage and held open rehearsals. before the premiere, the team threw coins to monument to the founder of the first russian theater , fyodor volkov. and at the end of the season, everyone went together to plant a christmas tree in front of the theater. unfortunately, this year we had to do it without sergei in the launch, the rosewood tree as a symbol of the fact that we will not be there, and they will turn green. count the seasons by the trees count the seasons by what we

buried, watered the roots, are we watching how it grows? how it develops. this is very cool. tell me, you see, the doctor is interested, you can’t go on like this. the difficult tragic season for the volkov theater ended with a performance. upcoming event pieces finger, i considered him his main success as a director . before the start of the production , his voice still sounded in the hall, as if nothing had happened. dear viewers are glad to see you at the performance of the first russian theater named after fedorov volkov, this is the season of the polish finger a and we know, we love, we remember and feel. that he is with us the truth is true without any mysticism, so the final point this

is a performance with an upcoming event. the fear of dying from this shelling has become some kind of fateful sign, the main idea of ​​the play is the eternal dispute between the angels and the devil. and this is exactly what he probably saw in his current position and current life. why did he take this performance there, because there is this struggle, when injustice arises, when it needs to be fought and nothing else, just what is happening in the world now. not a single psychiatrist is diagnosed. first it was shown in donetsk and then they played in gorlovka in gorlovka. there they heard shots and shelling, that is, it was such the first creative battalion, which went at a busy time, so, of course, everyone

accepted it with pleasure, everyone understood that they had a certain mission that needed to be done. the mayor of gorlovka, who came to the hall, began to watch the performance, then he received an alarm call , which means he went to the front line, picked up the wounded soldiers , brought them to the hospital in gorlovka and returned to the finale of the performance in order to thank us for being together for that we came from yaroslavl to support the fighting creative spirit. gorlovchan, if he bow from us all from the hill from the throats. it’s a pity that not everyone was able to get here, it just happens. well, here we are again, and for the first time since 1914 , a professional theater came to them from the mainland, as

they called us? it was. it was a sign. this was such a serious sign of support, a sign that we guys are together and no one will leave you anywhere. and this is all starting finger, this is the mission. here we are. we had a mission before us. this is how they touched each other, touched us, just to understand that we had arrived, and we there and we are one whole, they just touched us like a talisman. seriously, how is the sauce element? yes , just global and my guys left here. you say they left here different. they they understood what art can do in general, this is the industry in which i am, and you believe in art. well, i don’t really believe it. i am sure that this may be one of the highest manifestations of human activity - war, and war is something that the artificial has perfected. what it did not

complete is then completed by military law enforcement agencies. i always say i'm telling my friend. here you are doing something that you haven’t finished yet. i, or my colleagues , the question is too abstract. to tell the truth, i’m not even afraid of this word sometimes, like a child choking on his own joy. so, of course, i fell under the spell of this man’s love. he immediately let me into his heart. i felt it standing handsome. and who is this elegant document in the cheerful film the cry of an owl, they immediately tuned in to the common wave , one brotherly heart began to beat on the purity of another brotherly heart. this is sergei's expression he used it. eh, and i always liked it, and it became mine and i already even. eh,

i think that it is also born by me, as i once heard it for the first time. it's capacious. it's very clear here. why a huge russian heart? even despite the fact that his last name is a piece of a finger, and i say to myself, and as it translates, he says it’s half a loaf. and how you are my half-loaf friend, half-bread , you are my alice, my dear man, my father is a leturian. therefore, sergei often spent his holidays in kaunas with his grandmother and spoke a little lithuanian. mother from a small town of taraclia in moldova where mainly bulgarians live, it was a typical international soviet family that traveled all over the union, of course it was amazing for me, i won’t hide it,

because sergei did something like that to him, uh, well, he doesn’t have a drop of russian blood , and at the same time he was just simply patriot patriot patriot he just never asked me. well, it's probably no secret that you are half bulgarian and half. look , it’s completely formed in my head. and how it is so easily free and organically exists within you. because i liked grandma monica's milk. this uh way of life is the same as that of my mother from the bulgarian village of taraclia, which is now located nearby in gagauzia. i was a patriot of this teraklia, and they still talk about meeting them. now it’s very difficult for them there, and back then, when i was still with me, they were already

trying to throw the romanian flag into the trash, when it was the nineties, they started with half a loaf of bread translated from lithuanian, my dears, peasant surname. i really hope that the madness will end in lithuania too. of course, i considered myself russian. it was due to his russian childhood in the russian army kindergarten, where he served excellently, and served in a service that he was very proud of and valued. he raised the flag there on all holidays. well, well, that is, like this, in general, he was a man of great russia in russia, of course, there is nothing unusual in this no, well, we ourselves are surprised there, but here pushkin and lermontov and zhukovsky and whoever, have uh huge, but parts of the ground blood we, well it’s just like one of the strange , amazing, important bright components of the russian mentality of russian culture. and

i wanted to make a big film about donbass together with director and screenwriter artem temnikov. he was so passionate about the story of the heroic battalion combatant vladimir of the workshop that he dreamed of bringing it to life on the screen and was ready to fully finance this project. this is the story that i learned from your reports about vladimir of the workshop. uh, about the checkpoint about how, uh, there are several dozen of them there. e militias of former miners were forced to surrender and uh, they won and he really liked this story and i liked it, yes, also because uh, what, there was a noble, handsome and main character. uh, a beautiful soul is a soul guarantee. guarantee i will go with you. that is, i will take you out and return, that i am not afraid that you will take me captive there. yes, shoot , he looked at the materials and also looked at uh vladimir’s workshop. well, he asked me

to send him more so that i could get used to the character, but he had to play for church. yes, he wanted to play. he wanted to play kombat because, well, more precisely, and how he leaves. uh, death by mine is at the end there. give me some money again. i gave you 2 days ago, where are you going? surprisingly, sergei puskepalitsa, an accomplished theater actor and director, was brought to the cinema by his own son, then he was 11 years old, and he starred in the film alexey pogrebsky, koktebel said i don’t want to stay here. i don't like it here. i like. i'll stay with this one. i like the guy, he played brilliantly. right now he is already studying to become a director at vgik, taller than me, and in connection with and with this is how sergei’s finger came to our set, and it seemed to me

that a movie was hovering around it. the father was an example for his son in everything, but gleb says the main thing he taught was not stagecraft, but human failure, he taught people to believe in goodness, because goodness is much harder to do. the most important thing is not to let people down , not to let loved ones down, and to work and work at work is the outcome of the soul. well, actually. well, that’s how it worked. i realized that my inner camera was keeping him in close-up and i myself moreover, i don’t expect i started to come up with a film for it and only when i wrote the first draft of the script, simple things. i told sergei seryoga and i wrote a film for you. in the film , sergei did simple things and had to play in a duet with the legendary leonid bronev. this was one of the master’s last roles, knowing the difficult nature of the armor, everyone

, including the directors and the actor, was worried, but everything worked out and pieces of a finger received the main prize for best actor at the kinotavr. i say the dropper won’t be there anymore, let’s remove it. well, i understand. no need. scream. i asked, i hear in pogrebsky, inspired by success and the fact that he was incredibly accurate with the choice of actor, he invites pieces of a finger to chukotka to star in a film about polar explorers how i spent this summer sergei agrees without hesitation, moreover, he lived in chukotka as a child 9 years with his parents, since two roles are the main roles for him, which i wrote for him. i wrote specifically to him. here he is, it seems to me in my films like kim, i see him in life continuously for many years. all for one a tourist who came here to later write an essay on how i spent this summer.

if people died. what is charisma? it’s impossible to define what film genius is, it lives and uh, breathes in the frame incredibly organically, and so it turned out that the roles that were written for him were those that fell on him, which is simply incredible. it seemed that they themselves had become part of this harsh northern nature, just as impregnable and thick-skinned. we are filming a scene in chukotka , again prices with dobrygin and suddenly from somewhere from the tundra to the coast. uh, brings a billion mosquitoes. just unbelieveble. it's like the locust. and the sun is obscured by a bunch of mosquitoes. at first i’m horrified, then you realize that this is very good for the stage. and then these mosquitoes fly in, they obscure the frame and begin to mercilessly bite the entire film

crew; they begin to bite dobrygin, who plays a young trainee at the polar station, and in an amazing way. they don’t bite pieces of palisade just ah and the main thing for the role is that this is absolutely not a brilliant decision. this is how nature has decreed it in duplicates seryoga and why don’t mosquitoes bite you, he says, yes, he’s already tired of it. they've eaten me up for 9 years. they want new ones. sergei viktorovich is in the barrel for at least two more months. and indeed, since the universe gave us these mosquitoes for a conflict scene, when we understand that one person is flesh and blood. this one is of this polar texture, and the other one is a visiting intern. or seryoga played in such a way that mosquitoes didn’t bite him, i don’t know, i don’t presume to judge the festival myself. sergei and grigory were allowed into the festival

dobrygin received the silver bear for the main male role, one for two. it was a stunning success for aspiring actors. the tradition of planting evergreen trees, laid down in the forest, has now been intercepted in donetsk by the unbroken fighting city under the roar of artillery cannonade. in the park named after my favorite actor i met cedar trees brought from big russia. we arrived at the park, named after my father, that such a large delegation of us came here , we put up signs with time, that cedars will appear here, cedars are beloved a tree that is very difficult to break. he has a lot of things connected with cedar at home. we also have

cedars in our garden. maybe, by the way, he had an interesting call sign, i think opa. well, this is his very favorite city. perhaps, well, one of the beloved people of real real destinies of real correct traditions. actually, our russian orthodox people, and what did they actually stand for? the last year of sergei’s life, the club, was the most fruitful ; he managed to star in 12 films; he regularly traveled to donbass and directed the yaroslavl theater. preparing the premiere, the schedule was scheduled not only, but it seemed little known to the director artyom temnikov, persuading the popular actor to appear in his only third film was not easy. i don't belong to myself. i am in the theater refusing all contracts that have not yet been concluded and sorry, well, just in case, send it to me. uh, just look at the script, i'm

sending the script. it was half past ten. e evening. uh, and it's already eight at the beginning of the ninth. he calls me and says, artyom, i will definitely star in your film. and i liked the script. i liked the video. and i’ll even help you in any way i can. i’ll help you come to me and we’ll film in yaroslavl, there’s a base here. there are places here. there are locations here, if necessary. we'll find everything. e. well, i just can’t go to moscow for 20 filming days without taking time off from the theater , because the theater is very important to me , without hesitation, i took on the incredibly difficult role of a doctor in a children’s psychiatric hospital in order to pose the same question that and chekhov's where it takes place the line between mental deviation and normality, why do children of seemingly decent parents become flayers or suicides? yes, it’s not them, it’s us who need to be treated, and everyone should be treated, and

usually the actors are loyal and faithful. and several times during their career they die on stage and on the screen, but here it’s nothing more than a mystical coincidence that everything happened and you can’t call the schoolyard where the doctor’s death was filmed is located in the same rostov the great where sergei died. then there's a heart attack at the end and the doctor falls leans back on the snow and takes a breath. this is his heart beating. and right there opposite this place when he was driving. eh, this armored car is a collector's car. that's where he got into an accident. that is, uh, directly opposite this place in six months is fate. yes, fate, yes , so bright and fruitful. life is so short, there are still unfinished theatrical projects, unmade films and unplayed roles. this car is gaz-67 and we are

now driving with it to the site. he tells me something, i tell him something, we answer, we communicate and prepare to do something. what is interesting is what will remain after us. i ’m sitting here at our table and still waiting. here he is now, sergiev always when he arrived right at the door, he walked right in there. this is what we call russian bugatti, brother. i always have an idea, like a moron with a lot of things to do. i'm sitting here and just waiting. now, i'm sorry for a second. already once at night i crossed myself

to the kingdom of heaven, and the second time i wanted to stop i couldn’t. a tear welled up in my eyes, but i couldn’t stop. but i’ll stop anyway, stop anyway. definitely definitely. i stopped at this place on the yaroslavl highway, where tragic fate brought together such different people. yes, she left me. maybe it’s necessary why maybe it’s not necessary nobody knows. from the turn signal from my glass enjoy the beautiful i wish you

a pleasant viewing. real life markers for the year 94, which

is just around the corner ninja saves also lives in the sewer evgeniy tsyganov major renovation, here is 7 minutes of property. oil fell film alexander the great alone does not depend at all. seryoga should depend 93. then tell more of this story.

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. we watch russian cartoons and children's programs to spend time with children. back to the news review in several regions of ukraine last night the air raid warning was again announced , local authorities reported explosions on the outskirts dnepropetrovsk near odessa in the city of zaporozhye damage to infrastructure facilities in kherson and the kharkov region in the russian federation