individual human individuality. i think that a huge role was played by the fact that he did not acquire the features of a moscow resident, so to speak, a moscow resident, born in moscow, so to speak. he was a very provincial person. it was beautiful because it had a purity of naivety. he is surprised. he did not give up the opportunity to be surprised for almost 30 years in provincial theaters without money by everyday troubles and leaking roofs. this could not but affect the character of the pieces of the finger and itself knew well how and with what to surprise the venerable capital directors; he served as an actor for more than 10 years. in the saratov youth theater, after the directing department of gitis under the leadership of pyotr fomenko, he worked in the samara theater, then as the main director of the theater in magnitogorsk, at one time he staged plays for oleg tabakov’s studio. and 4 years ago he left for yaroslavl to head the first

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a debit card for life.ru first month zero percent. apply at gazprombank.ru. and if you think that these are just photographs of the artists of the volkov theater, then annette, in theory, the starts, the finger itself is the cloak of the magic fyodor grigorievich and this is a continuation of the square and all the artists are on

the cloak, the theatrical cloak of fyodor volkov which like protection, like a safe conduct? this is my theater, these are the wonderful successors of my work, the new artistic director. valery kirillov calls himself a student of sergei puskepalitsa and a successor of his work at the yaroslavl volkov theater, in fact, this is the office of sergei vitaut pieces of palis, they really liked that the president of russia opened the theater in 1919 in our theater. as a matter of fact, here is his desktop. i didn't rearrange anything. it's convenient here. well i hung up portraits of my teachers, including this photo of him specifically, when i have any doubts, doubts, something begins to overwhelm me. go ahead, don't

doubt anything. it blew up and turned the measured provincial life of the yaroslavl theater upside down; new performances appeared in the repertoire ; ideas simply did not have time to be implemented. sergei vitau touched upon this, it was for, uh, not just one, not two, but at least three seasons, and so now , in an amicable way, in an honest way, we are implementing what he had in mind and these plans for more than one season. he started the tradition of the entire corpse ride on a motor ship on the volga for spectators , excursions to the backstage were regularly organized and open rehearsals were held. before the premiere, the team threw coins at the monument to the founder of the first russian theater , fyodor volkov. and at the end of the season, everyone went together to plant a christmas tree in front of the theater.

unfortunately, this year we had to do it without sergei in the launch, the palisa tree as a symbol of the fact that we will not be there, and they will turn green, count the seasons by the trees, count the seasons by the fact that we buried, burned the roots, and watch how it growing? how is it developing? this is very cool. boy, tell me, you see, the doctor is interested, you can’t, yes, yes, the difficult tragic season for the volkov theater ended with a performance. the upcoming event was a piece of his finger , he considered it his main success as a director before the start of the production, his voice still sounded in the hall, as if nothing had happened. dear viewers are glad to see you at the performance of the first russian theater named after fyodor volkov , this is the season of the starting finger a and we know, love,

remember and feel. that he is with us is true the truth is without any mysticism, so the final point is precisely the performance of finger pieces of upcoming events. now go along the edge , the premiere of this particular production was decided to be shown in the donbass; it was important for him to hear the opinion of those spectators who live under constant fear of dying from shelling. it has become somehow iconic and fateful; the main idea of ​​the play is the eternal dispute between the angel and the devil. and this is precisely what i probably saw in my current position and current life. why did he take this performance there? because there is this struggle, when injustice arises, when it needs to be fought and nothing else. just what is happening in the world now. not a single psychiatrist is diagnosed.

first it was shown in donetsk and then they played in gorlovka in gorlovka. there they heard shots and shelling , that is, this was the first creative battalion that went at a busy time, so, of course, everything was received with pleasure, everyone understood that they were carrying a certain mission , which needed to be done, started watching the play, then there was a wake-up call. so he did it, he went to the front line, picked up the wounded soldiers, brought them to the hospital and returned for the finale in order to thank us for being together, for coming from yaroslavl to support the fighting creative spirit. gorlovka residents from all of us from gorlovka from gorlovka. it's a shame that not everyone was able

to get here. this is, alas, it happens. well, we are waiting for you again and bow to the books for the first time since 1914. a professional theater came from the mainland, what did they call us? it was. it was a sign. this there was such a serious sign of support, a sign that we guys are together and no one will leave you anywhere, this is a mission. here we are. we had a mission before us. this is how they touched each other, touched us in order to simply understand that we had arrived, and we are one and the same, they simply touched us like a talisman. seriously, as an element of complicity? yes, just global and my guys left here. you say they left here different. they they understood what art can do in general, this

is the industry in which i am, and you believe art. well, i don’t really believe it. i am sure that this may be one of the highest manifestations of human activity - war, and war is something that the artificial has perfected. what it did not complete is then completed by military law enforcement agencies. i always tell my comrades i say. here you are doing something that you haven’t finished yet. i, or my colleagues, the question is too abstract . for the truth, the eyes light up, i’m not even afraid of this word sometimes, like a child choking on his own joy. so, of course, i fell under the spell of this love person. he immediately let me into his heart. i felt it standing handsome. and who are these elegant documents alive

in the cheerful film the cry of an owl, they immediately tuned in to the common wave, one brotherly heart began to beat on the purity of the other heart. this is sergei's expression, he used it, uh, and i always liked it, and it became mine and i even already. eh, i think that it is also born from me, just as i once heard it for the first time, it is capacious. clearly very accurate. here's a man. thanks a lot. russian heart. even though this is the last name she has pieces of her finger, and i tell myself, as it translates, he says, it says, half a loaf, or as you say, my spelled hankendrok, half a bread. you're my go-getter. here’s my dear man, my father is a lithuanian, so sergei often spent his holidays in kaunas with his grandmother and spoke a little lithuanian.

my mother is from the small town of taraclia in moldova, where mostly bulgarians live; it was a typical international soviet family that traveled all over the union ; of course, it was amazing for me to hide the places because sergei that’s why they treated him, uh, well, he doesn’t have a drop of russian blood, and at the same time he was just a patriot, a patriot, patriots. that is, i just never ask you. well, it ’s probably no secret that you are half bulgarian and half. this is how it formed in my head. and how does it exist so freely and organically within you? because i liked grandma monica's milk. this uh way of life is the same as

that of my mother in the bulgarian village of taraclia, which is now located next to gagauz gagauzia. i have been a patriot of this theraclia until now. ha-ha, i’m standing, now it’s very difficult for them there, and back then, even with me, they were already trying to throw the romanian flag into the trash, when in the nineties the launches were about half a loaf of bread translated from lithuanian good bread, peasant surname. i really hope that the madness will end in lithuania too. of course, i considered myself russian. it’s because of his russian childhood in the russian army kindergarten, where he served excellently, and the services that he very was proud and treasured. he raised the flag there on all holidays. here, well, that is, like this, in general, he was a man of great russia in russia , of course, there is nothing unusual in this. no, we, well, we are surprised there, but we have pushkin and lermontov and zhukovsky whoever have huge, and parts of the ground blood we, well , it’s just like one of the strange

, amazing, important bright components of the rostsk mentality , russian culture , together with director and screenwriter artyom temnikov, i wanted to make a big film. he's so caught fire with the story of the heroic battalion combatant vladimir of the workshop, that he dreamed of bringing it to life on the screen and was ready to fully finance this project. this is a story that i learned from your reports about vladimir workshop. e about the checkpoint about how uh hmm there are several dozen of them there. uh, the former miners' militias were forced to surrender and uh, they won and he really liked this story. and i liked it, yes, also because, uh, there was a noble , handsome and main character. eh, beautiful soul mentally. what is the guarantee that we will come out, a

guarantee i will go with you. yes, that is, i will take you out and return, that i am not afraid that you will take captivity there, he looked at the materials, and also looked at the possession. all uh, he asked me to send more to live in the image, but he had to play for the church. yes, he wanted to play. he wanted to play combat because, well, more precisely, and how he leaves. eh, mini death. there we are at the end. little money again. i gave you 2 days ago, where are you going ? surprisingly, sergei puskepalitsa is already an accomplished theater actor and director his own son brought him to the big cinema. gleb was then 11 years old, and he starred in the film by alexei popogrebsky, koktebel there you are a fool. you spoke like everyone else, but i don’t want to stay here, i like it, i don’t like it. i'll stay with this one. well, i don’t like

the guy, he played absolutely brilliantly. and now he is already studying to become a director at vgik, taller than me, and in connection with e.g. with this , sergei pushkin’s finger came to our set one day. it seemed to me that a movie was hovering around him. the father was an example for his son in everything, but gleb says the main thing he taught not stagecraft, but human skills, received not to let people down, taught to believe in goodness, because goodness is much harder to do. the most important thing is not to let people down, not to let loved ones down, and to work and work at work is the outcome of the soul. well, actually. well, that’s how it worked. i realized that my inner camera was keeping him in close-up, and i myself, without expecting it, began to come up with a film for him and only when i wrote the first draft, the script, simple things. i told sergei seryoga and i wrote

a film for you. in the film, sergei did simple things s was supposed to play in a duet with the legendary leonid bronev. this was one of the master’s last roles, knowing the difficult nature of the armored man, everyone, including the directors and the debutant actor, were worried, but everything worked out and pieces of a finger received the main prize for best actor at the kinotavr. i say the dropper won’t be there anymore, let’s remove it. well, i understand. no need to shout. i asked, i hear in pogreb inspired by the success and the fact that i got it incredibly right with the choice of actor, he invites pieces of the finger to chukotka to star in a film about polar explorers how i spent this summer sergei agrees without hesitation, moreover, as a child in chukotka, he lived for 9 years with his parents, since two roles were the main roles for him, which i wrote for him. i wrote specifically to him. here he is, it seems to me that in my films he is the same as kim, i see him in

life, continuous observation over many years. all for one tourist who came here to later write an essay on how i spent this summer. people died here. what is charisma? it’s impossible to define what film genius is; it lives and, uh, breathes in the frame. incredibly organically, and so it turned out that the roles that were written for him were those that fell on him, which is simply incredible. it seemed that the pieces of the finger itself had become part of this harsh northern nature, just as impregnable and thick-skinned. we are filming a scene in chukotka, again prices with dobrygin and suddenly from somewhere from the tundra on the coast. uh, brings a billion mosquitoes. just unbelieveble. it's

like the locust. and the sun is obscured by a bunch of mosquitoes. at first i’m horrified, and then i realize that for the stage - this is very good. and these mosquitoes they fly in, they obscure the frame and begin to viciously bite the entire film crew; they begin to bite dobrygin, who plays a young trainee at the polar station and in an amazing way. they don't bite into pieces, they just ah-ah and the main thing for the role. this is absolutely not a brilliant solution; this is how nature ordered it. i say, between takes seryoga and don’t mosquitoes bite you, he says, yes, he’s already tired of it. they've eaten me up for 9 years. they want new ones. sergey vitalievich i’m in a barrel for another two months not less. and indeed, since the universe has given us these mosquitoes for

a conflict scene, when we understand that one person is flesh and blood of this polar texture, and the other is a visiting trainee here. e. or seryoga played in such a way that mosquitoes didn’t bite him, i don’t know, i don’t presume to judge the festival myself. sergei was allowed in and grigory dobrygin received the silver bear for the main male role alone. it was a stunning success for aspiring actors. and the laid down issues in the forest are a tradition plant evergreen trees. now they have intercepted an unbroken fighting city in donetsk under the roar of artillery cannonade. in the park named after my favorite actor i was greeted by cedar trees brought from great russia. named in honor of my father, we

came here with such a large delegation and put up signs over time that cedars will appear here, cedars are a favorite tree that is very difficult to break. he has a lot of things connected with cedar in his house. we also have cedars in our garden. maybe, by the way, his call sign would be kedr, it seems to me that he is interesting. oops, that's it his very favorite city. perhaps, well, one of the favorite people of real real judges of real correct traditions. actually, our russian orthodox people, and what did they actually stand for? the last year of sergei’s life, the club, was the most fruitful; he managed to star in 12 films; he regularly traveled to donbass and directed the yaroslavl theater. i was preparing, the schedule for the premiere was not that day by minute it seemed to the little-known director artyom temnikov to persuade the popular actor to star

in his only third film. not easy. i don't belong to myself. i am in the theater refusing all contracts that have not yet been concluded and sorry, well, just in case, send it to me. uh, just look at the script, i'm sending the script. it was half past ten. e evening. uh, and it's already eight at the beginning of the ninth. he calls me and says, artyom, i will definitely star in your film. and i liked the script. i liked the video. and i’ll even help you, in any way i can, i’ll help you come to me, we’ll film in yaroslavl, there’s a base here. there are places here. there is locations, if anything. we'll find everything. e. well, i just can’t travel for 20 filming days, uh, to moscow, taking time away from the theater, because the theater is very important to me, without hesitation, i took on the incredibly difficult role of a doctor in a children’s psychiatric hospital to pose the same question , as in

chekhov where is the line between mental deviation and normality, why do children of seemingly decent parents become flayers or suicides? yes, it’s not them, it’s us who need to be treated, and everyone needs to be treated. and the actors are usually loyal and faithful. and several times during their career they die on stage and on the screen, but here everything that happened can’t be called anything other than a mystical coincidence , the school yard where the doctor’s death was filmed is located in the same rostov the great where sergei died. when his heart attack is at the end and the doctor falls and lies back in the snow and sighs. this is his heart beating. and right there opposite this place when he was driving. eh, this armored car is a collector's car. well, he got into an accident there, that is, uh, directly against this actually places in six months fate. yes, fate, yes.

so bright and fruitful. life is so short, there are still unfinished theatrical projects, unmade films and unplayed roles. this car is gaz-67 and we are now driving with it to the site. he tells me something, uh, i answer him something. we communicate and prepare to do something interesting, important, that will remain after us. i ’m sitting here at our table and still waiting. here he is now, sergiev always when he arrived right at the door, he walked right in there. like this bugatti is russian, they say, brother. my idea is always in a heap. d. i’m sitting here and just waiting. i'm sorry, just a second.

once at night i crossed myself to the kingdom of heaven, and the second time i wanted to stop i couldn’t. a tear wells up in my eyes, but i can’t stop, but i still stop anyway, i definitely have to stop. i stopped at this place on the yaroslavl highway, where tragic fate brought together such different people. yes, she left me. maybe it’s necessary why maybe it’s not necessary nobody knows. from the turn signal from mine

glass

let's translate from clerical to understandable, everything is not so scary. my whole life, when i left, we expect to do it in 10 days. this will be a record on the verge of possibility. we are all with him, because he is the only one at such a height. don’t go higher. you’ll just fall like a stone down at the speed of the wind. this is a super cyclone cyclone,

the killer is chasing you. and we continue to talk about the main thing for today: russian troops repelled four enemy attacks in the donetsk direction and during the counter-attack improved their tactical position, this was reported by the armed forces defense attempted an offensive in the area of ​​krasnogorka, marinka, vesyoly and the village of khimik, losing more than 300 people and almost a dozen vehicles, the enemy was forced to retreat . the ministry of defense reported that two more usa attacks were repulsed in the red liman direction ; for other areas, the enemy unit inflicted fire damage. russian mirot