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tv   RIK Rossiya 24  RUSSIA24  September 24, 2023 6:00pm-6:31pm MSK

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[000:00:00;00] on the site on september 20, a year ago, a talented russian actor passed away. and a true patriot, sergei paske palis, he tragically died in an accident in the yaroslavl region, when he was driving an armored car from humanitarian aid for
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donbass , see all the circumstances of that fateful day in the documentary by alexander rogatkin, the brotherly heart of sergei starting with his fingers . allow yourself more every month and return 2.5% of the rate with sber bonuses. thank you , you will have time to apply for a loan with increased cashback. use a primer to collect a more profitable element from moment. the professional sealant is stable, yet elastic. a moment for those who get down to business and are constantly jumping around buying or selling a car. check its fair price with the author's rating. don't get burned. what do you deliver products from
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well together. dear friends, we are leaving tomorrow. everything works, 100 kg. 100 kg. everything works perfectly. tomorrow we are going to igor ugonnik to camouflage him. all these years old cash-in-transit vans were incredibly in demand in the donbass ; the body reinforced with armor plates saved
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small fragments from bullets, but look what this armored car has become. it felt like he had been hit by a shell. sergei starts his finger was over there in the passenger seat, but, unfortunately, there was no chance of survival. this is an armored car, it flew out, as a shell says, trucker georgy, and straight into the cabin of his truck, 14 ribs were broken in several places for 3 months in the hospital. well, okay, the water didn’t go into lech and there were also four fractures on the face and a shoulder blade and two arms. as
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they say, for about three months, the bag of bones hurts there, it hurts. but i’m working right now. the armored car was driven by theater driver alexander sinitsyn, he died, it is clear that an armored car is a heavier car and it’s not every day that a theater driver has to drive such equipment. so, accordingly, he skidded a little into the lane of oncoming traffic and at that moment two trucks were moving ; there was a sliding contact with the first truck. as a result, the trajectory of the armored car changed, well, and, accordingly , there was an almost head-on collision with the second one, which was following the first truck. he might be distracted by something, but it’s like judging now and the person is not there. what to blame already who to blame? yes it can happen to anyone. he hit
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the person in front, damn it, on the front wheel to such an extent. his speed was so good that his tire exploded. yes, the way he crosses for me it was like a movie, for me it was as if he had run over something. this is how it is shown in the film. it ’s already a car and then it stands on two wheels for me, like that’s how it was, and then how many one two turns and that’s it. they live next to me and there’s nothing you can do, damn it. this is the most unfortunate place where the yaroslavskoe highway, at the exit from rostov velikiy, makes a small turn, it was on it that the armored car, pieces of a finger, carried it into
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the oncoming traffic. georgy avgustovsky still doesn’t understand how he survived this accident . although i sat down and then i asked, but they said nothing, everything is there, they say, there is no one. it’s a pity, of course, it’s a very pity. we are all human, especially since he is such an artist and has watched a lot of his films. i watched it a lot and liked it. we're the same age. i'm also sixty-six. well somehow god left me.
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there was always a sense of charisma in this man that flowed across the screen. he was a man in every sense of the word. he was a bright man and an active citizen. you know, they say with people like that you should go on reconnaissance missions, and everyone had a feeling. i would go on reconnaissance with him, even without ammunition and grenades. on the huge 120 hectare film set of the voenfilm studio in medyn, near kaluga, the shooting of the next series about the great patriotic war is underway. let's go look at
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the object. hello ugolnikov always wanted we had a dream to take off sergei's finger, finally together, we walked long paths to each other. and here it is, finally. this had to happen for him ; a role in the series was specially written, call sign, cranes, and we decided that seryozha would come here and star in one of the main roles at the studio here. unfortunately, the first day of filming turned out to be the last for sergei puskepalis. and we filmed the first episode with him on the first day of shooting. uh, when he meets the main character, and after that day seryozha had to leave, but he warned me about this to leave for this ill-fated car. at the ugolnikov studio in medyn, a unique technical base here
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restores rare tanks and aircraft from the great patriotic war. po skipali had to return here in his armored vehicle and prepare it for the front. and for now he will continue filming and live here at the studio. we had to camouflage this car for him properly and he was already planning to leave for donbass with it , everything was ready to start shooting day. and this unfortunate call, which told me that seryozha not only wouldn’t come, but that he was no longer there at all. in the series call sign cranes, pro-front reconnaissance sergei pusk finger was supposed to play the wise chief of staff andreevich, who ends up captured by a sabotage group, dressed in a soviet uniform, when
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he guessed it. it is clear that the car is stuck. andreich, saved thanks to the vigilance of the arrested commander of the deceased family and the penalty lieutenant, ivashov was sent to the tribunal, but on the way the convoy meets with saboteurs and the lieutenant helps first to expose german intelligence officers and then destroy them. i'm taking the captain from you , lieutenant, there is a comrade lieutenant colonel. sergei puskepalis remained in this short episode. we stopped filming for two days, of course, and made sergei’s decision to leave this frame, this first scene, in the film. eh, the way it was filmed, and then i will play this role. i myself quickly make a decision. why look at
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what kind of hero this is and what was not planned i had to do it and i played the role of seryozha in this film. modern cinema has long used computer technology, deephake, to duplicate an actor’s face, so in the tv series saboteur, the deceased vladislav galkin was replaced with a computer double; the idea was to make a diff. uh, artificial intelligence, but no artificial intelligence. he will never replace a great actor and a great man, but the armored car with his name all over the body still made it to the front. we made exactly the same armored car for they camouflaged it here at the vine film studio and sent this armored car there to the donbass along with the car that killed us. vez, he asks, what else is needed? well, kadym, an armored car would be good
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for sergei to bring to the soldiers. this was simply necessary both for the piece of palis itself and for those around. when such people come, they bring a lot of good things ; just like that , oryol follows him straight away and wherever he came to us, his guys’ mood immediately rose. they understand that just a person came to me. they understand that a person has arrived who gives them support. thanks a lot. thank you, everything for the front, everything for victory now, due to health reasons, deki is no longer fighting, providing humanitarian aid and sending volunteers to his wounds. i can’t fight anymore, they
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work with their eyes. the left hand almost doesn't work at all. well, the problem is a lot: somehow the deck treated the launches, the finger, to the famous serbian dried meat brochute and sergei suggested that the dejans of berich open a meat shop. i will to finance. you're just a job. and, well , he understood what kind of attitude i had with my health and they understand that i can’t live out my pension, but i can’t get 5,000, i can’t live, i say. that's it, i 'll make the workshop you're working on so that you can work straight away. there is constant improvement. this is what the famous serbian proshut looks like
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. yes, sergei loved vodka about sergei buzhar. so we carried the test sergei when he was driving to the dombas, at first we had 12 tons. productive warehouse, so we then all this was all removed, our serbia fed there guys, and then sergei was a witness at elena’s wedding. for me it was the other way around. at first i had it for a month, then in the church two years later they signed the registry office. as a gift for the newlyweds, the finger brought a barrel of moonshine, i don’t drink moonshine at all, but
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promised how happy it would be when we won, then i drank one hand from this barrel. here i’ll make a table for my colleagues who survived this war and give him a drink sergeev himself, these are the decks that brought you the rusievsky rehabilitation center in the dpr where doctors put on the legs of the soldiers, paralyzed after severe wounds, just a few days before his death , the actor managed to donate a loaf of uaz to the center to transport patients, they talked, that means they delivered. well, people take pictures and leave. it turned out differently. less than a month has passed, probably. so this car came to us, that is, the man was a real monday. uh, they gave us
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a car from sergei to the center, and on friday, unfortunately, they already buried it. n the godfather fell in love with a loaf , so in a military loaf for doctors he found this one a loaf in russia, i repaired it, made it a piece of candy and gave it to us. my friend, who will be zelimhad with her. yes, little baby, everything is there. now we are starting to move towards donetsk, we fought a little, and then, when i left earlier, uh , this loaf was handed over to the rehabilitation center, when we left there, the rippled center was silent for a very long time, just silent for a long time and then said, brother, we need to do something . now in the small museum of the rehabilitation center there is
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an exhibition dedicated to the actor. it's already he created the trophies of steel, the boy, the sapper, was lying with us, he discharged the ufo and handed it over to our museum. this is our war, our colleagues are already deceased, our nephew died near mariupol. here and here is the corner of sergei, pieces of the finger, here is the guard. i gave sergei this knife, but unfortunately, he didn’t have time to get to him. war, like a developer, a litmus test, keeps coming out, who is, who he was, a patriot of his country, he was a russian man who
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could not abandon the russian people, at a time when it became difficult. we reached donetsk people's republic pieces of the finger was often on the front line, but the famous russian writer and commander of a volunteer battalion. dpr zakhar prilepin basically did not take him into position and protected him as best he could. he is so huge, it’s easy to get into him, and he climbs the forest all the time somewhere out there, something to see, something to see, with your own eyes. well, in general, he is such a ball, slow, brave, of course, he was brave, he was such an explosive , bright, striving person. uh, it was donbass that made them very close friends and united common ideas brotherly help. zakhar prilepin is now in his fifth month in the hospital. ukrainian saboteurs blew up his car. he underwent several difficult operations, but without hesitation he agreed to meet with us and tell us about his deceased friend. he didn't try to go somewhere
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between construction sites. he simply chose his side and spoke. i'll do anything. that is, zakhar. if you call me, i will come to you with a battalion in any capacity. i would, of course, health is not the same, but i will stand until the last, but i haven’t called for it yet. here's a humanitarian aid. here's some help. i always i support, if you came up with this, it means it’s next to you now. i was, of course, very proud of it. i think few people do. treated me with such trust. why do actors come here? here you are, as if you are growing your fame against the backdrop of donbass, but that’s not me, on the contrary, i’m even embarrassed, as it were, by such publicity, because i don’t want to make any kind of show out of it , you know, there and so on. leaving, i personally want my comrades, well, those who know me, firstly, to stop being afraid. we just stopped being afraid, uh, broadcasting what they feel because in many ways they are in our environment. that’s the fact that my behavior is a little
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challenging, it’s acting , it’s challenging to me, because i’ve developed some kind of feeling that we should be in opposition to the existing authorities. here you can feel the reality in a completely different way, the tension in the air, the resentment and injustice that has arisen in connection with people just like you and me, but for some reason, someone somewhere decided that it is impossible to speak russian. it’s not a pity, not a bit at all, let him serve. i'm at i don't have that option. let him serve with normal guys, with our heroes and with the military. let him protect our interests. he went there with joy that he could bring our fighters what they needed. and most importantly, he always enjoyed communicating with the guys. it gave him some new sensations, some new perception. e of the motherland
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, a new perception of our heroes, archimandrite sylvester in recent years has become both a friend and confessor of sergei, the rector of the temple of andrei strategized that as a teenager great always blessed him before trips to the front. he called and said that he was leaving almost every time there was an opportunity, i blessed him after all, the trip was a hot spot, but this last time we missed him somehow, hmm, apparently, he was in a hurry, he was in a hurry, trying to put the car in order, which he had to give and now, unfortunately, such sadness. on may 9, when there was maidan, kiev was in the hotel and saw people coming, well , veteran soldiers with medals, and he ran quickly to the store to buy fruits and cakes and
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drives up. i bought it quickly, but i just rip it off for them. this is the order and medals that were on them and he approached these nazis and quarreled as equals. no, then i ask you to see everything that is happening there in kiev. there were no longer any questions for me, then only confirmation began to arise. he often played in films about the great patriotic war, he knew the price of that victory and sent bulletproof vests and warm clothes to the donbass more than once , drawing soul-tearing parallels, remembering the difficult fate of a russian soldier on the front line of exile in the villages. only human it’s a day off, but my office does not
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see the country, the federation does not see the federation, and the pleasure of medicine was a rare combination of incompatible qualities. he was, uh, a stunningly textured man. and at the same time, there was such softness in him, such a kind of ah, tenderness, i would say, and i wanted to work with him. there’s a lot of translation that’s useless, at 5 am the phone rang. for some reason i turned off my phone at 5:00. what's happened? i ran to the phone and found seryozha, who had finished the painting , looking at the painting. well, how is it, yes, but he is with such delight with tears with some kind of somehow he spoke about her very humanely, so that i didn’t even scold her. and now it’s already at
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5:00 in the morning even on this occasion. in the film adaptation of the novel by vasily grozman , fate dealt with the life of an already accomplished dramatic actor playing captain artilleryman grekov, who organized the defense of a house in stalingrad. in this role, he incredibly organically did not carry out the orders of the teams. now i'll shoot you. maybe only one circumstance can save us. some kind of desertion of the light now, when the man really played himself, all of russia was buried. the captain, as an enemy, argues that you will have to answer for these words. and now i’ll let you
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go and none of my fighters will give me away. and we will be like a proverb , the forest is being cut down, the chips are flying, when we played this scene i was really scared, i understood that this was all conditional, that seryozha didn’t belong to anyone. well , just like that a little, throwing into these proposed this entering was so precisely convincing, therefore i really felt uneasy. come on, don't twitch, i was joking. i am an actor's profession, it is such that in one life you live many, many other people's lives. and maybe it doesn’t fit into your physiological life. this is all that you live does not fit, but this is already such a specificity of our work.
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individually human individuality, and i think that a huge role was played by the fact that he did not acquire the traits of a moscow resident, so to speak , a moscow resident, born in moscow, so to speak. he was a very provincial person. it was wonderful because there was a frequency of naivety in it. he is surprised. he didn't repeat the opportunity to be surprised by almost 30 years of provincial theaters and lack of money, everyday troubles and leaking roofs. this could not but affect the character of the finger and he himself knew well how and with what to surprise venerable directors . he served as an actor for more than 10 years. at the saratov youth theater, after the directing department of gitis under the leadership of pyotr fomenko, he worked in the samara theater, then as the main director of the theater in magnitogorsk at one time staged performances at oleg tabakov’s studio. and 4 years ago he went to yaroslavl to head the first
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