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tv   RIK Rossiya 24  RUSSIA24  October 7, 2023 1:30am-2:01am MSK

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since may, he has been appointed here as commander of the twentieth motorized rifle division , which i am very proud of, it’s never quiet here, it’s just that when it’s quiet it’s always annoying, although when we... asked you, how did you end up being such a handsome guy? i'm not asking. and dad, where from? from south africa, well, you have a straight howling international. how different is nato's concept from ours? they don't have the experience that we have. the most expensive reward is when the staff calls you dad.
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hello! this is the cinema industry, ivan
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kudryavtsev is with you, he’s waiting for you in the new episode of the program a story about the long-awaited film event lords of the wind, in a film about fyodor konyukhov's record, which promises to become the first blockbuster of this fall, we will find out how the viewer perceived the drama of alexander veledinsky 1993, with evgeny tsyganov in the title role, we will talk about the new gordemarins and not with anyone, with svetlana druzhinina herself, who was a guest of the cinema industry studio. we will also tell you about several festivals at once. including about the new mayak show, which is taking place these days in gelenzhyk, about the international film festival horrorfest, which almost simultaneously will be held in moscow in st. petersburg. one of the most anticipated films of this season is being released, the action adventure lord of the wind, about our contemporary, traveler, fyodor konyukhov and the world record that he set in 2016, flying around the world in a hot air balloon in 11 days.
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our first story is about a large-scale and spectacular film event. 11.00 km above the ground, -40° below zero - there is a shortage of oxygen, but fedor konyukhov goes into the very mouth of the danger of an intracyclone, which on earth is called nothing less than a killer cyclone. overlords windstar cast. the film stars anna mikhalkova, evgeny tkachuk, daniil vorobyov, andrey burkovsky. he chose the leading actor himself. these are the kind of movies they filmed, through storms, hurricanes, which, in three acts, three incredible trials that he went through incomprehensibly. how did he even survive?
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recognized masters, the duo-screenwriters andrei zolotarev and oleg molovich, and composer alexey rybnikov, whose music sounds in juno and avos in that same munchausen, worked on the creation of the film. production was handled by the studio hydrogen, their credits include dillology ice, as well as the fantastic films of invasion and attraction, the film was directed by igor voloshin. this is an amazing effect that is caused by editing on the screen with sound that makes you worry, or your heart, and it’s swaying there, like the art of an attraction, makes you vibrate in the hall, and we did it. today, a cinema requires one or two blockbusters a month to operate, those that can gross more than 1 billion rubles. this year, cheburashka crossed this milestone, with with a box office of 7 billion and a challenge of more than 2 billion. in third place in this year’s box office is sergei ursulik’s righteous man, who collected 638 million rubles.
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wind master producers are valued by the market for their ability to create film events. the hydrogen attraction project, with a budget of 380 million rubles, has raised more than 1 billion. and it took 2 years to produce it. 322 million were spent, reaching the level of almost one and a half billion. russian audiences have always loved dramas, and moreover, i’m telling the story about our compatriot, about a person who we should be proud of, oh which you need to know, this is one of the important components, too, that this film , adults can take children to see it , show them that such a person lives among us, what he has done, see this attraction, and then take an interest in his life. assessments of the first spectators and guests of the holopremiere. very beautiful shooting, i really liked it, it was really very interesting, exciting, this film is worth watching, a good, strong film, i recommend it to everyone, such films have not been seen for a long time, the film is amazing, amazing
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in 90 minutes, squeezing into a chair, what makes this picture unique is that it gives any person moments of despair not to give up. fedor, reception, how is the situation, reception, reception, everything is normal, altitude 8,000, wind 160, lunch break , lord of the wind, already at the cinema, the release of the new film by alexander veledinsky 1993, based on the novel of the same name by sergei shargunov, starring evgeniy , continues tsyganov, ekaterina vilkova, alexander robok, alexander the child. the plot centers on a talented engineer who faces two powerful crises, one in his family life, the other in the life of a huge country. crossfords,
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fountain pens, felt-tip pens, calendars for the year ninety-four, which is just around the corner, the film 1993, a place in russian cinema. on the one hand, this is the work of a great master, done extremely honestly and frankly, on the other hand, an attempt to answer uncomfortable questions associated with the political crisis of 1993, while veledinsky’s focus is not on politicians, but on ordinary people, understandable and recognizable, but that is, evoking empathy. transition period, she got along with the bandit. life is becoming wonderful, it’s incredibly good, i’m coming, here you are, a former teacher of marxism-leninism, are you for the reds or for the whites, i’m for fair property, and so am i,
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but i doubt it, i want to figure it out, because i’m for justice, i z people. the main character of the 1993 film, viktor bryantsev, a former engineer who worked in the space industry and was forced due to lack of money to become an emergency mechanic, finds himself at the epicenter of a whole hurricane of events, in his personal life in the life of an entire country, he played a man who evgeny tsyganov is trying to figure it out. according to the actor, the character attracts him with his originality; he and bryantsev have a lot in common. this script is directly connected to me with the history of my family, because many of the circumstances of the film rhyme with the circumstances of my life, my family, and my father, like the main character, worked at a space research institute, in the nineties he was forced to work as a pipelayer to earn money
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for the family, times changed, circumstances changed, but one had to survive, a film about events of thirty years ago is perceived as acutely relevant, 1993 explores the polarization of society as a form of confusion, and the loss of dialogue as a trigger for a personal national catastrophe, the film and memories and warnings, this film is not... the audience comes, very collected and they want a conversation, this is not necessary there must be some kind of political or social conversation, this conversation can simply be about some simple, in general, concepts and values, but a person comes for reflection. during the first weekend of distribution, the film collected screens of almost 40,000 spectators, this is a conscious
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viewing, when you know what and why you are going to the cinema, a great auteur cinema that the viewer is looking for and waiting for. you experience emotions, this is actually the author’s most important merit, the film is extremely useful, everyone should watch it, and it is deep, ambiguous, and well shot. i think you need to watch a movie like this several times, because there are so many... meanings that you won’t even understand everything the first time. 1993, now in cinemas. a new one has appeared on the festival map of russia a bright point, and this is even reflected in the logo. mayak, as it is called, is the first festival of contemporary russian cinema, which started in gelendzhuk. the lighthouse received its name in honor of the main symbol of the resort city of gelendzhik. the film festival has its own lights thanks to the kiim foundation for the development of contemporary cinema, which over the course of 4 years has helped
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bring to light more than 70 russian films. the festival positions itself as an industrial show of current russian cinema. contemporary cinema is a film about time, about our time, about as we understand, some of our historical events, yes, that is, about our feelings in the moment, yeah. i think it’s very important to record this, especially through means. photographer, and of course, when these films come together, and the industrial public is able to watch them together, in a large hall, all together, uh, this gives an additional positive effect. the festival program includes 11 films, among them a new work by mikhail mistetsky, in the center of which is a young man who is torn between his love for his wife and a long time ago. the forgotten pan-group egg light, the film by sergei serzin red, and the poet of the nineties era boris the red, who is trying not to lose himself in the fight against despair, bandits and lack of money, the picture by alexey fedorchenchenko
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new berlin, a story about a young director trying to find his missing sister in the colombian jungle. first of all, i would talk about the audience’s expectations, absolutely , because as far as i understand, it’s a very good program, really relevant today’s cinema, i’m waiting for a good movie, as usual, it seems to me that we’ll see just mostly - real human stories, i'm actually looking forward to it. one of these stories is frau lyubov mulmenko, a romance between people from two different worlds, an old-fashioned eccentric with a ballerina of the perm theater, and the yakut drama plague, which tells about the conflict of two families from a small village, it was filmed by the director of the scarecrow dmitry davidov. i'm looking forward to everything because i haven't been to a festival in 100 years and i'm eager to see absolutely everything, i think. that stas put together a delightful program, i really
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want to see everything, i miss impression, i really want to be surprised. the film industry will talk about the jury's selection of the winners of the lighthouse in the next issue. the midshipmen are returning to the big screen. svetlana druzhinina’s new film continues the saga she filmed at the turn of the nineties. we talked with the director at the cinema industry studio. the return of midshipmen to movie screens, conceived 10 years ago, took place only now, but in two film volumes at once. svetlana druzhinina filmed a duology entitled “world at war.” unlike the novel by the russian classic leo tolstoy, the world is first place and released first. according to the plot, the fate of the fatherland is again in danger. catherine's illegitimate son, alexei bobrinsky, while in europe, lost at cards and was captured, becoming a hostage in the political forces.
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intrigues against the empress, she is again played by kristina arbakaite, i won’t hide it, i also often remember , there was a courtyard near the city of riga, an oath, an oath of an ardent brave young man, only her old acquaintance nikita olenev and his friends can save catherine’s reputation, dmitry is on the screen again kharatyan, mikhail mamaev and alexander damagarov, they have changed outwardly, but there is inner enthusiasm. the film is worthy of a viewer, it seems to me, it turned out to be very dynamic, very meaningful, here it is, about those probably still important and basic values, despite the form, that will always be for people are important, 30 years have passed and this person has retained a poetic attitude towards life, i love them all very much, i don’t know how to work with people with whom something didn’t work out, mutual understanding, let’s put it this way, we are all a bunch of like-minded people, otherwise cinema to film, especially such a complex production,
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stunt work in costumes is impossible, especially for little money, and i... for very little money. horse chases, fights, sword fights and breathtaking stunts. the dynamics and action are balanced by the romantic line, the younger generation, the children of the gordomarinovs, shurka korsok and alexandra belova, are responsible for it. both young and adults, they have always been young, and they definitely have common features, this is excitement, this is youth, this is a riot of blood. fictional events in the film are intertwined with the history of the russian state, under attack not just the son of the empress, but a peace treaty with the ottoman empire, as a result of which russia gained access to the black sea and crimea,
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this is a historical detective story, if you know for sure and scroll through, then i follow this why and how by studying their psychological moves, then you discover and reveal this most amazing historical amazing adventure option. you can appreciate the new round of the story about the gordemarins now. gordemarins 1787 world in box office. the week will please professionals and... three more multi-format festivals: in st. petersburg there will be a screening of popular science and research films world of knowledge, organized by the gorky film studio, and a festival of archival films in moscow. and both of these cities will be united by the third, international film festival hororfest, which will bring together in its program the best new films of the genre.
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the horrorfest competition only includes premieres. all of them participated in the largest international genre film screenings in any modern horror, especially a good one, especially a festival one, this is, firstly, a reflection of some social upheaval with which we we live, secondly, this is new experimental directing, and you will see this, for example, in the film buae or in the film cat and mouse. the cat and mouse thriller - the opening film of the show came to horrorfest straight from sundance, where it had its world premiere, this is a story about a cinema worker who starts an affair with a regular. but it turns out to be not as simple as it seemed, in the french pandemonium the hero will have to meet tortured souls in hell, in the comedy horror scream, the night before christmas, with the hornet star jane widup, the heroine who saved the city from a maniac, suddenly finds himself in a parallel universe, where the villain is still at large , the spanish horror will close the show, other curses of the cuckoo, the heroes, who
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rashly decide to exchange houses with an apparently harmless elderly couple for the duration of their vacation, this is not only a source of fear , tension, suspense, but this is also some very interesting lecture about what is happening in the modern cinema, what is happening in modern society, what is happening to each of us. out of competition, the festival will host a special screening of the russian thriller surveillance, about a secret club , whose members collect incriminating evidence on people, filming them on their phones, and one day they stumble upon a real maniac, guys, some kind of woman, she’s covered in blood, what? go away, go away, get out of there, there will be a choirfest in moscow and st. petersburg in mid-october under the auspices of the film channel, real scary television. the festival participants will be judged by a jury headed by actor philip yankovsky. the archival film festival consists of 10 curated programs that will show masterpieces from the foundation’s state film archives.
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the festival will open, shown in the moscow illusion cinema with the restored film children of the century with the star nemovo cinema. believed to be a lost 1907 french film, the poisoner. at the screening there will be an opportunity to see both cult and forgotten films, archival screen tests, experimental debuts and popular science films underestimated by their contemporaries. in addition to film screenings , discussions and lectures are planned. the world of knowledge festival aims to popularize popular science cinema. main shows which will take place in the cinema house and under the dome of planetarium number 1. there are 17 russians in the competition. and seven international projects that demonstrate an unconventional view of modern applied science. as part of the festival, there is a scientific film laboratory, which this year is dedicated to activities that are invisible to visitors. museums, and also presents works created within the framework of the educational project of the accelerator of scientific and industrial cinema of siberia.
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tour money is the new film from cruella director craig gilepsie. about how ordinary citizens decided to confront the wolves of wall street. this is a real story from two years ago, it was widely discussed in financial circles, but can it attract russian audiences to cinemas? it seems we have the answer. sitting in quarantine, young financier kil gil, nicknamed the howling kitten, begins to write his own blog. together with his many fans, he begins to massively buy shares from the chain of stores. the price of securities begins to rise rapidly, which ruins the plans of wall street players to get rich, shorting and putting many of them on the brink of financial ruin. i see beauty in stories where people rebel against something. i also like that this is not just another activist movement, that we are not talking about activists who shout “we want to change something.” these are ordinary people who managed to outsmart the system. they screwed this
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system thanks to their intelligence. behind the screen of stories about bank accounts and jumping stocks, as is often the case, there is a story about a person, his will or lack thereof, and his relationship with his own. conscience. i think this story, despite the abundance of characters and their types, can be close to many people. i think this is a story about making yourself seen and heard, about finding your voice. eve's name is the roaring kitten, or, well, kick-ass, underrated, a movie about financial adventures, revealing the underbelly of wall street and raising the issue of the temptation of big money, martin's film walk souls is in demand among russian viewers. collected almost 400 million rubles, adam's bearish game makey 88 million. a star cast of bad money, consisting of a set by rogin, paul
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dan, sebastin stan and the ease of storytelling, capable of, given the current audience traffic, providing the film with a total box office of 50 million rubles. it was a film industry program. there are a lot of new releases, but it’s better to get acquainted with the most interesting ones at the cinema, we’ll see you there. our program will be on air in a week.
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beautiful decorated platforms, half-naked women in feathers walk along the sambodrome, a russian won’t behave like that, a brazilian doesn’t yet know how show the world our culture, my acquaintance with brazil, this is naturally the series slave zasaura. zaura was my first television role and i became very famous not only in brazil but in the world. this is favella, i grew up in
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a favela, it is an integral part of my life. i agree with those who say that brazil is green russia, and russia is northern brazil.
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i’ve been working towards this all my life, we expect to do it in 10 days, that would be a record, cut to the brink of possibility, we’re all with him, because he’s the only one, at the maximum height, higher, not get up, you'll just fall down like a stone, at the speed of the wind, it's a super cyclone, a killer cyclone, it's like it's chasing you, what do you want, master of the wind.
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we watch to learn about the world, educational programs and documentaries, watch, watch, or on the website, fire training close to combat operations, work in twos, threes, assaults on strong points, all weapons received, new, light mortar 40 kg, 2023
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, look how small it is, all the equipment here is new, but the people, the people with experience, shot, there is a gap in what is the main thing you study, what you prepare for, what you expect, we learn to survive, this includes combat training, tactical training, medical training, we are not saying that our enemy is weak, we will fight a strong enemy, but we will still defeat him.
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hello, we're live. international review, fyodor lukyanov is with you, today the program includes international review, events of the week, chronicle, facts, comments, multipolarity technique, instructions for use, who benefits from it, in the end? ukrainian wind changes, congress postponed.

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