the direct costs to israel from the war with hamas, according to some estimates, could be up to a quarter of a million dollars a day. according to some forecasts, the countries involved in the conflict may lose about 10% of their economies. about forecasts anna lazareva. turkish citizens began to refuse visa cards en masse. mastercards and switch to an internal

payment system called troy - writes the local press. it is alleged that in this way the population is boycotting companies with israeli capital and those who provide assistance to israel. volume of purchases using troy cards in october it increased by 17.5 billion liras to 48 billion. can turkey completely abandon the mastercard visa? here's what the experts say. turkey has its own payment system, the troye card. called, yes, it works, it works all over turkey, in general, there are no problems or questions in this, yes , of course, they can refuse, in this sense they are quite ready for this, if only it could switch to its own system , then probably she would have already done it, because anyway, any country to one degree or another interested in this, just in response to uh, there are emotions of a certain part... of the population

, such things are not done long-term, that is , such things generally take time, so i think that it is unlikely that she can now move on like that right away. according to forecasts from the israeli ministry of finance, the war with hamas will cost the country's economy a tenth of it. losses could exceed $50 billion. moreover, this assessment is optimistic, precisely provided that the crisis lasts from 8 months to a year, does not spread beyond the gas sector, and 350,000 reservists return soon to work. the israeli ministry of finance warned that the recovery will be slow and the economy will not soon return to its pre-war state; this also threatens the country with a technological lag. the global slowdown in the world of technology is further aggravated by military activities in which a large number of israeli citizens are involved. if things drag on, this will certainly become a problem, but in the short term it is difficult. the israeli economy is improving. 1% of gdp according to

bank of israel accounts this year. there are also a number sectors of the economy, in addition to the technology sector, which will also suffer. without exaggeration, the consequences for the palestinian economy can be called catastrophic. according to the un, in the first month of the armed conflict, gdp on the west bank of the jordan river in the gas sector will decrease by 4%. if the collision continues for 2 months, it will trigger a decline of 8%. if the conflict continues for a quarter, palestinian gdp will fall by 12%. losses will amount to $2.5 billion. arab countries call for blockade mcdonald's and israeli supermarkets refuse to purchase turkish products. now the main consequence for global trade could be the disruption of supply chains, as in the time of covid. the only difference was during the pandemic it was not possible to trade, now there is no desire. it's worth waiting for the big global one. and the division of economies

between the western bloc of countries and the bloc of asian and middle east countries. it is quite difficult to estimate how much this is in numbers, because there has never been such a crisis in history, and we are talking here after all about transformation, in general transformation of any connections, not only global value chains, but, in principle, relationships between countries, across absolutely all industries. the world can feel the full consequences of the palestinian-israeli conflict if new oil states, for example, iran, are drawn into it; this threatens a global energy crisis. you know, it’s such a thrill when you start a tank’s engine for the first time, you just feel this power, when i decided to come to donbass, they thought i was completely crazy,

seventeenth, please go down to the intensive care unit, they called, well, ready, not ready, as if they were not ready, as if they were always ready, just like in the great patriotic war, women made a great contribution, now women do a lot, here, where i am as a physician, let’s say driver, i can probably bring them more benefit than i will sit in the office at the computer, when she just comes up to you and even just hugs you and says the word that we believe in you, this gives a lot, i won’t sit at home, messing around is my land, i will protect it, i will not give it to anyone.

hello, this is ivan kudryavtsev. the film industry, the new film weekend is rich in premieres from famous authors, so we’ll tell you about the south korean comedy drama by kim ji-woon in the web, about anna melikyan’s new film anna’s feeling, about the film by mikhail mistetsky, year of birth, the crime drama word was released in online cinemas there's blood on the asphalt from the director and producer zhora kryzhovnikov, but above all about the box office success of the film fairy tale at the behest of a pike, which is about to surpass the box office one of the main film events. recent years, the film is a challenge, i will fulfill your every wish, a talking pike, this is a gift , 2 billion, a milestone that will be conquered by a movie

fairy tale at the behest of a pike in the coming days, and thus, alexander vaitinsky’s film will enter the narrow circle of two billion people, in which now there are only seven russian films, parts of the last hero, upward movement, challenge , t-34, serf, and of course, cheburashka, week, the story about a lazy person and a shallow person performs at the box office more cheerfully than most russian releases, it is already in the top five in history in terms of the rate of reaching a billion, box office receipts are growing at the rate that ukholopa, upward movements that were released on new year 's holidays, traditionally the most fruitful days of domestic box office, pike in this regard is a unique release, working as a new year's flagship for 9 weeks until the new year, and thanks to good word of mouth, when

viewers who have watched it recommend the film to friends and family, it has every chance of a long and beautiful release. kind, well made, everything is just super, the main character is just... kindness, courage and always achieves his goals, the film is unreal, i liked it very much, the nature of our russia, extraordinary beauty, and vika, what did you like, vika, tell me, i liked the cat who played on accordion, we really liked the film, it’s generally wonderful, very excellent special effects, gorgeously shot, the actors are simply fire, our favorite actors, it’s been a long time since there were such good fairy tales, without vulgarity, without what is present in all films now, i am very i’m glad that i took the children with me, and many, many friends came to see it too, 9 years have passed since the premiere of the trippy union, which received a nomination in berlin and an award for best

actor at the kinotavr, now the director and screenwriter mikhail mistetsky is releasing his second film, this the story of a young man who dreams of spending time in his hometown of metalogorsk, the largest in... the year of his birth this fall, the festival of contemporary russian cinema was opened by the lighthouse in gelendzhak, where the leading actor philip eldar kalimulin received the prize for best male role. egg light is a punk band that rocked metalogorsk in the nineties. almost none of the residents of the gloomy provincial town remembers her, only philip, he organized an egg light museum right in his apartment and even produces a podcast about her, which is true. no one listens, probably , of course, i had to break something in myself, because i probably didn’t have enough of that dreaminess and determination at the same time, with which my hero, no matter what, accepts, well, sometimes he does

things that are beyond his control logic, even so one can say, but as a result it saves him, a real dreamer, he... that one day he will hold the world's largest rock festival in metalogorsk and that in general the city is alive as long as there are heroes in it, but the usual system of priorities will be shaken after meeting marina, the characters fall in love, they are already preparing to become parents, the film is initially about love, about the opposition of two facets, two opposites that cannot exist without each other, how they balance each other out, is it possible to be a father and remain a punk, on this question the hero strives to find an answer throughout the entire film, just about a living person who is faced with new stupid or difficult circumstances, our hero... as if he is swinging on such a huge swing, on the one hand he has, as it were, childhood,

fantasies, madness, punk rock, and so on, on the other hand, as if adulthood, responsibility, common sense, and integration into this world, as if in an adult way, the year of birth, a comedy with magical assumptions, in the world of philip, an unborn child, capable talk through an ultrasound machine, inside every object there is hidden music that can only be heard with the help of a special device. music is also a magical space that allows you to tell another separate story. moreover, it is clear that in the nineties , for example, punk, and now, this is some kind of separate direction, this is a space of iscapism, and at the same time very powerful, so aggressive, in a good sense of energy. the year of birth, the film by mikhail mistetskogo is already in russian cinemas. in the spider's web movie participant of the cannes international film festival, a comedy drama about a director

who is tormented by the torment of the creative process, starring the star of the oscar-winning parasites , song kang-ho. the film takes place in the seventies, director kim sees in a dream the brilliant ending of his almost completed film, changes in the script will make the film a true masterpiece, but he only has 2 days left to reshoot all the material. on a way. to achieve the perfect film , the director will have to go through production hell, censorship, dissatisfaction actors, conflict with producers and studio boss. kim ji-woon's satirical comedy references the country's film production policy in the seventies, when films had to be submitted to censors for review. at the same time, korean cinema was then experiencing a heyday. it was a time when profits were rising, but creative people had to get creative. this phenomenon is explored by kim jiun, who conceived the film the spider's web during the pandemic. how to make a good movie while facing all sorts of limitations. passing through these dark and very

difficult times in korean cinema, i began to think about how our directors who came before me overcame these difficulties. i wanted to bring their immortal spirit into my film. i thought that despite everything that happened in the seventies, there was still a renaissance of korean cinema. now is a great time to tell this story. korean director kim jiun every time surprises the festival audience and spectators with a film shot in a new area for him. in his filmography there is inuir, bittersweetness, and parody western good, bad, fucking, thriller i saw the devil, this time the author's creative search led to a production dramedy, a movie about a movie , the main role in the film was played by the star of the oscar-winning parasites, in the web, his fifth project with kim jiun, their previous film secret agent, 7 years ago was shown at the venice film festival and became a contender for the academy award from south korea. in this film, i tried to focus not on the profession. film director as such, and i put more emphasis on transferring

this energy of desire to go forward to the end, working against all odds in a confined space, with a lot of different characters with one goal: to complete this film. in the web is a participant in the out-of-competition program of this year's cannes film festival and one of the few films of the film festival that made it to domestic distribution. this year, films from south korea rank fifth in russia in terms of the number of foreign releases. and the total box office of korean cinema has already amounted to 100 million rubles. kim jiun's film is full of wit, obsession and absurdity, not without the perversion that always surprises korean cinema and will be of interest to everyone who believes in the magic of cinema. the premiere of zhora kryzhovnikov’s series “the boy’s word: blood on the asphalt” took place in online cinemas. this is a story about youth criminal gangs in kazan, which won the nomination for the most anticipated series at the new season festival. the times of perestroika, andrei is an ordinary kazan schoolboy, he studies well in

music school, but at school he is bullied, he is a fool and does not want to put up with it. chance brings him together with morat, a kind guy, but a hooligan and belongs to one of the local groups. friends will have to pass the first test of character to try to remain human in the world of cruel asphalt wars at the break of eras. the director was zhora kryzhovnikov, author of the comedy hits gorko, the best day from the series “call decaprio.” the co-author of the script was andrei zolotarev, who worked on the film ice and the adventure drama the lord of the wind, which has collected more than 450 million rubles at the box office to date. the project was supported by the development institute. internet, which since 2020 has been promoting socially significant content. now is exactly the moment when you can look at the events of the late eighties and early nineties without a clouded gaze, already distracted and looking at it from some historical distance, and if you don’t talk about what happened and don’t make it true reliable narrative, then

nothing will happen. intertwined with the growing up story of two friends , another storyline unfolds in this saga: marat’s half-brother, vova, nicknamed adidas, returns from afghanistan. the young man immediately finds himself in the midst of a yard showdown and realizes that the ideals by which he lived have lost their value. the roles in the series were performed by ivan yankovsky, sergei brunov, elizaveta bazykina and nikita kolagrivy. one of my difficult projects, because here, zhora, andrey, or rather scolded me, he reprimanded me, he taught me professionally somewhere, and of course i need such experience. when they constructively criticize me, correct me, and here it was, i hope it worked, this is a story about the younger generation, which stands before you, who is faced with a choice of what to live, who to be, with whom to go through life and what principles to adhere to and to whom to give

the floor. a surge in the activity of youth groups in the eighties, a phenomenon that swept the tatar capital. the ussr is usually called the kazan phenomenon. it is described in documentaries by marina razbeshkina, robert khisamov and nikolai morozov, as well as in books by lyubovgeeva and robert gorayev, who himself was a member of one of the groups as a teenager. the series is tenacious the images show dagger precision in the details of everyday life, and the inevitable reproach for the romanticization of violence is contrasted with the sometimes shocking predominance of the authors’ view of the rule of the strong , the law of the streets as a dangerous temptation. read by kryzhovnikov and zolotarev. the dashing nineties are those pages of the diary of society, where at all times it is worth looking for unlearned lessons. the big cartoon festival was held in moscow for the seventeenth time; according to tradition, it presented the best animation from all over the world, focusing on cartoons for family audiences. in at the international competition, four

programs of short films were presented, they were divided by age, from preschoolers to high school students. the grand prix.... went to the nostalgic cartoon by iranian director yagan magadam, our form. his main character examines the folds on an old suit and remembers school. for the first time , an international competition of full-length cartoons was held as part of the festival. seven films took part in it, including from france, the usa, iran, brazil and russia. the winner was a funny story about serious things about about what terrible, terrible power the whim of a little girl can have. and an italian cartoon chicken for linda. six collections of short films competed for victory in the national competition, also divided by age, from preschoolers to films for adults and experimental animation. nikita meshcheryakova's cartoon about virtual reality vedrite was named the best. a story about a teenage girl who considers herself a saint, her electric

light, nastya lesovets and a picture about the search for happiness at the age of 30, wormwood 25. nadi gold. which in august received the main prize of the animated film competition in vyborg at the window to europe festival. the seventeenth international film festival russian abroad has started in moscow. the opening film was nikolai burlyaev’s documentary: god, i feel your approach, dedicated to the spiritual essence of andrei torkovsky’s work. the program features more than 50 paintings from 10 countries, including argentina, belarus, canada, and sweden. and russia, among them a documentary film by maxim kravchinsky, russian muses who conquered canada, about the tours of ballerina anna pavlova, composer sergei rachmaninov, opera singer fyodor chaliapin, the holy archipelago of sergei debezhev, a large-scale narrative of the life of the solovesky monastery. also, guests of the review will see a painting by andrei ogorodnikov about the mari ethnographer and local historian evseev

, recognition at the cost of his life. the festival will last until november 14. entrance to film screenings. anna melikyan's feeling of anna is released after its premiere at the new season film festival in sochi, where the film was shown out of competition and critics agreed that it was one of the best works in the career of another anna, anna mikhalkova, who played the main role in this film. the heroine of anna mikhalkova is an ordinary worker at a confectionery factory, every day she and her colleagues are glassy-eyed from the routine. standing by conveyor belts for hours. outside , a pandemic is raging, and in an attempt to escape the deadly virus, humanity plans to colonize mars. one typical day , anna begins to hear voices from extraterrestrial civilizations. you are on the verge of destruction, there is only one way to stop the death of the planet, you need to love each other, and not

destroy, love each other, you are not ready to fly to mars, mars will not help you, don’t fly, the film’s script was written specifically for the actors, anna melikyan, who is responsible not only for the director... script, but for editing, was originally seen in starring anna mikhalkova and timofey tribuntsev, they continue to broadcast the main and cross-cutting theme of all melikyan’s films, love, which in this case has difficulty coping with saving the world. exploring this feeling, the director’s imagination rushes into space, so that from there, in the most general shot try to give life to people. from above, from mars, everything seems clearer. this movie is made in a certain timelessness, like a parable, and is in black and white. it simply fulfilled this artistic task, at the very beginning of the film they take the viewer like this, i don’t know, by the chest, by

the throat, in this sense the color would probably simply disperse the viewer’s attention, this monochrome picture, it makes a person so immerse yourself in this story that makes you feel uncomfortable, a film, a genre that the author designates as magical realism, tells about the loss of feelings and roots, about general disorientation in space time and at the same time about the search for points of support, not always obvious and difficult to guess, in this sense this movie is unique, for me, at least for sure, and for him, it makes me come back to it, according to my observations, it is very difficult to say something immediately after watching it, but it begins to formulate somewhere, probably after a day or two. because it has some kind of completely stunning effect. anna melikyan is one of those directors who systematically prove the ability of auteur cinema, contrary to stereotypes, to attract theaters at the box office.

the previous film directed by troy with konstantin khabensky, viktoria and yulia peresilt grossed at the box office one and a half times the average box office for auteur cinema - 20 million rubles. anna's feelings and abilities are capable of achieving this indicator. unfortunately, we don’t have a very large audience of people who love auteur cinema. russia , but at the same time, accordingly, we hope that we are her with such paintings, which are still not entirely the author’s, but i think that such artstream, i would call it, we will gradually expand it, so naturally, we are doing everything, well, as distributors, and , accordingly, as producers, so that as many people as possible can see it, because this movie is worthy of it, it’s right very big, the feeling of anna at the box office this week, a new one has reached the russian box office... argentine director damian runa, obsessed with evil. the plot centers on two brothers who try to stop the fire of an epidemic, but instead inflame it even more. brothers pedra and jaim, who live on

remote farm, they learn that one of their neighbors is infected with a deadly demonic infection , it is impossible to expel the demon or kill its carrier, evil will break out and will inhabit everyone they meet, so the farmers drag the infected person into the car and take him away from their homes, but on the road their cargo disappears, soon a real epidemic of obsession begins in the area , there is a possessed man in the city, go away, you are scaring the children, i saw him with my own eyes, you are all doomed, argentine director damian runa came to cinema in 2018, making one of the most frightening and uncompromising horror films in the years, numb with fear. the film amazed connoisseurs of the genre with its versatility and unconventional suspense. rooney took the same approach in his new film.

obsessed with kink is a hard-hitting horror horror that constantly changes the rules of the game, which at the same time makes you think not only about the nature of evil, but about the causes of family conflicts. we must find the possessed one before the beast is born. the metaphorical subtext of the film is also unusual: evil runya interprets it as an epidemic that spreads across the earth, feeding on people’s deepest fears. horror film fans call the film one of the most striking horror films of this year. critics demand that the name runia be put on a par with metromi. genres by david cronenberg and john carpenter, you can agree or argue with their opinion by going to the cinema. you watched

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hello, international review is on the air, fyodor lukyanov is in the studio. today on the program. international review, events of the week, chronicle, facts, comments, results of the ground operation in the gas sector, what awaits ankla in the future? roadmap for settlement. the future of the united nations, un reform in new conditions, prospects for change.