[000:00:00;00] in poor condition, although i’ll be honest, it’s strange to me that an icon could be in poor condition, being in the tredyakov gallery, where there are absolutely wonderful troops of restorers, this fierce struggle does not subside, it continues to this day, we read: minister of culture olga lyubimova makes it possible for the restorer of the tretyakov galleries to assess the condition of the icon of the trinity by andrei rublyuv. the month that sources indicate that the beloved is being sabotaged by a meeting of the expanded restoration council, which consists of leading experts in russia, watch how

a month spent outside the tretyakov gallery had a negative impact, what does this mean, no one knows, sources indicate how familiar it is, sources have a negative impact, no one knows this, but i know, this is a lie, this is a lie, i had the great happiness of being invited by the patriarch on october 24, visit the restoration center named after grobar, where the icon is located today, it is in perfect condition, it was absolutely not damaged in any way , okay, i’m not... i could be wrong, i can only express my visual feeling, well, here’s the conclusion of the director of the restoration center named after grobar dmitry sergeev, made by him on november 2. listen, on the issue of preserving the icon of the holy trinity by andrei rublev, we have summed up the results of monitoring the icon’s more than two-month stay in the center of the tomb, no destructive changes

are observed, it is stable, one might say, ideal conditions have been created, the fact is that there are things that have multiple significance, not only artistic, value, cost, artistic significance, but also sacred and spiritual, an icon, it must work, no great icon painter has ever would not have started... to paint the icon if he had assumed that someday it would be hidden from people and not be in the temple. for half a thousand years, the rublev trinity served the people in the trinity lavra of sergegiev, in the heat, in the cold, in winter and summer, and millions of people passed by it, kissed it, prayed near it.

this is an icon that is more than half a thousand years old, can you imagine how much it has absorbed, how much it has taken from people, and how much it has given to people, and when today there are opportunities and technologies to protect, preserve an icon from vandals, why not do this, yes, it needed to be saved from the revolution, it needed to be saved from the fight against god, from the destruction of churches, from the destruction of church... utensils from the burning of icons, yes, honor and glory to those who managed to save it , but that time has passed, why resist this, not give it to people, is to deprive it of its sacred meaning, for the sake of which it was written, i understand how many people will now start wagging

their tongues, twirling their fingers at their temples, what is this.. .warlock, obscurantism, morism, religious fanaticism, i understand everything, but i am convinced that millions of people understand me, understand what i’m talking about, icons should work, in whose hands sometimes the most delicate museum work ends up, remember, we talked about the museum of the history of yekaterinburg, when we quoted his words employee "vyacheslav pechnyak, who called the process of annexing the urals russian colonization. remember? the russians colonized local peoples not as harshly as they did in north america. no one was completely exterminated. but some indigenous peoples went north, mansi, others staged a bashkirian uprising. here

is another employee of this museum - who simply mocks the russian orthodox church, over orthodox symbols, he wears a sweater with hitler's swastika badges, and apparently is very proud of it. he supports ukraine, and note that all this is happening in a budgetary state institution, is that normal? i repeat, i take off my hat to those greatest devotees who dedicated their lives to the preservation and restoration of the greatest monuments of russian culture, but like everything else there is another country of medals. here look, there is something more than concern for the preservation of cultural values, from october 22 , 2016 to march 2, 2017, russian museums, the hermitage and

the pushkin state museum of fine arts organized an exhibition of “masterpieces” of new art, which presented a unique collection. impressionists, post-impressionists, this includes cloude maunay, paul sesan, paul hagen, henri matthys, pavlo picasso, edgar degas, pierre agius trenoir, and others, from september 22 , 2021 to april 3, 2022 the second part of this exhibition is a collection of collectors mikhail and ivan morozov, 200. mikhail vrubel, konstantin korovin, valentin sirov, kazimir malevich, pyotr konchalovsky, edouard manet, kamel pesaro and others. these works are kept in the armitage,

the state museum of fine arts named after pushkin and the tretyakov gallery. in total, the exhibitions were visited by 2,550 people. this exhibition is incredible. scale, which is what the organizers themselves even say, but it is only taking place in paris under the patronage of the louis vuitton foundation, that is, 327 masterpieces per on planes, on trucks, on trains, they are transported to another country, moreover, some of them raise doubts about their sole gauguin and the great buddha of the polygon, but nevertheless they are transported... this is a quote from the agreement between our museums and the louis weighton foundation. that's what it says. to date , neither a special large-scale exhibition nor

the publication of a comprehensive scientific catalog has been dedicated to these collections in russia. they have never been collected and shown together in an exhaustive manner in france. or beyond, that is, look, we will show you paintings that were never essentially appreciated here in russia , they were never collected together, there was no complete catalog or description, they were not collected so that russian citizens could see it, but we will show them in france to a true connoisseur , this is with us, when in frost, in cold, in a blizzard there were endless queues for the exhibition of valentin sirov, archipakuinja, when

a full exhibition of one of the artists just opened, instantly this news spread around the country, people came from other cities to look at greatest painting artist. i will give one more example: the russian museum, which is located in st. petersburg, is holding a large-scale exhibition to mark the 175th anniversary of the birth of the great russian artist vasily ivanovich surikov, by the way, my great-grandfather. it should open on november 30 this year, that is, all of surikov’s works will be collected in one place, can you imagine? what significance could such an exhibition have? an absolutely amazing event. the russian museum sends an official letter to the tretyakov gallery so that it

provides a painting by vasily for this exhibition ivanovich surikov to boyarina moroz, which is kept there. and gets rejected. as stated in the document from minkuld, the main custodian. tatyana gorodkova noted that the state of preservation of the requested painting does not cause alarm. however, she voiced the position of the tretyakov gallery on the status of unknown works, which are primarily objects of interest to tourists, that is, for us, for our own people , it is impossible to transfer one painting from one russian museum to another russian museum, tourists need it, 27 paintings of other masterpieces

take him to france easily, but how? do you know what happened after the start of the special military operation, the french very carefully read what was written in the small print of this agreement, it was written that the parties were released from liability for partial or complete failure to fulfill their obligations in the event of ... force majeure circumstances , including natural disasters, fire, mass diseases, strikes, military operations, terrorist attacks, sabotage and so on, that is, exactly what happened, and the french, without hesitation, seized 200 masterpieces at home, only after... enormous efforts by the ministry of culture and

the personal intervention of the president, these masterpieces were returned to their homeland with great difficulty, the museum employees who sent these paintings there, at exactly the same time conclude an agreement with the louis véton foundation to extend the exhibition until april for compensation, as much as 250 thousand euros, now for reference, just in case, here are all these masterpieces that went to france, their cost is 2,656,276,000 euros, here how much did the louis véton foundation pay for this museum

from 2019 to 2020. euro, this is not even 1% of the cost of these museum exhibits, what do you think? we have received a whole cohort of people for whom the choice is absolutely clear, between louis witton and the cathedral of christ the savior, this happens not only in that area, we just said, this happens everywhere, in all spheres of our life, agree, this is true, here you go wonderful confirmation of what i was just talking about, listen to the conversation between these two very intelligent ladies, i would be very glad if i could say, russia is a european civilization, but russia has european standards, good, classic european standards.

that’s why she will accept everyone, bring everyone up to these standards, and when tajik becomes prime minister in russia, i will consider russia’s historical role fulfilled, i’m not kidding, yes, i’m repeating this for the second time, but yes, this man , i don’t want to say that he will be a representative of russian culture, i want to say that he will have to be a representative of european culture, then everything would be great, so you think about the fact that these women, when for some reason it is proposed that a tajik become the prime minister of russia, but this does not mean that this is the same tajik, the heir of amarahayam, avicena, saadi, no, he should be deprived of this, he must live according to the laws of that very civilized europe, which is why there is no avicena or amarahayama. saadi, there is no tolstoy, no tchaikovsky, no sirov

, under the leadership of the prime minister of tajikistan and any other person, of any other nationality, we must all become parishioners of the churchton, we agree to this, so what are these ladies offering? they propose nothing more, nothing less than the loss of our identity, that is, the loss of identity. countries with great culture, history, tradition, and so on and so forth, and when there is a loss of identity, it can be external intervention, war. revolution, and this can be soft ways, soft power, in different areas, carefully, unnoticed, for example, the document that we received from zaporozhye, in the zaporozhye region there are

329 educational institutions, in which 48.9 children study. lack of russian educational materials in these schools leads to the use in the educational process of literature recommended by the ministry of education of ukraine. in addition, according to rough estimates, from 500 to 1,000 children from the zaporozhye region are studying remotely in online institutions , which are financially supported by the ministry of education of ukraine as a result of information and psychological influence on children, facts of their participation in anti-russian activities are recorded, for example, online -resource, all-ukrainian school online,

where the topics include the holodomor, 1932-1933, the ukrainian national movement from 1941 to 42, and so on, the optima distance school with the address kiev pereuloksky 4.10 office 117a. educational online project for a lesson and so on. they work for us and their websites are open. don’t we know what a child raised in a nationalist is like? if in the forties, due to the lack

of soviet textbooks, they would have decided to replace them with maincamp, this is approximately the same thing, i always do. that is, to reach out, to reach out, it is seriously, this is all serious, these are not trifles, this is an accident, for example, at the faculty of political science of moscow state university in 2022 , the first in russia master's program in information and hybrid warfare was opened, the most important program, agree, listen, it was in the twenty-second year , its goal is to train personnel to counter information and hybrid wars , as well as color revolutions, we understand that such specialists today are no less important than those who control drones, suddenly it turns out that

the course is suspended, why? please, this is a letter addressed to the president from a student of this course, this is what she writes: in october of this year, six teachers refused to teach classes... for students, when it turned out that after working for 2 months, none of them were even registered, in addition it turned out that the leadership of the faculty actually paid our teachers nothing, which costs my tuition of 430,000 rubles per year, more than forty contract students, this is unclear, in the conditions of the svu, the collapse of the program plays into the hands of those forces in the west and ukraine. here's what says the teachers of this course.

over these 5 years, i have never presented the amount, yes, this is what i am going for, which is paid for, will be for my work. programs are growing, yes, their number is growing, probably the teacher should also be measured somehow, but the price of the issue never changes, as i received 3,000, excuse me, rubles in salary and there is 1,200 in advance, but i don’t get that anywhere and never for everything these years, having a work experience of 40 years, that is, you can introduce probably 25 courses, proprietary programs and probably for 3,000 rubles, yes, i went to the savings bank, took a monthly printout that he transferred to me, well, from three to four. per month, out of 12,000 they paid me another quarter, somehow i found this insulting, because well, i had never received such a meager salary in my life.

your work, just think, this course was opened a year ago, when our opponents did it 2, 3, 4, 10 years ago, that’s why they have such powerful capabilities and developments that we have to cope with, and it doesn’t always work out, why this course is blocked because? we don't need to be specialists in information, cognitive wars, they are needed like air, when just like that, with one click, with one click, from the opposite side, exactly the same specialists can raise half the republic to illegal actions that could lead to bloody results, everything seems to be in emptiness, in the navy we had such a not very decent expression, writing in cotton wool, well, it’s rougher there. it was determined, this is the same, how many times we showed,

told, absolutely indecent behavior towards us, towards our country of the writer boris okonin, listen to his new revelation, the last question of the questionnaire sounds like this, the thirteenth question, which is no coincidence, what for... russia, yes, we, well, all thinking people there, are now very concerned about this, there is a difference between , how cultural figures answer this question, and how the prisoner answers, listen to cultural figures, lyudmila ulitskaya, first of all, this is a memory, my abandoned home, abandoned friends, the whole atmosphere that can already be called the past and simply answers with one in a word: the past. vladimir sorokin, a country occupied by a criminal group.

andrey makarevich, one of the biggest disappointments, i don’t believe that she can be reborn. dmitry bykov , a leper beauty, with whom i had a stormy sadomasochistic romance in my youth, and i generally answer the same thing, here is grigory chertishvili, boris akunin answers this question, homeland. from which she could die, so much so that no one would cry or even come to the funeral. this is what the man whose books are fanned out in bookstores says about us. countries, they sell, how i wish you understood me, i'm talking about how much we respect ourselves, if a person who calls us crap then signs a book for us and

we read it with pleasure, we don't believe that we are crap, or we don’t care that we are crap, or we agree that we are crap, but some kind of reaction should be had from a person who is simply spit in the face, for no reason, just for the fact that he lives in our country, back in 2022, the chairman of the state duma committee on culture, elena empolskaya, said the following, okunin did not he is shy, having left the borders of russia a long time ago, he is confident in his own impunity and the stability of financial income;

all bookstores are littered with okunin’s hasty waste paper. i promise that the state duma committee on culture will soon ask hard-hitting questions to the founders and owners of bookstores, a conversation with publishers is also ahead, now it’s 2023, and that’s okay, but then i can’t understand if the authorities can’t come to an agreement with the publishers, with ...directors of bookstores, well, in general , with all those on whom it depends, then how this is called power, is it power? i remember there was a wonderful soviet proverb, the soviet people create difficulties within themselves, then heroically overcome them, we definitely continue to do the same thing, all this work is aimed at constantly... making us apologize, repent for what we are russians, because we believe in god, because we value our

culture, we are always made to feel... guilty of something, we were called religious fanatics when we raised the issue of missing crosses on the coat of arms of the russian federation on the kremlin website, or the symbol of the novgorod region. soon after the release of our previous program, we were given the words of the minister of the moscow government, and the first deputy, chief of staff of the mayor, mr. nemiryuk alexey alekseevich. we were given his response to our criticism regarding. that under the benches there were banners advertising russian seasons, where st. basil was depicted without crosses, the explanation was that since these banners were under the benches, there were people on them they sit down, so to speak, with their butts and can still dirty these banners with their feet, it’s awkward if

they sit on the crosses of st. basil’s cathedral, i know him, he’s a hard worker, he does a lot in moscow, many people turn to him, and he helps a lot , but i just want to ask a friend , i don’t understand then, but if this is such a problem, why put these banners under the benches, well, okay, there’s no other place, well then why put the image of a temple there? st. basil's, there are a lot of other russian national symbols, folk kokoshniks, bears, balalaikas, and so on and so forth, this reminds me of a children’s joke, how a man came to zhek and said, i can’t work, from my window i can see the bathhouse, the women’s steam room, do something, but

a commission came to him , he looks, they walk, there is nothing, he says that you are complaining, nothing is visible, he says: but it’s not visible, it’s not visible here, you climb on the closet and look, the exact same thing is happening here, why, i absolutely i am sure that aleksey alekseevich never had any idea of ​​humiliating the orthodox church in any way. shrine, absolutely the same story with the 1,000 ruble banknote, where... the siumbike tower of the kazan kremlin is depicted from a crescent, and next to it is the building of a former temple, which is now a museum, but it is clear that this is a temple, but without crosses, when they tell us, yes you understand, this is no longer a temple, but how do millions of people who perhaps have not been to kazan and don’t know or don’t remember this know, how do they know that this is not

a temple, but do i really understand... this, and this needs to be understood , if this is not a task, any other russian temple in kazan, of which there is a huge the quantity is in excellent condition, why do you need to bring it to the point of then returning the circulation, redoing the design, wasting a lot of time and money, why? the remarkable russian philosopher vasily vasilyevich rozanov wrote in 1908: power is always relatively complacent, power is confident in its tomorrow, and because of this it is in no hurry and does not knock anyone down, but nothing passes without a trace, everything

has its consequences, our russian complacency, after a very short time forces vasily vasilyevich rozunov to in the seventeenth year, write these bitter words: russia faded in 2 days, at most in three. and we didn’t even all understand what happened. this false kindness sometimes ends in the death of people, the tragedy of entire nations, entire countries. i want to remind you of a piece from my film sunstroke, it seems to me that this situation is very accurately described there, i hate that i hate russian literature, why, why? we've been pouring shit on ourselves for 100 years,

we can't stop, 100 years, everything in a row, lord, power, any power, like this nekrasov, a drunkard, a gambler, as he wrote, a broad, clear, chest blow. having paved for myself, and oh, they paved, i hate, no shame, no sin, there is nothing, we have lost everything, everything is possible, everything. they did everything themselves, they did it with their own hands

, that i didn’t see something, we didn’t see something,