and i’m such a post-romatic director of international festivals and so on, i say: yes, yes, yes, but i won’t go here, well, vladimirich is impressive, really, we can create it, nothing impresses me at all, i ’ve seen it all many times, so you i saw it all, and i say, i saw, i saw, so what are we going to do, well, no matter what you like at all, i really like it, the team here has always been wonderful. what did they understand, i ’m talking to them now, they say, we didn’t understand at all what you were doing, what you were talking about, it seemed to us that you were complete idiot, returning to stanislavsky, i think that this is exactly what he wanted, what he was striving for, he was still unconditionally in favor of modern topical theater, to him the way he wants, yes, this is the most humiliating, the most terrible thing , modern productions in the classical theater -

i watched the premiere performance of her friends based on the play by viktor rozov and this was the first time when i cried in a drama theater, i sobbed naturally sobbed into the choking that existed on the stage, they were all in a kind of balloon, this there was crystal, crystal and transparency, and some kind of crystal flask inside connected me.

but you can understand, wait, that with dirty wallpaper, you take off the old wallpaper and see, fathers, but our wall is not very good, vladimir abramovich’s desire is not to paint over the wallpaper, but to build a new wall. please gather the stage for the beginning of the third act.

performs so that we can make it in time for the 125th anniversary, oh, new guy, now, guys, come out, come out for a second, let's play for fun, wow, that's it, let's start, let's go, we have three sisters, life hasn't happened yet beautiful, she bestowed upon us like grass. three sisters

, themselves, sisters, agni, it will be just a bomb , everything else, i don’t know, nothing convinces me at all, you can’t hide here for anything, you can’t hide behind the music , you can’t hide behind the decorations, they’re not naked for anything, well this nemirovich’s words are three sisters, each time they need to be staged anew, taking into account the time , well, now i’m retelling them in my own words,

well, okay, it seems to me that the moscow art theater today is the vakhtangov theater, which at the moment is a theater, well, it is considered that the best theater in moscow, this is what we do the first steps, of course, that our theater will be better, are not worth taking, not worth growing.

the second is to play love in relation to women, love for me, then i realized that she was both dirty and cruel, with blood in half, jumping off a cliff, so gali extracted all this from me, tried to transfer all her experience to me, well done i say. the director wanted to take me out of the role three times during this entire period, not my worldview, shchepkin’s student, a very correct boy, probably a boy at that time, i understood that i i must give him my strength, i certainly

learned a lot there. but i knew that i would not quit, i would leave then, who proved that you would play. mkhat is reincarnating a little, we need new energy, new people, okay, poor thing, okay, thank you, thank you very much, okay

, that’s it, thank you, thank you, thank you, let’s start , i’d rather sit at home now, it’s warm, at least, and fun, huh? again the last train ran away from me, that i couldn’t handle it, that i failed, and now you’re worried a lot or something, well, a little, right? yeah, how old are you? years? 24, uh-huh, good, thank you, uh-huh, thank you , right after the second round my friend and i, and in the evening they wrote to us at the same time, in the end they both took us, it was... of course great happiness, come out on the other side, rifke on

the other come out from the sides, this is it, well, this needs to be taken apart, done earlier , well, here’s what to do, we’ll make a box here , we’ll make a box here, we’ll put a chair here, we’ll do it all, we’ll make a beautiful entrance here, but i already have the drawings, there are always drawings for you, and then... here are the general mechanics of the scene, here this is the only thing that needs to be done , everything else from the point of view of the walls is everything, we don’t touch it at all, it’s already unique, this building, this is a very deceptive scene, well, you have to take it too, no, you can’t take it in scale, it has to be like this , understand?

the performance should be, how can i tell you, old-fashioned, it was different, like a bunch of danchenko, you have aged, but not old, but it’s already forty -three years old, yes, thank you, thank you, very good, wonderful, there is an opinion that the resumption of the memorial performance - this must be a copy, even... better, well, it doesn’t

work out, we have a friend, have you ever been to moscow, you haven’t, the gentlemen probably don’t know that they are in the theater, i know, i can’t make a copy, that’s why nemirovich and said that any play by chekhov needs to be staged anew every time, just approach it with our... today's eyes, nothing is happening, and the theater still occupies a leading place in rank, here we have one performance worse than the other, it was accepted in the seventieth year this decision to appoint oleg nikolaevich efremov to the head of the art theater, this is already a corpse, it cannot be restored, but for me, for me, it is a sign. artistic view, now reform should take place, then in

the year eighty-seven this split broke out, a harbinger of many collapses of the late eighties and early nineties. let efremova be called, finally, and let him say that my troupe consists of such and such a number of people, let’s find a building for ourselves, why only the repertoire building, it was a tragic moment, suddenly we are torn apart, one in one corner, the other in another corner, and even some of my comrades, colleagues at some point stopped communicating, i believe that there was no split, there was an absolute betrayal of some by others, that’s all, so i think that ideologically, perhaps, this question should decide. politburo, that’s right, you just need

to go and talk, come and explain , and it will be democratic, it will be open, you understand, as to the whole team, then it probably seemed to oleg nikolayevich that this was a way out of the crisis in which we was there, this is no way out, half the corpses, well, of course, after all, under socialism it was impossible, so here...

you are heroes, why to me it really even seems like i’ll go to the top at five, look at different eyes, different faces every day today i love you, you didn’t notice yesterday, i thought, lord , no, this is impossible now, you played

resuscitation in such a way that i also wanted to three times at such moments, i immediately love you and want to work, and i think, lord. all the artists, how they correct each other, what they dig, and galya is here, i’m here, i’m a flower, you mine, well, with or without a microphone, you can do without, i think so too. today we are celebrating the 125th anniversary of the moscow art theater, many people congratulated us, people's artist of the ussr tatyana vasilievna. my dears, i congratulate you on the birthday of our wonderful, best drama theater in the world since 1932, named after the gorky moscow art theater. today there are cruel

times in the world, you have been given the talent to give people the highest prices. “you love the theater, as i love it, with all the strength of your soul, let’s begin, any pesha chakhov is necessary every time put it, everything is gorgeous, everything is clear to me, yes , let’s move on, i don’t believe it, it seems to me that mkhat is very similar to the phoenix, i don’t know, it burns all the time to be

reborn and give new chances, new ones, i ’m beautiful. and what has changed, yes, if we are talking about what the audience does not see, we have completely changed the stage plan, we have the most amazing loudspeakers, we have incredible quality new sound, new light, new videos, and of course, the most important thing, we have the service entrance will be incredibly beautiful, the main thing is that we have brought back the public who... here i haven’t gone for a very long time, the future of the moscow art theater, in my understanding, is preserving traditions, creating a contemporary theatre, a theater of experiences, i don’t care, it’s bad, it seems to me

that this is exactly what stanislavsky wanted, our life is not over, we will live. at the premiere, the curtain closed in deathly silence, suddenly the audience erupted with tone and applause, it was a huge success, a cheerful theater, as i love theater, women in chic dresses hide pushkin's. corruption of the graceful, one young

lady drank wine with the hussars, begged for the sake of quietly steal a cannon from the regiment and shoot it into a peasant’s hut with her own hands, oh! “i guess, miraculously, she didn’t kill anyone to death, she’s an important person, my daughter is all right, she’s a normal girl, just like everyone else, and the girl repents, it’s like, let’s go to paris, let’s eat an oyster, we could forgive her, but according to the law, siberia is supposed to be, siberia, siberia, but i’ll cut out your tongue now”? we won’t, but i’m oleg skepanov, and we are the creators of the russia 2062 project of the headquarters of free thought. together with experts

we are discussing how we can develop russia future in the next 40 years. see you in the future.