hello, ivan kudryavtsev with you, you are watching the film industry, we are in illusion in one of the most sacred places of cinephile moscow, in the home theater of the gosfilm fund, where everything that has ever been produced or shown in our country is stored. will be. its storage facilities and several films of this week, which we will definitely tell you about today. this is the harsh yakut drama plague by dmitry davidov, the comedy mom is 17 again and the films winners of the online platform festival new season. the mischievous family comedy mom is 17 again has appeared on the screens of the country. olga, a frivolous girl from the 2000s , mysteriously finds herself in 2024. in the body of herself, but already... and a six-year-old

single mother, starring svetlana khotchenkova, oleg sevastyuk and konstantin kryukov. olya, a high school student, was just in 2005 and wanted to get rid of an unplanned pregnancy, but then the girl blew out a magic candle and found herself in our time. now she is 36 years old and is the principal of a school. to return the stolen years, the heroine will have to face all the joys and sorrows of adult life and rethink their. priorities, in this she will be helped by her eighteen-year-old son vanya, played by oleg sovastyuk, already former classmate lastochkin, played by konstantin kryukov. i allow all students to use the gadget. let's try, it will be cool, the film mom is 17 again, a conscious compilation of fantastic comedies of the noughties, dad is 17 again, from 13 to 30 and 16 candles. stories about swapping bodies, age and even.

despite the comedy genre, the film does not seem frivolous at all, director anna kurbatova screenwriter alexander pronin, raises complex themes of growing up, the transience of life and trust between. and viewers who have already had their share of bruises right now are trying to reflect on the experience of the past. ol, next week he will come here as children, but mainly they address the inspection from the education committee. it's bad that he will come, yeah, according to the program he is a master margarita and didn't read what you read, you read everything, you just forgot. ol, so, let's try to remember. it's easy and pleasant to tell the truth, well, you remember, the light genre is increasingly becoming the engine, the carrier for serious reflections, as director roman

karimov does in the absurdist mystical comedy lost, where four careerists forgot about the true value of life, in turn, the film mom is 17 again offers to look at mistakes as... the film plague, a black-and-white drama by dmitry davidov, the main director of the yakut wave in russian cinema, has been released. the film won the prize for best direction at the first festival of contemporary russian cinema mayak, which was held in gelendzhuk. dmitry davidov is

a real phenomenon of the film industry, his film scarecrow made the whole country notice the emerging trend in yakut cinema. davidov began to stage his first film experiments back in. where he worked as a primary school teacher. today, dmitry is one of the most striking original directors of modern russian cinema. he shoots films in the shortest possible time with a small budget, and at the same time he is loved and awaited at festivals around the world. plague is the director's ninth film in 7 years; it took only 15 days to shoot. as if initially, when i write a script, i understand that the director in me immediately turns on. i i always ask. and how am i going to film this? that's why i don't write any large-scale stories, that is, initially, all my stories are chamber, simple enough so that there are no special effects and so on. in a small yakut village, there live two neighbors with similar fates: one is a local

crime boss vlad, his wife left him, and his unloved son remained, the second is a poor carpenter ivan, his son taras is also growing up without a mother. ivan often suffers bullying. from vlad, but he does not respond to evil with evil, for this his son considers him a coward, finally disappointed in his father, goes to live in a neighbor's house, we have one family - this is the element of water, the second family - this is the element of the forest, it's like these two verses collide, in davidov's filmography you can find films of various genres, among them the black comedy yt, the melodrama there is no god but me, the thriller illegal and the musical tragicomedy. in the plague, the director takes on a new experiment - a black and white parable. the style of the film gravitates towards the best examples of independent american and european cinema. with a lighthouse robert egers is united not only by the monochrome narrative, but also by a hermetic and energy-deprived world, with the hatred

of mathieu casavits - the theme of harsh , unmotivated violence. the struggle of outcasts, with their environment that poisons them, is the litmotiv of the director's entire work. in the plague, the main tool for revealing the plot becomes the video sequence, the world in which the characters live is schematic, stingy with details and devoid of contrasts. due to this, the director creates a special cinematic space, suspended between reality and fiction. the camera of debutant cameraman danila stepanov behaves in a way that is unusual for yakut cinema, which is accustomed to statics. smooth movements and live observation of the characters create the effect of internal tension, the expectation of a slowly approaching disaster. we initially filmed in black and white in this format in black and white in order to take all the beauty of the location, yes, we filmed this film in yakutia, to push all this beauty of the location into the background, to leave only our characters, their psychology, relationships, so that the viewer is not

distracted by the background. the plague is only pretending a short story about a crisis in two families. in fact, the questions raised by davidov torment the whole world today, is it possible to resist? evil with good, and if power is in truth, then what is it without power, and what if the plague really is on both houses? the view of one of the most subtle and powerful authors in today's cinema is already on... a harsh and frightening answer to modern pop culture, which elevates the body and its perfection to a cult, is given by the thriller by frenchwoman caroline forjat, substance. the film is being released in russia after it received the prize for best script, starring demi-mur. the actress amazes with her beauty makes you think about her nature, substance. show,

which has almost everything, recognition, oscar, a star on the hollywood walk of fame, lacks, in her opinion, only youth. the owner of the tv channel harvey , played by dennis quaid, insists on this, trying to find elizabeth a young replacement, unable to withstand the pressure of male society, the actress agrees to a mysterious experiment. activator. thus appears the ideal sue, a young seductive version of elizabeth herself and a new a promising host for her show. being one whole, as prescribed by the secret organizers of the experiment, does not work for elizabeth isue, with time it becomes clear why there is a warning in the opening credits: do not watch for the faint of heart.

this year, the substance took the prize for best original screenplay at the cannes film festival. this is an award for the meaning, which is really hard to argue with. caroline forja turns the camera 180 °. exposing the internal problems of the film and television industry, the pursuit of dream parameters, the fear of old age and despite the popularity of loneliness. the film's straightforward morality is softened by its comedic subtext. the dark humor of the horror is reminiscent of john carpenter's mocking films. shock coexists with laughter. the director deliberately provokes the viewer with visual and sound techniques. and there was a slight abuse of the substance. it so happened that ... a couple of extra hours were used, which caused the changes, i

need a procedure to get everything back, what was used by one side is lost for the other, there is no way back, due to the strong provocative, this film about fetishized beauty received mixed reviews from critics in cannes, they are unanimous only in one thing, such a film is very difficult to forget, but the final... decision, as expected, is up to the viewer. the russian distribution of the film begins almost simultaneously with the world one. the third festival of online platforms ended in the sochi ski resort rosa hutter. 20 new films and series were shown, which will soon be released on streaming services and tv channels. outsource was named the most anticipated, and the special prize was given to the most a large-scale and expensive project in the modern history of russian multi-part cinema. the last bogatyr legacy special prize

the last rich no magic, the last bogatyr legacy expectedly captivated the public and received a special prize for the development of the domestic film industry, the series is made according to the standard of big cinema, where each scene is an incredible attraction, this was achieved thanks to. ivan no longer looks like a naive simpleton, he knows how to protect belogorye from evil, but at

the same time it is sometimes difficult for him to accept actions and desires of grown-up daughters, and they are trying their best to earn their father's attention and approval. the last bogatyr talks to the viewer about important things, teaches them to make decisions and take responsibility for them, inspires them to fight for their dreams, shows how important it is to find a common language with their parents. you have a rich dad. the festival named outsource, a dramatic thriller about the life of employees of a special purpose prison in the nineties, the most anticipated series. ivan yankovsky's character offers his colleagues a new business. to give relatives of victims the opportunity to punish for money criminals sentenced to death, i can give you this right to realize what you have dreamed of since the moment your daughter's body was found, is the one who holds power always right and is it possible to remain human after crossing the forbidden line, this question will be asked not

only by the characters of the film, but also by the viewers. this is a very difficult choice, well, that is , i don't... i don't know who will act in this situation, how who should act, because this is a terrible story, basically everyday they treat it like this is the job, someone does it, and we kind of knock people out, they all really want to just live normally, peacefully, but they can't, the first issue of the series captivated the audience with a precise hit of irony, it's a story that everyone understands about the tireless search for oneself, the unlucky writer... who is offered to become the editor-in-chief of a glossy magazine in a month, played by evgeny tsyganov. he was the one who won the festival prize for best male role. the other side of dying gloss, the world of fashionable and not very principled people. against this background the hero tries to find a way out of a life impasse. this story is a reason to really somehow

reconsider your life in general to understand what is most important. there is such a moment. in the film, when - he tries to find the main character, the hero of the cover, the question arises, who is this hero today, and where to look for him, who should it be, the question, who am i, and what is most important for me, it generally stands in front of all people, as at one time or another. the prize in the nomination of the heroine of the new season was received by alexandra bortich, in the series between us chemistry, her heroine fights leukemia, and at the same time... looks for a father for her children, humor here becomes the best painkiller, and the main bonus of this movie is the understanding that every dark streak is sure to be followed by a bright one, it is unlikely that such a message will ever lose relevance, this is really my leading role for a long time, such a script, where there is practically not a single scene without me, a very big responsibility, the best

full-length film was recognized as the crime comedy by vladimir zenkevich, where is our money, about three friends. from a provincial organized crime group. this picture contains the most famous stereotypes about the dashing nineties, and contrasts this with a strong male friendship that can overcome any circumstances. we really want money, but we do not want to be in such a situation, they want money, yes, someone she also wants to take, someone just takes them. the festival new season is over, here the journey of projects on the screens is just beginning. and one of the first participants of the festival, the viewer. will be available last hero of the heritage from 27 september on the start platform. you are watching the film industry. briefly about several more films that can be seen in theaters this week. the plot of the new big-budget film adaptation of the immortal novel by alexandre

dumas, the count of monte crista has remained the same. after spending 14 years in prison for a crime he did not commit. the main character escapes from prison, finds treasure on a mysterious island and returns to his homeland with the goal of revenge. the directors were alexandre dela patellier and mathieu delaporte. the authors of the script for the three musketeers dilogy, which brought together russia 184 million rubles. the premiere of the epic thriller, prisoners of yves castle was held as part of the cannes film festival. the film was greeted with a standing ovation that lasted 12 minutes. in france, the count of monte cristo became a box office hit for. from now on, i am the judge and executioner, who are you? my name is the count of monte cristo, the hellboy film franchise about the main character of mike mignola's comics is being rebooted for the second time. the film, titled the curse of the hunchback

, was directed by brian taylar, director of the action film adrenaline with jason staton, co-author the script was written by mike mignola himself. the action takes place in 1959. halboy goes to the apalachee mountains, where he encounters a closed commune of witches and its leader, a demon named garbun. among the merits of the film, critics name the appropriate black humor and almost frame-by-frame adherence to the original plot of the comic book. roudt, a movie by german classic wim wenders, paris, texas, turned 40 this year, and was re- released especially for this event. an updated 4k version of the film is being released. the director himself supervised the restoration, who ensured the quality and color correction of the original material was preserved. german

weenders was inspired to tell a story about america after his first trip to the united states. according to the plot of not mine, a tramp returns from the desert after four years of wandering and decides to find his beloved son. paris texas was first shown at the cannes film festival in 1984 and won three awards. including the palme d'or. the restored version also premiered in cannes this year. damn, we thought you died. it was crazy and so long ago. she was wonderful. and he didn't know that it was possible to love someone so much. and how many years have i been gone, four. it's quite a long time, a whole life for a child. you watched the program film industry, ivan kudryavtsev was with you, cinematography is capable of everything, it can convey any shades and nuances

of the movement of the human soul, - eldar rizanov once said. look for good films, we will help, we will see you at the cinema.

we will take on this business, it will be honest.

welcome to asia, the heart of the continent beats here. mom, what are these letters for? for fairy tales. in the three ninth kingdom, in the three tenth state. russia, russia, russia, russia, russia, russia, russia , russia, russia, russia , russia, russia, russia, russia, russia, russia, russia, russia, russia 24. dear friends, i am

pleased to invite you to our next new issue of the author's program besagon tv, which will be called "you can't lie, but what can you". i hope it will be interesting, i look forward to seeing you at our next meeting.

every 3 years , leaders from all over the world come to the tauride palace in st. petersburg, with with an unbending will and a charming smile. they don't just whistle the clock, they make decisions, set a course for years to come.