>> we thought we wouldd< take ts weekly video out on the road. we are here at recology at the recycling center. if you ever wondered where your recyclables go, and this new mandate for composting, the new

challenges and mandates around recycling, what we are trying to achieve -- it all starts right here. we just marked an important milestone in our city. i would argue important this nationn francisco has now achieved a 77% diversion rate, the highest in america. no big city can lay claim to diverting that much of their waste, and that is why that composting requirement was so important. this is why our efforts to consumption and distribution and the like of plastic water bottles is so important. it is because we want to reduce that waste going into the landfill. we want to reduce the burden on our environment. we want to create jobs. the folks on the line behind me and above me, those are folks that have employment because of these programs. we have added over 118 people in

the last couple of years to the roles of the employed in these green collar jobs because of the recycling and composting programs. we actually created economic stimulus by building facilities like this and putting people to work to do that job. ball the folks out here in the hard hats are also supported by people in the office is doing the processing, doing accounting, doing the bookkeeping, so there is a multiple in terms of jobs that are created because of programs like we have established. it was error, we were less than 50%. when i first w6urw@8yyixorwakñwe were roughly 35% effective, which was pretty impressive. it was higher than almost any other big city in this country, but we had an= reaching 50%, and they said it could not be done. we said we would reach 70%, and

i was so proud when we broke 72%, and here we are with a goal of 75% by 2010, and not only did we achieve that. as i just region, we are at 77%. on our way -- ahead of schedule in fact, to be at 0 waste by 2020. there is no city that i know of anywhere in the world that could ever even imagine within the next number of years to be at zero ways. this is achievable because think about this -- even though we are at 77%, the remaining trash that comes here that ends up in a landfill -- already, we have identified 2/3 of it that could easily be diverted if folks would do more composting at home and do more recycling at home and use these bins you see behind me. i do not want this to become a psa for our recycling efforts, although that is always good,

and remember, it is the kids teaching the adults, which is always good. but this is good for the environment, good for the economy, and a san francisco can do this, cities across california and cities across america can do this. i will remind you of the great line by michelangelo, who said that the biggest risk is not that we aim to hawaii and miss but that we aim to low and --. it would have been easy for us to have a goal of 50% recycling rate by 2020. a lot of states, a lot of cities across the state, that will be tow%8x4ç:vw1qs8mna ++%uq

when you do that, you get people to organize that quality of imagination, where people in the private sector and public sector, using the entrepreneurial and innovative spirit coming up with new ideas and attitudes that may seem untoward or a little controversial or extreme at first, but suddenly, when you peel it back and look back two or three years, you go, "my gosh, that makes so much since." if you make a few mistakes in the process, but ultimately, you create a goal that is accomplished that becomes an example for other people and other cities to achieve with similar goals and accomplish similar efforts. we are really proud of our collective effort in san francisco and the people in a city that have stepped up. they mocked us a bit. i even was a little concerned about the composting requirement at first, but now i'm doing it. other folks are doing it, and it is really exciting to achieve these extraordinary goals. green collar jobs. the new economy. this is our future. this is real. it is happening now, and it could be happening everywhere else, not just in the great city and county of san francisco.

>> welcome to culture wire. did you know the city of san francisco has an art collection consisting of 3500 objects? the collection ranges from painting and public buildings to murals, and from bronze busts in city halls, to cite specific structures. at this time, many of the large works are in desperate need of repair, and a long-term innovative solution is needed to make sure these public treasures will be cared for.

>> the story of the arts commission program begins with ruth fromstein. 2010 marks her 50th year as an art dealer. at the helm of the county, she had represented some of the most notable of bay area artists, and continues to look for new talent. >> the artists that i represent, what do i choose them, if asked to do with a background of what the gallery is about. i love the idea of finding new guys and watching them grow. it is the old fashioned way of having a nunnery, which is having a stable. what you have is loyalty to them, artists are loyal to you. the philosophy behind that, my

philosophy, has not changed since i started 49 years ago. i take care of you and you take care of me. it has been that way ever since. >> ruth represents the estate of the world renowned sculptor peter focused. in 1971, he created and the love the untitled public work cited at seventh and bryant. like many other public works of art, this is in need of repair. ruth began conversations with the director of cultural affairs, a andart care was born. >> we look at all of the local pieces and decided which one needed the most repair, to bring it back to where it was before. that is what i am after.

if you drive by right now, you cannot see it coming down seventh street. you can only see it as you come up to it. >> one's culture outside of the hall of justice was one of the first pieces commissioned after the 1969 ordinance. it is significant that we are planning to treat it as part of the art care program. the program intends to take care of the bronze sculpture located in very park, a monument to the korean community of san francisco. it has been in the park for over 20 years, has become a bit of a magnet for vandalism. we are also looking at several sculptures from henry more, one in front of the symphony building. we are also looking at yen and yang, a much loved peace --

piece. but the team has been damaged over time, so we need to treat -- patina has been damaged over time, so we need to treat it. >> roof and was given a lifetime award for her contributions to and influence over the bay area artist community. >> the lifetime achievement award -- it is embarrassing to me but i have to learn to accept it. this is the way it is. also, everybody here is good things happening about them after they are dead. i have the opportunity to see this happen while i am still lives. i look at this award as an opportunity for me to find a place for my craft and keep the

art program going. >> the director of the program address the crowd and ask for each member to consider donating funds to help save some of san francisco's most important neighborhood landmarks. >> as one of san francisco's living treasures, we respect you and, frankly, we are in off -- awe of your 50 years of tireless effort as an early art on from for north. >> i would like to be perhaps the first donation to our care and present you with a check to get the ball rolling. >> because i know that the arts commission is very sincere about this, i'm going to make a personal commitment of $10,000. [applause] >> what is significant about the program is the way it is set out allows us to treat the artworks that have the most need, the ones that our conservative have pointed out as the most vulnerable as opposed to ones that might be the most popular

were the most miserable -- the most visible. >> it is an opportunity for the public to get involved with these art works located in their backyard and ultimately belong to them. >> i want to do something for the community, just giving back what the community has done for me. it is corny to say, but it is true. it really is what it is. that i would be able to see more pieces cleanup. >>" will check back in the future and see the fruits of conservation and revitalization efforts. if you would find out more or donate to the art carethe artsfartcommission.org. >> hello, i'm meg, welcome to "culture wire." for this episode, the director of cultural affairs, luis, will take you on a journey through presidio has been tet.

-- presidio habitat. >> welcome to "culture wire." today i'm at the presidio trust, a treasure within san francisco, because the presidio trust is really a national park in the center of an urban setting. it dates to the very founding of the city. national park. toting me today to talk about this amazing exhibition at presidio habitat is cheryl hanes.

can you tell me a little bit about the idea of the presidio habitat? >> succinctly, i have been long involved in the presidio. i was here when it was still a military base in the 1980's. i remember driving down walmart to the golden gate bridge and seeing the military guard at the gate and being utterly fascinated. >> so presidio habitat is an exhibition where you have invited, how many artists to think about the habitat? >> we put together a list of possible participants, local, national, or international, of people who are concerned with environmental concerns, made some sort of contribution to the landscape and conversation we're having here.

we said that broke -- proposal requests and we received 25 back. from that 25, we went through and chose tend to realize in the landscape. >> including this building, which is an amazing example of recycling. >> we are proud of this space. it was designed by a local architecture team. we said, we need something that is a temporary structure, something that can be brought onto the presidio in pieces, act as an exhibition space for one year. we came up with the notion of shipping containers. it was important for us that we made this project for the place, of the place. what i mean by that is

participants would also used repurchased materials. >> we will be speaking to one of the artists that you selected. what excited you about his idea? >> have many things. first of all, i am a fan of his architecture. because of that creativity, i knew that he could come up with something unique. i love the fact that he was specifically addressing the landscape around here, and it was also about the human interaction with this place. >> what are your expectations with the people coming to presidio habitat? >> we really hope people will come with their family, dogs, and come back a number of times the works will change over the year.

the feedback we are getting is you cannot do all of them on one visit. it is really better to come back and have different experiences. >> thank you. i am with mark jensen of jensen architect. he was one of the architects to be chosen to do the presidio habitat. when you heard about this project, what inspired you about that call? >> our inspiration is a great blue heron. it was the site itself that attracted us. this is an incredibly beautiful outdoor room. we did a bit of reverse engineering once we knew we wanted to work here. which animals live here? the great blue heron jumped out at us. we walked around, and quickly,

you get into another pace. you slow down, leave the city behind you. you can feel the wind and the breeze. in our increasingly frenetic, fast-paced, connected life, the chance to be of here and slow down a bit was part of the agenda. as part of the installation, it was suggested that this would be deliberately not mowed because it would allow the sustaining of insects, plants, that would graduate -- that would gravitate to the area. >> that is right. i think you quickly notice that. >> thank you for being here. presidio habitat is an exhibition at the presidio trust. it will be in san francisco through may 2011. we hope you will come out to

experience this amazing exhibition and great natural treasure. >> to learn more about the other habitats installations in the presidio, visit