what excited you about his idea? >> have many things. first of all, i am a fan of his architecture. because of that creativity, i knew that he could come up with something unique. i love the fact that he was specifically addressing the landscape around here, and it was also about the human interaction with this place. >> what are your expectations with the people coming to presidio habitat? >> we really hope people will come with their family, dogs, and come back a number of times the works will change over the year. the feedback we are getting is you cannot do all of them on one visit. it is really better to come back and have different experiences.

>> thank you. i am with mark jensen of jensen architect. he was one of the architects to be chosen to do the presidio habitat. when you heard about this project, what inspired you about that call? >> our inspiration is a great blue heron. it was the site itself that attracted us. this is an incredibly beautiful outdoor room. we did a bit of reverse engineering once we knew we wanted to work here. which animals live here? the great blue heron jumped out at us. we walked around, and quickly, you get into another pace. you slow down, leave the city behind you. you can feel the wind and the

breeze. in our increasingly frenetic, fast-paced, connected life, the chance to be of here and slow down a bit was part of the agenda. as part of the installation, it was suggested that this would be deliberately not mowed because it would allow the sustaining of insects, plants, that would graduate -- that would gravitate to the area. >> that is right. i think you quickly notice that. >> thank you for being here. presidio habitat is an exhibition at the presidio trust. it will be in san francisco through may 2011. we hope you will come out to experience this amazing exhibition and great natural treasure. >> to learn more about the other habitats installations in the

presidio, visit >> welcome to "culture wire." i'm your host meg. for years, free jazz concerts have been providing entertainment in downtown san francisco. people pay local musicians to perform for lunchtime crowds. the goal is not just entertainth. people in plazas are trying to create neighborhoods. what began as a forum for performers who were paid by passing the hat has become a program that provides wide exposure and more than 500 paid gigs annually for local musicians. from july through september, people in plazas produces almost

300 free performances in the lunchtime hour. the mission of people in plazas generates social congregation. and by having these events, we encourage people to make these plazas everybody's neighborhood. >> recently, the san francisco arts commission was awarded a $ 250,000 grant for the national endowment for the arts. to establish an arts district in the central market corridor between fifth and 10th street. throughout the yearing the arts commission will partner with people in plazas to activate the sidewalks along this stretch with art installation, opening events, live music, and new arts and antique markets at u.n. plaza. >> this area has been sleighted

for many years, at least the past 25 years. i think that this redevelopment project and the n.e.a. grant are very positive signs that we have political will and a lot of momentum to really make the mid market area what it could be, which is a vibrant area where everybody is welcome and it's a place to be in san francisco. >> to get a feel for the future of the central market arts and culture district, be sure to catch out an upcoming concert. for locations and times, visit peopleinplazas.org. to learn more about the central market revitalization initiative, visit sfartcommission.org. thank you for watching "culture wire." >> welcome to culture wire.

did you know the city of san francisco has an art collection consisting of 3500 objects? the collection ranges from painting and public buildings to murals, and from bronze busts in city halls, to cite specific structures. at this time, many of the large works are in desperate need of repair, and a long-term innovative solution is needed to make sure these public treasures will be cared for. >> the story of the arts commission program begins with ruth fromstein. 2010 marks her 50th year as an art dealer. at the helm of the county, she

had represented some of the most notable of bay area artists, and continues to look for new talent. >> the artists that i represent, what do i choose them, if asked to do with a background of what the gallery is about. i love the idea of finding new guys and watching them grow. it is the old fashioned way of having a nunnery, which is having a stable. what you have is loyalty to them, artists are loyal to you. the philosophy behind that, my philosophy, has not changed since i started 49 years ago. i take care of you and you take care of me. it has been that way ever since. >> ruth represents the estate of the world renowned sculptor

peter focused. in 1971, he created and the love the untitled public work cited at seventh and bryant. like many other public works of art, this is in need of repair. ruth began conversations with the director of cultural affairs, a andart care was born. >> we look at all of the local pieces and decided which one needed the most repair, to bring it back to where it was before. that is what i am after. if you drive by right now, you cannot see it coming down seventh street. you can only see it as you come up to it. >> one's culture outside of the hall of justice was one of the first pieces commissioned after

the 1969 ordinance. it is significant that we are planning to treat it as part of the art care program. the program intends to take care of the bronze sculpture located in very park, a monument to the korean community of san francisco. it has been in the park for over 20 years, has become a bit of a magnet for vandalism. we are also looking at several sculptures from henry more, one in front of the symphony building. we are also looking at yen and yang, a much loved peace -- piece. but the team has been damaged over time, so we need to treat -- patina has been damaged over time, so we need to treat it. >> roof and was given a lifetime

award for her contributions to and influence over the bay area artist community. >> the lifetime achievement award -- it is embarrassing to me but i have to learn to accept it. this is the way it is. also, everybody here is good things happening about them after they are dead. i have the opportunity to see this happen while i am still lives. i look at this award as an opportunity for me to find a place for my craft and keep the art program going. >> the director of the program address the crowd and ask for each member to consider donating funds to help save some of san francisco's most important neighborhood landmarks. >> as one of san francisco's living treasures, we respect you

and, frankly, we are in off -- awe of your 50 years of tireless effort as an early art on from for north. >> i would like to be perhaps the first donation to our care and present you with a check to get the ball rolling. >> because i know that the arts commission is very sincere about this, i'm going to make a personal commitment of $10,000. [applause] >> what is significant about the program is the way it is set out allows us to treat the artworks that have the most need, the ones that our conservative have pointed out as the most vulnerable as opposed to ones that might be the most popular were the most miserable -- the most visible. >> it is an opportunity for the public to get involved with these art works located in their backyard and ultimately belong to them. >> i want to do something for the community, just giving back

what the community has done for me. it is corny to say, but it is true. it really is what it is. that i would be able to see more pieces cleanup. >>" will check back in the future and see the fruits of conservation and revitalization efforts. if you would find out more or donate to the art carethe donate to the art carethe artsfartcommission.org. >> welcome to culture wire. we're going to take a look at one of the biggest and most significant public art projects today. ♪

on june 26, mayor newsom and other officials gathered at the hospital to cut the ribbon and welcome the public into a beautiful new state-of-the-art facility. >> 3, 2, 1. [applause] >> in has been 10 years since voters approved the measure for the new building. >> when they cast the vote, we have an exciting opportunities to rethink how art is done in a hospital setting. >> replacement program generated approximately $3.9 million in art enrichment funds for a comprehensive art program that contributes to the quality of life at the hospital by enhancing the environment and supporting the hospital's needs and therapeutic goals.

artists were commissioned to create 100 original works of art. as was for the gardens and courtyard areas. >> be artwork does more than just hang on the wall. it will enhance the therapeutics of the hospital and will include sensory stimulation, orientation, social interaction. >> it was set into like boxes to create color filled areas in the hospital. inspired by nature, the signature painting of native san francisco birds, clouds, and the surface of the ocean waves were translated into a variety of media including glass mosaic and

tapestry. the playful clock encourages memory stimulation among the patients. they used the theme of the four elements as they relate to vocation. it is a direct homage to the historical murals in the original laguna honda building. it features to large tile walls. by observing residents, the gardens created a public artwork in the form of the handrail. in one of the outdoor courtyards, the circular grouping of -- with a smooth

finish. this features ten unique button sculptures with different pastel colors that function not only as a place to sit, but also as a touchstone to something recognizable, familiar, and comforting. another key component included an art project that responded directly to the hospital's rich history. using archival images and artifacts, had designed 16 intricately woven tapestries that are inviting of significant events that shaped the hospital and the community over time. a >> it attracts a lot of visitors, and they are all and all - -in aw -- in awe over the

variety of mediums used. >> i think we have given the city of san francisco and the residents an incredible art collection. it really encourage people to come and visit the new facility, also to see the arts. >> for more information, visit sfartscommisis >> welcome to "culture wire."

today we're headed to smpling f. camera works, a premiere venue for artists working in photographer, video, and digital media. the latest exhibition lists clearness as a set of political alliances and possibilities that it is behind the sphere of dominant gay and lesbian culture. the curator fills us in on the process of creating this thoughtful exhibition. and what she would like you to take away from it. >> i co-cureated with danny, a chicago-based writer and curator. the conceptual framework is what it means to be clear and radical for our generation. clearness as a set of political alliances and possibilities, not necessarily related to institutions of gender and swam

formativity. danny and i wanted the show to feel funky and to have a really tangible quality to it. so part of that was incorporated handmade objects and installations and beautifully printed photographs and videos. there is also a lot of opportunities to participate and to take postcards or to get the photo taken or sit within a tent made out of afghan blankets to watch videos. the exhibition is organized in three distinct galleries. in gallery one, which is the gallery designated to clear activism, there is an installation by the oakland-based collaboration and it's called "unleashed power." it's all focused on one protest that happened in chicago in

1991 with the activist organization act up, which was protesting the inadequate health care for people living in aids, and specifically it focuses on an act of police violence that occurred at that protest. the thing that is really interesting for me about that piece is that it brings us back 20 years to what clear activism looked like at the height of the aids crisis. gallery two features work that is related to intentionally communities that exist both within cities, also in rural spaces, and transient communities as well. the return features a no madic clear tribe, the people who join this tribe are often in various states of transition themselves, whether it's leaving behind previous gender assignments or corporate jobs or a life within cities.

a lot of the work featured in the exhibition and a lot of the installations are handmade objects. there is a lot of do-it-yourself aesthetic and that handmade do-it-yourself feeling is something that mimics the idea and the reality of the alternative world making that we're trying to represent here as far as the self-sufficient community goes. gallery three features work that relates to the ideas of self-determinenism, alternative world making and utopia. visits can still participate in this -- visitors can still participate in this project. during the opening, we invite visitors to come in and try on these costumes, pose in front of the backdrop.

he was really inspired by comic books that he read as growing up and thinks of this space as a post-apocalyptic monster portrait gallery where people can remain genderless once they put on the costumes. we think it's important that this be happening in san francisco, which is considered an ekpe center of the queer actual cure. the majority of the queer cultural events happen in june which has been designated as the pride month. which to me translates as the period of time in which people can be in clear arts and culture. in september, it's hashingening back to that and proving that this is something that is scon significantly happening all the time. what danny and i hope visitors take away from this exhibition

is to observe the diversity within the designation of queer in terms of race, in terms of gender presentation and intergenerational perspective of what it means to be queer as well as what it means to exist and be active and work in solidarity with people whose identities may or may not look like yours. there is really, only one boy...

one girl... one tree... one forest... one deep, dancing ocean... one mountain calling... one handful of sand through our fingers... one endless sky overhead... and one simple way to care for it all. please visit earthshare.org and learn how the world's leading environmental groups are working together under one name. earth share. one environment...

>> i work with the department of environment and we are recycling oil. thank you. we can go into a refinery and we can use it again. they do oil changes and sell it anyway, so now they know when a ticket to a. hal>> to you have something you want to get rid of? >> why throw it away when you can reuse it? >> it can be filtered out and used for other products.

>> [speaking spanish] >> it is going to be a good thing for us to take used motor oil from customers. we have a 75-gallon tank that we used and we have someone take it from here to recycle. >> so far, we have 35 people. we have collected 78 gallons, if not more. these are other locations that you can go. it is absolutely free. you just need to have the location open. you are set to go.