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tv   [untitled]    March 2, 2011 9:08pm-9:38pm PST

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[horns honking] [siren wails] announcer: big dreams and goodrades aren't enough to get into college.
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there are actual steps you need to take. finding someone who can help is the first and most important. for the next steps, go to knowhow2go.org. >> welcome to "culture wire." on this episode, we visit with one of the arts commissions very special teams. >> the asia-pacific island cultural center receives help
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from the census but our commission. john mean today to talk about in off festival is the executive director. welcome. i understand this is the 13th annual festival. can you tell me the name? >> the name is a celebratory name. we also celebrate what we call the asian-pacific islanders as well, in terms of culture, experience, and multidisciplinary arts. >> the festival is actually very wide-ranging. you have 16 venues, and how many different performing arts centers? >> we have over 85 artists participating, 16 venues, 21
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events. there are over 15 groups that are performing. >> there recently kicked off at the beginning of may and will continue through june 13? correct? >> that is correct. unlike in the past years, we have had to expand the festival because there has been so much activity and so many people want to be part of the celebration. we're very honored and pleased to have the festival going all the way into june. >> we're kind of coming in on one of the groups. >> francis is one of the pioneers of the asian american jazz movement and is also one of san francisco's very own. we're very honored at the cultural center that we can be part of the program. >> an addition to him, what are some of the other highlights of the festival?
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>> we have three gallery openings in the festival. one is called reclaim, which is a film art. the others are receptions that are happening at four different the supervisors' offices. the other is called mining the creative source. >> think you for sharing the content with us on "culture wire." >> thank you very much. >> it is in celebration of the 40th anniversary of the strikes at uc-berkeley of the study of ethnic studies. it is a celebration of that history, as well as some of the other items. >> what led to this multidisciplinary collaboration? >> i am from san francisco, and from the 1960's on, that is the
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aesthetics. the poets, working with the musicians, dancers, the waitresses, the jazz club, actors, whatever. the idea is we are all a community and we share this common story. >> did you reach out to the dancers? how did it come together? did they come to you? >> the choreographer and dancer actually was a student of mine and residency in cameron house and chinatown. i developed a friendship with her over many years, and also with the spoken word artists. i met him at a benefit at one of the benefits in chinatown. it is part of that ongoing really rich relationship building that happens in our arts community. >> i got a chance to hear a little bit of your performance, and i am a big fan of john
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coltrane, and you play a phenomenal sax. can you tell me a little about your musical influences. >> a particular piece about john coltrane was he reached out to asia and his global vision. as an asian american growing up and coming up in this country seeking some recognition, that was a very meaningful, making that kind of contribution. i really owe a debt to john coltrane for recognizing my culture and uplifting it as part of the music as well. >> i know that your family history is really rich and complex in terms of illustrating how the chinese has occurred over the last two centuries. it could talk about that? >> it began in the 1870's, when my great grandfather, instead of coming with everybody else to the united states to build a
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railroad, he went off the coast of madagascar are. -- madagascar are. he met a woman there who is creel, african-american, french, and chinese. they married, and they had family, and i am the product of that. growing up here in the bay area, we have some influences because it is the gateway for emigration. from many countries. you walk down the street, you are participating in that mix. in my music, i really want to express and represent that kind of topic that goes on in the streets. it is the most exciting part of being here. >> francis, thank you very much for being part of "culture wire" and thank you for being one of the great artists of san francisco. >> thank you so much.
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>> the san francisco ethnic dance festival is one of the jewels on san francisco sculptural crowns. this is in its 32nd year of showcasing the celebrated dance troupes. this year will be one of the past with four new works representing kondo, afghanistan, china, mexico. -- congo, afghanistan, china, mexico. more than a hundred 30 ensembles and soloists auditioned in january for a slot in the