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♪ >> i am -- i am the person santa claus. -- p histe sayserian sauc ersias i said, i'm going to go see my friends in city hall. i'm going to go see the people of san francisco. i am going to go see supervisor avalos arenas -- supervisor mirkarimi.

i'm going to see our new mayor. he said, why? i said, because it is our new year. are you kidding? i said, this is a different new year. this is persian new year. [applause] our culture has a different new year, the beginning of spring when everything blooms. the flower carts bloom, the earth becomes fresh, it refreshes itself. -- the flowers and birds abloom. he said, jingle bells, jingle

bells, jingle all the way." i said, not to that kind of new year. our new year has a different song. [singing] [singing] he said, ok, bye. because he was my older brother, i let him go. i said, i will see you in nine months. persia in new year is the beginning of the spring,

everything refreshes. we also refresh just like the earth. we refresh our friendship even with our enemies. we forget our sorrows and we look to the new year with bright eyes and full of hope, full of hope. let me see what i have in this bag. ah-ha! my brothers, he forgot. in the persian new years, we

put seven items on the table. we start with the letter "s," which represents the goodness of the earth. everything that comes from the earth. we celebrate, we celebrate these blessings, we love these blessings so we represent them with seven "s's." this is a sign of health, the apple. please, can you put it there on this table?

next, we have --, this is sour but it is good for your health. this comes from any other fruit. this is the vinegar. it was very hard to carry out. oh, -- is good for many things. persians knows for what. this represents wealth. i don't know why. let me see what i have. egs-- eggs, i don't know why we put these. it does not start with s. we put this on kabob.

we love this. do you love this? yes, you do. c'mon, this is very good for your health. this is garlic, for your health. everything is for your health. 1, 2, 3, 4, 5, 6. one more. oh, money. this is for wealth. those people who are wealthy, they have a lot of this. yes. there are many more but i forgot to bring them. i came in a hurry.

this is kind of crushed now. this is the greenery. we love this. i don't know for what. there is a big one, you can go and eat it. [laughter] ok, that is an asset. and, we put the book, usually hafiz or other books. i will read a few verses. but, i have to put my glasses because i am very old. [speaking foreign language]

morning breeze, and the old world will once again sale [speaking foreign language] to libs will bring a red cup to the meadows -=- tulips will bring a red cup haifz -- hafiz will tell the

tale [laughter] we will celebrate the rest of new year's in that room. this new year is for friendship and to put your sorrows away and to walk in love in the garden of your heart, that not the rows of love. let's celebrate new year for justice, peace, and everyone in the world'. [applause] please follow me. ♪

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♪ ♪ >> i work with the department of environment and we are recycling oil. thank you. we can go into a refinery and we can use it again. they do oil changes and sell it

anyway, so now they know when a ticket to a. hal>> to you have something you want to get rid of? >> why throw it away when you can reuse it? >> it can be filtered out and used for other products. >> [speaking spanish] >> it is going to be a good thing for us to take used motor oil from customers. we have a 75-gallon tank that we used and we have someone take it

from here to recycle. >> so far, we have 35 people. we have collected 78 gallons, if not more. these are other locations that you can go. it is absolutely free. you just need to have the location open. you are set to go. >> welcome to "culturewire." since december 2005, the museum of the african diaspora, known

locally,moad, has presented programs that celebrate and explore the culture, history, and art of people with african descent throughout the and added states and throughout the world. the director of cultural affairs recently met with the museum director. to learn more about the current expedition, textural rhythms, constructing the jazz tradition, contemporary african american quilts. >> welcome to "culturewire." today, we are at the museum of the african diaspora, which is celebrating its fifth anniversary occupying one of the premier cultural district in the world, the yerba buena cultural arts center in san francisco. joining me is the cultural art

director. tell us what moad's mission is. what does it do? >> the museum of the african diaspora showcases the history, art, and cultural richness that resulted from the dispersal of africans throughout the world. we do that through compelling and innovative exhibitions, public programs, and education programs. our goal is to celebrate and present for appreciation to our broad and diverse public the controversial energy contributions of people of african descent to world culture in all aspects in all areas, including politics, culture, economics, education, just in all aspects of cultural forms of expression. >> one of the fascinating things since 2005 when the museum was established, is that it has become clear from science that all of humanity originates in africa. how does that influence the

education programs or presentation here at moad? >> obviously, being able to attenuate that, and there is a sign at the door that says, "when did you know that you were african?" our point is that we share a common dna, and it connects us on a number of different levels. this institution is an institution available to everyone, a resourced for everyone. >> you have both permanent and temporary exhibitions, right? >> we do. our temporary exhibition program is one that we are restructuring. i have been here now for about a year and a few months, and as a former curator, i'm very interested in this aspect of developing the visual arts program. part of what we are looking at is using the four core seems that define our program -- origins, migration and movement,

transformation, an adaptation -- as a framework for our thinking about the kinds of exhibits we present. >> we want everybody to come and see the permanent exhibition. there might be a special opportunity to visit with the current show that you currently have, which is constructing the jazz tradition, which is a very striking exhibition of quilts. >> it is a compelling exhibit on a number of different levels. visually, it is compelling. in terms of the subject matter, in terms of the approach to materials, it is so rich and diverse. it is a colorful show, a show that is deep in content, and we know something of the history of the "'s tradition within the african-american community. it is a tradition that came from africa, has its roots in africa, but during slavery, this was a combination of things. one was a way to be able to

communicate with each other, a way to create beautiful objects, and a way to create functional, utilitarian objects for the family and community. the other part that makes it so interesting is the focus on jazz. there are two attritions being celebrated here. certainly, the tradition as we know it -- these are not traditional quilts. they have their roots in traditional aspects, but what you will find in this exhibition are works that include materials on the surface, new processes, copying, and putting photographic images on the surface. you will find packets sewn onto the surface, so the methodology from traditional " making has changed from how traditional quilt makers use the medium. >> our visitors can visit the web site, which we will be showing on the segment, so

follow the link to the website, and get all of the latest information about all these events related to this exhibition, and, of course, you guys are very active. throughout the year, with all kinds of special programs. >> yes, we are. this is what i'm so excited about. >> this may take us off track a little bit, but a couple of things i wanted to highlight is that the creation of moad is one of the flagship creations of the redevelopment of san francisco. it is housed inside -- what is the building? the regency, right? >> the st. regis museum tower. >> the st. regis museum tower, which is one of the development projects that was promoted by the redevelopment agency is what allows the city to -- and the development agency to give form and establish moad in the yerba

buena cultural district. now, we are looking at governor brown oppose a proposal, which means that in the future, it he is successful, they would not have had the rebel the agency to promote these economic and cultural projects. it is something that has relevance today in terms of public policy today, what is going to happen in the future if we do not have a redevelopment agency to promote this development. >> yes. moad is the result or culmination of a public/private partnership that included the redevelopment agency and former mayor brown, and included the developer of this area. we had an opportunity to develop, create important cultural components of this