you for having me here today. i would like to close by saying i have had the opportunity to view this issue from every point of view, having been the warden at san quentin state prison. i am absolutely impassioned about the fact that it is time to end the death penalty in this state. life without possibility of parole is the real sentence. hold people accountable and gives them the opportunity to change within the prison system, and they can give back by working within the prison system, giving restitution to family members and working on behalf of the state of california on a variety of projects that go on inside prisons. i also want to echo what the process said -- please join, please help -- i also want to echo what natasha said. talk to 10 of your friends, send e-mails, send letters. thank you. [applause] >> 1985, when i was sentenced to

death for a crime i did not commit, i thought right away that this would be rectified. i was convicted of two different crimes. it took 18 years. it took me seven execution dates. i watched 12 then be executed while i was there -- i watched 12 and then be executed while i was there. i'm not in a position to say whether either of them -- whether any of them were guilty or innocent. mr. d.a., i am asking you, truly consider leaving the death penalty along. let that be in god's hands, what that person goes through or deals with. there are too many flaws in our system that we cannot control and we cannot trust a man.

i am asking you to consider that, to take the consideration of that. the question we did not answer was it one of these guys were in this and that was executed by a prosecutor that had evidence that was clearly convincing that that person was innocent, what would you do? that was a simple question to me. that was not a tricky question. it was a straight up question dealing with innocence and the prosecutor doing something that was considered murder or attempted murder. you could answer that. you faded around that question, and to me, that is enough to make me think you should consider not dealing with the death penalty and joining in the fight to abolish the death penalty. we went to illinois, and i was with another group. we would go from state to state that have the death penalty and go to legislators and everyone asking them to abolish the death penalty.

in the last two years, we have been successful. it appears like we are going to have to put california on our list. but that is all i wanted to say. that is something that once you take a life, you cannot bring it back. accountability needs to be on your part, too, on the district attorney's part, so if he knew a man was innocent and still prosecuted him, that a straight up murder -- that is straight up murder. that is not malfeasance. [applause] >> i want to thank the public defender's office for putting this panel together. i understand there was a good panel this morning. these are issues that are conflicts, and they require continuing dialogue. the law is not perfect. the law is always evolving. it was an honor also to be with

the other panelists here. i think that the issue of the death penalty is one that obviously is right -- ripe for us to bring this back to the voters. i think there is a great deal of evidence today that speaks to the problems of wrongful convictions. i think we all understand what the factors are. we know there is a problem with wrongful convictions -- convictions. there is certainly a problem with prisoner treatment, and there is a problem with closure to the victims as well as the financial costs. it is up to all of us collectively to talk about how we deal with this and create a more profitable policy around dealing with very serious crimes, and i welcome the opportunity for having been here today. thank you very much. [applause]

>> jeff adacci has a few closing remarks. >> i am a public defender. >> good afternoon. i am with the d a's office. >> in closing today's program, we want to first of all thank all of you for being here and being part of this discussion. no doubt, we achieved a great deal. this was not just another talking head conference where people were just here to give a speech. you really heard engaged discussion from this morning all the way up until now. we thank our panelists because they came here with an open heart and an open mind. we are going to talk in a minute about how we are going to move things forward. i want to thank the staff of the public defender's office and the

many volunteers who made this possible. we thank the library staff as well as sfgovtv for their good work here. john came here because we invited him and because he knew that he is making a difference and will continue to make a difference. after serving 14 years on death row and spending 18 years of his life fighting the case, he continued to fight for justice, and he brought his case to the united states supreme court. he received a $40 million jury verdict, and in april, the united states supreme court overturned that, even though in

this case, there were three prosecutors who have -- who were found to have intentionally withheld evidence that would have exonerated him. plus, and this is a great lesson for all of us, it was a prosecutor who was the hero. he stood up and came forward and told everybody what the other two prosecutors did. when he did that, his efforts were rebuked by the district attorney. as a result, he left his job. it tells you that there are heroes everywhere. people are standing up for justice everywhere. we have to reach everyone everywhere every place in order to solve this problem. we do have a plaque to presented -- present to j.t > as a result of everything he has

been through, but more importantly, to help him in the future -- present to j.t. as a result of everything he has been through, but more importantly, for everything he will do in the future. you can support the work he does with a reentry program for persons coming back from prison. so if we could present this to you. [applause] moving forward, our work cannot stop here. i would like to have christine talk about what we are going to be doing moving forward. we have had meetings with

district attorney george gascono about doing things differently. within the police chief, a new district attorney, we have that opportunity -- with a new police chief, a new district attorney, we have that opportunity. i would also like to acknowledge supervisor ross mirkarimi to come up here just for a moment and say hello, and let me have christine close the program. >> good afternoon, everybody. it was a pleasure to listen to the last panel this afternoon. i am the chief of staff for mr. gascon, and i joined him when he moved over to the d.a.'s office. joining the office on his request, because i think we really have a unique perspective, having worked on the defense side and on policy issues, and i can attest that he is undertaking a wholehearted

effort to really bring some reform to the criminal justice system on many fronts, this being one of them that we are evaluating. i hope that you as city and county residents will see in our work that we really take some efforts that will reform. anybody that has participated in the criminal justice system for any length of time knows that it does not work from whatever and will you are looking at it, so the question is how do we make it better? we hope to engage all of you in that. we are starting neighborhood courts, and a lot of efforts that we hope to engage the city and county in supporting us and looking at ways to move away from the over incarceration of people and look at ways to reform their behavior. the efforts we have undertaken when george was appointed to the position -- jeff asked him to come to the public defender's office to have a question and answer session, which he did, and i attended with him. we are told that was the first

time that had ever happened, and we reciprocated by asking jeff to meet with the district attorneys in our office. we have begun a dialogue that both sides think is very healthy. we have identified a number of issues that we think require further exploration, so we are creating working group's staff by the people from the d.a.'s office and the public defender's office to look at improving things like discovery, which is an important issue, making sure that we have reciprocal discovery and that it is transparent and complete. looking at workers from collaborative courts, looking at solutions besides incarceration, dealing with mental health and behavioral health issues, rather than using the jails as a solution to that, and we are also working around juvenile issues to make sure we are doing all we can for those under the age of 18 in our community. those are the efforts we are undertaking. jeff and matt have been a

fantastic partners in this. as far as we know, it is a new day in these efforts and really trying to work collaboratively and we hope to have all your support in doing that. [applause] >> of course, that is not to say that we are not going to fight it out in court because, of course, that is what we do. i would like to briefly introduce ross mirkarimi, who is a supervisor here in the city, and he has been a champion of many criminal justice issues, including prisoner reentry. i also want to thank and acknowledge debra atherton. thank you. supervisor mirkarimi: it is nice to see everybody. jeff is generous. i was not expecting to be up here. i know you have had a productive

day. i think that the public defender's summit is something not to be missed and a template for the rest of california and probably the nation to follow. i am proud of our public defender. i am proud of our criminal justice partners because over the last four years, we have seen a great amount of innovation. jeff and i started the city's first reentry council, and it might be bewildering to you, but before we started it, believe it or not, those stakeholders in the criminal-justice system really very irregularly rarely would come together and talk about ways that we might mitigate, reduce our recidivism rate. great progress has been made, but san francisco still needs to step up its game. i was delighted to hear the conversation that took place here, but no the statistic that for every four people that sanford's is the police department arrests and the da

prosecutes, nearly three are repeat offenders -- for every four people that san francisco police department arrests and the da prosecutes -- the d.a. prosecutes. there is evidence to show that doing everything we can to try to divert some of his life from repeating their offense, but we will have to really vigorously enhance our approach. one way to do that obviously is the collaboration being fostered and demonstrated here today, but it is more than just today. it will have to be every single day, or else california will continue to be building more prisons, and san francisco may not be far behind. thanks. [applause] >> once again, thanks for the flag. [laughter] have a good time.

have a good evening. thank you very much. [applause]

>> welcome to "culturewire." since december 2005, the museum of the african diaspora, known locally,moad, has presented programs that celebrate and explore the culture, history, and art of people with african descent throughout the and added states and throughout the world. the director of cultural affairs recently met with the museum director. to learn more about the current expedition, textural rhythms, constructing the jazz tradition, contemporary african american quilts.

>> welcome to "culturewire." today, we are at the museum of the african diaspora, which is celebrating its fifth anniversary occupying one of the premier cultural district in the world, the yerba buena cultural arts center in san francisco. joining me is the cultural art director. tell us what moad's mission is. what does it do? >> the museum of the african diaspora showcases the history, art, and cultural richness that resulted from the dispersal of africans throughout the world. we do that through compelling and innovative exhibitions, public programs, and education programs. our goal is to celebrate and present for appreciation to our broad and diverse public the controversial energy

contributions of people of african descent to world culture in all aspects in all areas, including politics, culture, economics, education, just in all aspects of cultural forms of expression. >> one of the fascinating things since 2005 when the museum was established, is that it has become clear from science that all of humanity originates in africa. how does that influence the education programs or presentation here at moad? >> obviously, being able to attenuate that, and there is a sign at the door that says, "when did you know that you were african?" our point is that we share a common dna, and it connects us on a number of different levels. this institution is an institution available to everyone, a resourced for

everyone. >> you have both permanent and temporary exhibitions, right? >> we do. our temporary exhibition program is one that we are restructuring. i have been here now for about a year and a few months, and as a former curator, i'm very interested in this aspect of developing the visual arts program. part of what we are looking at is using the four core seems that define our program -- origins, migration and movement, transformation, an adaptation -- as a framework for our thinking about the kinds of exhibits we present. >> we want everybody to come and see the permanent exhibition. there might be a special opportunity to visit with the current show that you currently have, which is constructing the jazz tradition, which is a very striking exhibition of quilts. >> it is a compelling exhibit on a number of different levels. visually, it is compelling. in terms of the subject matter,

in terms of the approach to materials, it is so rich and diverse. it is a colorful show, a show that is deep in content, and we know something of the history of the "'s tradition within the african-american community. it is a tradition that came from africa, has its roots in africa, but during slavery, this was a combination of things. one was a way to be able to communicate with each other, a way to create beautiful objects, and a way to create functional, utilitarian objects for the family and community. the other part that makes it so interesting is the focus on jazz. there are two attritions being celebrated here. certainly, the tradition as we know it -- these are not traditional quilts. they have their roots in traditional aspects, but what you will find in this exhibition are works that include materials on the surface, new processes, copying, and putting

photographic images on the surface. you will find packets sewn onto the surface, so the methodology from traditional " making has changed from how traditional quilt makers use the medium. >> our visitors can visit the web site, which we will be showing on the segment, so follow the link to the website, and get all of the latest information about all these events related to this exhibition, and, of course, you guys are very active. throughout the year, with all kinds of special programs. >> yes, we are. this is what i'm so excited about. >> this may take us off track a little bit, but a couple of things i wanted to highlight is that the creation of moad is one of the flagship creations of the

redevelopment of san francisco. it is housed inside -- what is the building? the regency, right? >> the st. regis museum tower. >> the st. regis museum tower, which is one of the development projects that was promoted by the redevelopment agency is what allows the city to -- and the development agency to give form and establish moad in the yerba buena cultural district. now, we are looking at governor brown oppose a proposal, which means that in the future, it he is successful, they would not have had the rebel the agency to promote these economic and cultural projects. it is something that has relevance today in terms of public policy today, what is going to happen in the future if we do not have a redevelopment agency to promote this development. >> yes. moad is the result or

culmination of a public/private partnership that included the redevelopment agency and former mayor brown, and included the developer of this area. we had an opportunity to develop, create important cultural components of this public/private partnership. i understand the concern. i'm delighted they are here and will continue to be here and will continue to do the good work we are doing. >> absolutely. thank you so much for being part of "culturewire." >> thank you for having me. >> for more information about the museum of the african the museum of the african diaspora, visit moadsf.org. >> welcome to culture wire.

we will look at the latest and greatest public art project. recently, the airport unveiled the new state of the art terminal. let's take a look. the new terminal service and american airlines and virgin america was designed by a world- renowned architecture's firm. originally built in 1954, the building underwent massive renovation to become the first registered terminal and one of the must modern and sustainable terminals and the united states. the public art program continues its 30-year legacy of integrating art into the airport environment with the addition of five new commissions that are as

bold and dynamic as the new building. >> this project was completed in record time, and we were able to integrate the artist's early enough in the process that they could work with the architect said that the work that is completed is the work that really helps complement and instill the space as opposed to being tucked away in a corner. >> be experience begins with the glass facades that was designed with over 120 laminated glass panels. it captures the experience of being under or over clouds when flying in a plane. depending on the distance or point of view, it can appear clear for more abstract and atmospheric. the subtle colors change gradually depending on the light and the time of day.

>> i wanted to create an art work that looks over time as well as working on in the first glance. the first time you come here, you may not see a. but you may be able to see one side over the other. it features a couple of suspended sculptures. each was created out of a series of flat plains run parallel to each other and constructed of steel tubing. >> it is made up of these strata. as the light starts to shift, there is a real sense that there is a dynamism. >> it gives the illusion that this cultures might be fragments of a larger, mysterious mass. >> the environmental artwork

livens it with color, light, and the movement. three large woven soldiers are suspended. these are activated by custom air flow program. >> i channeled air flow into each of these forms that makes it move ever so slightly. and it is beating like a heart. if-0 when as of the forces of nature moving around us every second. >> shadow patterns reflect the shapes of the hanging sculptures. the new terminal also features a children's play areas. both of the market the exploratory n.y. -- exploratorium.

the offer travelers of all ages a playful oasis. using high quality plywood, they created henches shaped like a bird wings that double as musical instruments. serving as a backdrop is a mural featuring images of local birds and san francisco's famous skyline. >> in the line between that is so natural, you can see birds and be in complete wilderness. i really like that about this. you could maybe get a little snapshot of what they are expecting. >> it is an interactive, keck sculpture that is interacted with by the visitor. >> they are a lot about and they

fall down the belt. it moves the belt up, and if you turn that faster, the butterflies fall in the move of words. >> the art reflect the commission's commitment to acquiring the best work from the bay area and beyond. in addition to the five new commissions, 20 artworks that were already in the airport collection were reinstalled. some of which were historically cited in the terminal. it includes major sculptures by the international artists. as a collection, these art works tell the story of the vibrant arts scene in the early 1960's through the mid-1980s's. the illustrate san francisco's cultural center and a place of innovation that is recognized innovation that is recognized and the love throughout the