and we will say that the commission you will be serving on that will go through that as well. [inaudible] i do solemnly of firma the i will support and defend the constitution of the united states and the constitution of the state of california. against all enemies foreign and domestic. that will bear true faith and allegiance to the constitution of the united states and the constitution of the state of california. that i take this obligation

freely. without any mental reservations. or purpose of evasion. and that i will faithfully discharge the duties upon which i'm about to enter. during such time as i hold the office. [inaudible] congratulations.

within our population there are people who simply do not have access to the internet, who do not have the means to access information the way that others have, and i think that it's really imperative for government to make sure that we

play a role in closing that technological divide. so you have to strike that balance between maintaining that character, but also welcoming in the new people who bring their own -- >> absolutely. >> so i love that. i love that mix, that balance that comes with it. it's hard to strike the right balance, but -- >> it really is. >> but it's there. >> i was born in guatemala and came to this country as a kid. i was brought here by my parents. and essentially grew up in l.a. and then moved up to the bay area, where i went to college. i went to stanford. my background for the first few years out of school was a practicing attorney. i worked for -- in the private sector for a number of years and then i went and worked for the city as a deputy city attorney and then became general council of the school district here in san francisco, and through that became involved in politics and at some point decided to run for office.

[speaking spanish] >> i think that san francisco really represents the best that this country has to offer. it's a place that welcomes people from all over the world, from all over the country, and it's a place that not only tolerates, but actually embraces diversity, a place that is very forward thinking in terms of how it looks at issues. it always felt like home, and i felt that as a gala tino man that this -- gay la taken no man, that this is a place where i could be happy. now doing the job of a supervisor has been the most rewarding experience. it is really remarkable how amazing our neighborhoods are, how amazing its people are.

i have a progressive outlook in terms of how i see things, and by progressive i mean we have to make government and make the city work for everyone, and that means that it's not just those who are doing well, it's also those who are not doing so well, those who have the least. but it also means making sure that the city works for the middle class. >> good evening, everyone. good evening. thank you all for being here. and when we first got into office about two years ago, we started talking to the mayor's office of workforce and economic development and trying to figure out how we can help different corridors within our district have a better sense of what that neighborhood should look like, what its main concerns and priorities should be and a strategy for the community. and that means business,

residents and the city working together to make whatever that vision is a reality. ultimately if there is a guidance on how i approach government, i believe in good government, i believe in transparency, i believe in accountability, i believe in making sure that we follow best practices. i think that oftentimes transcends the left, the middle and the right. it goes beyond that. and that's why as a supervisor i focus so much on contracts and how the city spends its money, which is not traditionally a progressive issue. but i believe that we have an obligation to make every penny count. thank you. [applause] we are still going through a very tough economic time. we are still not where we need to be in terms of job creation and economic development. so government, i think, has to

work with a lot of different folks, not only the business community, but also the community groups to see how we can create economic development that works for every san franciscans. >> one of the topics is -- [inaudible] >> as a member of the police commission, i learned that the most effective policing is the policing where you have the police and the community working together. so you need training for the police officer who's already there. it is important to have police officers on the street and having that police presence, but at the same time, there has to be a connection between the police and the community. so i think we're on the same page. you have to make sure that you create an atmosphere where

people feel safe, and i think that to feel safe they have to feel like they're in partnership. i really believe that when you are blessed with the opportunities that this country gives you, that you have an obligation to give back. i really believe in public service. i could be in the private sector and make a lot of money, but i believe that i have a duty to try to make things better for other people and to pay back to a country that has given me so much. >> i'm your host of "culturewire," and today, here

at electric works in san francisco. nice to see you today. thanks for inviting us in and showing us your amazing facility today. >> my pleasure. >> how long has electric works been around? >> electric works has been in san francisco since the beginning of 2007. we moved here from brisbane from our old innovation. we do printmaking, gallery shows, and we have a fabulous retail store where there are lots of fun things to find. >> we will look at all of that as we walk around. it is incredible to me how many different things you do. how is it you identify that san francisco was in need of all these different services? >> it came from stepping out of graduate school in 1972. i wrote a little thing about how this is an idea, how our world should work. it should have printmaking, archiving, a gallery. it should have a retail store.

in 1972, i wanted to have art sales, point-of-sale at the grocery store. >> so you go through the manifesto. with the bay area should have. you are making art incredibly accessible in so many different ways, so that is a good segue. let's take a walk around the facilities. here we are in your gallery space. can you tell me about the current show? >> the current show is jeff chadsey. he is working on mylar velum, a smooth, beautiful drawing surface. i do not know anyone that draws as well as he does. it is perfect, following the contours and making the shape of the body. >> your gallery represents artists from all over, not just the bay area, an artist that

work in a lot of different media. how to use some of what you look for in artists you represent? >> it is dependent on people are confident with their materials. that is a really important thing. there is enough stuff in the world already. >> you also have in his current show an artist who makes sculpture out of some really interesting types of materials. let's go over and take a look at that. here we are in a smaller space. project gallery. >> artists used the parameters of this space to find relationships between the work that is not out in the big gallery. >> i noticed a lot of artists doing really site-specific work. >> this is a pile of balloons, something that is so familiar, like a child's balloon. in this proportion, suddenly, it becomes something out of a dream. >> or a nightmare.

>> may be a nightmare. >> this one over here is even harder to figure out what the initial material is. >> this is made out of puffy paint. often, kids use it to decorate their clothes. she has made all these lines of paint. >> for the pieces we are looking at, is there a core of foam or something in the middle of these pieces that she built on top of? >> i'm not telling. >> ah, a secret. >> this silver is aluminum foil, crumbled of aluminum foil. her aesthetic is very much that quiet, japanese spatial thing that i really admire. their attention to the materiality of the things of the world. >> this is a nice juxtaposition you have going on right now. you have a more established artists alongside and emerging

artists. is that something important to you as well? >> very important in this space, to have artists who really have not shown much. now let's look at other aspects of electric works operation. let's go to the bookstore. >> ok. >> in all seriousness, here we are in your store. this is the first space you encounter when you come in off the street. it has evolved since you open here into the most amazingly curious selection of things. >> this was the project for the berkeley art museum. it was -- this is from william wiley's retrospective, when he got up onstage to sing a song, 270 people put on the cat. >> it is not just a bookstore. it is a store. can you talk us through some of your favorites? >> these are made in china, but

they are made out of cattails. >> these pieces of here, you have a whale head and various animals and their health over there, and they are jewelry. >> we do fund raisers for nonprofits, so we are doing a project for the magic theater, so there are some pretty funny cartoons. they are probably not for prime time. >> you sort of have a kind of holistic relationship where you might do merchandise in the store that promotes their work and practice, and also, prince for them. maybe we should go back and look at the print operation now. >> let's go. >> before we go into the print shop, i noticed some incredible items you have talked back here. what are we standing in front of? >> this is william wiley, only

one earth. this is a print edition. there are only eight total, and what we wanted to do was expand the idea of printmaking. this is really an art object. there we go. >> besides the punball machine, what do you produce in limited edition? >> there is the slot machine. if you win the super jackpot, you have saved the world. >> what about work? >> the right design, it was three volumes with lithographs in each volume. the cab of count dracula with 20 lithographs inside and lined with beaver fur. really special.

>> let's move on to the print shop. >> ok. the core of what we do is making things. this is an example. this is a print project that will be a fund-raiser for the contemporary music players. we decided to put it in the portfolio so you could either frame at or have it on your bookshelf. >> so nonprofits can come to you, not just visual are nonprofits, but just nonprofits can come to you, and you will produce prints for them to sell, and the profits, they can keep. >> the return on investment is usually four times to 10 times the amount of investment. this is for the bio reserve in mexico, and this is one of the artists we represent. >> you also make prints for the artists that you represent. over here are some large prints by a phenomenal artist. >> he writes these beautiful

things. anyone who has told you paradise is a book of rules is -- has only appeared through the windows. this is from all over coffee. we are contract printers for all kinds of organizations all across the country. >> thank you very much for showing us around today. i really appreciate you taking the time to let me get better acquainted with the operation and also to share with our "culturewire" team. >> happy arbor day, everyone. we have a lot of volunteers from

the richmond district center. i grew up in the california area, ended up at uc-davis. i made my way out to san francisco in 1984 when i was a college student. i remember growing up on clement street. i have always lived around in richmond area, just being around a unique area of the richmond, discovering san francisco in the 1980's. >> i am hoping we can not support small businesses like this because they are the unique character that makes neighborhoods like this so rich and lively to live in. >> i have also been active as a community organizer. i worked at the chinese progressive association. i also worked at the mental health center in the richmond district. i have always been passionate about civil rights, equality for

everyone. i have a 10-year-old daughter, so having a girl has made me much more sensitive to gender equality issues. i guess i have always been vocal about my politics, but as a supervisor, i have to listen to other perspectives and making decisions. >> very soon there will be of much more seniors in that area. we are trying to focus on whether a stop sign or stoplight might help. >> tried to look at issues of senior nutrition programs, alzheimer's research, even housing policies that allowed our buildings to become more senior-friendly. also looking at how to support senior services, neighborhood- by-neighborhood programs that allow aging in place. people who are getting older helping each other stay in their homes and communities longer so that they can contribute as long as possible, as opposed to

institutionalizing them. >> i support working families, livable communities, definite drawn support for the small business. even in my district, there are pockets of poverty and many people of work. so it is also about supporting those under employed people, small businesses in this difficult economy. >> there are a lot of vacant storefronts, so we are trying to find people to read these spaces. there is a bookstore over there. this way there are a lot of businesses that have been closing. >> i support the small businesses versus more chain stores that seem to be coming in to some of the vacant storefronts. i am trying to be sensitive to the local merchants because they make up the unique character and diversity of our neighborhoods. you go to lafayette. i was just there reading to a bunch of kids.

i think i was reading to fifth graders. what grade are you in? >> as a member of the school board, i know strong schools in the richmond is key. also, from the birth to 5 commission -- each commission has an organization to oversee pre-kindergarten kids. i want to ensure that the state level that we advocate strong support for young children and their families, good parenting support as well. >> often, we have to govern with our hearts. 80,000 people in the richmond district sometimes have different needs than people in the mission district or bayview hunters point. so often, elected officials and other hard working staff have to make tough decisions. they are political in nature, in many ways, even though people denied that, but at times, many of us are politicians, but we

always try to govern with our hearts. >> i have always considered myself having progressive politics. i believe in a vision of people having their needs met. i believe in equity. when people have special needs, we should be considered of that. i also feel that working families in the lowest income population should have a safety net. we should have civil-rights and equality rights for people as well. if that is being a progressive, then i am proud of being a progressive.

>> i get really concerned one ip -- hear people say the payroll tax is a job killer. maybe in some industries the payroll tax might be a disincentive on business going forward, but i would not be surprised if we came out of the whole discussion about remaking our tax for next year that it involves a combination of a payroll tax, commercial occupancy tax, and gross receipts tax. all of that could be in a remade form of our business tax structure. >> that is a good question to ask. i will ask this monday. >> i was born in of los angeles. i was in a mexican-american, a chicano town. my dad was a launch your worker. my mother was an office worker at usc.

my parents were divorced when i was 10 years old. i moved to the east coast and lived there for six years and then fled back to california after high school. i went to school at uc santa barbara. i have been in san francisco since 1989, have lived in the excelsior since 1999. the difficulty is, muni often sees it as an industrial area, not a neighborhood. we have to figure out how to make it work as a neighborhood and as a place that can service the light rail vehicles. i have had lots of different jobs. my main job has been doing social work for san francisco state university. i have been a community organizer, a social worker, but i have also been a legislative aide. i worked mostly for community- based organization supporting kids and families, working for labor. i got to see how city hall could be an effective tool to create

change. i looked at running in 2007, 2008, and somehow i made it. i have been in politics for so many ways, doing work around central america, supporting people in central america against u.s. imperialism, their right to live, self determination. i did a lot of work on that on campus when i was in college. a bit of work on apartheid when i was in college as well. >> i never got involved in supporting a candidate. i never thought a candidate was someone that i would support. then when tom ammiano ran against willie brown, i got inspired. i thought, someone with integrity and honesty, if they can run for mayor, maybe i can be somebody who represents what is true about our people. that is what inspired me to run

and be a candidate. one thing this year that i really tackling, and i expect to for a long time, looking at me and how it operates in my district. san francisco, we talk about it being a transit first city, but it does not mean a lot if transit is not very well thought out in places away from downtown. my district is where we need to create better options. all the way down to randall street, there is no accessible boarding areas for the church. there is a woman that lives in a wheelchair on santa rosa. she has to go across to glen park to get out transit. >> those new stations, those are the ones that we are going to have to depend on. >> along balboa park station, near geneva, i have been pushing hard to get ramps for

pedestrians. right now, it is dangerous to cross the street. i want to insure the department of parking and traffic is painting lines on alemany street. beyond that, we need to figure out how to calm the traffic. a lot of cars go speeding through. sidewalks are not convenient for people. >> i am the supervisor for district 11, the debt -- the best district in san francisco. this year, we get to show how great district 11 really is. >> we are in our fifth year of major budget deficits. it is inevitable that we will make painful cuts. so how do we do it in a way that will minimize the impact on every day san franciscans? >> i really appreciate what you're doing here. you are a really patient gentleman, and i appreciate that. >> our parks are often cut

first. how do we maintain our safety net, public health services, security services? all of these are critical decisions that have to be made. >> i have seen many people come forward today who i know whose lives have changed because of the services we are providing. that is something that we can be proud of and have a as a goal at the budget process to make sure that we can turn lives around and create a liveable communities. >> if we do not resolve the pension issue, we will have to cut. we will see fewer options for muni. we will see the parks deteriorate. i think the tide is rising. we have to figure out how to swim very quickly.