is not rocket science? some of this stuff is harder than rocket science because it involves people, and we do not always act in a logical, decisive way. elaine brown i heard say a little while ago that she lived in atlanta, and we always talk about how great atlantic is doing, but we do not own nothing in atlanta. they look like they are doing good, they have the cosmetic liberation, right? cosmetic change, cosmetic liberation, but when you look at who owns most of the city, right? who is in control of the power in the city? it may be marginally better for black votes in some other places, but there are still fundamental issues with the school system. look at the endowment of emory compared to some of the black universities and colleges in

atlanta. entrepreneurship is a big part of it. i did not understand and nobody told me what is involved with buying your own home until i was in my second law school, where is the my counterparts, the white students i was in class with, they had had that information coming up. it was just second nature. i asked the guy across the hall from me what his folks did. but told him my mom was a nurse and my dad was a teacher, a soldier before. he said his father was the deputy prime minister of jordan. i was like, "ok." minute court partner -- my moot court partner, he said his father owned three swiss banks. i think even before

entrepreneurship, it is financial literacy. we need to educate ourselves about what these resources are. it is financial literacy and really wealth literacy, understanding that there are different kinds of wealth beyond just monetary wealth, but you need to understand monetary wealth, spiritual well, the social capital we have and understand how to cultivate those things and invest them properly. those are important skills. at the same time, i do not think black capitalism is the solution to the problems of black folks who have been the victims of capitalism's boot. >> making sure that that kind of information becomes available. that could be the subject of what we deal with in black history month. you know? hal the wealth is developed. who developed it. loans what? how one gets to own it. we could do that. it could be touchy, but it could be useful. i'm just saying that we could use occasions for teaching about

things that could make a difference. so i just say raise questions, and sometimes, raise hell when you raise the questions. [applause] >> i wanted to know if there was an african-american district attorney working in texas to review some of the cases that were -- i guess, tried, and some of the evidence was not valid. looking through investigating some of those cases to find out if they should be released because of the false information that was acquired. >> the attorney who has been the lead on the team that i have been in communication with is a guy by the name of morris moon, and he would be the person i could ask to find out the answer. there is actually a be a working on that, but i know there have been so many cases -- there is

actually a d.a. working on that, but i know there have been so many cases that have been exposed, especially with dna testing. it is almost like every other week. there does need to be somebody looking into it from that angle. of the top of my head, i do not know, but i could definitely get that information. >> how can we make it not just black history day, not just black history month, but every day be black history and honor that? thank you. and how do we really teach our children, our students really not what the media portrays, not what -- but really, what happened? i did get a chance to experience "eyes on the price" and i thought that was just the tip of the iceberg -- experience "eyes on the priceze."

>> i do not know how to go about it, but what i would suggest is the reason why i did what i did, why i was brave enough and courageous enough to not give up my seat, because so much history was in my mind, and one of the things they were always asking me was why i did not get up when i was asked, and my answer would always be history had me glued to the seat. [applause] i think that what is left out of american history -- you should not be ashamed to say that we enslaved these people and mystery these people, a race of

people. it should be included in the american history, and it would be every day. [applause] >> really quickly, it jolla i went to school with named sol williams said, "stealing as was the smartest thing you ever did. too bad you do not teach the true to your kids." that line says so much. -- a scholar i went to school with. it is not just about changing lives of black people, but changing the lives of everybody by teaching true history, which includes jim crow and slavery before it -- but before that, the first people to walk the planet and develop situation -- civilization came along the nile river valley. if we teach african history as human history, history will

require that you incorporate our story and tell it the right way. [applause] >> just to say that in terms of how teaching history can make a difference to these test scores that we are also obsessed with, i had a piece of news from mississippi where the book, "putting the movement back into civil rights" -- are you familiar with that? the superintendent has agreed -- and your piece is in it, awele -- the superintendent has agreed that it be used districtwide. just this week, i was hearing that the rigor and relevance of the material actually got students engaged and got the score is up. while the score is being up is not the only thing, i do want to say there is real value in making curriculum relevant,

truthful, and rigorous, and one of the ways of doing that would be to embed all of this into all subjects all year for all the students. [applause] >> if i could just show that on friday, ms. colvin spent the whole day at alameda county juvenile hall, and i think we saw eight different units of young men and women, 14 to 18, medium-security, and they were riveted to their seats. when we were looking like we were running out of time, we were told not to worry about the time. they shared poetry. one young woman suggested how -- they share how they are trying to transform their lives, and listening to her story and transformation, and it was a very powerful date. >> this is for one of my heroes, claudette colvin.

and a local hero of mine, because we have freedom fighters right here in our midst, and we do not always celebrate them. francisca sanchez, who is seriously about her business about getting the shackles off. i want to do this to honor them, and to thank you for being here. give yourselves a big round of applause. [applause] all i've got is some fish and a few loaves of bread. and a whole lot of folks have got to get fed. but seven seats were made in under seven days, the first man was forgiven when he missed the hague, the branch was taken by a dove to a book that was built before a flood, if a rainbow sent out a sign, if someone was told to sacrifice his own son

and told to hold up before he was done, then the fish and bread that i just said is all that i've got, is all that i need for me to get fed and for me to feed a whole lot of folks in need because they set me on fire. when they look back, i was chilling. i had to fight like 10 older brothers, and because i had this dream, so they sold me out to a band of bandits and one day was commanded to stop, drop, when i got this fish that i found while fishing around, under water with the daughter of the pharaoh, the child was chosen to force the pharaoh to free his folks from a foreign land, repair everywoman, prepare every man, prepare every child, all you've got is that right in your hand. all i've got is some fish and a few loaves of bread, and a whole

lot of folks have got to get fed, but i believe. i believe i can part the sea now and then, and then put it back together again. i believe i can kill any giant dead if i believe in my heart. back when we were kings, back when we were able to see processes. when a whole woman with no vote because she conceived immaculate, and a good baby daddy was something even got to be, where we could heal the sick and make the blind see. we believe in believing, so i believe in believe, and i believe they can come in the night like a thief and knocked out each of uncertainty's teeth and take away all your disbelief because the fate that lived through leprosy is a fate that will live through a chevy, a fate that can make amounting get out of bed is a phase i believe that i believe can

spread fish and a few loaves of bread. i believe i can make wine out of tap water, and i believe i can go break dancing and walk on water. i believe i can fly. i believe i can soar. i never thought i could be so free, but i believe on flying away on a wing and a prayer, and who could it be? believe it or not, it is just me. believe it or not, the fish that we got and the bread i just said is all that we got, is all that we need for us to get fed and for us to feed a whole lot of folks in need. thank you. [applause]

>> let me ask the audience to thank our two guests on stage. [applause] and then, i'm going to invite awele to come up. thank you for your questions today and your participation. >> you are very welcome. >> before we go, i have one announcement and thank you, and then, we want to acknowledge the sponsorship for today's program. i want to give a big thank-you to linda brooks burton.

[applause] because linda brooks britain last march invited me to plan this program, and i want to thank helen, who i work with in san francisco unified because she introduced me to bryonn bain, and she always introduces me to the various artists that come in to work in the school district. as i learned about bryonn and experienced his presence and i was thinking about putting together this program, it just clicked -- why not bring the two together to bring this link from the past unsegregated jim crow to what is happening in the 21st century and that has been happening? i think i was inspired by michele alexander's booke." >> it is my pleasure to say, ms.

colvin, without you we would not be where we are. [applause] thank you for sharing your story, and keep telling your story because we need to know, and our children need to know, and our children's children need to know your story. and we want to thank our sponsors today. we have the san francisco unified school district. we have marked as bookstores, who will be selling this -- ms. colvin's book, written about her, by philip house. we have sponsorship from the african diaspora, and the friends of the san francisco public library. i serve as part of the african- american interest committee that helped put this program together, and i want to thank all of you for coming, and i want to thank sfgtv for taking

the program today. we want to thank the department here at san francisco public library, and we are having a reception in l58, and we want to thank read your catering for providing some delicious food for us to nibble on today, so will you please join us and say thank you again to mrs. colvin and also to byrin bain for telling his story, but thank you for coming so that we can say thank you to miss colvin for being a living history maker. join us. thank you. ♪ lift every voice and sing

>> what if you could make a memorial that is more about information and you are never fixed and it can go wherever it wants to go? everyone who has donated to it could use it, host it, share it. >> for quite a great deal of team she was hired in 2005, she struggled with finding the correct and appropriate visual expression. >> it was a bench at one point. it was a darkened room at another point. but the theme always was a theme of how do we call people's attention to the issue of speci species extinction. >> many exhibits do make long

detailed explanations about species decline and biology of birds and that is very useful for lots of purposes. but i think it is also important to try to pull at the strings inside people. >> missing is not just about specific extinct or endangered species. it is about absence and a more fundamental level of not knowing what we are losing and we need to link species loss to habitat loss and really focuses much on the habitat. >> of course the overall mission of the academy has to do with two really fundamental and important questions. one of which is the nature of life. how did we get here? the second is the challenge of sustainability. if we are here how are we going to find a way to stay? these questions resonated very

strongly with maya. >> on average a species disappears every 20 minutes. this is the only media work that i have done. i might never do another one because i'm not a media artist per se but i have used the medium because it seemed to be the one that could allow me to convey the sounds and images here. memorials to me are different from artworks. they are artistic, but memorials have a function. >> it is a beautiful scupltural objective made with bronze and lined with red wood from water tanks in clear lake. that is the scupltural form that gives expression to maya's project. if you think about a cone or a

bull horn, they are used to get the attention of the crowd, often to communicate an important message. this project has a very important message and it is about our earth and what we are losing and what we are missing and what we don't even know is gone. >> so, what is missing is starting with an idea of loss, but in a funny way the shape of this cone is, whether you want to call it like the r.c.a. victor dog, it is listen to the earth and what if we could create a portal that could look at the past, the present and the future? >> you can change what is then missing by changing the software, by changing what is projected and missing. so, missing isn't a static installation. it is an installation that is going to grow and change over time. and she has worked to bring all of this information together from laboratory after laboratory including, fortunately, our great fwroup of researche e-- g

researchers at the california academy. >> this couldn't have been more site specific to this place and we think just visually in terms of its scupltural form it really holds its own against the architectural largest and grandeur of the building. it is an unusual compelling object. we think it will draw people out on the terrace, they will see the big cone and say what is that. then as they approach the cone tell hear these very unusual sounds that were obtained from the cornell orinthology lab. >> we have the largest recording of birds, mammals, frogs and insects and a huge library of videos. so this is an absolutely perfect opportunity for us to team up with a world renown, very creative inspirational artist and put the sounds and sights of the animals that we study into a brand-new context, a context that really allows people to

appreciate an esthetic way of the idea that we might live in the world without these sounds or sites. >> in the scientific realm it is shifting baselines. we get used to less and less, diminished expectations of what it was. >> when i came along lobsters six feet long and oysters 12 inches within they days all the oyster beds in new york, manhattan, the harbor would clean the water. so, just getting people to wake up to what was just literally there 200 years ago, 150 years ago. you see the object and say what is that. you come out and hear these intriguing sounds, sounds like i have never heard in my life. and then you step closer and you almost have a very intimate experience. >> we could link to different institutions around the globe,

maybe one per continent, maybe two or three in this country, then once they are all networked, they begin to communicate with one another and share information. in 2010 the website will launch, but it will be what you would call an informational website and then we are going to try to, by 2011, invite people to add a memory. so in a funny way the member rely grows and there is something organic about how this memorial begins to have legs so to speak. so we don't know quite where it will go but i promise to keep on it 10 years. my goal is to raise awareness and then either protect forests from being cut down or reforest in ways that promote biodiversity. >> biodiverse city often argued to be important for the world's human populations because all of the medicinal plants and uses that we can put to it and fiber that it gives us and food that

it gives us. while these are vital and important and worth literally hundreds of billions of dollars, the part that we also have to be able to communicate is the more spiritual sense of how important it is that we get to live side by side with all of these forms that have three billion years of history behind them and how tragic it would be not commercially and not in a utilitarian way but an emotio l emotional, psychological, spiritual way if we watch them one by one disappear. >> this is sort of a merger between art and science and advocacy in a funny way getting people to wake unand realize what is going on -- wake up and realize what is going on. so it is a memborial trying to get us to interpret history and look to the past. they have always been about lacking at the past so we proceed forward and maybe don't commit the same mistakes.