of civic life, that that is a really important thing for the cause. thanks. >> thank you for your comments. they are duly noted. commissioners, we are coming to close here. are there commissioners who would like to make any comments? ok. commissioner? >> first of all, i want to thank everyone who is here tonight. i want to thank the centers. but i especially want to take time to thank the people from the immigrant rights movement who are here tonight and who are not here tonight for other reasons. i think that san francisco -- anybody who has been here in san francisco for the past six months or year, we have seen a huge battle to really defend what we have won in the past 20 years around sanctuary city. i was glad to hear testimonies

from were tonight, and i think that this commission has played a very important role in passing the change around the indictlement. this commission held a hearing with hundreds of people who came to give testimony. nothing that happens in the city, nothing that happens in the country happens because somebody wakes up one day and makes it happen. it happens because every day people organize and push for it to happen. this commission exists because of organizing of people. and like they have said, it is important for us as commissions, and i myself commit to going out in the community and really talking about it. a symposium doesn't happen in a room like this. real change happens when we go out and talk to people. a lot of people can speak with

their own voice around their own issue. i am committed to them, and as a commission i hope we can work to make that happen. this is a beginning, and i have gotten a lot of good information. to have representatives from congressional offices here is important. i want to say thank you to every one of you, and i want to recognize the san francisco immigrant rights movement for their work. thank you very much. >> thank you, commissioners. i want to rhyme my commissioners -- want to remind my commissioners that we are restricted on time. >> my comments are usually short. i have a question for bill, who has scared me to death. after we hear all this, and he sounds like the problems are worse in washington. but are there any things positive you found in washington that have happened? >> there's a new president. [laughter]

>> there are -- the enforcement priorities have changed somewhat. there are the voices of progressive immigrant rights folks are being heard. what you heard me articulate earlier is my best judgment of who is getting the better of that arm wrestling, unfortunately. but yeah, i mean there are good proposals floating out there in terms of backlog production, in terms of restraining ice, in terms of potentially different types of visas that are more fluid. i wish i could say i was confident in that. i fear the worst because of

what we are witnessing on health care reform. >> thank you. >> welcome to the commission. thank you for joining us this evening. this is his first commission hearing. >> i actually also had a question. we have heard a lot about sort of economics and family reunification. but i think there is the long-standing tra transition of framing immigration law. i think that has been absent from this conversation, and i was wondering if there is anything you can offer about current political ideologies affecting immigration reform. >> you can go first. >> all right. i think that 9/11 was a watershed in immigration generallyly because we were at

a moment where it seemed like there was some real consensus in moving forward on immigration reform. after that congress really went in the opposite direction, focusing on really keeping people out of the country. dan said this at the beginning of the evening that we have seen in the last eight years a mindset that is -- somehow or other that immigration is a negative and that our country is better off when we are tightly restricting who comes in. i think that there is movement away from that. i think there has been a lot more work in energy, and a growing group of new citizens, naturalized and voting, who are changing that dynamic. but we're fighting the remnants

of that every day. and i think the fact that. gration has been used as sort of a substitute for a -- immigration has been used as a sort of substitute for things that people are upset about, and it becomes easier to kick the immigrant. we see that with the restrictionists and the hate movement. those are the kind of things we are fighting against. some of that sells politically. the challenge is, as cindy was saying, in other parts of the country, really getting people to see that being against immigration is being against america, and that we have to reframe the analysis that way so that people can't hide behind it and use that as their basis for bad votes and sort of

running away from the issue. >> thank you. once department, thank you, panelists. >> i will make my comments. when i heard bat, for me it was good because it was like a recharging of the batteries. i needed that because i had been drinking the kool aid of the bad stuff out there and believing maybe there was no hope. but like most of you, i do believe there will be. i remember bart's story, that when we did go back to washington, the irish group. and we walked right back out. it told me that democracy is alive and well. after the kennedy-mccain bill

failed, it disappointed me because i thought we were really close. we didn't just have an immigration problem, but we also had a public relations problem, and he talked about that this evening. you have touched on it so many times. that is our strongest ammunition here in our arsenal. we have to get our own lou dobbs on the air, and we have to get him educating the people on the pluses and how immigrants are the backbone of this country. i am going to close out the hearing. this concludes tonight's symposium. on behalf of my fellow commissioners, we thank you for coming here. i would like to thank our assemblyman, the staff, the san francisco board of supervisors, david chew, our speaker and our

panelists, our partners and collaborators, and most of all to the members of the audience and immigrant communities who are represented for which we exist, thank you for coming here this evening. we have learned a lot and are well educated for going forward. please look for a written report on these proceedings by the end of the meeting. also we look forward to a report on april 13, 2009 of the joint hearing with the human rights commission by the end of the year. thank you all for coming here this evening. [applause] >> the meeting is adjourned.

>> welcome to culture wire. we're going to take a look at one of the biggest and most significant public art projects today. ♪

on june 26, mayor newsom and other officials gathered at the hospital to cut the ribbon and welcome the public into a beautiful new state-of-the-art facility. >> 3, 2, 1. [applause] >> in has been 10 years since voters approved the measure for the new building. >> when they cast the vote, we have an exciting opportunities to rethink how art is done in a hospital setting. >> replacement program generated approximately $3.9 million in art enrichment funds for a comprehensive art program that contributes to the quality of life at the hospital by enhancing the environment and supporting the hospital's needs and therapeutic goals.

artists were commissioned to create 100 original works of art. as was for the gardens and courtyard areas. >> be artwork does more than just hang on the wall. it will enhance the therapeutics of the hospital and will include sensory stimulation, orientation, social interaction. >> it was set into like boxes to create color filled areas in the hospital. inspired by nature, the signature painting of native san francisco birds, clouds, and the surface of the ocean waves were translated into a variety of media including glass mosaic and

tapestry. the playful clock encourages memory stimulation among the patients. they used the theme of the four elements as they relate to vocation. it is a direct homage to the historical murals in the original laguna honda building. it features to large tile walls. by observing residents, the gardens created a public artwork in the form of the handrail. in one of the outdoor courtyards, the circular grouping of -- with a smooth

finish. this features ten unique button sculptures with different pastel colors that function not only as a place to sit, but also as a touchstone to something recognizable, familiar, and comforting. another key component included an art project that responded directly to the hospital's rich history. using archival images and artifacts, had designed 16 intricately woven tapestries that are inviting of significant events that shaped the hospital and the community over time. a >> it attracts a lot of visitors, and they are all and all - -in aw -- in awe over the

variety of mediums used. >> i think we have given the city of san francisco and the residents an incredible art collection. it really encourage people to come and visit the new facility, also to see the arts. >> for more information, visit sfartscommisis >> hello. welcome to "culturewire." we are here today with bay area artist jody chanel, and we are here to see the plaza where your piece has just been

installed. >> i have been doing large-scale paintings in the galleries and museums, and the idea that in the future, i could do something that would hang out a little bit longer than the duration of the installation the kind of appeal to me. i quickly found out about the san francisco arts commission school and realized there was a pre-qualified school you had to apply to, so i applied to the. >> how long did it take you to develop this work for the plaza? >> this was a fast track project. design development was about a month. >> let's look at the beautiful mural. i have never seen a mural created on asphalt. >> the heat of the asphalt, a new layer of asphalt. then, these wire rope templates

that were fabricated for the line work get laid down and literally stamped into the asphalt, and then everything was hand-painted. >> maybe you could talk about some of the symbolism, maybe starting in the middle and working out. >> [inaudible] the flower of industry. >> it is like a compass. there's an arrow pointing north. >> within the great bear consolation, there are two pointed stars here. they typically lead one to the northstar, otherwise known as polaris. so i thought it has a layer of theme. >> let's talk about some of the other elements in the peace. we are walking along, and there is a weather vane. there's a sweet little bird hanging on the side. what kind of bird is that? >> [inaudible]

the smallest of the gulf species, and it lives around the bay area. >> you want to talk about the types of flour patterns that you send? >> [inaudible] around 1926 or so by the dahlia society. >> what is this bird here? >> that is the california quail. >> coming up here, we had a little blustery theme. what is this area here? >> this is supposed to be the side view, the expense of the golden gate bridge. >> there it is. >> there are really beautiful elements of architecture still around, i would say that it gives that feeling over to the

work. >> what are your hopes for it? >> that in a way it just becomes part of the area. i think it is starting to have that feeling. people utilize it. they sit and, and have their lunch and play on -- they sit and, and have their lunch and play on that -- they sit and come and have their lunch and play on it. just for it to be part of the neighborhood. that is my hope. >> is such a beautiful addition to our public art in san francisco. thank you for joining us. it was nice to meet you. and thank you for telling us about your beautiful mural. thanks for watching "culturewire." >> is housed in a spectacular

building described by the world renowned architect. it is the san francisco destination for provocative expositions and programs that explore culture, history, art, and ideas. the director of cultural affairs told us more about the mission and to give us a tour of the latest exposition. ♪ >> today we find ourselves of the contemporary jewish museum. with me is the director of the museum. >> i am so happy you are here today. >> we're getting close to a milestone for the museum. it is your third anniversary

coming up. >> it is. you were here to help cut the ribbon. it has been an extraordinary journey ever since. we welcome hundreds of thousands of people into the building. we welcome school groups, interests -- tourists. >> the addition of the museum to the cultural pantheons of san francisco has been phenomenon. you have fabulous exhibits. there is one i want to talk about, "seeing gertrude stein." >> gertrude stein is a local woman. she was raised in oakland. she was an extraordinary individual who helped create -- many people call for the mother of modernism. years ago, i was introduced to someone doing research on her. i thought it would be an extraordinary exposition to take

her and understand her at all for complexity. that is what we have on view during the summer of 2011. >> it is full of wonderful drawings, paintings, and sculpture. >> there is incredible art on view. we have photographs. we have sculpture. we have a lot of different things. we have a little something made for her by picasso. there are five different ways of looking at her life. it is not in chronological installation. it is looking at how she is portrayed in help artists, painters, and photographers presented her and how she thought about her own style and presentation. many people think she always had

short hair. it was not until she was 52 that she cut off all of her hair. the second element is called "domestic stein." alice b. toklas was her lifelong partner. they had several different homes. we know about their home in paris, the famous salon. you get a taste of what their domestic life was like. >> one thing recreated is the fabulous wallpaper. the black-and-white photos do not convey the color. >> in doing a lot of research, you discover a little tidbits. with an exhibition, at the find ways to make it come together. we found beautiful photographs of the interior of their home. then we found a tiny scrap of the wallpaper. we saw how blue and vibrant it

was. we had a designer recreate the image of the wallpaper. we had it made into wallpaper so we could all experience what it would have been like to be in their home. it is dynamic and fantastic. they seem very monochromatic because you only know them through black-and-white photographs, but they had such a vibrant life. that is what the exhibition is also trying to show. the third one is the art of friendship. picasso and matisse were part of their second family. there were people she admired and worked with. we introduced the visitors to her second family in a sense. the fourth story is called celebrity stein. what a lot of people do not know is when she left united states in the early 1900's, she only came back once in 1934.

we also have a section of every single first edition book she ever published. >> it is incredible to see all the first edition books. >> it is really impressive to realize not only was she a grand dame of paris, but she had an incredible writing practice. she was a prolific writer. the fifth level really looks at her legacy and how artists continue to be inspired by her image, work, and concept. >> this is a compelling reason for people to visit the jewish museum. you also have life and theater. >> we are a non-collecting museum. any time you walk in the building, you will always be treated to a range of very

different and wonderful exhibitions. in our first floor exhibition space, we have an exhibition on the work of charlotte sullivan. she was a young artist in berlin. the nazis came into power. her parents sent her to the south of france to live with her grandparents. she put herself in a room for about 18 months and created 1200 small paintings telling her life story through a kind of reflection. it is another example of the way we try to bring a wide range of art and experiences to our public. we want them to find something meaningful to them. >> your institution has been in this neighborhood for three years. how do you like the neighborhood? >> this is the best neighborhood. we are the luckiest city in the world to have this kind of cultural district, to have so many museums and cultural

institutions. the center of our tourist life is here because this is where the convention center is. people from near and far can be introduced to the richness of the bay area. it is so wonderful and unique. >> the city thanks you for providing such wonderful leadership and vision. >> we're so happy to be part of the city and so honored to be part of "culture wire." >> to learn more about the exhibition and other upcoming events, visit the website. thank you for watching "culture >> welcome to culture wire. we will look at the latest and greatest public art project.

recently, the airport unveiled the new state of the art terminal. let's take a look. the new terminal service and american airlines and virgin america was designed by a world- renowned architecture's firm. originally built in 1954, the building underwent massive renovation to become the first registered terminal and one of the must modern and sustainable terminals and the united states. the public art program continues its 30-year legacy of integrating art into the airport environment with the addition of five new commissions that are as bold and dynamic as the new building.

>> this project was completed in record time, and we were able to integrate the artist's early enough in the process that they could work with the architect said that the work that is completed is the work that really helps complement and instill the space as opposed to being tucked away in a corner. >> be experience begins with the glass facades that was designed with over 120 laminated glass panels. it captures the experience of being under or over clouds when flying in a plane. depending on the distance or point of view, it can appear clear for more abstract and atmospheric. the subtle colors change gradually depending on the light and the time of day. >> i wanted to create